Take Epic Hands-Free Fireworks Photos

With the American Independence day holiday right around the corner I thought it would be timely to have a quick how-to post on shooting fireworks. In the first part of this video I share basic fireworks tips and tricks for getting great shots.  

  1. You must have a tripod or something to hold the camera steady or a few seconds. I love the Leofoto Tripod

  2. Use manual mode on your camera - Shutter speeds between 2 and 8 seconds, Aperture f/5.6-8.0, ISO 100-200 if you have a P&S camera use the fireworks scene setting (still need a tripod)

  3. Use a remote release device to trigger your camera- I recommend Intervalometer with multiple connections: http://amzn.to/29xNO3M

  4. Be ready! Some of your best opportunities happen early on, as the smoke builds your shots may get hazy unless you have a breeze removing the smoke. So I suggest you start to setup before it gets dark, frame your composition and take a few test shots - use trees or light poles near the fireworks launch spot to focus on - review the photos watching for stray objects or horizon lines that might distract from the fireworks. If you end up setting up in the dark, use the following tips - set your ISO to MAX and your shutter speed long enough to get a well lit photo, we don't care if it is grainy, we just want to get quick feedback on focus and composition. Once you have those set then use the suggested settings in step 2 for the actual fireworks shots.

  5. Try to time your shots to start just as the rockets head up, longer shutter speeds are going to capture more of the action

  6. Experiment but don't forget to enjoy the show some too

  7. Finally, watch out for the Grand Finale - shorten the shutter speed during that fireworks-heavy period or you will end up with an overexposed image.

Related - Long Exposure Sparklers Photos / Light Painting

Nikon Z7 & Z6 Mirrorless Cameras Announced -

Nikon Z7 Exposed!

Nikon Z7 Exposed!

The Nikon Z7 and Z6 mirrorless cameras have been officially announced - After months of teasing we have an official announcement, photos, specs and most of the answers - I say most because we only have a few early hands-on. I will be back with a full hands-on soon. I will say if you are even a little on the fence - get your pre-orders in - if this camera is going to be anything like the D850 supply/demand situation, over a year after the D850s release we still don't see that camera consistently in stock. There are two features some of you may consider deal breakers! 

Nikon Z7 and Z6 Preorder Links

Z7

Z7

Nikon Z7

bh-400x275.jpg
Amazon

Amazon

Z6

Z6

Nikon Z6

bh-400x275.jpg
Amazon

Amazon

Body Only | Body + 24-70 f/4 Z Mount Lens  | Body + 24-70 f/4 + FTZ Adapter KitBody Only | Body + 24-70 f/4 Z Mount Lens  | Body + 24-70 f/4 + FTZ Adapter Kit

Lenses and Adapters

Nikon Z Mount24-70 F/4 Lens

B&H

|

Amazon

Nikon Z Mount50mm f/1.8S Lens

B&H

|

Amazon

Nikon Z Mount35mm f/1.8S Lens

B&H

|

Amazon

FTZ Adapter ($100 off when ordered with kit until Dec 2018)B&H | Amazon

Nikon Z7 Specs

Fully weather sealed on par with D850 which is to say excellent. 45.7MP FX-Format BSI CMOS Sensor - very similar to what we have in the D850 and when I did my hands on review of the D850 I found the image quality to be excellent4K 30/25/24fps Video with the option of N-Log & 10-Bit when recording externally493-Point Phase-Detect AF System - If you are curious about mirrorless vs DSLR focusing system I wrote a complete overview of these systems and its available on the Photo Enthusiast Network. 5 Axis BIVR - BBuilt-InVibration Reduction. Similar to the Sony system - I have had success hand holding shots shots as slow as 1/3 of a second. Note when using the Z mount adapter you only get 3 axis IBIS. 3.6 million  EVF - similar to Sony but early reports sound like it feel bigger with a good amount of customization on what you can display in there3.2" 2.1 million-dot Tilting FULLY touch, touchscreen - menus, quick info bar all accessible via touch. Does not function as a touch pad as you get with the Nikon D5600 and Sony a7iii and a7Riii series. 9 fps - Buffer fills up at just 18 frames & I believe the fps drops when you are running continuous AFONE memory card slot - XQD*

A few thoughts on the Nikon Z7 Mirrorless

*XQD cards are more robust and faster and a bit more expensive than SD cards. I think out of all the specs the fact that we have just one memory card slot has been the most controversial - you have those pros that say in 30 years they have never had a memory card fail. And you have those that have had cards faily yesterday and there is no way they will take on a pro level gig without dual memory cards. I would love to know your opinion.  I have had cards fail but never lost an image. Recently I had the 2nd slot on my Panasonic GH5 fail and it no longer reads any cards. I am very grateful I had two slots as I was in the middle of an epic trip when it happened.  Is this a Deal Breaker? Battery life is rated at just 300 shots. Sony a7RIII is rated at 600 but I know I get far, far more and can almost always make it through a full day of shooting with a single battery - I suspect the Nikon will be much better than the 300 it is rated at - and it’s nice that they are continuing to use the EN 15L battery BUT if you want to charge it in camera, which this camera now supports - you will need to buy the updated B version of the battery. So older batteries will work but will not charge in camera. Is this a Deal Breaker? No Eye-AF which I love and use often with my Sony a7RIII but it sounds like the face detect AF is very good and AF in general is VERY good but quite a bit different from your options as DSLR shooter used to Nikon. - I am excited to test all the AF system with the native lenses and adapted lens.  Video focus sounds VERY good on par with Canon’s dual pixel AF which is the best out there.

About that Nikon Z6 (the cheaper Nikon Mirrorless)

The Z6, which isn’t going to be released until Nov 30 has the same form factor but offers 25MP, 273-Point Phase-Detect AF System and looks like it will do noticeably better in low light. It is capapble of up to 12fps - no word on the buffer size at this time.Body only $1996 and with 24-70 $2596Nikon Z6 Body Only | Body + 24-70 f/4 Z Mount Lens  | Body + 24-70 f/4 + FTZ Adapter Kit

Three Nikon Z Mount Lenses

Nikon Z Mount 24-70 F/4 LensNikon Z Mount 50mm f/1.8S LensNikon Z Mount 35mm f/1.8S Lens And word of development of a 58mm f/.95 lens (coming in 2019) Fastest lens Nikon has ever made BUT it is manual focus only. It looks beautiful, will have the little OLED distance focus indicator like some of the Batis lenses.

Nikon Z Mount Lens Road Map

Screenshot-2018-08-23-12.44.50-650x366.png

They released a full lens road map - There are some serious lenses coming but you will be waiting and I don’t see anything longer than 200 on the horizon and as good as the AF performance has been stated with the adapter - i would be cautious buying into this system until we hear more.  I am really curious to see what we will get from Sigma and other third party lenses - will they make their own adapter or will they create native mount glass and the more immediate question - how will existing third party, F-mount lenses work with the current adapter? I am going to assume it’s going to be hit or miss for now but again that’s a wait and see questions. What are you most excited about? When do you think we will hear from Canon with a full frame mirrorless.

Breakthrough Filters - Magnetic Filter System

For the last week, I have been testing the Breakthrough Filters Magnetic Filter System.  The system uses magnets to attach filters that sit on the end of your lens. The magnetic system means no screwing on and off of filters and no getting filters stuck on adapter rings or on the end of your lens.  You do need to screw on the Magnetic filter holder.

Pros of Breakthrough Filters Magnetic Filter System:

  • Fastest on/off of any filter system

  • Mount securely but remove easily

  • Low profile

  • Sharp/Extremely high quality

  • No color cast

Cons of Breakthrough Filters Magnetic Filter System:

  • Not easily stackable*

  • Cannot use with a lens hood

*Breakthrough Photography solution to the stackable issue - they sell filters that combine two functions - Their Dark CPL filters combine a circular polarizer with a 3 or 6 stop ND. Alternatively, you have the option of buying an additional filter holder that allows you to use add-on square filters.

BreakthroughFiltersMagnetic

BreakthroughFiltersMagnetic

Alternative:

Manfrotto offers a similar system that allows you to bring your own filters - they sell you a holder and adapters for your filter. I hope to bring you a hands-on review soon but if you already have existing filters the cost is much cheaper.

Learn More

Sony RX 100 VI Review at Rainier National Park

The Sony RX100 Mark 6 Reviewhttps://www.youtube.com/watch?v=4D-DoMz54zYI have been shooting with the Sony RX100 VI now for a few weeks and I impressed with the zoom AND the quality that they have packed into this little, easily pocketable, camera.If you want the smallest P&S with excellent quality and a ton of zoom - the new Sony RX 100 VI offers a very versatile and powerful camera packed into a tiny body. Having that range from 24-200 makes this camera useful for just about anything, even wildlife.The Good (Sony RX 100 VI)

  • 24 - 200mm range

  • 20MP with very good low light capabilities for such a small sensor

  • 24fps with Phase detect AF - excellent tracking and eye-Af

  • UHD - 4k with S-log, HDR Video, and Super Slow 960fps

  • 180° Touch Screen

The Bad (Sony RX 100 VI)

  • No mic jack for better audio

  • Poor battery life

  • Pricey

Buy the Sony RX100 VI from B&H PhotoSample Photos -[gallery columns="4" ids="18705,18706,18707,18708,18710,18711,18712,18713,18714,18715"]DOWNLOAD RAW & UNEDITED JPEGS for personal use only.

Sony RX 100 Mark VI Alternatives

Sony RX 100 VA - This is the previous model with a few updates. Sony did this to give you the choice, do you need a big zoom? Get the new VI or do you need less zoom and better low light? Get the VA which offers a 24-70 f/1.8-2.8 lens.Sony RX 100 IV - Honestly these little cameras haven't changed much in the last few versions, until they added the massive range to the latest, mark 6 - so if you just want a good P&S the IV and even the III is still a decent camera and saves you significantly.Panasonic Lumix DC-ZS200 -  1-inch High Sensitivity MOS sensor and a 15x optical zoom lens for 20.1MP photos. Complementing the sensor is a Venus Engine image processor capable of UHD 4K video recording at up to 30 fps and with an extended ISO of 25600 for use in low-light situations.Canon PowerShot G7 X Mark II Digital Camera - You give up 4K and some range vs the Sony RX100 6 but you get that excellent Canon user interface and ease of use along with saving several hundred.

Sony 1.4x and 2x Teleconverters. How Good Are They?

I use the Sony 1.4x and 2.0x Teleconverters with the Sony 100-400GM Lens and share results on image quality, focus speed and focus performance while searching the Arctic for polar bears. Tested with the Sony a7RIII and Sony 100-400 GM paired with the 1.4x Tele and 2.0x Tele.https://youtu.be/A6Seehp2imkI found the optical performance of the 1.4x and 2x teleconverters when matched with the Sony 100-400 GM to be absolutely fantastic. Colors, contrast, and clarity all remain excellent. But there are drawbacks - watch the video above for the full story.Buy Links (Your use of these links supports reviews like this)Sony a7RIII: https://bhpho.to/2i7Z3F8Sony 100-400 FE f/4.5-5.6 GM: https://bhpho.to/2JIxM7FSony 70-200 f/2.8 GM: https://bhpho.to/2LfkuoTSony 1.4x FE Tele: https://bhpho.to/2JGWntMSony 2.0x FE Tele: https://bhpho.to/2Lev1APDownload RAW Photos to evaluate (For your personal use only)[gallery td_select_gallery_slide="slide" td_gallery_title_input="Sont Teleconverter Samples" ids="18611,18613,18612"]

Sony 1.4x & 2.0x Teleconverter Photos from the Arctic

[gallery ids="18615,18616,18617,18618,18619,18620"]

Want to see more from my arctic expedition?

https://www.youtube.com/watch?v=Xyi9zkr30O0

Huawei Mate 10 Pro - Leica branded camera phone with Full Manual!

 [embed]https://www.youtube.com/watch?v=ON7YEv2WM0k[/embed]Huawei's affordable flagship? I try out the Huawei Mate 10 Pro - a Leica branded camera phone with full manual control, RAW capture and is quite affordable! Just $649 for 128GB, cheaper with the current sale, and the best controls I have ever seen! Even better than my daily use Pixel 2!

Pros

Cons

• 128GB is a ton of storage

• No headphone jack, wireless earbuds and usb-c adapter included

• Giant 4,000 mAh battery

• No wireless charging

• Dual Leica f/1.6 cameras

• No microSD

• Shoots DNG RAW

• Camera white balance can be mixed

• 2X lossless zoom

• Shoots a bit overexposed

• Up to 30-second shutter speeds

• Great manual shooting modes

• Nice shooting features such as light trails and portrait modes

• Water resistant

• It's cheap for the specs

Buy from Amazon(SALE ENDS 6/29) $250 OFF!!

Sample Images

Download RAW from MATE 10 Pro[gallery ids="18519,18520,18521,18522,18523,18524,18525"]

Specs

Mate 10 Pro

Galaxy S9

Pixel 2

Price

$649 for 128GB model

$720 for 64GB model

$649 for 64GB model

Network

GSM / HSPA / LTE

GSM / CDMA / HSPA / EVDO / LTE

GSM / CDMA / HSPA / EVDO / LTE

OS

Android 8.0 (Oreo)

Android 8.0 (Oreo)

Android 8.0 (Oreo)

Storage

128GB (No card slot)

64GB (MicroSD up to 512GB)

64GB (No card slot)

Rear

Camera

27mm f/1.6 12MP RGB27mm f/1.6 20MP Monochrome

26mm f/1.5 - 2.4 12MP

27mm f/1.7 12.2MP

Video

2160p@30fps, 1080p@30/60fps

2160p@60fps, 1080p@240fps, 720p@960fps

2160p@30fps, 1080p@30/60/120fps, 720p@240fps

Front

Camera

26mm f/2.0 8MP, 1080p@60fps

25mm f/1.7 8MP, 1440p@30fps

27mm f/2.7 8MP

Screen

6" 1080x2160 AMOLED

5.8" 1440 x 2960 AMOLED

5" 1080 x 1920 AMOLED

Battery

4000 mAh

3000 mAh

2700 mAh

Weather

Proofing

IP67

IP68

IP67

Epic Water Drop Photography

https://youtu.be/EwxQlKuIKj8 Make awesome splash photos in your home with the MIOPS Splash Water Drop Kit. Throw in a flash and a colored gel and you can create some EPIC photos with the press of a single button.MIOPS Splash Kit - https://bhpho.to/2LtVwxUSplash Kit Holder - https://bhpho.to/2JgtBooCamera Connection Cord - https://bhpho.to/2JhXp47Cheap flash w/ PC sync - https://bhpho.to/2JnRiaqAlready have a flash? Alternative - https://bhpho.to/2JjCf5mAffordable Flash Gel Kit - https://bhpho.to/2JrcwnyNeed a glass container recommendation: https://amzn.to/2JqgvAQYou can also purchase gear at https://www.miops.com/miops-splash/Camera settingsShutter Speed: BULBISO 100Aperture f/16Flash SettingsManual 1/64 powerMIOPS App SettingsDrop 1: 50msDelay 100mmsDrop 2: 50msDelay: 200ms - Flash ModeFor the purpose of the video you saw me shoot during the daylight hours. The resulting images are ok but I found the best images in a dark room (I just waited until the sun set and turned off all the lights) With the flash on a fairly low power you can get some extremely colorful images.GALLERY of MIOPS Splash Water Drop Kit photos by Toby

Hasselblad X1D-50C Review

I spend three weeks with the Hasselblad X1D-50C - One of the best looking, most stylish cameras on the market - But does the quality and performance live up to that style? Watch for a straightforward, honest review of the Hasselblad X1D-50C.https://youtu.be/NeziA_dy6ek

BUY - The best looking camera on the planetHasselblad X1D-50c 4116 Edition - $9,895 (includes 45mm lens)- Buy from B&H PhotoHasselblad X1D-50C Standard Silver - $6,495 - Buy from B&H PhotoHasselblad XCD 120mm f/3.5 Macro Lens - $4,495 - Buy from B&H PhotoHasselblad XCD 90mm f/3.2 Lens - $3,195- Buy from B&H PhotoHasselblad XCD 45mm f/3.5 Lens - $2,695- Buy from B&H PhotoHasselblad XCD 30mm f/3.5 Lens - $3,995- Buy from B&H PhotoJUST ANNOUNCED - Hasselblad XCD 21mm f/4 lens $3,750 - Buy from B&H PhotoUPDATE: I brought the Hasselblad along on a recent south-west workshop and while my review may be less than positive two other instructors - Steve Scurich(Professional Fine Art Photographer) and David McKay(Professional Fine Art Photographer and leader of Photography workshops worldwide) have decided that this is their next camera. I will be back with more hands-on and an interview with both about why they are making this their next camera. Download Full Resolution RAWS - They are lovely to edit!

Get 2x more zoom with ANY LENS with the Sony a7RIII

Super Zoom Video with the Sony a7RIII

https://youtu.be/1-slnohI_csWhen shooting video with the Sony a7RIII you have two modes you can make use of to more than double your zoom.

  • I have on the 100-400 and at 400 I can turn on aps-c crop which gives me an additional 1.5x crop 400 x 1.5 = 600mm

  • Turn on Clear Image Zoom and you can zoom in an additional 1.5x for a 900mm reach.

There is no quality loss - this is still beautiful 4k footage! 

I mentioned this in my review of the lens - if you have the 1.4x teleconverter you can get some ridiculous reach while still shooting beautiful 4k footage. (1260mm!) Your noise does start to increase and stabilizing your camera at these longer distances can be difficult.What I really like about the a7Riii - you can assign custom buttons for each mode of the camera (stills, video, playback) During video I have assigned C4 to turn on APS-C mode and the AEL button to turn on clear zoom.  Once clear zoom is active you can adjust the amount of zoom with the joystick or the control wheel. There are two modes of clear zoom - stay away from the Digital zoom THAT WILL degrade quality.

Buy Sony a7RIII: B&H | Amazon

Sony 100-400 Review: B&H | AmazonSony 1.4x TeleConverter: B&H | AmazonMeFoto Tripod: B&H | Amazon

https://www.youtube.com/watch?v=Tw2l6sd-3oI

Wildlife Photography - Tips and Tricks

[embed]https://www.youtube.com/watch?v=C7zE2Ob3l90[/embed]

A new video with some wildlife photography tips. Get better photos with longer lenses to nail those wildlife shots! 

Lenses

Tamron SP 150-600mm

Tamron SP 150-600mm

  • Animals are for the most part shy making a 400mm lens your best bet with 600mm getting even closer for great shots.

  • Using a longer focal length brings the wildlife to you, letting them take up more of the shot for an impressive photo.

Sigma 100-400mm Contemporary

Sigma 100-400mm Contemporary

The Sigma 150-600 C is one of the best values in super telephoto, The Tamron G2 is a little sharper but more expensive. Check out photorec.tv/wildlifegear for recommended gear cameras and lenses for wildlife photography at every budget.

Shutter Speeds

When you are shooting with a longer lens you want to watch your shutter speeds. Typically when photographing it goes aperture first, but when using a longer lens and especially when photographing wildlife, it's shutter speed first.

Focal length rule: Focal Length * 2(Times the amount of coffee you've had)

A post shared by Roy McKee III (@roymckeeiii) on Oct 27, 2016 at 10:30am PDT

That means for a 400mm lens you are looking at roughly a 1/800 shutter speed. The rule doesn't account for your subject though, meaning that in cases of faster objects like birds in flight you'll need speeds up to 1/2000 of a second. Going for faster photos first can net you "safe" shots with a higher ISO, meaning more noise, then you can back the speed down a bit for cleaner images. Tripods and IS can help speeds a bit as well keeping things a bit lower as well.

  • Remember - expose properly, don’t underexpose your image because when you brighten the image in post it is going to get much noisier.

  • Focus mode - with static or slow-moving subjects a single point is fine - running or flying - a wider array of points really helps the camera track your subject. And switch to Continuous AF for subjects on the move.

Sony a7R III

Sony a7R III

Gear Recommendations - photorec.tv/wildlifegear

Feel free to post questions about gear here or consider joining my awesome photography community at the Photo Enthusiast Network

Sigma 100-400

A quick review of the Sigma 100-400mm f/5-6.3 DG OS HSM Contemporary Lens.Sharpness - Excellent at the price pointSpeed - Very GoodAperture Range - Slight slower than more expensive lensesBuild Quality - ExcellentStabilization - Excellent

Pros - A very budget friendly lens that gets you to 400mm with excellent sharpness/quality in a travel-friendly size.Cons - No tripod collar can limit some tripod useBUY from B&H PhotoSample RAW photos for Download

Nixplay Iris Review - Show YOUR photos in my living room!?!?

iris-bronze-frame.8b1b80a0-400x214.jpg

I have spent a few weeks with the Nixplay Iris wifi cloud frame and discovered a cool feature that I need your help to use! watch till the end - I have thoughts on this $175-$200 digital frame with 10GB of cloud storage. I'd love to hear your thoughts!

Buy the Nixplay IRIS

Amazon

Amazon

BH.png

B&H

Safari Review - Sony 100-400

I take the Sony FE 100-400 and Sony 1.4x Teleconverter on Safari in Tanzania, Africa with McKaylive.com and https://thomsonsafaris.com/ - I loved, LOVED the results and share with you my full review of the Sony 100-400, with sample photos and a report of how the Sony 100-400 performs paired with the Sony 1.4x Teleconverter for wildlife and portraits!

Your use of these links supports these reviews and costs you nothing extra.

Sample Photos Sony FE 100-400 f/4.5 - 5.6

[gallery ids="18038,18039,18040,18041,18042,18044,18045,18046,18047"]

Sony FE 100-400 with 1.4x Teleconverter Sample Photos

[gallery columns="4" ids="18048,18049,18050,18051,18052,18053,18054,18055"]

Sample raw files for personal use only.

Pick up the Sony G Master FE 100-400mm Today

Sony 100-400

Sony 100-400

Amazon

Amazon

BH.png

B&H

Sony 100-400mm F/4.5-5.6 Specs

Focal Length

100 - 400mm

Aperture

Maximum: f/4.5 - 5.6Minimum: f/32 - 40

Mount

Sony FE (Full Frame or APS-C)

Angle of View

24° - 6° 10'

Minimum Focus Distance

3.22' (.98 m)

Magnification

0.12 - 0.35x

Optical Design

22 Elements in 16 Groups

Blades

9, Rounded

Image Stabilization

Yes

Auto Focus

Yes

Tripod Collar

Yes, Removable

Filter Size

Front: 77 mm

Dimensions

Approx. 3.70 x 8.07" (93.9 x 205 mm)

Weight

3.07 lbs (1395 g)

Canon M50 at WPPI - Baby Steps?

Canon has released a mirrorless 4k camera and Toby spends a few minutes at WPPI sharing his thoughts on the M50. This is Canon's vlogging camera, at a low price point it's touted with 4K while keeping a small size and being budget friendly. As their first strong go into the mirrorless market does it work? Watch Toby's video to find out.Preorder/Buy the Canon M50: https://bhpho.to/2FPrsdz 

WPPI Spider Booth

Visiting the SpiderBooth at WPPI - We take a look at their new products and Toby's favorite - the SpiderLight Backpacker.

Buy the SpiderLight Backpacker at https://bhpho.to/2HDpSvV

  • Holster your camera on your belt OR on your backpack strap.

  • Works on backpack strap or messenger bag strap.

  • Holster lock keeps camera securely in place.

  • Velcro elastic strap wraps around your lens, keeping it secure.

  • Great for biking with your camera!

  • Allows full compatibility with GoPro accessories/cameras.

  • Your GoPro camera locks securely in place.

  • Arca-Swiss geometry/design – go from your backpack holster, right to your Acra-Swiss tripod head.

Also Watch: Camera Carry Systems -Straps, Slings, Belts, Bags, Packs, TANGLED!!!

  

Vietnam Photography Adventures - Part Three!

We left Vietnam and head for Cambodia and Siam Reap- amazing floating villages of Tonlé Sap and explorations of Angkor Wat and all the surrounding temples like Ta Prohm!Watch the SeriesVietnam Photography Adventures Part 2Vietnam Photography Adventures Part 1

Sony a7III Review - The Only Thing Entry Level Is the Price

Sony a7III Review

Sony a7III Review

This camera really redefines what it means to offer an entry-level full frame camera. With the a7III, Sony even seems willing to risk sales of their higher end models. Packed inside is a redesigned 24MP sensor, using the newer backside illuminated design for improved lowlight performance. Capable of 10 frames per second (silent or mechanical shutter) with In Body Image Stabilization (IBIS). Sony borrowed from the a9 with 693 autofocus points using Eye-AF and tracking better than the Sony a7RIII. Videographers should also be happy shooting 4K with HLG(HDR) and S-Log2 and S-Log3 - feature serious videographers will appreciate. And the addition of a touchscreen for touch to focus improves the usability of the camera and makes shooting video easier too. As an entry-level full frame camera, the Sony a7III doesn't pull any punches.

  • Redesigned 24MP Sensor

  • 693 AF Points with A9s Eye-AF system (Better than a7Riii)

  • 15 stop Dynamic Range

  • 5 axis IBIS

  • 10fps with 14 bit raw (also 14 bit raw while silent)

  • 4k HDR, 6k full readout, Slog 2 & 3 and HLG

  • Uses Z Battery Rated at 710 shots longest battery life of any mirrorless camera ever (We got a ton more photos than that in real-world use, 4,000!)

  • Dual SDcard slots, joystick, touchscreen, USB-C

Short answer? Buy this now, seriously here's the link to Amazon.As it stands the a7III is the entry-level full frame to beat. 

Sony a7III ISO

Sony a7III ISO

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Sony a7iii s-log

Sony a7iii s-log

As a big point for this series, the body and user interface have been redesigned with a joystick, touchscreen, and dual card slots. At 710 shots per charge with a newly redesigned battery, it has the highest shot count of any mirrorless camera to date. After taking 2,000 photos and using the camera all day at 20 percent left the a7III still got another 2,000 shots from a timelapse... on a single battery!The a7III can go up 204,800 ISO in Extended Mode, and in testing, this camera is pretty good. At 51,200 ISO we found that images are still usable at least for social media purposes. Versus the a7RIII results are similar but the a7RIII does have a slight advantage at higher ISO. Versus the Canon 6d MarkII up to 12,800 ISO, the Canon compares quite well, then the a7III starts to have much better photos.The Eye-AF system is BETTER than the a7RIII! And it’s REALLY good in the A7RIII! For cases where that's not an option, the focus point joystick can change points on the go. In darker scenes focus is good, Eye-AF does struggle in lower light if it can't recognize an eye. Otherwise set to medium spot it grabs focus well in those situations, as well as some of the other automated focus modes. Lock on tracking is nice but in testing, it does miss on occasion in our experience but overall it still works great.Buffering was an issue with previous Sony cameras, filling up, and locking you out of some options. The a7III is improved. Also, the a7III does not have apps, just like the a7RIII and a9. No timelapse or reflection app but there's always other options such as the Miops mobile or dropping S&Q to one frame a second. [Timelapse options on Sony a9, a7Riii, a7iii]For video, you get 1080p at 30/60/120 fps up to 100 Mbits a second, it also has 4k at 30 and 24 fps at 8 bit.  Super 35 and full frame (both work in 4k and 1080p) are equally sharp and give you more options for shooting as the crop ratio can help you get closer or wider when needed. 4k at 30fps does have a 1.2 crop, 24fps is a full frame readout. ISO up to 6400 is good, 12800 is a pinch, reducing 4k to 1080p does reduce a lot of noise. For editing, you'll be good with access to S-Log 2 and 3 and multiple picture styles. Proxy support is included as well, a second smaller copy recorded alongside the 4K file that allows you edit on a laptop, having the ability to swap it out with the 4K file laterInterested in how the a7III stacks up to the a7RIII? Check out Photorec.tv/a73vs for the full comparison. Really, 42MP plus pixel shift is what you get with the a7RIII. But, for those that don't need the megapixels, this is more than you need and you can spend the extra cash on a new lens.For $2,000? The Sony a7III is just worth it, as an entry level full frame Sony wants to dominate the space. This camera lives up to the hype with a 24mp sensor, great autofocus, and 10 fps for any professional shoot. The redesigned body and UI is great and much better to use than previous generations. Then there's a battery that can shoot up to 4,000 shots, 4K with video options, and IBIS... This is the entry-level full frame to beat.

Sony a7III Available for Preorder Today

Sony a7III review

Sony a7III review

Amazon

Amazon

B&H Photo

B&H Photo

FE 28-70mm f/3.5-5.6 OSS Lens KitAmazon | B&HVario-Tessar FE 24-70mm f/4ZA OSS Lens KitAmazon | B&HFE 24-105mm f/4 G OSS Lens KitAmazon | B&H

Basic Specs

  • 24MP Full-Frame Exmor R BSI CMOS Sensor

  • BIONZ X Image Processor & Front-End LSI

  • 693-Point Hybrid AF System

  • UHD 4K30p Video with HLG & S-Log3 Gammas

  • 2.36m-Dot Tru-Finder OLED EVF

  • 3.0" 922k-Dot Tilting Touchscreen LCD

  • 5-Axis SteadyShot INSIDE Stabilization

  • ISO 204800 and 10 fps Shooting

  • Built-In Wi-Fi and NFC, Dual SD Slots

  • USB Type-C Port, Weather-Sealed Design

Sample Photos

Sony a7iii vs a7Riii

The Sony a7iii is better than the Sony a7Riii but costs $1200 less? It's Sony a7III vs a7rIII, let's talk about the differences and decide which is best for you. Toby's back from Las Vegas at WPPI with Sony and we've got the answers you need.

A7RIII Strengths:

  • More megapixels, 42 vs 24

  • Better electronic viewfinder and LCD

  • Pixel Shift, combined photos for more detail

  • Slightly better build time and lifespan

A7III Advantages:

  • Better autofocus, 693 vs 399

  • Better battery life

  • Better low light performance

  • $1,200 cheaper

Sony a7Riii: $3200 - BUY AT B&H Photo - https://bhpho.to/2AYk9h0Sony a7iii: $1999 -PREORDER AT B&H Photo - https://bhpho.to/2EZ1h3G

I have owned the a7R iii from the moment it was released - it's come along with me to Yosemite, Yellowstone, Alaska, and Vietnam.  Now I just spent three days with the a7 iii and I think that makes me pretty qualified to help YOU answer the question of why you may or may NOT want to spend an additional $1200 for the a7R iii. Let's start with what the a7R iii offers over the a7 iii -A better EVF - when looking through the viewfinder of the a7R iii, it does not feel like a screen. it's beautiful, crisp and clear. When you put your eye up to the a7iii you can just start to see the pixels. I honestly didn't notice until I saw the spec differences and then held both up to my eye one after the other. It's not a difference that I feel will impact your photography - the LCD is also slightly lower res - not something I noticed. The a7R iii offers pixel shift - a feature where 4 photos are taken and combined in software on the computer for noticeably increased detail - I am blown away but how much more detail is captured when you take the time to use pixel shift but despite that I have used only it a few times- part of that is the way I shoot - I lump myself more into the travel photography category than landscape, typically on the move, often not on a tripod which is required.  For landscape photographers looking to get as much detail as possible in a shot - there is nothing short of carrying around medium format gear that comes close to what the a7R iii and pixel-shift provide.More megapixels The a7R iii offers 42MP, the a7 iii 24mp. It sounds like a big significant difference  - Maybe Enough of a difference that I could say the a7R iii offers FORTY-TWO Megapixels and the a7iii offers JUST 24mp.  JUST 24?! Here is a representation of the difference. Here is an actual shot - here are both at 100% view  I have sent both off to be printed at 16x20 - the won't be back before I leave for the Serengeti but I will revisit this discussion at some point in the future.  We will touch back on this MP discussion in a minute - There are a few other differences  - the a7R iii has more weather sealing though until a tear down we don’t know the real differences, The use of metal screws when the a7iii uses plastic  and the a7R iii shutter is rated for a longer life span - These are not factors that would sway my decision one way or the other but I want you to have as much info as possible. let's now look at what the a7 iii offers over the a7R iiibetter AF system - borrowing from the a9 we have 693 points, greater coverage and because we have more points the Eye-af system is even more accurate, even more responsive.  Honestly, I didn't see a huge difference but it feels very responsive and accurate.Better battery life - The official CIPA rating of the new camera is 710 shots - I know that on one full day of shooting I was able to capture just under 4,000 photos on one battery.  The a7R iii is rated just at 610 shots but I have had similar experiences and rarely needed more than one photo for a day and that includes shooting in Alaska and Yellowstone with below freezing temps.Better Low light performance on the photo side of things it is similar and when you downsize the A7Riii pics they look a little better  but in video the a7iii is better, noticeably and in ways that videographers who don't care about the improvements that the a7Siii  will bring will likely take notice - at this price point the a7iii is extremely impressive for the video quality provided.Let's recap the differences that matter. - a7R iii offers those megapixels, The a7 iii improved AF,  better video quality at the higher ISO and saves you $1200.Here's what I say I feel that if you are watching this video, you might be on the fence and if you are on the fence - you don't need 42MP,  24 is more than enough and the savings can be put toward a lens or a trip that is going to put you someplace awesome where you can make beautiful 24mp photos . There are fewer of you that need 42MP but if you do, you should know it.  And if you are a Lightroom user - Lightroom will certainly feel more responsive when browsing 24mp files.and briefly, have heard some people say why buy the a9? In my opinion, The a9 is a different beast offering 20 fps silently without worry about distortion due to rolling shutter.I know some of you also wonder about the 7Rii vs the a7iii since they are similar in price  - I think this is an easy choice for most of you. The improvements in the newer a7 series really make the a7 iii much more user-friendly and capable of handling a greater number of photography tasks - for that reason, I think most people would be better off going a7ii to a7iii even though you don't get an increase in MP.

a7III

a7RIII

Sony a7III

Sony a7III

a7RIII

a7RIII

  • 24MP Full-Frame Exmor R BSI CMOS Sensor

  • BIONZ X Image Processor & Front-End LSI

  • 693-Point Hybrid AF System

  • UHD 4K30p Video with HLG & S-Log3 Gammas

  • 2.36m-Dot Tru-Finder OLED EVF

  • 3.0" 922k-Dot Tilting Touchscreen LCD

  • 5-Axis SteadyShot INSIDE Stabilization

  • ISO 204800 and 10 fps Shooting

  • Built-In Wi-Fi and NFC, Dual SD Slots

  • USB Type-C Port, Weather-Sealed Design

  • 42MP Full-Frame Exmor R BSI CMOS Sensor

  • BIONZ X Image Processor & Front-End LSI

  • 399-Point AF System & 10 fps Shooting

  • UHD 4K30p Video with HLG & S-Log3 Gammas

  • 3.69m-Dot Tru-Finder OLED EVF

  • 3.0" 1.44m-Dot Tilting Touchscreen LCD

  • 5-Axis SteadyShot INSIDE Stabilization

  • ISO 102400 & Pixel Shift Multi Shooting

  • Built-In Wi-Fi/Bluetooth, Dual SD Slots

  • USB 3.1 Gen 1 Type-C Port & PC Sync Port

Amazon

Amazon

B&H Photo

B&H Photo

Amazon

Amazon

B&H Photo

B&H Photo

The Sony a7III - Sony's 4k Update to Entry Level Full Frame

https://youtu.be/rdZaqXd6hMsSony has just announced the a7iii. A followup to their entry level full frame mirrorless a7ii.The Sony a7iii Specs:

  • Redesigned 24MP Sensor

  • 693 AF Points with A9s Eye-AF system (Better than a7Riii)

  • 15 stop Dynamic Range

  • 5 axis IBIS

  • 10fps with 14 bit raw (also 14 bit raw while silent)

  • 4k HDR, 6k full readout, Slog 2 & 3 and HLG

  • Uses Z Battery Rated at 710 shots longest battery life of any mirrorless camera ever

  • Dual SDcard slots, joystick, touchscreen, USB-C,

  • Available in April for $2,000 - Preorders start Wed

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Sony a7III Video

Sony a7III Video

At $2,000 for the a7III you get a NEW BSI 24.2 MP sensor offering- 10 FPS (silent or mechanical shutter), 15 stops of range and 4k Video. Combine that with 425 contrast Autofocus points, 693 phase detection autofocus points, eye AF,  5-axis in-body stabilization and a redesigned body that offers a bigger grip, a focus point joystick and a touchscreen. Not to mention the longest battery life of any mirrorless camera.With a lot of tech being brought in from the a7RIII and a9 it's fast. You can capture up to 177 JPEG images, 89 compressed RAW, or 40 uncompressed RAW images before filling the buffer. As with the other models, there is a partial lockout of camera functions while the data saves to the memory card. AF is about twice as fast as the A7II and significantly improved low light capabilities. The Eye-AF system is BETTER than the a7RIII! And it's REALLY good in the A7RIII!Offering 4K video with HLG(HDR) and S-Log2 and S-Log3. The 4k file is downsampled from 6k which when working off a 24mp sensor should give excellent low light results.  Full HD at 120fps to round it out.The design mirrors the a9, a7Riii batteries with dual SD card slots, slot one is SDXC II compatible. Same battery as a9/a7riii, the NP-FZ100 battery provides 710 shots per charge, that is actually the highest rating of any mirrorless on the market battery, the a7RIII is rated at 650 shots. USB-C for fast transfer of photos and video, tethered shooting and doubling as a power supply. There is also a micro USB port.My full review from Vegas will be released soon, don't forget to follow on Instagram at @photorectoby or subscribe to Youtube to be notified of the Sony a7iii review release

Preorders start 11 am ET, Feb 28th at B&H

Sony a7III Body Only

Sony a7III Body Only

Sony Alpha a7 III Mirrorless Digital Camera (Body Only)

Sony Alpha a7 III Mirrorless Digital Camera with 28-70mm Lens

Sony Alpha a7 III Mirrorless Digital Camera with 28-70mm Lens

Sony Alpha a7 III Mirrorless Digital Camera with 28-70mm Lens

My Sony a7III Photos from Sony Launch Event

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Sample Images from Sony

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Specs

Sony a7 III

Sony a7 II

Lens Mount

Sony E-Mount

Sony E-Mount

Camera Format

Full-Frame

Full-Frame

Pixels

24 MP: 6000 x 4000 (new BSI Sensor)

24 MP: 6000 x 4000

File Formats

Still Images: JPEG, RAWMovies: AVCHD Ver. 2.0, MPEG-4 AVC/H.264, XAVC SAudio: AC3, Dolby Digital 2ch, Linear PCM (Stereo)

Still Images: JPEG, RAWMovies: AVCHD Ver. 2.0, MPEG-4, XAVC SAudio: AAC LC, Dolby Digital 2ch, Linear PCM (Stereo)

Bit Depth

14-Bit

14-Bit

Memory Card Type

SDSDHCSDXCMemory Stick Pro DuoMemory Stick PRO HG-Duo

SDXCSDHCSDMemory Stick PRO Duo (High Speed)Memory Stick PRO HG-DuoMemory Stick XC-HG Duo

Image Stabilization

Sensor-Shift, 5-Way

Sensor-Shift, 5-Way

Video Format

3840 x 2160p at 23.98, 25, 29.97 fps (100 Mb/s XAVC S via H.264)3840 x 2160p at 23.98, 25, 29.97 fps (60 Mb/s XAVC S via H.264)1920 x 1080p at 100, 120 fps (100 Mb/s XAVC S via H.264)1920 x 1080p at 100, 120 fps (60 Mb/s XAVC S via H.264)1920 x 1080p at 23.98, 25, 29.97, 50, 59.94 fps (50 Mb/s XAVC S via H.264)1920 x 1080p at 50, 59.94 fps (25 Mb/s XAVC S via H.264)1920 x 1080p at 25, 29.97 fps (16 Mb/s XAVC S via H.264)1920 x 1080i at 50, 59.94 fps (24 Mb/s AVCHD via H.264)1920 x 1080i at 50, 59.94 fps (17 Mb/s AVCHD via H.264)

1920 x 1080p at 24, 30, 60 fps (50 Mb/s XAVC S)1920 x 1080p at 60 fps (28 Mb/s AVCHD)1920 x 1080i at 60 fps (24 Mb/s AVCHD)1920 x 1080i at 60 fps (17 Mb/s AVCHD)1920 x 1080p at 24 fps (24 Mb/s AVCHD)1920 x 1080p at 24 fps (17 Mb/s AVCHD)1440 x 1080 at 30 fps (12 Mb/s MP4)640 x 480 at 30 fps (3 Mb/s MP4)

Video Clip Length

Up to 29 Minutes

Up to 29 Minutes

Autofocus

Phase Detection: 693Contrast Detection: 425Automatic (A), Continuous-Servo AF (C), Direct Manual Focus (DMF), Manual Focus (M), Single-servo AF (S)

Phase Detection: 117Contrast Detection: 25Continuous-Servo AF (C), Direct Manual Focus (DMF), Manual Focus (M), Single-servo AF (S)

Viewfinder Type

Electronic, 100% Coverage

Electronic, 100% Coverage

Buffer/Continuous Shooting

Up to 10 fps at 24.2 MP for up to 89 Frames in Raw FormatUp to 10 fps at 24.2 MP for up to 177 Frames in JPEG FormatUp to 8 fps at 24.2 MP

Up to 5 fps at 24 MP for up to 50 Frames

Built-in Flash

No

No

Connectivity

HDMI D (Micro), USB 2.0 Micro-B, USB 3.0, USB Type-C, Wi-Fi

1/8″ Headphone, 1/8″ Microphone, HDMI D (Micro), Micro-USB, Multi Interface Terminal, Wi-Fi

Dimensions (W x H x D)

5.0 x 3.9 x 3.0" / 127.0 x 99.1 x 76.2 mm

5.0 x 3.8 x 2.4″ / 126.9 x 95.7 x 59.7 mm

Weight

1.4375 lb / 652 g

1.223 lb / 556 g

Vietnam Photography Adventures - Part Two!

Leaving the amazing Halong bay behind we venture south through the city of lanterns, Hoi An, the city of Hue and of course Saigon/Ho Chi Minh City and exploring the Mekong Delta - Snakes on me, Snakes in a bottle and so much more.Watch the SeriesVietnam Photography Adventures Part 3 Vietnam Photography Adventures Part 1

Would you? On our #mckaylive travels up the Mekong river, we came across Bebe, 7 year old, 50lb boa. I think he liked me! Traveling with the McKay crew is as much about fun experiences as it is about the photos.

A post shared by Toby (@photorectoby) on Feb 4, 2018 at 7:59am PST