Sigma 14-24 f/2.8 ART Review with RAW downloads


I review the Sigma 14-24 f/2.8 a fast, wide and MUCH cheaper wide angle lens than Canon 16-35 f/2.8, Nikon 14-24 f/2.8 and Sony 16-35 f2.8 competitors. What's the catch? Watch for my complete review of Sigma's newest ART series Wide Angle lens.

Buy the Sigma 14-24 f/2.8 from B&H Photo $1199.00

Travel with me on awesome adventures and share your opinion while I test gear!

Sigma 14-24 f/2.8 ART Series Sample Photos

Download FULL RAW Files from Sigma

Sigma 14-24 f/2.8 ART Versus Tamron, Canon, Sony, Nikon Wide Angle Lenses

Tamron 15-30 f/2.8 VC $1099 | Buy from B&H Photo

PRO: Cheaper, Offers Stabilization (VC) and a longer range (30mm)
CON: Not as sharp, starts at 15mm (which is actually closer to 16mm) and has slightly more distortion

Sony 16-35 f/2.8 GM $2198 | Buy from B&H Photo

PRO: Noticeably lighter, accepts regular filters, covers a long range, slightly sharper in corners
CON: Not sharper in the center at f/2.8, COST!

Canon EF 16-35mm f/2.8L III USM $1899 | Buy from B&H Photo

PRO: Noticeably lighter, accepts regular filters, covers a long range, sharper in center
CONS: more vignetting at f/2.8, COST!

Nikon AF-S NIKKOR 14-24mm f/2.8G ED Lens $1896 | Buy from B&H Photo

PROS: I struggle to come up with any compared to the Sigma
Cons: Not as sharp across the range as the Sigma, COST!

What else would you like to know?


Showing the Versatility of the 24-70 range on a full frame cameraThere is a reason every major Manufacturer has a version or two of the 24-70 f/2.8 lens.  24-70 is an incredibly useful focal length on full frame cameras. Wide enough to capture beautiful landscapes, starry night skies, cliche shots and everything in between. Above 50mm and at f/2.8 it becomes a fantastic portrait lens where you can really separate your subject from the background. If you want an incredibly versatile lens the 24-70 f/2.8 is one of the best options on a full frame camera- but they are typically expensive - Nikon and Canon offer options that cost around $1700-$1800. If you want a stabilized lens - Nikon’s lens is $2400 and Canon offers nothing at f/2.8 and stabilized.Sigma 24-70mm f/2.8 DG OS HSM ArtTamron SP 24-70mm f/2.8 Di VC USD G2Canon EF 24-70mm f/2.8L II USMNikon 24-70 f/2.8 VRSony FE 24-70mm f/2.8 GMThis is the Sigma 24-70 ART it offers a 24-70 with a constant f/2.8 and OS, sigmas version of image stabilization. You have an AF, MF switch with MO Manual override and it's currently on sale at B&H and includes the USB dock used for fine tuning and adjustments. The front filter is 82mm.  Overall build quality continues that ART line - it feels excellent in the hand with a nice finish. PROS
But what about that Tamron SP 24-70mm f/2.8 Di VC USD G2?  It offers everything the sigma does and is $1199 (same price but you do not get the Tamron TAP USB dock). I have not shot with the Tamron 24-70 yet, but based on my research the two are extremely similar - I think the Sigma offers slightly better bokeh and better quality control - you are more likely to get a sharp copy - this is something that Tamron has struggled with in the past on some of their lenses but the Tamron is lighter and some claim offers better VC. So while I can recommend the Sigma you should think long and hard - the Tamron may be just as good for you and a little lighter in your bag. Canon owners, if you don't care about image stabilization, the Canon 24-70 f/2.8 IS II is currently just $400 more, noticeably lighter and a bit sharper. The weight and sharpness of the Canon is hard to beat.Download RAWS to compare Sigma 24-70 OS HSM ART vs Canon 24-70 f/2.8 USM IIIf you would like to have in-depth discussions with me about which gear is right for you - consider joining the Photo Enthusiast Network - free 10 day trial at and not only can we have those discussions but you get access to HOURS of photography training videos, lightroom and photoshop tutorials and an awesome community of supportive individuals.  

Sigma 100-400

A quick review of the Sigma 100-400mm f/5-6.3 DG OS HSM Contemporary Lens.Sharpness - Excellent at the price pointSpeed - Very GoodAperture Range - Slight slower than more expensive lensesBuild Quality - ExcellentStabilization - Excellent

Pros - A very budget friendly lens that gets you to 400mm with excellent sharpness/quality in a travel-friendly size.Cons - No tripod collar can limit some tripod useBUY from B&H PhotoSample RAW photos for Download

SIGMA Announces 9 Art Lenses for Sony E-mount cameras

Sony FE Mount Sigma LensesSIGMA Corporation is pleased to announce the upcoming launch of interchangeable lenses for the Sony E-mount digital camera series with full-frame image sensors. SIGMA will gradually introduce the lenses as members of the Art line, which offers photographers the highest level of optical performance.

Preorders coming soon at B&H

While offering the same high-performance optical design as other lenses in the Art line, the new Sony E-mount models will feature a newly developed control algorithm that optimizes the autofocus drive and maximizes the data transmission speed. In addition, these lenses will be compatible with Sony’s Continuous AF (AF-C) and high-speed autofocus, which are not addressed by SIGMA MOUNT CONVERTER MC-11. Like the converter MC-11, the lenses will be compatible with in-camera image stabilization and in-camera lens aberration correction, which includes corrections for peripheral illumination, chromatic aberrations, and distortion.The lineup will include the Art line set of seven prime lenses covering 14mm to 135mm. It will also include two models that SIGMA will be exhibiting at CP+ 2018: 70mm F2.8 DG MACRO | Art and 105mm F1.4 DG HSM | Art (launch date TBD). Further, SIGMA plans to introduce additional Sony E-mount models in the Art line going forward.Note: This product is developed, manufactured and sold based on the specifications of E-mount which was disclosed by Sony Corporation under the license agreement with Sony Corporation.【Key features】1. Autofocus tuned for each lensThanks to an autofocus drive control program tuned for each lens and high-speed data transmission,the lenses will offer high-speed autofocus at the same performance level as that of a lens designedexclusively for mirrorless cameras. In particular, in E-mount cameras offering Sony’s Fast Hybrid AF, AF-C mode will deliver exceptional subject following performance. Moreover, autofocus will remain extremely precise even in those E-mount cameras offering only contrast AF.2. Compatible with in-camera image stabilizationThe lenses will be compatible with in-camera image stabilization. The Sony E-mount camera sensesthe focal length of the lens and automatically optimizes image stabilization performance.3. Data loaded for compatibility with in-camera aberration correctionThe lenses will be fully compatible with in-camera aberration correction, which includes correctionsfor peripheral illumination, chromatic aberrations, and distortion. By matching corrections to the optical characteristics of the lens, this function takes image quality to an even higher level.4. Native mount for a more rigid and stable feelMaking the mount native to the lens makes possible a more rigid and stable feel to the lens.Featuring a special surface treatment to enhance strength, the brass bayonet mount offers a high-precision fit and exceptional durability. The mount connection area incorporates rubber sealing for dust- and splash-proof construction.5. Available Mount Conversion ServiceThis service converts the mount of SIGMA lenses to that of a different camera body, allowing photographers to continue using their favorite lenses over the long term regardless of camera system.Note 1: The Mount Conversion Service is different from a normal repair. In order to apply for the service, please contact your nearest authorized SIGMA subsidiary or distributor. 2: This service is performed exclusively by SIGMA.

Sigma & Tamron Announce Sony FE Lenses

Tamron has announced the development of a 28-75 f/2.8 lens for FE mount cameras.  A moisture resistant lens with a constant f/2.8 maximum aperture that is noticeably smaller and lighter than the Sony 24-70 f/2.8 GM lens is very appealing.  The RXD motor will provide a smooth and quiet focusing system for video.  This may turn out to be a fantastic travel lens for those that need or want f/2.8.

  • E-Mount Lens/Full-Frame Format
  • Constant f/2.8 Maximum Aperture
  • RXD Stepping AF Motor
  • Fluorine-Coated Front Element
  • Moisture-Resistant Construction

Preorder soon at B&H Photo Still rumors at this point but it looks like Sigma is getting VERY close to announcing FE mount Sigma lenses. First up -Sigma 105mm f/1.4 ART lens. Hopefully, more of the ART series line will be announced in FE mounts soon. 

Sigma Announces 14-24mm F/2.8 Art Full-frame Lens

SIGMA 14-24mm F2.8 DG HSM ArtWe're 2/3rds of the way through the lens trinity with Sigma announcing the new Sigma 14-24mm f/2.8 DG HSM Art Lens. A full-frame design, this should be an excellent lens for shooting landscapes, interiors, and stars. Designed to work with 50MP cameras. Near zero distortion (less than 1%) and minimal chromatic aberration is the claim. The Sigma ART line has impressed photographers for several years now and I expect this lens to be a serious winner.With the recently released 24-70 Art, we're just waiting on a 70-200mm lens at this point. The 14-24mm lens currently only available in Canon, Nikon and Sigma SA mounts, Sony owners must use an adapter like the Sigma MC-11 adapter for now.  There are strong rumors that in just a few months Sigma will announce FE mount versions of many of their lenses.SIGMA 14-24mm F2.8 DG HSM ArtThe Sigma 14-24 Art features Sigma's Sports line of dust and splash proofing with a seal at the mount. Build for high-speed, high accuracy autofocus. This should be a great option for those wanting to capture close up sports and action shots.Another exciting announcement is the introduction of the front mount conversion service for the Sigma 14-24mm F2.8 which allows the lens to be used in multicam productions, e.g., VR rigs. The exclusive front round component minimizes the risk of interfering with other cameras and eliminates undesired shadows in the content.We're one step closer to the lens trinity from the Sigma Art line and this likely represents an excellent option for Canon photographers and Nikon user looking to save over the current Nikon 14-24 f/2.8 that costs nearly $1900.

Preorder Coming Soon at B&H

Canon Mount | Nikon Mount

Sample Images

[gallery ids="17506,17507,17508"]


Lens Construction
17 Elements in 11 Groups
Angle of View
Number of Diaphragm Blades
9 (rounded diaphragm)
Minimum Aperture
Minimum Focusing Distance
26 - 28 cm10.2-11.0 in
Maximum Magnifications
Dimensions (Diameter x Length)
ø96.4mm x 135.1mm3.8in. x 5.3in.
Canon, Nikon, Sigma

Sigma Black Friday Sales

Sigma is offering Black Friday deals on all their ART Series lenses. I love the Sigma ART series lenses and these discounts make already excellent values even better!My Sigma Favorites!

Additional Sigma Lenses on Sale:Sigma 20mm F1.4 DG HSM Art $799 (Reg $899)Sigma 24mm F1.4 DG HSM Art $749 (Reg $849)Sigma 30mm F1.4 DC HSM Art $449 (Reg $499)Sigma 35mm F1.4 DG HSM Art $799 (Reg $899)Sigma 12-24mm F4 DG HSM Art $1499 (Reg $1,599)Sigma 24-35mm F2 DG HSM Art $899 (Reg $999)Sigma 50-100mm F1.8 DC HSM Art $999 (Reg $1,099)Many of these lenses can be used on Sony with the MC-11 Adapter.

Sigma Announces the 16mm f/1.4 DN - Better Lenses for Sony a6300/a6500

Mixing a comfortable wide-angle design with an ultra-fast maximum aperture, this 16mm f/1.4 DC DN Contemporary Lens from Sigma is a 24mm-equivalent prime for APS-C-format Sony E-mount mirrorless cameras like the a6300 and a6500. With a bright f/1.4 maximum aperture, this lens is well suited for low-light conditions and also affords increased control over depth of field. With a 9-bladed aperture design for smooth background blur. This lens also sports a stepping AF motor for quick, quiet, and smooth focusing performance that suits both still photography as well as video applications. Additionally, a weather-sealed, durable construction enables this 16mm f/1.4 to excel in inclement weather conditions.Suitable for the stars or landscape work as well as an excellent focal length for general walk around photography. Available in Sony and Micro 4/3 mounts.[gallery td_select_gallery_slide="slide" ids="16358,16359,16310"]

  • E-Mount Lens/APS-C Format
  • 24mm (35mm Equivalent)
  • Aperture Range: f/1.4 to f/16
  • 3 FLD, 2 SLD, and 2 Aspherical Elements
  • Super Multi-Layer Coating
  • Stepping AF Motor
  • Rounded 9-Blade Diaphragm
  • Weather-Sealed TSC Construction

Preorder Links at B&H Photo

Wide Angle Prime Lenses for Canon & Nikon Download Full Raw Images from All three lenses. Sigma 14mm ART Samples, Irix 15mm Blackstone Samples and Rokinon/Samyang 14mm f/2.8 Sample RAW Images. (images for personal comparison only)Buy the IRIX 15mm LensBuy the SIgma 14mm LensBuy the Rokinon/Samyang 14mm LensEdited Sample Images[gallery td_select_gallery_slide="slide" td_gallery_title_input="Sigma 14mm Sample Images" ids="15953,15954,15955,15956"]Additional Sigma 14mm Samples Shot by Steve Scurich Photography[gallery td_select_gallery_slide="slide" ids="15959,15960,15961,15962,15963,15964,15965,15966"]IRIX Blackstone 15mm Sample Shots[gallery td_select_gallery_slide="slide" ids="15967,15968,15969,15970"]


Gear Talk - Wide Angle Lenses and Travel Friendly Systems

First Impressions of the Canon 6D Mark II, Fuji X-T2, Irix 15mm f/2.4, Sigma 14mm f/1.8, Samyang 14mm f/2.8, Rokinon 35mm f/1.8, DJI Spark and a discussion of the best travel camera system. Which of these items are you most interested in hear/seeing a full review about? a complete list of the gear I am taking to Joshua Tree for Star Photography -

Sigma 135mm f1.8 A Fantastic Portrait Lens Before we get into the specifics of this lens let’s chat for a minute about portrait lenses. Some of you might be thinking - I thought the 50mm lens was the best for portraits. And some of you might be thinking - I thought the 85mm was best for portraits, and those focal lengths are really nice, along with the 24, 35, 200 and, the 135mm. Generally, it is accepted that longer focal lengths provide a more flattering look for people. Some of you might not like that over simplification because truthfully it is the distance from subject to the camera that really impacts the look you get. SO a better way to describe this- a lens like the 135mm allows you to fill the frame with your subject and be at a distance that gives very pleasing results. That coupled with the fact that Sigma 135mm ART offers f/1.8, is exceptionally sharp wide open AND is weather sealed. And like the other Sigma lenses in the ART series is well built, has no issues with flaring or chromatic aberration. I also found autofocus to be snappy. The Sigma 135mm ART is also relatively affordable at $1400 which leads me back to my original statement - this is quite possibly the best portrait lens for outdoor photographers who own Canon or Nikon cameras.

this is quite possibly the best portrait lens FOR OUTDOOR PHOTOGRAPHERS WHO OWN Canon or Nikon CAMERAS.

Inside I think you will find yourself running out of space except for the tightest headshots, unless you have a larger studio space. And while I did mostly shoot and test this lens on a Sony a7Rii using the Sigma MC-11 adapter, I can’t recommend it, Eye AF works but it is slow and autofocus, in general, is slow with more hunting than I would like. My MC-11 firmware is up to date with the Sigma 135 on the compatible list but it seems to need more work. On Canon or Nikon you will be just fine though it's possible you will need to do some micro focus adjustments and or use the Sigma dock that this lens is compatible with. While I have not personally compared the Sigma 135 f/1.8 to the Canon 135mm f/2 I know from reviewers I trust that the Sigma is sharper, especially at the edges and doesn’t have issues with chromatic aberration that you do see in the Canon. And the Canon 135L is not weather sealed.Buy the Sigma 135mm ART from B&H Photo $1,399Full Raw Downloads
Outdoor portrait photographers who like to shoot backlit or get shots with wonderfully creamy bokeh that are rich in colors and contrast - this lens is awesome, however, If you are a Sony user hoping to use this with the MC-11 adapter, I can’t recommend it at this time.What’s your favorite portrait lens?My Favorite Portrait LensesBuy the Sigma 135mm ART from B&H Photo $1,399 (your use of these links supports our work here - we could not do this without you!)

Sigma 18-35 f/1.8 Best lens for APS-C Cameras

The Sigma 18-35 f/1.8 remains my pick for BEST crop (APS-C) sensor. Pairs well with Canon and Nikon. It is also possible to use the Sigma 18-35 on Micro 4/3 cameras, like the Panasonic GH4 and GH5 with Metabones Speed Booster Ultra (Canon EF-mount). Using the speed booster gives you an extra stop of aperture!Buy the Sigma 18-35 from B&H Photo Canon | NikonWant more zoom? The Sigma 50-100 is heavy but also fantastic

Available for Pre-Order: Sigma 14mm F1.8 DG HSM and 24-70mm F2.8 DG OS HSM Art Lenses

The Sigma 14mm F/1.8 DG HSM Art and Sigma 24-70mm F/2.8 DG OS HSM Art lenses are available to preorder now for Canon and Sigma Mounts. Nikon will be coming out shortly in July so you won't have to wait long. Sigma's new 14mm lens is faster than Nikon and Canon respectively being F/2.8 with Sigma going down to F/1.8. As for Sigma's 24-70 Art, it's priced under the competition with the Nikon ($2200) and Canon ($1700) much higher. With news of the upcoming Tamron 24-70 G2 also releasing at the same price it'll be interesting which wins out. These may be the lenses to beat for their focal lengths and great options to order today, we'll have reviews soon.Available to pre-order via B&H[vc_row][vc_column width="1/2"]Sigma 14mm F1.8 DG HSM ArtSigma 14mm[/vc_column][vc_column width="1/2"]Sigma 24-70mm F2.8 DG OS HSM ArtSigma 24-70[/vc_column][/vc_row]Canon EF Mount with MC-11 Mount Converter/Lens Adapter for Sony E Kit[vc_row][vc_column width="1/2"]Sigma 14mm[/vc_column][vc_column width="1/2"]Sigma 24-70mm[/vc_column][/vc_row] Press Release via Sigma[quote_box_center]

Sigma Begins Shipping Its 14mm F1.8 DG HSM and 24-70mm F2.8 DG OS HSM Art Lenses

The world’s first and only F1.8 ultra wide-angle full-frame lens for DSLR cameras is available now for $1,599.00 USD; the new Sigma Global Vision workhorse zoom lens is available now for $1,299.00 USDRonkonkoma, NY – June 22, 2017 – Sigma Corporation of America, a leading still photo and cinema lens, camera, flash and accessory manufacturer, announced today the pricing and availability for its new Sigma 14mm F1.8 DG HSM and Sigma 24-70mm F2.8 DG OS HSM Art lenses from its lauded Global Vision line. The ultra-wide angle full-frame 14mm F1.8 Art lens begins shipping in June 2017 for Canon and Sigma camera systems and in July 2017 for Nikon camera systems, for a retail price of $1,599.00 USD. The standard zoom full-frame 24-70mm F2.8 Art lens begins shipping in June 2017 for a retail price of $1,299 USD.The Sigma 14mm F1.8 Art, which is the first and only F1.8 ultra wide-angle lens among interchangeable lenses for digital SLRs*, incorporates the same aspherical element as Sigma’s critically acclaimed 12-24mm F4 Art, allowing the lens to deliver a new dimension of visual experience. Boasting outstanding image quality from center to edge, the 14mm F1.8 Art features an 80mm front lens — the world’s largest glass aspherical lens in the industry, offering photographers an ultra-wide prime with virtually no distortion, flare or ghosting. Equipped with a superfast and efficient autofocus system, three FLD (“F” Low Dispersion) elements, and four SLD (Special Low Dispersion) elements to reduce chromatic aberration and coma flare, the 14mm F1.8 Art is suitable for a wide range of photographic needs including astrophotography, architecture and landscape photography.The 24-70mm F2.8 Art lens, Sigma’s new workhorse standard zoom lens, touts a brand new Optical Stabilizer (OS), Hypersonic Motor (HSM) for highly efficient and fast autofocus, as well as a dust- and splash-proof mount with rubber sealing. The 24-70mm F2.8 Art lens embodies all the technical qualities and finesse that define the high-performance Sigma Global Vision Art series. A popular industry focal range covering a wide array of shooting scenarios, the 24-70mm’s optical design also includes three SLD (Special Low Dispersion) glass elements and four aspherical elements to ensure image accuracy and sharpness. The 24-70mm F2.8 Art aspherical elements use Sigma’s thicker center glass design and highly precise polishing process, delivering stunning images and bokeh effects. The lens’ purpose-built structure boasts a new metal barrel for optimal durability with TSC composite internal moving components designed to resist thermal contraction and expansion.Both the 14mm F1.8 DG HSM and the 24-70mm F2.8 DG OS HSM Art lenses are available in Canon, Nikon and Sigma mounts. The Sigma and Canon mount lenses work with Sigma’s MC-11 Sony E-mount converter. The Nikon mounts feature the brand new electromagnetic diaphragm.Sigma 14mm F1.8 DG HSM Art Lens Features and Benefits:> Sharp, rich image quality

  • Minimized chromatic aberrations: Three FLD (“F” Low Dispersion) glass elements and four SLD (Super Low Dispersion) glass elements help reduce transverse chromatic aberration, which tends to be noticeable in shots taken with ultra wide-angle lenses. The result is outstanding image quality from the center of the image to the edges.
  • Distinctive bokeh effect: Even at the 14mm ultra wide-angle of view, F1.8 brightness makes possible a very shallow depth of field with the subject standing out dramatically against a pleasingly softened background. It’s the unique mode of expression that only a large-diameter lens can deliver.
  • Minimized distortion: Serving as the front lens element, the large 80mm precision-molded glass aspherical lens effectively minimizes distortion. Offering excellent peripheral brightness, this lens delivers outstanding image quality from the center to the edges.

> Offers full-frame coverageSigma 24-70mm F2.8 DG HSM OS Art Lens Features and Benefits:> Superior optical performance

  • Optimal image quality for ultra-high-megapixel DSLRs: This lens offers top performance from the center to the edges of the image thanks to the optical system minimizing coma, which causes points of light to streak, and transverse chromatic aberration, which cannot be corrected via aperture control. The optical system also minimizes distortion, which can be particularly evident in wide-angle shots, resulting in excellent optical performance throughout the zoom range.
  • Expressive bokeh effect every time: At wide-open aperture, this lens offers outstanding photographic expression. The area in focus is extremely sharp, while the background exhibits a beautiful, creamy bokeh effect with only slight spherical aberration. Since large-diameter zoom lenses are often used at wide-open aperture, Sigma has paid close attention to the shape of the bokeh, aiming for artistic circularity.
  • Aspherical Lens Processing Technology: The Sigma 24-70mm F2.8 DG OS HSM Art incorporates an aspherical lens element that helps achieve extremely high resolution. This element is much thicker at the center than the edges, and forming its unusual shape is a feat of manufacturing technology. Moreover, Sigma processes the surface of this aspherical lens element with ultra-precise tolerances that are measured in hundredths of a micrometer. This extremely fine surface allows the Sigma 24-70mm F2.8 DG OS HSM Art to deliver a very natural and smooth bokeh effect, without the visible concentric rings that afflict typical aspherical lens elements.

> Fast and nimble autofocus photography

  • Designed for advanced utility in a wide variety of situations, the optical stabilizer (OS) offers a powerful stabilization effect. The newly designed large hypersonic motor (HSM) offers 1.3 times the torque of its predecessor for exceptionally stable performance.

Sigma Global Vision Line Features & Benefits:

  • Each lens is eligible for user customizable micro-focus and in-home firmware updates with the optional USB Dock and Sigma Optimization Pro software.
  • Each unit is crafted in Aizu, Japan and individually tested for QC and optical performance with the exclusive A1 MTF device.
  • Sigma’s Exclusive Mount Conversion Service allows lenses to be switched between any released mounts (fee-based).
  • Compatible with Sigma Mount Converter MC-11, allowing use of Sigma lenses in Sigma and Canon mounts with the Sony E-mount camera systems.

*As of February 2017[/quote_box_center]

Tamron 150-600 G2 Review and VS Sigma 150-600 C Lens comparison

I spend a month shooting with the Tamron 150-600 G2 (THE NEWEST VERSION) and compare it against the Sigma 150-600 Contemporary. I have been very happy with the under $1,000 Sigma lens - it performed very well on my Serengeti safari trip last year. But for just $400 more the $1400 Tamron SP 150-600mm f/5-6.3 Di VC USD G2 offers weather sealing, a few sweet features and slightly better image quality - how much is it worth to you?

Tamron 150-600 G2 Review and VS Sigma 150-600 C Lens comparison

Buy Sigma 150-600mm f/5-6.3 DG OS HSMBuy the Tamron SP 150-600mm f/5-6.3 Di VC USD G2Tamron 150-600 G2 Review and Sigma 150-600 C images for download and compare

LENS Tamron SP 150-600mm F5-6.3 Di VC USD G2 Sigma 150-600mm F5-6.3 DG OS HSM | C Sigma 150-600mm F5-6.3 DG OS HSM | S Canon EF 100-400mm F4.5-5.6L IS II USM
COST $1,400.00 $989.00 $1,999.00 $1,999.00
Aperture F5–6.3 F5–6.3 F5–6.3 F4.5–6.5
Min Focus 2.70 m (106.3″) 2.80 m (110.24″) 2.60 m (102.36″) 0.98 m (38.58″)
Weight 2010 g (4.43 lb) 1950 g (4.3 lb) 2860 g (6.31 lb) 1570 g (3.46 lb)
Filter Size 95mm 95mm 105mm 77mm
Weather Sealing YES Gasket at mount, otherwise no YES YES
BUY B&H Photo B&H Photo B&H Photo B&H Photo

The features and slightly sharper quality with better contrast make the NEW Tamron 150-600 G2 my pick for budget super zoom lens.  The Sigma offers great quality at significant savings though the lack of true weather sealing may be an issue for some.  My Serengeti safari was a month of extremely dusty conditions and I never saw any issues with the Sigma but it certainly gives me more peace of mind to be out photographing in all conditions with a lens that is truly sealed.  The Sigma 150-600 Sport offers that weather sealing and is sharper than the Contemporary version but the weight is ridiculous!    And finally you sacrifice range with the 100-400 but gain a much more travel friendly lens that you could throw on a 1.4x converter and get great results. Related Video - Tamron 150-600, the Sigma 150-600, Canon's new 100-400, the Canon 400mm prime and even a 70-200 with a 2x extender

New Lenses from Sigma 100-400, 14mm f/1.8, 24-70 f/2.8, 135mm f/1.8

Sigma has JUST ANNOUNCED four new ART series lenses.  I am a huge fan of the ART series, see my recent 85mm ART review - these have been incredibly sharp lenses that offer excellent value and the four newly announced lenses really round out their collection. We do not have pricing information or confirmed availability yet though my contact at Sigma states late April, early May. Press Release info below (my thoughts in bold along with my guess on cost - this page will be updated as new information become available.

Which lens in the lineup are you most excited about?


The Sigma 100-400mm 5-6.3 DG HSM OS Contemporary

Sigma 100-400mm f/5-6.3 DG OS HSM Contemporary LensThe Sigma 100-400mm 5-6.3 DG HSM OS Contemporary is a state-of-the-art telephoto zoom that brings a new level of portability and quality to the super telephoto market. Touting Sigma’s Optical Stabilizer (OS), the Sigma 100-400mm 5-6.3 Contemporary is highly compact and lightweight compared to similar products on this market. A push/pull zooming function and a new Hyper Sonic Motor (HSM) allow for a more responsive approach to photography while a 1:3.8 macro feature can be utilized from up close or from a further distance.Physical Specs -Weight 2.56 lb (1160 g)Diameter 86 mm (3.4″)Length 182 mm (7.18″)Sealing Yesfor comparison the new Canon 70-300 weighs 1.56 lb (708 g) and costs $550 and the Canon 100-400 MK II weighs  3.5 lb  (1.59 kg) and costs $2000I expect this lens to be nearly as sharp as Canon's 100-400 Mark II which costs almost double the price.  It does include weather sealing though I suspect it isn't at the same level as Canon's 100-400 Mark II and I notice an absence of a tripod color - something often desired in a longer lens as a way to give you a stable mounting point when using smaller cameras.  I am confused by the push/pull designation - this lens looks like a typical rotate to zoom - maybe you can also push/pull but there isn't much to grab onto.  Guess- around $1200  

The Sigma 24-70mm 2.8 DG HSM OS Art

The Sigma 24-70mm 2.8 DG HSM OS ArtThe Sigma 24-70mm 2.8 DG HSM OS Art is a premium workhorse zoom lens designed for the latest high megapixel DSLRs. A constant aperture of 2.8 through the zoom range make this a highly versatile tool and a brand new Optical Stabilization (OS) system help compensate for camera shake. Though a common focal length, the Sigma 24-70mm Art brings a new level of usability and durability featuring a rugged metal barrel and an emphasis on image quality. Building off the experience from the 12-24mm Art, the aspherical elements used in the 24-70mm 2.8 OS Art undergo a highly precise level of polishing producing elements thicker in the center then on the edges. This process creates stunning image quality and beautiful circular bokeh.Canon does not have a stabilized 24-70 f/2.8 and I suspect this new ART lens will be as sharp as Canon's current 24-70 f/2.8 L and it offers stabilization and it will likely be cheaper.   Downsides? I don't see any right now as long as this lens is up to the standard of Sigma's existing ART series line. It even has a slightly smaller front filter size 80mm vs 82mm in the Canon.   On price I suspect somewhere around $1400 slightly more expensive than the Tamron version. I expect this ART to be much better than the Tamron. 

The Sigma 135mm 1.8 DG HSM Art

The Sigma 135mm 1.8 DG HSM ArtThe Sigma 135mm 1.8 DG HSM Art is a medium telephoto prime lens designed for modern high megapixel DSLRs. A new large Hyper Sonic Motor produces significant torque to the focusing group for better speed while the acceleration sensor detects the position of the lens and compensates for such factors as gravity to help aid in focusing performance. This state-of-the-art prime lens touts a dust and splash proof construction for guaranteed performance in any condition and its large 1.8 Fstop allows for more creative control over imagery. A stunning compression effect make the Sigma 135m 1.8 Art the ideal portrait lens while its large aperture help with event photography and much more.This seems very similar in size and weight to the 85mm that I have recently tested and found to be excellent.  At 135mm you can get some incredible background separation from your subject. I will be interested to see how this compares to Nikon AF-S NIKKOR 105mm f/1.4E lens that is a little lighter and smaller but at $2100.00 likely a good bit more expensive. For wedding work I love primes at 85mm and below - above that and you may find yourself needing to move more than you want or are easily able to do in some situations BUT for portrait photographers these longer primes can offer stunningly beautiful shots.  Price Guess $1200

The Sigma 14mm 1.8 DG HSM Art

Sigma 14mm f/1.8 DG HSM Art Lens for Canon EFThe Sigma 14mm 1.8 DG HSM Art is the world's first 1.8 prime lens at the 14mm focal length. This fast wide prime features the same large aspherical element touted in the Sigma 12-24mm F4 Art to control distortion and create stunning imagery. An updated Hyper Sonic Motor (HSM) provides fast and accurate autofocus while 3 Premium FLD and 4 SLD glass elements control chromatic aberration and sagittal comma flare. Building on the highly reputable Art line, the Sigma 14mm 1.8 DG HSM Art is designed to resolve the latest high megapixel DSLR sensors.This lens is an astrophotographers dream! That is of course hoping it is at the level of their other ART series lenses and minimizes distortion. To have a full frame lens as fast as f/1.8 gives you some awesome flexibility when shooting the night sky.  Also useful for low light receptions and documentary work. Guess - $1100.00   

Sigma ART 85mm f/1.4 vs Canon 85mm f/1.2

David McKay, Professional photographer and owner of McKay Photography Academy, joins me to test the new Sigma 85mm f/1.4 and compare it to the much loved, very popular Canon 85mm f/1.2 lens. The Canon has long been a revered lens - offering a beautiful quality portrait lens - With Sigma's latest ART series release is the new Sigma 85mm ART as good? Or does it trounce the much more expensive Canon 85mm f/1.2 - We spent a week shooting with both the Sigma and Canon 85mm on the Sony a7RII and the Canon 5D Mark IV you find this review helpful?  Support our work and shop the links below.  Would you like personalized photography help? Become a member today and gain access to my Lightroom tutorials, support group and more. Buy the Sigma 85mm f/1.4 ART - B&H PhotoBuy the Canon 85mm f/1.2 - B&H PhotoBuy the Sigma MC-11 Adapter - B&H Photo What should you do with that extra $700?  - Start saving for the Sigma 50mm f/1.4 or Join us on a McKay Trip

The New Sigma 85mm ART lens is SHARP

I have been testing this lens on a Mckay Photography Academy trip this past week and have found it to be an exceptionally sharp lens!   And it stays sharp wide open at f/1.4! Here are some sample shots with the 85mm f/1.4 at or near f/1.4. Click each to see large or scroll down to the dropbox link!Order your copy of the Sigma 85mm ART from B&H Photo $1,199.00Follow me on Instagram to see more images from this trip and the 85mm f/1.8Sigma 85mm Art at f/1.6Sigma 85mm Art at f/1.4 Sigma 85mm Art at f/1.7Sigma 85mm ART f/2.2 Download/View images at 100% Size Order your copy of the Sigma 85mm ART from B&H Photo $1,199.00  

Sigma announces the 85mm f/1.4 ART

Sigma's ART series lenses offer excellent quality at affordable prices - great values when compared to the Canon and Nikon pro level lenses.  Adding to their sweet prime line up of 35mm and 50mm is now the 85mm f/1.4 DG HSM Art lens for Canon EF, Nikon F and Sigma SA mounts!screenshot-2016-09-19-11-54-25screenshot-2016-09-19-11-54-35 Availability Late October - Preorder from B&H Photo $1,199.00The Canon 85mm f/1.2 L lens cost $1,899 and Scott recently reviewed the Tamron 85mm f/1.8 for $749.00 (see his review here)Sigma is saying  - Sigma looked to create a peak portrait prime with the 85mm f/1.4 DG HSM Art Lens, and they delivered an optic with high performance, a large f/1.4 aperture, and a variety of technologies. Available here with a Canon EF mount, this lens offers a super-fast f/1.4 aperture that is great for getting images with an exceptionally shallow depth of field and smooth bokeh. It also uses two FLD elements and one anomalous partial dispersion/high-refractive index element that minimize aberrations and ensures a crisp, clear image. A Super Multi-Layer coating helps by suppressing flare and ghosting. Additional lenses announced -Sigma 12-24mm F4 DG HSM Art Ultra-Wide Angle ZoomThe Sigma 12-24mm F4 Art lens will be available in late October $1599.00 USD.  Preorder from B&H PhotoSigma 500mm F4 DG OS HSM Sport Lens The Sigma 500mm F4 Sport lens, in Canon and Sigma mounts, will be available in late October. The Nikon mount will be available in late November. The 500mm F4 will retail for a recommended street price of $5999.00 USD. Preorder from B&H Photo

Sigma to Sony Converter MC-11

Along with the new 50-100 f/1.8 and the 30mm f/1.4 DN announced last night - Sigma has also announced at Mount Converter - Similar to the Metabones and Commlite adapters - this adapter/converter whatever you want to call it allows you to use Sigma's lenses designed for Canon EF on Sony E- Mount with full electronic control.  Price is just $249. This is exciting! As A sony owner I also happen to have a few Sigma lenses and can tell you that both the commlite and metabones adapters provide a poor experience with the Sigma lenses - especially the commlite, I wouldn't even call it functioning - loses connection constantly.   Hopefully having an adapter direct from Sigma will provide much better results with Sigma lenses.Preorder from B&H Photo  for $249.00Full press release from Sigma below.
New Sigma Global Vision Lens Mount Converter Expands High-Performance Lens Options for Sony CamerasBrings Sigma’s Global Vision Lenses to the Sony E-Mount Camera FamilyKANAGAWA, JAPAN – February 23, 2016Sigma Corporation of America, a leading DSLR lens, camera, flash and accessories manufacturer, today announced the release of its new high-performance Sigma Global Vision lens converter – the Mount Converter MC 11 – for Sony E-mount, full frame and APS-C sensor cameras. With the new MC-11, Sony camera users will be able to utilize 19 Global Vision lenses in Sigma Canon Mount (EOS) and Sigma Mount (SA).“There are many challenges to designing high-quality mount converter and topping the list is aptly handling phase detection AF in newer cameras and this is where the Sigma MC-11 is groundbreaking in its support for the Sony E-mount systems,” states Mark Amir-Hamzeh, president of Sigma Corporation of America. “The new Sigma MC-11 mitigates complications with a purpose-built lens control data system engineered for maintaining superior AF functionality. So the growing number of Sony E-mount camera users who have been asking for more lens options, now have access to a large pool of lenses that fully embody Sigma’s signature quality and performance.”The Sigma MC-11’s sleek LED display lets Sony users know if the attached Sigma lens is compatible and whether or not the MC-11 needs to be updated for that specific lens. Its internal control data system keeps detailed information on each compatible Sigma lens, automatically optimizing performance of AF drive, aperture control and other critical lens functions. The MC-11’s internal control data system also maintains continuity with key camera functions that control brightness and correct transverse chromatic aberration, distortion, and more. The complete compatibility with both Sigma lens OS and Sony in-camera OS ensures correction of camera shake and other stability issues and when used with in-camera stabilization, MC-11 allows angle shake correction in the lens. The integrated flocking helps prevent internal reflections and reduction in lens performance. In addition, the MC-11 retains important EXIF data ensuring users can analyze every detail of their lens setting.The Sigma MC-11 converter can be updated with the latest compatible lens information from a workstation or laptop using the Sigma Optimization Pro software and Sigma USB Dock (sold separately).For information on the Sigma MC-11 converter please visit