Samyang Announces 2 Auto-Focus Lenses for Sony FE Mount!
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Samyang (Also branded Rokinon, Vivitar, Bower etc) are a brand that we really like, they've been delivering optically fantastic lenses at incredible prices with one large tradeoff - they've always been manual focus.The current 14mm is our pick for "Best Budget Lens for Stars" see our review hereNow Samyang has announced two Full Frame Sony E Mount lenses - an Ultra Wide-Angle 14mm F2.8 and a 50mm F1.4.We're very excited about these lenses, if they've managed to produce lenses that have good auto-focus on Sony bodies, with the existing high level of optical quality AND keep the prices reasonable - these are going fly off the shelves.Below is the full press release - we of course are hopign to get our hands on one to test for you.Press Release from Samyang's website"May 3rd, 2016, Seoul, Korea – The global optics brand, Samyang Optics (http://www.samyanglensglobal.com) today announced the long-awaited launch of two autofocus lenses: 14mm F2.8 and 50mm F1.4 lenses for Sony E mount Mirrorless cameras with full frame sensor size. The new 14mm and 50mm are the widest and brightest lenses in their classand offer superb quality images to photographers. This launching expands the boundaries of Samyang Optics photo lens line-up from manual focus only, to now include autofocus lenses. Optimised Optical Design as Full Frame Mirrorless Camera LensBoth 14mm F2.8 ED AS IF UMC and 50mm F1.4 AS IF UMC are specifically designed to work in harmony with full frame mirrorless cameras in Sony E mount. The flow of light is devised based on the uniqueness of the distance from glass to sensor in mirrorless cameras to create optimal performance. Along with portability of mirrorless lenses, the 14mm F2.8 and 50mm F1.4 are compatible with full frame sensors to deliver the wideness and sharpnessof image to photographers.The 67mm filter diameter brings the maximum amount of light into the lens to create the best work of light in photography. The 14mm F2.8 is the widest angle available in the market and the F1.4 of 50mm and F2.8 of 14mm apertures are by far the brightest of full frame mirrorless lenses, offeringa beautiful bokeh effect and the best quality images under various exposure conditions.Based on Samyang Optics’ exceptional optical technology, aspherical lenses have been included in both lenses to minimise aberration and unnecessary light dispersion, delivering high resolution from the centre to the corners of the image.AF Performance and Ergonomic Design Based on Class-Leading TechnologyThese new products will be the first autofocus lenses in over 40 years of Samyang’s class-leading core optics technologies. Samyang has captured the essence of world leading image technology with their manual focus lenses and reinterpreted it into autofocus lenses. Photographers now can enjoy the prime manual lens image quality and autofocus lens. These new 14mm F2.8 and 50mm F1.4 are compatible with both phase detect and contrast detect sensors to operate fast and accurate focus detection.The 67mm filter diameter is also the result of years of R&D for best handling, by adding stability to the photo-taking experience. Also the minimal and sleek design and metal-housing solidify the build quality with the internal focus system.These two new autofocus lenses from Samyang Optics will be exhibited at the Photo & Imaging 2016Show in Seoul, South Korea. The lenses will be globally available from July 2016. Further details, pricing and availability will follow.More information will be released soon onSamyang Optics official website (http://www.samyanglensglobal.com), Facebook page (http://www.facebook.com/samyanglensglobal) andInstagram (http://www.instagram.com /samyanglensglobal)."
So with the histogram you have what’s called clipping. This is where the camera has maxed out the sensor and that area is a solid color with no data. As with the eagle to the right if exposing to what the camera thinks is a decent exposure due to the dark wings the head will end up clipped and solid white (red is the highlight clipping warning from Lightroom). 
As an example using Canon’s live view and pressing info you can get a live detail of your histogram and where your photo is currently standing. In the case of a lot of contrast such as baby Groot to the right the histogram is showing that the highlights are blown out. On the right side of the histogram it has spiked at the end due to the light coming in from the window. While purposeful in this case for the most part it's what we're trying to avoid if that happened to be the subject of the photo. Most today's camera's have a clipping notification in review that you can turn on as well for a quick warning. 
Having a computer nearby or even tethered makes reviewing your images easier. As we’re not running around outside you can have it close for a quick edit to see if the photo will work. Dropping red saturation by a small amount in post for brightly lit subjects also helps nullify some of the highlights without having to underexpose as much. Then fine tune your exposure on your test images and see what you think. If the histogram is still showing it's too bright you might want to try lowering or softening the lighting hitting it for an easier time. 
A recent instagram shot I used Nik Silver Efex Pro to edit
