Nikon D750 Announced and Available for Preorder

Nikon has officially announced the D750 Full Frame camera along with a new battery grip, the MB-D16, a new multimedia flash, the SB-500,  and a new 20mm f/1.8 and magnifying filter size 52mm. All are available for pre-order- links below. I expect this Nikon D750 to sell well, more thoughts after the photos and specs.

 >> My Full Nikon D750 Review is now online <<

• Full frame 24.3 megapixel CMOS image sensor and EXPEED 4 image processor
• Full HD 60/50/30/25/24p video
• Built-in Wi-Fi connectivity and compatibility with the WT-5a + UT-1 Communication Unit
• Shoot up to 6.5 fps at full resolution- Higher FPS possible in DX Mode.
• Pro Video feature set including: Simultaneously record uncompressed and compressed, Manually control ISO, shutter speed and aperture while recording - even use Power Aperture control for smooth iris transitions and Auto ISO for smooth exposure transitions.
• Compact, lightweight and slim unibody (monocoque) body design with tilting Vari-angle LCD display

Pre-order the NIkon D750 andThe Nikon D750 full frame DSLR camera (price: $2,299.95, $3,239.96 with 24-120mm f/4 lens With all preorders your credit card is not charged until the camera ships.  If you are considering this camera put a preorder in NOW - quantities are going to be limited through the fall. You can always cancel the order- More than once I have hesitated on a preorder and found myself scrambling or paying a premium to avoid waiting months.Nikon D750 body will be available September 23 - Preorder from Amazon | B&H | AdoramaNikon D750 kit will be available September 23 - Preorder from Amazon | B&H | AdoramaNikon MB-D65 Battery Grip will be available in September - Preorder from Amazon | B&H | AdoramaNikkor 20mm f/1.8G will be available September 25- Preorder from Amazon | B&H | AdoramaNikon SB-500 will be available September 25- Preorder from Amazon | B&H | AdoramaNikon 52mm Close-Up Lens will be available September 23- (watch my macro options video, includes a discussion about close up filters) Preorder from  B&H | AdoramaNIkon has quite the full frame (FX) line up now - Nikon D610, Nikon Df, Nikon D810, Nikon D4s. The D750 sits just below the D810, borrowing and actually improving on the AF system with 51 AF points.  It does include a popup flash and all of the video features of the D810 but adds WiFI and a tilty screen.  In this crowded line up the D750 offers lots to love and the body only price point is reasonable for a camera at this level.  I expect that this will be in high demand through fall and into winter. I'd love to hear your thoughts, leave a comment below. Support my work. Purchase your gear through the links above.  I recommend PNY SD Cards. The 64GB Card offers 90MB/s and costs just $33. Reliable, fast and plenty of room for all your photos and videos. 

Canon 7D Mark II - Specs and Announcement Date

The first leaked picture and detailed specs of the Canon EOS 7D Mark II DSLR camera. It is likely that we will have the official announcement on Monday(9/15) or Tuesday(9/16)

• Rugged magnesium alloy body
• Dust proof
• 20.2 MP CMOS sensor
• Dual-pixel CMOS AF
• New 65-point AF, all points cross-type
• ITR EOS AF
• Continuous shooting: 10 frames per second
• Dual DIGIC6
• Max ISO: 16,000.
• RGB+IR new 150,000-pixel metering sensor
• Video full HD 60 p
• Built-in GPS
• Interval timer
• Bulb timer

Via Digicame-infoQuick Thoughts -  Overall the camera looks very similar in form factor to the original Canon 7D. Dust Proof bullet probably represents weatherproof in general, not just dust. The 20,2 MP sensor is same size as the 70D but I suspect that it is an upgraded sensor with better performance in low light, it better be!  65 points of AF - serious coverage across the frame, this will be an excellent sports and wildlife camera, especially birds in flight. We finally get full 1080p at 60fps.   The big question in my mind is with no touchscreen how will the dual-pixel CMOS AF work, or at last I am curious to see how Canon markets that.  With Dual Pixel AF on the the 70D it was all about creating cinematic focus moments simply by touching the screen.  Finally - it is bundled in the photo with the 18-135 STM. UPDATE: The 24-105 has been announced now too. I wondered if this was real and apparently it is!

EF 24-105mm f/3.5-5.6 IS STM Lens Specs:

• One UD lens and two glass mold aspherical lens
• AF and smooth quiet by stepping motor
• Full-time manual focus
• Camera shake compensation effect of the four stages
• Maximum magnification is 0.3x

Will that full-time manual focus be different than the FTM we get on existing STM lenses?  The Lens configuration is similar, one US and two glass model aspherical lenses, to the 18-135 STM so I don't expect IQ to be very different.AND. . .Canon EF-S 24mm f/2.8 STM pancake

• 24mm and 38mm effective focal length
• 1 piece using high-precision glass molded aspherical lens (just one?)
• full-time manual focus (Like all STM lenses or real FTM?)
• shortest shooting distance is 0.16 M (40mm offers 0.3 M)
• maximum magnification is 0.27X
• 22.8 mm thickness Weight 125g (Almost identical to 40mm f/2.8 EF)

EF 400mm f/4 DO IS II USM and EF 24-105mm f/ 3.5-5.6 IS STM lenses to be announced with the 7D MarkIII'd love to know your thoughts. Leave a comment below.  

Nikon D810 - High Resolution Full Frame Camera

The Nikon D810 was announced in the wee hours of the morning.

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A few highlights of the upgrade include the absence of a Optical Low Pass Filter (we talk about this in our podcast out tomorrow), No 4K video - I think this hints that Canon won't be offering 4K in their next 5D or 7D either. But it does offer a split live view display that allows zoom and zebra highlights for video and stills respectively. That feels like a nice touch and I would like to see more Gh4 like video features offered in these cameras. If you have good Nikon glass and you want all the resolution of a medium format camera in a smaller more portable package (As compared to a medium format) this would be your camera!Body Only cost: $3,296.95 Pre-oder from B&H - Shipping Mid JulyAlso being sold in a film maker's kit cost: $4,996.95

About the Nikon D810

• 36.3MP FX-Format CMOS Sensor
• No Optical Low Pass Filter
• EXPEED 4 Image Processor
• 3.2" 1,229k-Dot LCD Monitor
• Full HD 1080p Video at 60/30/24 fps
• Continuous Shooting to 5 fps in FX Mode
• Expandable Sensitivity to ISO 51200
• Multi-CAM 3500FX AF Sensor w/ 51 Points
• Electronic Front Curtain Shutter
• External Mic and Headphone Inputs

 The Nikon D810 DSLR Camera takes its place as the high resolution option in the Nikon DSLR lineup. It features a 36.3MP FX-format CMOS sensor without an Optical Low Pass Filter for particularly sharp and detailed still imaging. With the addition of the EXPEED 4 Image Processor, performance speed is increased compared to the EXPEED 3 and noise is effectively reduced throughout the ISO range. Continuous shooting speed in FX format is 5 fps and in DX format hits a maximum of 7 fps. In addition, the full HD video capabilities of the D810 have been upgraded to include 1080p capture at 24, 30 and 60 fps. Also, the improved efficiency of the processor enables up to 1200 shots on one battery charge and 40 minutes of video recording. Low light performance has been upgraded thanks to a wide native ISO sensitivity range that runs from 64 to 12,800 and can be expanded from 32 to 51,200.The advanced Multi-CAM 3500FX autofocus sensor offers 51 AF points with 15 cross-type sensors and Group Area AF enables five AF sensors to be used as one group. This is useful when shooting subjects that cannot be tracked easily by one AF point due to lighting conditions.As a camera optimized for video capture, the D810 features recording in both FX and DX formats including simultaneous recording to memory cards and an external recorder as well as recording 60p output to an external recorder. The ISO range for video has also been expanded to run from ISO 64 to 12,800 and expand to 51,200. Automatic ISO adjustment in manual mode enables smooth exposure transitions. A built-in stereo microphone is supported as are jacks for an external mic and headphones. A selectable audio frequency range provides exacting control over sound recording.A 3.2" LCD with 1,229K-dot resolution provides playback viewing and live view, and improved coatings on the optical viewfinder components provide brighter images and more accurate colors. Live View function now includes split screen display zoom for stills, and zebra highlighting display in video mode. Full aperture metering during live view for still shooting is supported.Interval and time-lapse shooting feature exposure smoothing, and the maximum number of images per sequence is now 9,999. Improved Picture Control settings now offer Flat Picture Control to enable maximum dynamic range and color adjustments in post-production.The D810 utilizes dual media slots for both Compact Flash and SD cards, and it provides a built-in flash with i-TTL metering as well as a hot shoe mount. A larger grip enables comfortable control for extended shooting, and a secondary "i" button has been added to back panel for faster access to important settings.36.3MP FX-Format CMOS Sensor without an Optical Low Pass FilterNikon's highest resolution sensor is housed in the D810, and by omitting the Optical Low Pass Filter, the sensor provides superior sharpness and detail. The sensor boasts fast channel readout, wide dynamic range, rich tones and improved imaging at high sensitivities.EXPEED 4 Image ProcessorThe EXPEED 4 processor provides 30% faster performance over the EXPEED 3 as well improved low noise imaging throughout the ISO range. Support for 1080p video capture at 60 fps is featured and the processor's increased efficiency enables up to 1200 still shots and 40 minutes of video recording per charge.Native ISO Range of 64 to 12,800The improved ISO range compared to the D800 enables more effective low light imaging, and the ISO can be expanded from 32 to 51,200.Advanced Multi-CAM 3500FX Auto Focus SensorVersatile AF Modes of 9, 21, and 51 points and 3D tracking enable fast, precise auto focus control. AF sensitivity down to -2 EV is effective in low light and 15 cross-type sensors are compatible with AF NIKKOR lenses with open aperture of f/5.6 or faster. Eleven central focus points work with an open aperture of f/8. Improvements include upgraded 'lock-on', expanded 'store by orientation,' and more options for AF mode restrictions.Group Area AFGroup Area AF enhances subject detection and tracking in challenging lighting conditions or when shooting comparatively small subjects against a high-contrast background by grouping and monitoring 5 individual AF points. The 5-point AF area can be shifted across the 51-point array as your composition changes.RAW Size SAccelerate your workflow with Nikon's RAW Size S file format which delivers 12-bit uncompressed Nikon NEF files that enable faster image transfer and smoother post-production.Continuous ShootingIn FX mode, the D810 can shoot up to 5 fps, and in DX mode it can capture up to 7 fps when utilizing the MB-D12 battery grip with AA batteries.Reduced Vibration for Sharper ImagingThe D810's shutter/mirror box architecture and electronic front-curtain feature improve overall image clarity. The shutter/mirror mechanism reduces image shake for a steady viewfinder image with minimal blackout during high-speed shooting. When activated, the electronic front-curtain shutter reduces the risk of blur in even subtle details by minimizing internal vibrations during exposure.Quiet Continuous ModeA redesigned Sequencer/Balancer Mechanism enables Quiet Continuous Mode for near silent sequential shooting.Picture ControlIn addition to standard, neutral, vivid, monochrome, portrait and landscape, image control options have been expanded to include Flat Picture Control which is geared for shooting in RAW modes and for video capture when adjustments will be made in post-production. Also, a clarity option has been added to all Picture Control settings and better control over Picture Control is enabled by fine 0.25 steps.Full HD 1080p Video Capture in 60/30/24 fpsVideo recording is supported in both FX and DX formats with an ISO range from 64 to 12,800 and expandable to 51, 200. Simultaneous recording to memory cards and to an external recorder is now supported. Auto ISO adjustment is possible in manual mode for smooth exposure transitions. Nikon's 3D noise reduction reduces random noise, distortion, and flicker when filming at high sensitivities. Zebra mode on the camera monitor shows you exactly where highlights are. A built-in stereo microphone as well as jacks for external microphone and headphones are provided. You can fine-tune audio levels in isolation both before and during recording and select the sound range (wide/voice).3.2" LCD Monitor with 1,229k-dot ResolutionA high resolution LCD provides detailed playback viewing and live view capture with color balance and brightness control. A split screen display zoom for still shooting lets you compare two enlarged points in the image for sharpness and exposure.Optical ViewfinderImproved coatings on the optical components render brighter and more accurate color, and the Organic EL information display makes it easier to make adjustments under bright/dim conditions.Interval Timer/Time-Lapse ShootingExposure smoothing is supported in time-lapse and interval shooting modes and the number of recordable images has been increased to 9,999.FlashBoth a built-in flash and hot shoe mount are supported with i-TTL metering.CF and SD Card SlotsTwo card slots are supported for versatile image storage and smoother workflow. One CF card slot for high-speed UDMA 7 cards, and one SD card slot for high-speed, high-capacity SDXC and UHS-I cards allow you to use one card as back-up or place still images on one card and video on the other or RAW on one and JPEG on the other.Form FactorA deeper hand grip improves handling, and a secondary "i" button has been added for easier access to important settings. A durable magnesium alloy body with extensive weather and dust sealing ensure the D810 is moisture- and dust-resistant.

Canon Announces EF-S 10-18mm f/4.5-5.6 IS STM & Canon EF 16-35mm f/4L IS USM & Sl1

Two new lenses announced from Canon and a white version of their existing Sl1.

EF-S 10-18mm f/4.5-5.6 IS STM

A affordable cheap wide angle lens that includes IS (image stabilization) and STM (Canon's smooth and silent autofocus for video) make this an interesting announcement.  I have already pre-ordered mine, at $299 it is cheaper than many of the prime lenses I own and although I am not a huge fan of wide angle lenses (watch "How Focal Length Affects Perspective") They can be useful to have, add in IS and STM and you have a great addition to your kit that adds very little weight and gives you VERY wide and will do well in low light.   Downsides - it is a plastic kit lens and widest maximum aperture is f/4.5. It isn't as necessary to have wide apertures on wide angle lenses, you can shoot at slow shutter speeds without violating the focal length shutter speed rule (watch "Image Stabilization" and "Shutter Speed" for more info) but it does give you more freedom when shooting.    I like Colin's thinking - three lightweight lenses giving you excellent range and flexibility in shootingPre-order Canon EF-S 10-18 f/4.5-5.6 IS STM $299: Amazon | B&H Photo | Adorama

The Canon EF 16-35mm f/4L IS USM

 Similar to the release of the f/4 IS version of the 24-70, we now have a f/4 IS version of the 16-35 f/2.8 lens.  Taking a look at the MTF charts and on paper this looks to be a sharp lens and a more affordable wide angle option for full frame photographers.   The f/4 version will sell for $1199 and the f/2.8 non IS version sells for $1699.A bit more about the Intelligent IS in this lens

an Optical Image Stabilizer (IS) for shake correction up to four shutter speed steps, making handheld shooting possible in dimly lit scenes where camera shake can occur. In addition, an intelligent CPU in the lens automatically selects the optimal IS mode by recognizing differences between normal handheld shots and panning. This technological advancement supports a greater range of creative expression for photographers in otherwise difficult shooting situations, such as dark indoor scenes where flash photography is prohibited, or in places where a tripod cannot be used, or when shooting at low ISO speeds.

I don't feel the 24-70 f/4 IS is selling very well but as I mentioned above the wider apertures are less necessary in wider lenses and I know many photographers and videographers that would be fine shooting at f/4, especially for video and having excellent image stabilization all at a significant savings may entice a few more over. Pre-order the Canon EF 16-35 f/4L IS $1199: Amazon | B&H Photo | Adorama 

Canon Sl1 (White)

Yawn - I have a review of the Sl1 here - it isn't a bad camera but releasing a white one doesn't interest me - thought it might be fun to mix and match and run around with the white kit lens on a black Sl1. . or not. 

Nikon D5300 vs Canon T5i - Differences Explained Simply

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My Bullet points touch on what matters. Do not get stuck on numbers - the difference in focus points 39 vs 11 or the megapixels 24 vs 18. Both sound like a big difference but in day to day, real world use they do not matter.

Nikon D5300 Strengths

• Excellent image quality- very sharp when using a good lens
• Excellent Auto and flash setting - nice consistent exposure
• GPS and Wifi built in.  See Weaknesses of the D5300.
• A great number of scenes, filters, effects and robust HDR. This includes "fun features" like selective coloring and miniature video mode - Watch my video introducing the fun features of the D5200 & D5300 (they are the same in this respect)
• Can shoot 1080P at 60fps - if you want to do slow mo this allows for full HD at 1/2 speed (30fps)

Suggestion - Buy the 35mm f/1.8 with the D5300 and you have the most portable package with excellent low light quality. You do sacrifice some convenience but gain incredible sharpness, quality and the ability to create those images with blurred background.  More lens recommendations for the Nikon D5300Nikon D5300 Weaknesses

• User interface is cluttered and at times overwhelming
• No Touchscreen - this can make menu navigation clunky and it does make changing focus in live view tedious
• Live view focus is slower and no silent lenses available for auto focus during video
• No focus motor which means there are some lenses that won't auto focus with your camera. There are plenty of lenses that will auto focus but it does make shopping for lenses a little more confusing and it is easier to end up with lenses that are manual focus only.
• Slight greenish tint to many images indoors
• GPS is quirky and if you are not careful you can completely drain your battery
• Aperture changes in live view are at times blocked - you need to exit live view to change aperture
• Sold with the 18-55 (newly redesigned but still not great) lens - SOFT.  Buy with 18-104 or review my lens recommendations above.

Watch my complete review of the Nikon D5300Buy the D5300 From Amazon | B&H | Adorama

Canon T5i (700D) Strengths

• User friendly with a responsive and excellent touchscreen
• Sold with 18-55 STM or 18-135 STM, both are very good starter lenses
• Live view focus is faster and with STM lens it is smooth and silent making for easy video capture
• Live view exposure simulation is quirk free - it just works and is excellent for learning- you can change aperture during live view
• Wireless flash control
• Less lens confusion, all current Canon lenses will auto focus with the T5i and a greater number of deals and savings on Canon lenses - more sales, rebates and refurbished store.
• Canon colors are warmer and tend to look better(to me) right out of the box

Canon T5i weaknesses

• Image quality in low light is not as good as D5300 - T5i sensor is 4 years old  and still good but not as good as the Nikon D5300
• Exposure of images when popup flash is used are not great - often slightly over exposed.
• No cheap 35mm f/1.8 lens as an option. Just the 40mm f/2.8 - still great but not as fast(watch my podcast to hear the word "fast" defined along with lots of other jargon.

Full Canon T5i (700D) ReviewBuy the Canon T5i (700) from Amazon | B&H | Adorama

Final Word - As an all around photo and video machine I really like the T5i - it provides that smooth and silent auto focus for video, is very user friendly while offering very good image quality and provides room to grow as a photographer.

The D5300 provides excellent image quality at the expense of user friendliness but does provide some power if you go digging through the menu. It also has to be given high marks for excellent auto pics- just point and shoot. Avoid the 18-55. The 18-140 is fine but if you are thinking about buying this camera and not planning on also purchasing the 35mm f/1.8 you are missing out.

Considering spending $1000+ on the Nikon D5300? Also consider the Canon 70D which is about the same price and offers all the benefits of the Canon - see my D5300 review for more comparison.

Still have questions not answered by the post or video?  Leave a comment below or find me on Facebook.

Steel Wool Photography - Quick How-to

Had an opportunity to try some Steel Wool Photography last night and thought I would share my experience-You will need -

• Steel Wool - Grade 0, 00, 000, or 0000. Don't buy grade 1 or higher.
• Wire Whisk to hold the wool
• Chain or dog leash to clip to the wire whisk for spinning- this should be 3'-4' long
• Lighter or 9 volt battery to light the wool
• Tripod or someway to hold your camera steady for 20-30 seconds.
• Flash light or light source(lighter can work) for focus assist with the camera
• Junky clothes including a hoody or a hat to protect your hair and eye protection
• Space to spin that isn't going to catch on fire.*

*You will potentially be throwing sparks 15-20' possibly more depending on the wind and these are sparks or bits of wool that continue to burn. DO NOT experiment with this anywhere that potentially could catch fire and have someone with you keeping an eye out for for issues.  And when done do a walk through picking up any mess and making sure nothing is still burning or smoldering.Directions -

1. Stuff the steel wool inside the whisk and rearrange the whisk so it is spaced evenly, closing any big gaps created when you stuffed the wool inside.  You can keep the wool packed or unravel and re-pack loosely.  The more tightly packed the slower and more consistent the burn.
2. Attach the chain, dog leash to the end of the whisk and experiment with spinning the contraption.
3. Using a flashlight, compose and get focus on the subject that will be spinning.
4. Set camera on manual mode - suggested starting settings around 20-30 seconds, f8-f/10 and ISO 200-400 - not a bad idea to set the camera on 2-second delay to avoid any extra jiggling or use a remote to trigger the camera.
5. Light the wool(you don't need the wool to be on fire - small embers are enough, once you start spinning it will catch fire) and start spinning.
6. Review images and try again.

Results -

Alternative Ideas - Not interested in spinning burning steel around your head?  Use a glow stick, flashlight, electrowire- You won't get the sparks but can still create some very cool images using the same basic camera settings and setup.  Watch my Electrowire light painting videoFuture Plans - I'd love to try some more - locations with reflections, locations like tunnels where the flying sparks hit walls and define the space, spinning as I spin to create more of an orb look and one more than I am not ready to share yet.   Have you done any steel wool photos? Share them in my Flickr Group or on my Facebook Page.Questions? Comments? Suggestions for future video topics? Leave them below.     

New Canon Cameras - Canon T5 and GX1 Mark II

CP+ photo show is happening in Japan and as I mentioned in last weeks podcast This is traditionally a time when the camera makers announce new P&S cameras and low end DSLRs- very consumer orientated products. And last night Canon did announce a new entry level DSLR, the Canon EOS T5 and a pretty serious P&S the GX1 Mark II - which is the sequel surprisingly to the GX1 ;)

Canon T5

[gallery ids="4348,4351,4353"]Pretty disappointed in this release and I don't see any reason you would pick this over the cheaper SL1.

• 18MP sensor - same that has been used for several years now.
• Digic 4 Processor- this will not be a speedy camera 3fps which is slightly slower than the SL1
• 1080p HD Video but not capable of continuous autofocus and bundled with 18-55 NON-STM confirms that. This older kit lens is OK but certainly not as good as the newer 18-55 STM Lens.
• 3" LCD But it is not articulating.
• Compatible with the little GPS-EP2 GPS is nifty addition but really I don't see a large market for budget DSLR paired with an expensive GPS logger.

The Canon T5 will be available in March for $549.00.   The SL1 currently sells for $539.00Full Canon Marketing Blitz below.   The Canon EOS SL1 offers the same quality with continuous AF and the STM lens that is improved at a slightly cheaper price.

Canon GX1 Mark II

[gallery ids="4350,4349,4347"]Slightly more interesting is the GX1 Mark II - A larger than average sensor size P&S with some nice features

• 12.8MP- 1.5" - this is almost the size of the sensor in the Canon Rebels and larger than the sensor in the micro 4/3 P&S cameras
• 5x Optical Zoom f/2.0 - f/3.9
• Optical Stabilization built in.
• WiFi and NFC for quick pairing with smartphones.
• 1080p Full HD Video with stereo sound
• Digic 6 Processor for snappy response and the handing the full HD files.
• 3.0" LCD Articulating - Remote shooting is also possible via the WiFi

The Canon GX1 has sold OK - it is a crowded marketplace in the space between traditional P&S and your DSLRS - we have lots of options with these smaller format cameras that are wrapped around larger sensors.  This latest offering from Canon with the GX1 Mark II looks strong.  The feature set is nice and the sensor should provide good low light capabilities all packaged into something that can almost fit in your pocket.The Canon GX1 Mark II will be available at the end of April for $799 - Preorder from AmazonFull Product Info

CANON T5

18.0 Megapixel CMOS (APS-C) SensorThe EOS Rebel T5 has an 18.0 Megapixel CMOS (Complementary Metal Oxide Semiconductor) sensor that captures images with exceptional clarity and tonal range, and offers more than enough resolution for big enlargements or crops - your photos can be printed and framed without having to worry about quality. This first-class sensor is APS-C sized for an effective 1.6x field of view (compared to 35mm format) and features many of the same new technologies as used by professional Canon cameras to maximize each pixel's light gathering, helping to ensure images are captured beautifully and brilliantly.DIGIC 4 Image ProcessorThe DIGIC 4 Image Processor on the EOS Rebel T5 dramatically speeds up camera operations, offering an intuitive shooting experience and providing images full of detail and natural color reproduction. It works in concert with the camera's 18.0 Megapixel CMOS sensor to achieve phenomenal levels of performance in virtually every situation, so you can shoot without having to worry about camera processes.EOS Full HD MovieThe EOS Rebel T5 offers easy-to-use video capture with breathtaking Full HD quality that is difficult for a smartphone to match. Capable of shooting in a number of recording sizes and frame rates, the EOS Rebel T5 offers outstanding video capturing performance, quality and simplicity -simply press the dedicated Live View/Movie Recording button to get started shooting. Additionally, the EOS Rebel T5 enables easy manual control of exposure, focus and Live View features and even allows for in-camera editing. And with a wealth of over 60 interchangeable lenses available to choose from, your video has plenty of creative options.Plus, with the Video Snapshot feature, the EOS Rebel T5 will capture short video clips (of 2, 4 or 8 seconds) then combine them automatically into one video file as a snapshot or highlights "album." With no editing needed after shooting, the compiled video is perfect for sharing online or displaying directly on an HDTV via the camera's HDMI port.Scene Intelligent Auto modeThe EOS Rebel T5 features Scene Intelligent Auto mode, which incorporates a number of Canon technologies to deliver the best possible exposure, simply. Joining Picture Style Auto, Automatic Lighting Optimizer, Automatic White Balance, Autofocus, and Automatic Exposure, Scene Intelligent Auto mode analyzes the image, accounting for faces, colors, brightness, moving objects, contrast, and whether the camera is handheld or on a tripod. It then chooses the exposure and enhancements that bring out the best in any scene or situation. Users without extensive photography knowledge or experience will not need to puzzle over settings; the Scene Intelligent Auto mode simplifies DSLR image capture so photographers can simply concentrate on composing images.Feature GuideTo help explain the specific function of features found on the EOS Rebel T5, the Feature Guide displays a simple description helpful in determining the applicability for the situation at hand. It is displayed in each shooting mode, during mode dial operations, and for Quick Control screen functions. It appears automatically when a function is selected - a lifesaver when trying to determine the best mode or function for the next picture. The feature guide works automatically by default, and can be disabled easily through the camera's menu.Up to 3.0 fps Continuous ShootingThe EOS Rebel T5 is a fast camera, capturing up to 3.0 fps (frames per second) for up to approximately 69 JPEGs or approximately 6 RAW files. Whether capturing the action on the soccer field or waiting for that perfect expression, the EOS Rebel T5 delivers intuitive, speedy operation for the best shot. With instant startup, speedy AF and virtually no shutter lag, the EOS Rebel T5 will help you capture the action, every time.Large 3.0-inch LCD MonitorThe EOS Rebel T5 has a huge, bright 3.0-inch LCD monitor that is ideal for composing and capturing amazing images, as well as showing them off to friends and family. The large display has high resolution with 460,000 pixels and a wide viewing angle of 170°. It's perfect for Live View composition or viewing camera settings like AF, ISO, Metering, AF Point selection and flash options.ISO 100-6400 (Expandable to H: 12800)With a broad range of light sensitivity ratings from ISO 100-6400 (expandable to H: 12800), the EOS Rebel T5 is ready to go no matter the light, capturing the finest detail with ease. Thanks to this expanded ISO range, the EOS Rebel T5 can capture more subjects in more situations, handheld, without the need for flash. This means more natural and detailed looking pictures and movies that can be shot discreetly, with ease.9-point AF System and AI Servo AFThe EOS Rebel T5 has exceptional autofocus with a 9-point AF system including a center cross-type AF point, delivering accurate focus whether the camera is oriented in portrait or landscape position. The system intelligently uses both normal and high-precision focus, depending on the aperture and available light, so your images are in crisp focus. An AI Servo AF system achieves and maintains consistent focus with an exceptional degree of reliability.Creative FiltersThe EOS Rebel T5 allows you to capture images with a new perspective without any need for extra accessories. The camera features five different, creative filters for still images: Grainy B/W, Soft Focus, Fisheye Effect, Miniature Effect and Toy Camera Effect. Each filter alters the mood and feel of any particular scene, allowing you to create photos with a fun, distinctive flair.Basic+ and Creative AutoThe EOS Rebel T5 is always ready to take beautiful pictures automatically. For photographers looking to experiment with more advanced settings, the EOS Rebel T5 is loaded with features to take you to the next level. Basic+ makes it easy to create the image effects you want, changing ambience or scene type according to simple choices made on the camera's Quick Control Screen. And ideal for beginners looking to expand their photographic horizons is Creative Auto mode where basic settings are based on full automatic operation, but shooting guides on the LCD screen explain how to make changes to exposure, tone, sharpness and more, and how those changes will affect the final image. In essence, with Creative Auto mode, you can experiment and learn more about photography while still taking stunning photographs.Compatible with the full line of Canon EF and EF-S lensesThe EOS Rebel T5 is compatible with all Canon lenses in the EF and EF-S lineup, ranging from ultra-wide angle to super telephoto lenses. Canon lenses employ advanced optical expertise and micron-precision engineering to deliver unprecedented performance in all facets of the photographic process. Numerous lenses feature Canon's sophisticated Optical Image Stabilizer technology to minimize the effect of camera shake. Through Canon lenses, photographers can truly maximize the quality and liberating performance of the EOS Rebel T5.Compatible with GPS Receiver GP-E2With the optional GPS Receiver GP-E2 attached to the hot shoe or the digital terminal, the EOS Rebel T5 can record location, including latitude, longitude and altitude, and has the ability to track the trajectory of movement with its logging function. An electric compass records the camera's orientation during each shot, and world time information is recorded through GPS syncing. With GPS information, you can always remember where and when your images were taken, perfect for tagging vacation photos or organizing albums. 

Canon G1X Mark II

The Canon PowerShot G1 X Mark II raises performance and quality to new heights in a compact, brilliant design. Featuring a huge, 1.5-inch 12.8 Megapixel High-Sensitivity CMOS sensor, a powerful DIGIC 6 Image Processor and an all-new 5x wide-angle optical zoom lens with Optical Image Stabilizer and a circular, 9-blade aperture for stunning blurred backgrounds, the PowerShot G1 X Mark II delivers the outstanding image quality you would expect with a digital SLR camera but in a portable, Wi-Fi and NFC enabled package.It can capture 14-bit RAW plus JPEG images, features a staggering 31 focus points for speedy and accurate AF, a capacitive 3.0-inch tilt-type touch panel LCD and has newly developed Dual Control Rings on the lens barrel for fast control of exposure and focus. An optional high-resolution electronic viewfinder adds to the camera's professional feel and functionality. Whether being used as a companion to an EOS digital SLR or as a standalone camera, the PowerShot G1 X Mark II has the power to handle most any photographic situation it encounters.Canon 1.5-inch, 12.8 Megapixel High-Sensitivity CMOS Sensor Almost as large as the APS-C CMOS sensor found in many EOS digital SLRs, and bigger than those found in 4/3 system cameras, the PowerShot G1 X Mark II's sensor sets the standard for sensitivity and resolving power in compact cameras. Each cell area is 4.5x the size of those found in 1/1.7 type sensors and is thus able to capture more light at the pixel level. This means better detail, even at higher ISOs, with minimal noise and distortion and, thanks to the sensor's wide cell pitch, breathtaking dynamic range. The PowerShot G1 X Mark II camera natively captures images in the 3:2 aspect ratio, which is the same as Canon EOS SLR cameras. The PowerShot G1 X Mark II also features a new Aspect Ratio function, enabling RAW image capturein both 3:2 and 4:3 aspect ratios while maintaining the same angle of view.Canon DIGIC 6 Image Processor The PowerShot G1 X Mark II camera is equipped with the very latest Canon proprietary processor, the DIGIC 6 Image Processor, which makes several important advancements to image quality both in stills and video. Improved light sensitivity allows for higher resolution with less noise when shooting in dark conditions, and Dynamic IS now detects and compensates for tilt and parallel movement (shift blur) to create video that's exceptionally free of distortion. The DIGIC 6 Image Processor also enhances the performance capabilities of the PowerShot G1 X Mark II, powering full resolution high-speed continuous still shooting and the advanced Star shooting modes. Video recording has also been improved with MP4 recording for better compatibility with mobile devices and tablets. Highly compressed MP4 video not only preserves space on your memory card but also improves playback on mobile devices. Plus, with MF Peaking possible thanks to the new processor, you'll have a pro-level focusing tool at your disposal.Canon HS SYSTEM The Canon HS SYSTEM lets you take bright, clear photos in an even wider range of shooting situations. Beautiful low-light shots are possible with minimal noise and maximum detail in highlight and shadow areas. The system is the result of two technologies in the PowerShot G1 X Mark II: the amazing 1.5-inch High-Sensitivity CMOS imaging sensor, which is able to capture more light; and the DIGIC 6 Image Processor, which actively reduces noise at high ISO speeds and processes images at high speed, even at full resolution. Thus, the Canon HS SYSTEM allows you to use higher shutter speeds to capture clearer images with reduced noise and blur in more situations.5x Optical Zoom plus a new f/2.0 - f/3.9, 24mm Wide-Angle lens with Optical Image Stabilizer Developed specifically for the PowerShot G1 X Mark II, this large aperture lens offers the highest specifications for any camera in this class, and incorporates dramatic improvements on all fronts based upon the feedback of PowerShot G1 X users. It offers a 5x zoom factor with a 24-120mm equivalent range that's perfect for any number of shooting scenarios, and it has an incredibly bright aperture value of f/2.0 at wide angle and f/3.9 fully zoomed. It has a newly designed inner focusing system which enables fast AF speed with minimal lens movement, a reduced focusing distance of 5cm, features 14 elements in 11 groups and has a 9-blade aperture diaphragm for beautiful background blur. Engineered to perform and deliver gorgeous images every time, it's the perfect lens for the PowerShot G1 X Mark II camera's amazing sensor. And, in response to the overwhelming requests from PowerShot G1 X users, it has an integral lens cap.Optical Image Stabilizer Handheld shooting can often lead to camera shake, making photos and videos blurry. Canon's Optical Image Stabilizer is a sophisticated system that uses lens-shift technology to correct for unwanted camera movement. It makes handheld photography more practical in more shooting situations, providing excellent image quality in many difficult situations: outdoors at dusk, inside without a flash, and even at the telephoto end of the zoom range without a tripod. For still photos, it enables shooting at slower shutter speeds, accommodating more low-light shooting situations than ever before without having to boost ISO sensitivity. With camera shake and vibration reduced, you get a sharper, steadier image. And because it is an optical system, there is none of the image degradation typical with electronic image stabilizers.Built-in Wi-Fi The PowerShot G1 X Mark II is equipped with built-in Wi-Fi® technology for convenient sharing and transferring of your still images and video. Easily post your images to social networking and media sites - Facebook, Twitter, YouTube, Flickr and now Google Drive - through CANON iMAGE GA TEWAY# directly from your PowerShot camera, or save them to the online photo album to share anytime, anywhere. The camera can also connect directly to both iOS® and Android devices, and upload images via the free Canon CameraWindow app without a computer. You can control the destination of your uploads to share with everyone or to selected groups, and even add comments. Sharing video is also easy with the PowerShot G1 X Mark II, which records video using the MP4 format with minimal file size. Enhanced Wi-Fi makes posting in real time possible, so you can keep everyone up to date with amazing photos and video even as events unfold. The built-in Wi-Fi technology on the PowerShot G1 X Mark II also allows you to transfer images to other Wi-Fi equipped PowerShot cameras or print your photos directly to a PictBridge (Wireless LAN) certified printer.One-touch connection to your mobile device or computer is also made possible on the PowerShot G1 X Mark II with the camera's dedicated Mobile Device Connect Button. You can choose to transfer images to your smartphone or tablet for immediate sharing with the CameraWindow app**, or to your computer on the same network with Image Sync to make saving and organizing your images easier. When the camera finds a linked computer on the same wireless network, images are sent directly to it. Otherwise, images are temporarily stored on CANON iMAGE GATEWAY# then transferred once a connection is made, eliminating the need for cables.Remote Shooting With the built-in Wi-Fi® on the PowerShot G1 X Mark II, you can use your smartphone or tablet to remotely control the camera. Simply connect wirelessly to your device and access the free Canon CameraWindow app. Your device will show a live image of the camera's capture for easy composition - perfect for wildlife and nighttime shots, group photos and all kinds of situations. The camera's versatile zoom, flash, self-timer and shutter are all under your control, with images being saved to your camera as usual.Built-in NFC (Near Field Communication) The PowerShot G1 X Mark II camera supports NFC (Near Field Communication) technology, eliminating the need to find and open the Canon CameraWindow app* on your mobile device. Simply touch the NFC icon on your camera to your compatible Android device**, and the CameraWindow app will launch automatically for remote shooting and quick, easy sharing of your images. Built-in NFC technology also makes it simpler to install the app. If the app hasn't been installed yet, once you touch the devices together for the first time, the download screen will display automatically.Canon Full HD Video Advantage Preserving your important memories and creative film clips in stunning quality is easy with Full HD recording on the PowerShot G1 X Mark II camera and its dedicated movie button. With the camera's advanced DIGIC 6 Image Processor, the camera records Full HD video in MP4 that is breathtaking even when played back on a large-screen HDTV via the camera's HDMI output. Video is recorded at 30 frames per second* with stereo sound and because clips are recorded in MP4, you can fit more on a single memory card. The smaller file size also makes it easier to download to a computer and share with family and friends.

Nikon Lens Rebates - Spring 2014

B&H has a nice page with all of the savings- These are instant rebates - no paper work, no waiting for your savings.

Fuji Announce the X-T1

[gallery ids="4277,4278,4276"] Fuji has announced the X-T1Rumors and leaks have been swirling for weeks and now we get the official releaseThe Important Specs -

• 16.3 MP APS-C X-Trans II CMOS sensor
• ISO 200-6400 (expandable to 51200)
• 1080/30fps HD video (.MOV/H.264)
• Water and dust resistant and freezeproof to -14C/+14F with weather resistant lenses
• Up to 8 FPS continuous shooting
• 3 inch tiltable LCD with 1,040,000 dots
• OLED viewfinder with 100% coverage and 2,360,000 dots
• Included hot shoe flash
• Built-in Wi-Fi connectivity and remote camera control via smartphone
• Fujifilm X-Mount compatible
• Raw, JPEG, and Raw+JPEG
• SD, SDHC, and SDXC memory

The XT1 Explained Simply (aka - why all the buzz?)This is a mirrorless camera with a DSLR sized(APS-C) sensor and an electronic viewfinder packaged in a smallish DSLR like body. A retro style body festooned with physical controls.Because the camera is mirrorless you can shrink the body, you don't need to make room for the whole mirror assembly and the space for it to flip out of the way AND you can offer fast FPS, 8 in the X-T1 because you don't have to worry about the mirror flipping up in down.  The downside to losing the mirror is no optical viewfinder - something easily solved by using an electronic viewfinder which typically have had issues especially in low light but the one included in the X-T1 looks to be fantastic, incredibly high resolution and offers several modes allowing the user to customize what they see with a push of a button, something not possible with optical viewfinders. Another important note about the EVF - it is as large as the viewfinder on Canon's $6,000 camera!And focusing speed often takes a hit when you swap out the mirror - Fuji has phase detection(faster focusing system) on the sensor and will provide the fastest focusing in its class.  All of this tech is packed into a rugged body that is weatherproof, freeze proof and several lenses coming to market this year will also be weather proof making for a portable, high performing and rugged machine.  I have spent time with an earlier model sharing the same sensor and can report that image quality is excellent.   There are some that still get caught up in the MegaPixel war, please don't look at the 16MP sensor and assume it isn't as good as 18MP or 24MP from Canon and Nikon - it is that good and I have seen images pushed to ISO 6400 that look great.  I will be sharing more soon.Preorder from Amazon | Adorama | B&H- Release date March 7th ($1699 with 18-55 lens) ($1299 Body Only) Fuji has more in the official X-T1 press release   

Recommended Lenses for the Canon 70D and other Canon DSLRS

Recommended lenses for Canon 70D, T5i(700d) and other Rebels.

I see two groups of people watching this video - those that haven’t bought a camera yet and are wondering if they should buy the camera with a kit lens(18-55 STM or the 18-135 STM) or buy body only and purchase a “better” lens separately and those that have the 70D or other Canon DSLRs and are wondering what they should add to their collection or upgrade to.

To the first group -maybe you heard from a friend or read on the internet that the kits lenses are bad. At times in DSLR history that has been true but the 18-55 IS STM and the 18-135 IS STM lenses sold with the 70D and current rebel models are actually quite good and their value when bought with the camera is excellent - if you are new to DSLRS the kit lenses ARE a good place to start and especially if you want to do easy video with either camera the STM lenses are necessary for that silent autofocus.  So if you haven’t bought the camera yet go ahead and buy with a kit lens - which one? 18-135 is a good travel and all around lens, nice for the family, capturing kids, vacations etc.  The 18-55 STM saves you some money and is a little easier to leave behind if you think you might want to upgrade sooner rather than later.  I do have another video that goes into the two choices in more detail 18-55 STM vs 18-135 STM.  Keep reading though as there is good info ahead.Those of you that already have the camera and are looking for the next lens - I am going to offer a recommendation or two in each of the following categories - Prime lenses (lenses that are fixed, don’t zoom), Walk-around lenses or general purpose lenses, telephoto and then your more specialty lenses like macro and wide angle.  I did keep budget in mind and picked lenses that I feel offer a great value.   I might throw out some terms or acronyms you are not familiar with -Use the following Lens Glossary if you need any more information on some of the acronyms and terms mentioned.Recommended Prime Lenses for Canon 70D (and other crop sensor cameras)

The question I hear from many new DSLRS owners is “how do I get those blurred background images?”  They are possible with the kit lenses but they are not always easy.  Using a lens with a wide maximum aperture is the easiest way to achieve those images AND cheapest way to get those images is by using a prime lens.   Canon’s 50 f/1.4 is excellent  - sharp, responsive focus and that amazing wide aperture.  An alternative is the 40mm f/2.8 - which is tiny,as equally sharp as the 50 f/1.4 but with a slightly wider focal length that if you are shooting indoors often you may find to be easier to work with and slightly more versatile.

• Canon EF 50 f/1.4 - Buy on Amazon
• Canon EF 40mm f/2.8 STM - Buy on Amazon

Walk-Around Lenses 

Like I said the kit lenses do a very good job so to get MUCH better quality you have to spend a good bit more - there are lenses that are marginally better but few are better enough that their value outstrips the kit lenses- But when you add features and quality in the mix two stand out. The Tamron 28-75 f/2.8 about $500 offers a good range and it offers a constant aperture of f/2.8 over that range, this lets in lots of light and allows good control of your depth of field. You can get creamy bokeh at f/2.8 in the 50-75 range. And most importantly this is a sharp lens for the money and is as sharp as lenses that cost 2x as much. The Tamron doesn’t have image stabilization and I think that is fine but if you want something similar WITH IS the Sigma 17-50 f/2.8 OS (sigmas version of IS) is about $570. Please know that IS only really helps with non moving subjects at those slower shutter speeds.

• Tamron 28-75 f/2.8 (EF Compatible) - Buy on Amazon
• Sigma 17-50 f/2.8 OS (EF-S Compatible)- Buy on Amazon

Telephoto Lenses

The recent refresh of the 55-250 STM has created another budget lens that offers a serious value - I have a separate review of the new 55-250 STM - short review-  the value is great, another STM so you have that silent AF for video and if you buy when you buy the camera and take advantage of the bundled savings you are getting a good zoom for less than $200! The next telephoto I’d recommend is a jump in price but the 70-200 f/4 is one of Canon’s most affordable L lenses - professional level lenses - very sharp, beautiful colors and contrast and versatile. 200mm at f/4 produces lovely bokeh.

• Canon EF-S 55-250 IS STM - Buy on Amazon
• Canon EF 70-200 f/4 L - Buy on Amazon

Macro

With budget in mind the Canon 60mm macro is very good with excellent macro possibilities.  This lens can also be used as a lovely portrait lens/head shots for tighter shots.

• Canon EF-S 60mm - Buy on Amazon

Wide-Angle

• Sigma 10-20mm (EF-S Compatible) - Buy on Amazon

There are more options out there - I have a 45 minute video where I share some thoughts on most of the current canon brand lenses - see the link below.  Do you still wonder what lens is best for you?  Give my Facebook page a like and let me know what type of photography you are into and how much you want to spend- I will respond with some suggestions.

Using those links to purchase the recommended lenses helps support my work and if you haven’t yet please subscribe that simple click click really does help this site grow and others to find my work.  Thank you! 

Nikon D5300 vs Canon 70D - Differences Explained Simply

In some ways this is not a fair comparison - The 70D is a prosumer level camera and the D5300 sits just above entry level but they are priced similarly and the image quality is very similar and at the higher ISOs some of the files from the D5300 look better.    So which one is best for you?  Really depends on your needs- review the bullet points, keep in mind that not ever point carries the same weight and the review my summary below.Benefits of the Nikon D5300 (My Nikon D5300 Video Review)

• Cheaper
• GPS - though it isn't the best GPS it does offer it
• Higher ISOs (above ISO 3200) look better from the Nikon
• Smaller and lighter
• More scenes and effects like selective color and miniature mode(works in video too)
• Video 1080p at 60fps.  70D offers a max of 30fps at 1080p.
• Weights about a 1lb (17oz) 70D weighs 1.7lbs (26oz)

Benefits of the Canon 70D (My Canon 70D Video Review)

• Live view focusing and focusing during video is amazingly quick and silent(when paired with STM lens)
• Faster all around focus and burst rate (7fps with big buffer compared to 5fps and smaller buffer on Nikon)
• Well implemented touchscreen control
• Larger/brighter viefinder
• Top LCD with dedicated buttons for quick change of common settings
• Longer battery life- approx 900 shots vs 600 from the D5300
• Amazing live view focus (yes repeating myself)
• No quirks like the aperture block
• Full featured WiFi control including changing shutter speed/aperture/ISO as well as download to mobile device, laptop or send to hotspot. On the D5300 you can only see live view and take a photo and download photos
• Wireless (using the built in flash) flash control
• Quiet shutter that is very quiet, especially in live view
• Some weather sealing
• Additional bracketing 2,3,5 or 7 frames.  D5300 offers just 3 frames.
• Microfocus adjustment for dialing in the most accurate focus for all your lenses

I didn't list the number of focus points or the difference in megapixels for either camera - those differences don't matter.The bottom line D5300 vs 70DI am very impressed with the Nikon D5300- on Auto mode it takes wonderful photos, some of the best I have seen out of any camera.    I wish the screen was touch capable and when you want to use this camera beyond auto it is less good, still good- just has a few quirks or annoyances- Without the touchscreen, navigating some menu items are slow, picking focus points and just using live view is nothing special, plus that aperture block and live view weirdness is annoying. Burst rate is good unless you are shooting at the highest quality files, 14-bit RAW, then it is MUCH slower.  It is packed full of features for a camera at this price level and paired with the 18-140 you have a wonderful travel and family camera, Pair it with the 35 f/1.8 and you have one of the most portable highest quality image and video* making machine available today.   *just be prepared to manually focus for video or you will hear the noise of the lens focusing and see the focus occur with that whomp-whomp effect.The 70D is a lovely blend of user friendliness and pro-level features all packed into a body that is capable of amazing live view/video focus.  It is an easy choice if you want easy camcorder like video - this camera delivers like nothing else - smooth focus with any lens and when paired with a STM lens like 18-55 or the 18-135 it is absolutely silent.  If you need to capture sports or wildlife on the move, again an easy decision- the 70D fast to focus, fast burst rate and large buffer even when shooting the highest quality files.  It also provides plenty of room to grow but you will be spending more and carrying around a noticeably heavier camera.  Don't need all of the speed and power of the 70D but want the touchscreen? Consider the T5i(700D) - recent price drops have made it an excellent value.Buy the Nikon D5300 with 18-140 - Amazon or B&H | Body only -  Amazon or B&H  (Recommended Lenses)Buy the Canon 70D - Amazon or B&H (Recommended Prime Lenses)Recommended accessories for both cameras  

D5300 Review

D5300 Review in bullets.

Some points are vs D5200 some are just important points. Sample images and video below.

D5300 Pros

• The body is redesigned - smaller than the D5200 and feels better in the hand
• Large vibrant 3.2" articulated screen is lovely
• Excellent sensor and processor- best image quality at this price point- images are sharp(with a good lens) and high ISO files are clean and usable up to ISO 4000, maybe even 6400 if you are careful and or apply a little post processing
• On auto this camera take some of the best photos - consistently turns out nicely exposed images even when popup flash is used.  Downside - Nikon tends to have a slight greenish cast to many indoor(under artificial light) images - can be corrected in post easily or adjust WB but default setting is a little greener than I like
• No AA filter or Optical Low Pass Filter means the images are sharp. Image are sharper than the D5200 but not a huge difference.
• Speedy! I found the D5200 to hesitate at times and occasionally be slow to operate - none of that is present in the D5300 - focus is fast, general camera operations are snappy and it has a buffer that lets you fire off a stack of JPEGS and RAW - in some cases it can even shoot more images in a 10 second period than the D7100!
• 14 Bit RAW files as an option gives you increased post processing latitude - they are big and slow the camera down but if you want to have the greatest latitude in post processing it is nice to be able to shoot in 14-bit.
• Packed full of fun/amateur features including selective color, miniature effect (makes neat movies too)
• Better battery life vs D5200 unless you turn on the GPS and select settings that make the GPS useful

D5300 Cons

• Weak GPS - needs A-GPS file from Nikon to work better, annoying hassle and if you turn off GPS sleep timer so that ALL photos will be tagged your battery life is going to be significantly shorter and you run the risk of forgetting it is on there and a few hours later picking up a camera with a dead battery.
• Wifi is limited - you can stream live view, take a photo and download photos - no control over the camera other than pressing the shutter button.  Not able to start or stop video with the WiFi.
• Live view aperture block/exposure simulation hassle - Being able to control aperture is tied to manual movie settings and then that blocks shutter speed changes - watch my review to see this illustrated.
• Live view focus is about the same as earlier models - still has that in and out as it grabs focus- lenses make noise on board mic can pickup. Nothing like the 70D video focus and even T5i is still smoother and silent with STM lenses.

Final Thoughts on the Nikon D5300

Overall- at this price point no other sensor matches this camera for pure sharpness and low light capabilities.Pair it with something like the Sigma 18-35 or just the Nikon 35mm f/1.8 prime and you will have an amazing photo machine that excels in lower light, I mean like dark alley photos at midnight.  It is being sold with 18-140 lens which I have found to be decent and convenient but not an amazing difference from the Nikon 18-105. Please don’t but this camera with the Nikon 18-55. I didn't’t think it was being sold with the 18-55 but heard from someone that picked up a bundle from a big box store - the 18-55 cannot resolve at the level of the sensor - You will have better results shooting through coke bottle glasses.

D5300 vs D5200:

Is the D5300 worth the extra cost over the D5200?

Yes. There is enough of a performance and quality increase over the D5200 to warrant paying the difference about $150. And you get the Wifi which limited is a nice feature for on the go sharing, you get a better battery and slightly smaller and lighter camera.

Is it worth it to upgrade?

It is very rarely a good investment to move up one body.  Despite all the PROs and the noticeable improvement in sharpness and high ISO quality you will have better results spending upgrade money on a new lens or two. These lenses will likely move with you to future bodies and be a better overall investment.  This is often where I encourage people who feel they have outgrown their camera to consider the next model line, like the D7100 but honestly in this case the D7100 doesn't offer much over the D5300.

D5300 vs Canon T5i(700d)

I found the T5i easy to recommend over the D5200, the D5200 offered slightly better image quality versus the T5i(700d) but was sluggish and quirky.  That image quality gap has widened noticeably with the D5300 and now that it offers responsive performance it becomes harder to recommend the T5i.  The D5300 still has that aperture live view annoyance and doesn't offer silent lenses for video but depending on your needs you may not care and on Auto mode for photos Nikon images look better to me 8/10 times. In video it is much closer - I like the look of the Canon files but this is more a personal opinion.

D5300 vs Canon 70D

A little unfair as we are matching what is basically an entry level model from Nikon against a prosumer model from Canon.  But prices are similar and image quality is very similar.  I give the Canon an edge in most use cases - the live view focus and video system of the Canon is amazing, after 3 months of use I absolutely love the 70D and for sports, video it just does an amazing job at the price point.  But it is bigger and it does cost more. The D5300 image quality is similar until you get up above ISO 4000 and then the D5300 files look a little better to me.Additional Videos -GPS & WiFi with Nikon D5300D5300 with 18-140 vs 18-105 ReviewD5300 with 18-140 and 18-150 Sample ImagesD5300 High ISO sample VideoMore Sample D5300 ImagesWhich camera is best for you?  Leave me a message on my Facebook page - tell me what is important to you and I can suggest which camera I think would be a best fit.If you want easy to use and excellent image quality the D5300 paired with the 18-140 is an excellent choice.If you want the absolute best performance out of this camera add something like the Sigma 18-35 f/1.8Additional Nikon Lens recommended for the Nikon D5300 and Best Budget Macro for Nikon DX cameras - Nikon 40mm F/2.8Buy the Nikon D5300 with 18-140 from Amazon  Buy from B&H(Includes freebies) Your purchase support this website and my work. 

Nikon 18-140 vs 18-105- Lens Review, Samples and Discussion

When the D5200 came out and I started using it with the 18-55 kit I was stunned at how soft the images were. I thought for sure I had gotten a bad copy of the kit so I went down to the camera store and tried a different one and then I tried another and they were all equally bad. I popped on my favorite prime lens and the difference was huge- Grand Canyon huge. In the past I have not typically been a kit basher, there are those out there that say the kit lens is horrible, just buy the body and get a prime or other, better quality, lens and I often disagree with this approach, especially for people new to DSLRS. The kit lenses, while not the best lens around are certainly a great place to start: they offer some zoom, they are usually lightweight and don’t add much to the cost of the camera. BUT with these newer sensors, especially the very sharp sensors in the D5200 D5300, and D7100 the older kit lenses like the 18-55 just can’t perform well enough.After my experience I advised anyone buying the D5200 to skip the 18-55 and get the 18-105 or consider some alternatives(Recommended Lenses for Nikon DX Cameras). The 18-105 is a better lens, it out performs the 18-55 easily but especially now that Nikon has dropped their AA filter, a filter that actually blurs the image slightly to avoid moire, in the D7100 and now the D5300 - they really needed a good lens to include with these cameras. Is the 18-140 that lens? Before we answer that I thnk it is very telling that they don’t even bother to bundle the 18-55 with the D5300 now. It is 18-140 or nothing. That makes the entry level price a good bit higher(even with B&H discounted price) and I don’t think Nikon wanted to do that- they just didn’t have any other options at this time.So how does it compare to the 18-105?  The 18-140 is on the left and the 18-105 is on the right in all samples below. (Watch my video discussing the differences seen below)    More sample images with the 18-140 and the Nikon D5300Final Verdict - Bought with the D5300 or D7100 this lens compliments the sensor of those cameras nicely and provides a good compromise between quality and convenience.  However, it is still a kit lens and you might consider other options if you need to frequently shoot in lower light or want to create those images with the blurred background . See my list of recommended lenses for Nikon DX cameras.Buy the D5300 with 18-140 at B&H | Buy the 18-140 Buy from Amazon

D5300 and 18-140 lens- Sample Images & Thoughts

UPDATE: My Final Nikon D5300 Review is now published

I am editing "Very Early" out of the title. I have now had this camera for over a week- points below reflect my latest views

• This camera is FAST- AF Servo easily captures a fast dog. Gone is the hesitation I saw in the D5200
• The buffer is impressive, in fact the D7100 must be feeling a little inadequate- Using a SanDisk Extreme Card I can get 30 RAW shots in 10 seconds. The D7100 could only manage 23 with the same card!!! The D5200- 21 and to compare vs Canon- The Canon 70D gets 34. - Note with JPEGS the D7100 still has a faster FPS and can get in more shots but that doesn't matter in RAW as the D7100 very quickly fills the small buffer and slows down.
• Auto mode produces VERY good images and flash exposure is excellent. The greenish tint is still present under some fluorescent light sources.
• GPS is a mixed bag They offer a simple setup and a nice little track log option too. After using it for awhile I was very dissapointed at times when it took 10+ minutes to get a lock on location AND would lose location very quickly from one photo to another. Applying the A-GPS file provided on Nikon's website helps greatly and you risk draining your battery but you can turn GPS stand by to off which keeps a lock.  Overall I wish the system were a bit smarter, it seems you have a choice of missing GPS data when you let it sleep or draining the battery. I have a few examples where it didn't go to sleep and still missed marking photos with locations so more testing is needed here.
• Wifi is painless to setup video functions are disabled when WIFI is ON and you can't even change camera settings - Basically it is a glorified remote(streams live view) that can download photos too.
• 3.2" LCD Screen is gorgeous and looks good in bright sunlight - I wish it was touch sensitive, picking focusing points is a chore.
• High ISO files(photos and video) are clean, very clean - a few sample images below - more coming soon.
• Still quirky - shutter speed and aperture can change when you switch in and out of live view. In some modes you have control over aperture in live view - in others you don't. Manual movie mode needs to be on for exposure simulation to work and then you are limited to 1/30 of a second as your slowest shutter speed.

The 18-140 Lens is good - not an amazing improvement over the 18-105 but a nice balance of convenience and quality. Bought with a camera it offers good value. My Review of the Nikon 18-140 Lens.

• 18-140 lens is convenient and quality is much improved over previous kit lenses - will have side by side vs 18-105 in a few weeks
• 18-140 Focusing is similar to previous lenses on D5200/D7100, still not quiet or as smooth as an STM lens.

More info coming -

• • • Is the buffer really larger? UPDATE- YES!!
    • How much sharper is the new sensor without the AA filter? Still testing. . .
    • How does 60fps look at 1080p compared to the max of 30fps on CanonSmooth - it may go without saying but the 1080p is a vast improvement over the 1080i offered by the Nikon D5200.
    • Is Moiré an issue?Early tests suggest not.
    • Bit rate of the files?About 40MBits/s

What else do you want to know about the Nikon D5300?

Buy the Nikon D5300 with 18-140 lens from B&H  - they have a $300 off deal that gets you the D5300 and the 18-140 for $1096

Your D5300 Questions from around the net- mostly My Instagram and Facebook

Q: How does it compare to the D5200?A: In terms of image quality they are VERY similar. I see in some images slightly sharper results, likely from the removal of the AA filter. At mid and low level ISOs differences are difficult to spot in many photos, higher ISOs the D5300 produces slightly better images.  (at this time I haven't taken any carefully controlled photos yet - My opinion may change) - I do notice the camera being a bit more responsive with a deeper buffer/more raw shots in a burst and of course it now offers built in WiFi and GPS.  Is it worth the upgrade over the D5200?  Only if you really want that built in WiFi and GPS.Q: Is it worth it to buy over the 700D/T5i (D5300 vs T5i(700D))?A: Depends - I still really like the all around performance of the Canon and as a learning tool the exposure simulation in live view on the T5i is fantastic but the D5300 produces better images and is a very feature rich camera with a good external control setup - nicely placed buttons. But without a touchscreen diving into the menu is a chore and picking a focus point on the D5300, after using the T5i and the 70D feels ridiculously slow.   Nikon still doesn't offer a silent lens for video and focusing isn't as smooth as it is on the T5i with an STM lens on.Q: How does it compare to the Canon 70D (70D vs D5300)A: This comparison isn't as fair as the D5300 vs T5i/700D. Despite the prices being close the D5300 is more entry level and the 70D is more professional level.  That said early tests do seem to show the D5300 having better image quality and of course GPS built in.    The 70D beats it on everything else - focusing system/speed, incredible live view/video focusing. Burst rate and buffer. Battery life, more robust WiFi with options to connect to a computer or hotspot (D5300 is limited to a phone or tablet running the Nikon wireless app)Q: How does it compare to the CanonD7100 (D7100 vs D5300)A: Similar to the vs the Canon 70D question - these cameras are in a separate classes except for image quality - so again image quality differences between these two seem very slight - the D5300 may squeak out a win in some photos but the D7100 offers performance! Dual card slots, serious focusing engine better battery life and more robust body.  If you are just looking for the best image quality D5300 is fine but if you need performance too the D7100 would be my pick.Q: I have heard that the D5300 GPS is not very good, can you elaborate?A: When I first glanced at the GPS section in the menu I was excited - not only could you tag photos but you could also record a track log in .log format which easily converts to a variety of formats that lets you see your path on a map.  And you had some control over the length of time between log points and it generally seemed like a robust system. You even have the ability to download AGPS data and use that to help the camera get a lock http://nikonimglib.com/agps2/index.html.en. I have since found that the camera's GPS can be very slow to get a location signal and quick to lose the signal, even when in clear view of the sky and even when it had a lock a few minutes earlier. At this moment it basically seems like Nikon used the weakest GPS chips on earth and I am disappointed.  I will try later with the AGPS data to see how much that helps. A few sample photos - mostly taken on auto mode.

Buy the Nikon D5300 with 18-140 lens from B&H  - they have a $300 off deal that gets you the D5300 and the 18-140 for $1096

Review Canon 55-250 IS STM Lens

This is the newest version of Canon’s 55-250 lens, it replaces the 55-250 IS II which replaced an  even old 55-250 IS. I want to just touch on the highlights of the 55-250 IS STM lens and answer the question - is it worth the extra money versus the 55-250 IS or are you better off saving a little more and getting the 70-300 IS USM?  So this is partly a review and partly a Canon EF 55-250 IS STM vs Canon EF 70-300 IS USM vs Canon EF-S 55-250 IS II Battle. Very light emphasis on battle.

Quick Glossary of Terms.

• IS: Image Stabilization - internal gyroscopes stabilize the lens when you are hand holding and allow you to shoot at slower shutter speeds without handshake causing blur in your images.

• USM: Ultra Sonic Motor - A focusing system used by many canon lenses that offers quick focus and with some lenses full time manual focus.  This isn’t true of the 70-300 IS USM - it is not full time manual focus.

• EF-S: Lens mount sized for Canon’s crop sensor cameras (APS-C) Examples include Canon T5i and Canon 70D.

• EF: Lens mount appropriate for Canon’s full frame cameras like the 6D and 5D Mark III. Will also work on APS-C cameras

[gallery ids="4059,4058,4057"]

The highlights -

• Arguably the headline feature of this lens is now that this is an STM lens it means silent autofocus - this is a big deal if you are using it with a camera that allows continuous auto focus during video like the T5i or 70D it also makes a difference in smoothness of autofocus during video with T5i - The T5i really needs those STM lenses to achieve smooth focus and you can see a large difference in focus capabilities. The 70D is more capable in focusing, it is less dependent on the STM lenses but you still see an improvement and smoothness and speed and of course noise of focus.   The Verdict? The lens is completely silent - No sounds from focusing or the IS system.  The old 55-250 IS II does make noise and in quieter conditions the IS system of the 55-250 IS and the 70-300 IS is recorded by the cameras mic making them less desirable to use for video work, at least with IS on.

• So the STM version is smoother and quieter in focus. Do photographers (not videographers) care?  I took all three lenses 55-250 IS II, 55-250 STM and the 70-300 IS USM to a recent cycling race and was really pleased with the speed of the STM in focusing on faster moving subjects,  noticeable improvement over the 55-250 IS II.  I was photographing some of these riders in servo mode as they were headed right toward me and the lens was quick enough to keep them in focus for more sharp shots than I expected.  Compared to the 70-300 IS USM the number of in focus shots was about the same.  One difference and this may be due to the slightly longer range provided by the 70-300, when that lens, the 70-300 loses focus it can really struggle to get it back.  I see less delay and struggle from the 55-250 STM. Verdict - the 55-250 STM is as capable as the more expensive 70-300 IS USM and yes, photographers (not videographers) should care.

• Image Quality- The STM is sharper across the board - nothing amazing but a noticeable improvement across the range and these improvements bring it in line with the 70-300 and in some cases beats the 70-300. I was especially surprised by the results out at 250 and 300. The 55-250 STM was sharp enough that you could compensate for the decreased range by cropping the image/increasing the image size and you in many shots I still had a sharper image from the 55-250 even after that increase. Verdict - The 55-250 STM beats the 70-300 IS USM often enough that I see very few reasons to continue to recommend the 70-300 IS USM.

• Build quality - The new version feels solid in the hand - offers full time manual focus if you half press the shutter, neither the older 55-250 IS II or the 70-300 IS USM offer full time manual focus. And compared to the 55-250 IS II the focusing is now internal, the older version had some rotation during focusing which made it difficult to use a circular polarizer. The new version solves that frustrating issue. Verdict: It is a budget lens and build quality reflects that but it does feel solid in hand and well constructed - focus ring is larger. 70-300 IS USM does offer two versions of IS - standard and a version for panning with action. 70-300 IS USM is also an EF lens, useable by full frame cameras, it also has a metal mount vs plastic with the 55-250 STM.

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In Summary you have a lens that has improved enough it makes the more expensive 70-300 IS USM obsolete - obsolete might be a strong word as the 70-300 does give you slightly wider apertures at those longer focal lengths and is still the cheapest/longest option from Canon that works on a full frame but ultimately I think this new 55-250 IS STM is a better value and it is a no brainer purchase if you want more zoom when buying a T5i or 70D because of the current $150 discount.  And it certainly is worth the small increase in price over the earlier 55-250 models. Videographers that use autofocus and want zoom - this is a no-brainer purchase - it does the job very well.

Support this site and my work.  Buy the 55-250 IS STM from Amazon | B&H

Save $150.00 on Canon EF-S 55-250mm STM Lens for every 1 Qualifying Canon EOS Digital SLR Camera you purchase offered by Amazon.com. Enter code RBYIJDFJ at checkout.

Best Canon 70D Deal (Savings on Amazon & B&H vs Costco)

UPDATE 11-23-15 - Amazon and B&H have the BEST deal this week - Ends 11/30.

• Canon EOS 70D DSLR Camera (Body Only) - Just $899  Shop B&H | Shop Amazon
• Canon EOS 70D DSLR Camera with 18-55mm f/3.5-5.6 STM Lens - Just $999.00  Shop B&H | Shop Amazon
• Canon EOS 70D DSLR Camera with 18-135mm Lens Video Creator Kit - Just $1249.00  Shop B&H | Shop Amazon

Add spare 55-250 STM lens for just $149!! This is an excellent deal for a versatile zoom lens. Costco deal is the same but comes with a crummy bag and SD card - The Amazon and B&H accessories are better and if you live outside of NY you don't have to pay sales tax with B&H PhotoNot sure if the 70D is right for you? My Full Review of the Canon 70DI am getting lots of questions about the best deal on the 70D - This camera is selling very well and it should. In my review I have found it to be an awesome device for photos and video, perfect blend of features and pro level performance in a reasonably sized and priced package. Watch my Canon 70D Review.Costco is offering a bundled deal with the Canon 70D - Looks good at first glance but it has a couple of issues:

1. You can put this exact same bundle together on Amazon for almost $100 savings!! (scroll down for details)
2. The card they are bundling STRUGGLES TO SUPPORT the higher bit rate video files the 70D is capable of producing and slows down quickly when shoot RAW. See my full test chart of SD cards in 70D. Or just skip to bottom and buy the SanDisk Extreme 80 or 45s for better results.
3. The 55-250 Bundled is the older II version.  The new STM version would be worth your money if you plan to do video with the lens. In fairness Amazon is still bundling this lens too.  At this time the 55-250 STM (my review coming soon) needs to be bought separately.

On Amazon you can get the Canon 70D with 18-55 IS STM and the 55-250 for a savings of $105.  Add in the 2% rewards and in 35 days you will get $27.88 to spend on a spare 70D Battery or put toward a good tripod.  But more importantly those immediate savings need to be put toward an SD Card that WILL work well in your 70D.

• I recommend SanDisk Extreme 32 GB SDHC Class 10 UHS-1 Flash Memory Card 80MB/s (Buy from Amazon)
• For a good camera bag for the 70D I recommend Lowepro SlingShot 102 AW or Case Logic SLRC-202 Medium SLR Camera Bag - I have more camera bag recommendations depending on your needs - just leave a comment below with the style you are looking for and I can provide some recommendations.
• As mentioned above the 55-250 bundled in BOTH the Amazon and Costco deals is the old non STM lens. The new STM lens will be MUCH better for your video work and better for photos too - image quality is improved.  (Buy the Canon EF-S 55-250mm F4-5.6 IS STM Lens for Canon from Amazon)

 Support my work. Click this link to get the best deal on the Canon 70D on Amazon. B&H is also offering a better deal vs Costco on the 70D - Get the 70D with EXTRA battery, 16GB SD Card and Backpack for $1349.00. OR 18-135 STM for $1549.Not sure if the 70D is the best camera for you? Leave a comment below -tell me how much photo vs video you plan to shoot and your subjects.  I'd be happy to give you my thoughts.  I would also like to ask you to take a second and like my Facebook Page Facebook.com/Digital.Photo.Recommendations. Thanks! 

Nikon D5300 Preview & My Thoughts

On the outside minor updates, redesigned grip should give you a little more room between grip and lens. Overall a tiny bit smaller (see table)

Model	D5300	D5200
Dimensions	125 × 98 × 76 mm(4.9 × 3.9 × 3.0 in)	129 x 98 x 78 mm(5.1 x 3.9 x 3.1 in)
Weight (without battery)	480 g (16.9 oz)	505 g (17.8 oz)

It is the inside that is more exciting. The D5300 is now using the same sensor that is in the D7100 and they have ditched the antialiasing filter, you will also see this written as OLPF. Removing the AA or OLPF means sharper images and video. In my testing of the D7100 I found the images and video to be very sharp and it was basically impossible to produce moire(an optical illusion in finely repeating patterns) that is usually more common in sharper sensors, especially ones with out the AA filter.

Nikon D5300 - Will Moiré be more of an issue with the D300? It isn't with the D7100

Changes in D5300

• Updated Processor, Expeed 4
• 1080p at 60fps - D5200 was only capable of 1080i at 60fps
• WiFi built in - simple and direct to a smartphone or device using NIkon's wireless app.  Does not work with video.
• GPS - Battery hog but works well, tagging your location into the photos MetaData- will also record a track(your route) for display on a map
• Bigger Battery/Better Battery life (as long as you are not using the GPS)
• NOT sold with an 18-55 lens.  Body only or with new 18-140 Kit lens

We have an updated processor - Expeed 4, I expect this will help greatly with the general performance of the camera, I have found the D5200 to be very capable but somewhat slow, a very slight hesitation to take photos and to review images - something I haven't seen in other cameras in this class. The updated processor will also allow full 1080p at 60fps. The D5200 only offered 1080i. They have thrown in WiFi(now I can toss my dongle) and GPS and are claiming better battery life 700 shots(though I have seen 600 listed elsewhere) vs 500 shots, this better but not physically bigger battery will be backward compatible in D5200 and a few other cameras with a firmware update. And the older D5200 batteries will work in the D5300, just won't give you the same battery life.

So how much will all this cost? Here is where I think it gets interesting. My biggest complaint with the D5200 was that 18-55 kit lens. I am generally not a kit lens basher  - I think they are a fine place to start- cheap, convenient and quality is good enough. Except the Nikon 18-55 really held the camera back, the lens simply cannot resolve at the level of the sensor and the 18-105 was better but I feel like the D5200 doesn't really shine until you get a NICE lens on there. So Nikon heard my complaints (I am sure ;) and is bundling the D5300 with their new and improved over previous kit lenses, 18-140. But no new 18-55, I wonder if they have an improved 18-55 in the works but just couldn't get it out in time. So you can buy body only for $800 or with 18-140 for $1300 - that is steep! Users are going to look at that and see the T5i with touchscreen and basically same lens is $300 cheaper or with 18-55 STM lens is $500 cheaper I don't expect the D5300 to sell really well until the price drops or they get a shorter/cheaper kit lens in there. Not that it is in anyway a bad camera- this looks to be a fantastic upgrade from earlier models and a capable performer, it is just priced high for the level of the camera when sold with the 18-140 lens. OH and I almost forgot - it comes it colors- red, gray and black.Preorder now: Amazon | B&H  I will have hands-on of this camera soon.  Follow my Facebook page for future updates and/or subscribe to my newsletter. Nikon D5300 Product Tour

Nikon D5300 Announced

 Preorder Nikon D5300 from AmazonNIkon has updated the D5200.  Shipping later this month or in early november depending on your location the D5300 will be available.  It looks very similar to the D5200 but has some noticeable differences inside.   The sensor will be the same used by the D7100(My D7100 Review), which in my tests is excellent- really top notch especially in low light.  The processor is upgraded, Expeed 4, and this should really improve the hesitation and slowness that I found in the D5200(My D5200 Review).  We now have full 1080p at 60fps, previously only interlaced video at 60fps and 1080.  And Wifi built in - goodbye dongle - and GPS. Nifty features.  Battery life is stated to be improved though as far as I can tell it is using the same battery and with WiFi and GPS on you are going to see a decrease in battery life.  Interesting they have completely ditched the 18-55 kit lens.  This camera will be available body only or with the new 18-140 lens.  I feel vindicated here - I couldn't believe how bad the 18-55 Nikon kit lens is on the D5200 - it really holds that camera back from image quality greatness and I am glad that it won't even be an option, though I am surprised there is no alternative other than the much more expensive 18-140 kit lens.   On a tight budget but want the D5300? Grab it with the 35 f/1.8 or pick up a used 18-105. I have additional lens recommendations for the D5300.

D5300 Specs

• 24MP - Same sensor as in the D7100 (no OLPF/AA Filter)
• 5 fps -same as the D5200
• 39 AF points (9 cross points)
• EXPEED 4 Processor
• 1080P video recording at 60p/50p
• Built-in Wi-Fi
• Built-in GPS
• 3.2" vari-angle LCD monitor

Will be available in Red, Grey or Black $796 for body only $1,396.95 (buy from Amazon or B&H) for camera and 18-140 kit lens. This will be an excellent travel camera with the GPS, Wifi and a kit lens that can match the quality of the sensor.[gallery ids="3997,3996,3995"] Preorder Nikon D5300 from AmazonFrom this angle the two cameras look very similar.

 Looking down on the D5300 you can see a small bump for the GPS and WiFi Antennas, Preorder Nikon D5300 from Amazon

Canon 70D Review vs Nikon D7100 Review

  Bottom Line: Both the Canon 70D and the Nikon D7100 are excellent and produce really impressive video and stills in low light, and at high ISOs. Focus through the viewfinder is fast on both cameras and it really comes down to the features you are looking for should help you determine which is best for you.

Strengths of the Nikon D7100:

1. Well built with magnesium body, loads of buttons, customization of several buttons and dual card slots. The Canon 70D body is aluminum and polycarbonate. Both are weather sealed. The D7100 offers dedicated bracketing buttons too.
2. Excellent low light high ISO capabilities - I was stunned by the low light performance of the D7100 - high ISO files are clean and the dynamic range is excellent and remains excellent even in lower light. I am listing this as a strength for the Nikon but in most cases the Canon is on par with the quality though when I do see a winner it is the Nikon. If we want to talk about live view focusing in low light the Canon does an excellent job. The Nikon still struggles with this. In viewfinder focusing the two seem equal to me. Nikon does offer the crop mode which fills the frame with focus points, certainly useful for faster action.
3. Images and video are SHARP! Nikon ditched their anti-aliasing filter and the result is sharper video and images AND they still manage to control moire. Even when I try to get moire on the Nikon I can’t - on the Canon I can get it without even trying. It is often avoidable but you are more likely to see it in Canon video.
4. 100% viewfinder- When you look through the viewfinder you get exactly what you see and it is nice and bright. Canon’s at 98% is very slightly dimmer and not exactly what you see - Having that large bright viewfinder is very useful in lower light situations, really helps you see what you are photographing and checking focus.
5. Retouch menu and extra scenes/effects. The D7100 offers a slew of scenes, some of those scene modes that work in video and a robust retouch menu. Now professionals are not likely to be excited by these scenes and the retouch menu but the options are there and they can be fun even if some scene/effects are gimmicky (selective color I am looking at you) - I will also throw in here the dedicated bracketing button that Nikon adds in, nice for serious HDR work.
6. Wireless is a $60 add on and is limited to phone/tablet devices but you can send full resolution files through the air. Canon’s wifi is built in with greater features- including connecting to your computer but you are limited to 1920 x 1080 sized JPEGS that you can send across to your phone or tablet.
7. Uncompressed HDMI Out - this is a professional level feature that allows you to connect an external monitor or HD for recording video straight to a drive.

Strengths of the Canon 70D:

1. The headline feature of the 70D is that lovely live view and video focus - fast, smooth and almost always on target. In the past with a few exceptions live view focusing on DSLRs has been slow, painfully slow and plagued by a hunting for focus, especially in lower light. The updated sensor technology of the 70D fixes these issues. I find myself using live view whenever it is convenient. The 70D locks onto focus smoothly with any lens and gives you have camcorder like focus while still maintaining the beautiful shallow depth of field and low light capabilities that make DSLR video great. Add an STM lens and focus is silent, perfect for the parent who wants excellent video of their child.
2. That live view focus is great and having it on an articulated screen is wonderful.  lift it up, lower it, face it toward you for talking head videos - it just works very well.
3. So i just went on and on about the wonderful live view focusing, couple that with the articulated screen and the fact that the articulated screen is an excellent touchscreen and the 70D is FUN to use - nothing feels like a chore. Touch to focus is useful and if you are doing video work, being able to touch softly to make changes is appreciated and flip the screen around if you are recording yourself for talking head videos like the ones on my Youtube Channel and you can still make changes to settings on the camera - though you cannot start and stop video from the touchscreen.
4. Ergonomics and one handed operation - If you don’t want to use the touchscreen the manual controls on the 70D camera are sweet and with just a finger you push button, rotate a wheel and your settings is changed. Nikon is more two handed in those actions with many buttons left of the screen that needs a push.  Not a big difference and some people  prefer the feel of the Nikon.
5. Burst mode and buffer, the burst mode on this camera at 7fps is serious and the buffer is large enough that you can keep shooting at that high speed long enough to capture your moment. D7100 shoots at 6fps and the buffer fills up in just a second. You can enable crop mode on D7100 which gives you better results but still not great especially if you are using those dual card slots - if faster action is your subject matter the 70D offers the burst mode that you need.
6. Wifi built in with greater options for sharing vs D7100 - Built in Wifi gives you some nifty options for downloading images on the go or direct to your computer(buggy software) or uploading to web services - I am frustrated that you are limited to only transferring 1920 x 1080 sized files and you can't start and stop video.

Longer Bottom Line: Both of these cameras have lots to offer and it really depends on your needs that should determine which is a better camera for you. Parents that want an excellent device to photo and video their children - the 70D really feels like the perfect blend of power and usability, especially paired with the 18-135 STM that will give you silent autofocus. Indie film makers I would think the Nikon with gorgeous low light video and uncompressed HDMI would be what you want. Wedding/event videographers - It can go either way, most professionals I know of and talk to don’t use and are not interested in auto focus during video but I know that there is a group out there very interested in this camera and there are the semi-pros that are interested in easy autofocus while filming and the 70D provides that.  That is just a few use cases. . . Want my opinion on which is best for you?  Leave a comment below and make sure you tell me what you will be photographing or taking video of.  And anything else you think would be helpful for me to know.

Canon 70D Image Samples & High ISO Samples

[gallery ids="3892,3891,3890,3889,3888,3886,3887,3885,3884"] A few more lower light shots[gallery ids="3899,3900,3901"]70D f/5.6 ISO 320 100% crop 18-135 STM Lens

Video of Dual Pixel focusing in action on the 70D