70 to something zooms [Quick Post]

I recently posted about a price drop for the 70-300 IS USM lens on Amazon. As of this post it is selling for $400 or just under.  This is the best price I have ever seen this lens sell for.   That prompted a few questions, comments and emails with thoughts and questions about the 70-200 f/4 L that is just a bit more.  The 70-200 f/4 L is selling new for just under $600 and you can buy a used copy for just under $500.   70-200 f/4 L lens is a nice lens.  It is an excellent value, very sharp and renders colors so nicely.  The 70-300 is very nice too, but it isn't L glass, it does however provide you with an extra 100mm and Image Stabilization (IS).   So which would I buy?[Photo samples coming soon]If I was a wildlife shooter on a budget or someone that wanted a zoom to carry around all day/on hikes/walkabouts I would pick the 70-300 IS USM. It is the lightest of the bunch at 1.39 lbs and having that extra 100mm is really nice where wildlife is concerned. It still won't feel like enough if you are trying to get those amazing national geographic like shots but it does a good job and the IS can be very helpful, it is even possible to shoot some video and use the IS for smoother action.  One bummer, the lens is USM but not full time manual focus, this is a lens you really want to use with back button focusing. Buy the 70-300 IS USM from Amazon, your purchase helps support this site.If I was a portrait or wedding photographer on a budget the 70-200 f/4 L USM is an excellent lens to take people photos, any photos really but at 1.55lbs it is starting to get heavy and won't be much fun to carry around all day. Buy the 70-200 f/4 L USM from Amazon.There is also the 70-200 f/4 L IS USM, the difference between the lens above is IS, 1/4 pound heavier and about $600 more for a total of just under $1200.  I believe it is slightly better optically but I have never actually shot with this lens so I can't say for sure.   Again, IS is useful in these longer lenses and this could be used by a sports photographer or a wedding photographer on a budget, though some might scoff at the idea that this is a budget minded lens.  Buy the 70-200 f/4 L IS USM from Amazon.And one more lens, because Luke asked ;), the 70-200 f/2.8L USM , we are now getting into dreamy territory.  Not a huge amount of image quality difference from the 70-200 f/4 but you get the constant f/2.8, excellent for indoor sports photographers and wedding photographers.  But this lens is HEAVY, weighing in at 2.89 lbs with a giant filter size of 77mm.  It also cost over $1200. Buy the 70-200 f/2.8 L USM from Amazon.And for another $1000 on top of that you could pick up the 70-200 f/2.8 L IS USM II lens or the original for slightly cheaper.  Both are excellent lenses, though very heavy and very expensive. There are also third party lenses like the Sigma and Tamron 70-200 but I have not been happy with the quality of any of the copies I tried. 70-300 IS USM - $40070-200 f/4 L USM - $60070-200 f/4 L IS USM - $120070-200 f/2.8 L USM - $120070-200 f/2.8 L IS II USM - $2100

A Better Mother's Day Present

MDayBlurbI have given my mom lots of presents over the years, as any good son would, and the only present that has brought tears to her eyes is the Blurb Photo Book I gave her a few years ago.  Filled with photos of the grand kids and my mom and dad enjoying the little people in their life.    Take a few moments, gather a handful of photos and make a photo book for your Mom this Mother's day.  A little extra incentive to get moving  - 20% off your order if purchased by May 10th. And a bonus tip - get it done now so you can select the cheaper shipping and save even more.Offer: 20% off through May 10, 2013 | Code: LOVEYOUMOM | Dates: 4/25/13-5/10/13Start your Blurb Photo Book NOWBut wait you say - Creating a photo book is complicated business!  Nope, no and wrong.  Take a few minutes to watch my recent video where I show just how easy it is to create a designer book. . .

Spring into Summer Giveaway Sweepstakes

summergiveaway This contest is over but there are more giveaways planned - best way to stay informed of all giveaways is to Like my facebook page and/or sign up for my email newsletter.[newsletter] Win Sweet Camera Gear!The following prizes will be up for grabs.  Benro Video Monopod A48FBS4, 8B Pro X2 Eye-Fi SD Card, Black Rapid RS-5 Cargo Strap, Think Tank Sub Urban Disguise 30, One year of Zenfolio Premium Hosting, $50 Blurb Gift Certificate, TriggerTrap Mobile Dongle & Camera Connection Cord.   Total Prize Package is valued at $580. Contest Ends: June 21st at 8pm ESTa Rafflecopter giveawayThis promotion is in no way sponsored, endorsed or administered by, or associated with, Facebook, Benro, Eye-fi, Black Rapid, ThinkTank, Zenfolio and Blurb. We hereby release Facebook, Benro, Eye-fi, Black Rapid, ThinkTank, Zenfolio and Blurb of any liability. Winner(s) will be contacted by email 48 hours after the giveaway ends, Winner(s) have 48 hours to respond or a new winner will be drawn..  Winner must be 18 or over and a resident of the U.S. Winner of the Zenfolio Hosting must not currently be a Zenfolio customer.

Monday Notes- Backups, T5i and Giveaway

 A few quick notes

    • CrashPlan- an excellent backup system/solution is offering a free year.  Enter your email and the price for 1 computer for one year drops to $0, even at $50/year it is an excellent value and painless way to backup your precious photos/documents.  Do not wait until you have a horror story to start backing up. https://www.crashplan.com/carboniteswitcher/

 

    • My T5i Unboxing went up this weekend, You will hear me say this in the review- I think we will all be a bit happier if we think of the entry level DSLR market like the auto industry, every year there is a refresh of the product line and sometimes it is exciting with real changes and sometimes it is a polish with minor changes. This is one of those fairly minor changes.  I will have more thoughts in my review in a few days.   Take a few moments and watch the video and give it a thumbs up please.  I also have some sample video showing the silent and smooth focusing of the new 18-55 STM, not lots different from the 18-135 STM.

 

    • I spent the weekend shooting with the T5i and creating a video review of a brand new video monopod from Berno that will be part of my upcoming giveaway.  This giveaway that I have been mentioning for what feels like MONTHS now will start THIS WEEK! All the stuff  has arrived- I will be photographing, listing and putting this all together in the next few days, it is so exciting to be able to give away awesome gear.    You all taking the time to like my Facebook page, Subscribing to my Youtube Channel and visiting the website have made it possible. Thank you!

 

    • Last bit of housekeeping - Facebook has recently changed the admin system for pages, it now is more difficult to keep track of comments, if you leave a comment or questions on a post and I haven't answered it in a day or two please send me a message or post directly on the wall. I try to answer everyone's questions or comments that need a response so it is only because I missed yours that I haven't answered yet and I welcome a reminder or a nudge that you are waiting.

 

Lightroom 5 Beta

Exciting News! It is no secret that I am a big fan of Lightroom and with the release of the Beta of Lightroom 5 we get to take a look at the future of Lightroom.   Check back later tonight for a video tour of these new features.

New Features in Lightroom 5 Beta

  • Advanced Healing Brush – Easily remove objects and fix defects—even those with irregular shapes such as threads or lint—with a single brush stroke. Take precise control over what's being removed as you make unwanted objects just disappear.
  • Upright – Straighten tilted images with a single click. Upright analyzes images and detects skewed horizontal or vertical lines. You choose one of four correction methods, and Upright can even straighten images where the horizon is hidden.
  • Radial Gradient – Lead your viewer's eye through your images with more flexibility and control. The radial gradient tool lets you create off-center vignette effects, or multiple vignette areas within a single image.
  • Offline editing with Smart Previews – Easily work with images without bringing your entire library with you. Just generate smaller stand-in files called Smart Previews. Make adjustments or metadata additions to Smart Previews and your changes will be automatically applied to the full-size originals later.
  • Video slideshow sharing – Easily share your work in elegant video slideshows. Combine still images, video clips, and music in creative HD videos that can be viewed on almost any computer or device.
  • Improved photo book creation – Create beautiful photo books from your images. Lightroom includes a variety of easy-to-use book templates, and now you can edit them to create a customized look. Upload your book for printing with just a few clicks.

 Go Get the Lightroom 5 Beta  Note: This will NOT update your current Lightroom Catalog and you should NOT use it as production tool, it is still in beta form.

Panasonic GF6 - Innovative Features

It is nice to see companies really innovating and the latest Micro 4/3 or Interchangeable Lens Camera (ILC) from Panasonic does just that.   The headline feature here is an NFC/Wifi combo that on paper looks pretty snazzy.  NFC is near field communication, it allows devices to talk to each other at very close distances, so close they might almost be touching.  This is fairly secure and in this case provides a user with quick setup of wireless. You touch your NFC enabled smartphone/tablet to the camera and they share the Wifi connection information.  Start shooting and you can receive the images on your smartphone, you can also set the camera up to send straight to a computer or various online accounts through the Panasonic pipes (my term, not theirs).   Android and iOS apps also let you remotely control the camera to varying degrees.I don't spend a ton of time talking about 4/3 cameras but only because I am so busy focusing on DSLRs.  More than a few times in the past months I have had folks that assume a DSLR is the only choice when moving up from a P&S and the 4/3 offer a very viable alternative.  You do sacrifice some low light performance with these smaller sensors but you gain better video recording focus, smaller more portable bodies and innovative features, like the built in Wifi sharing.[gallery columns="2" link="file" ids="3454,3455"]I hope to share more information about the GF6 soon.  And I'd love to hear your thoughts. How often do you head out of the house without a DSLR because you don't feel like dealing with the weight/bulk?  I wonder how successful the SL1 will be compared.  

Full Press Release - Panasonic GF6

April 9, 2013: Panasonic is proud to introduce a new Digital Single Lens Mirrorless Camera DMC-GF6 from the stylish, most compact GF series of LUMIX G. The new 16.00–megapixel Live MOS Sensor achieves high-resolution, high sensitivity image recording. The Venus Engine is also newly developed for DMC-GF6 to attain high-performance signal processing and the advanced noise reduction system minimizes noise and even achieves shooting at max. ISO 25600(Extended) high sensitivity taking best advantage of the new sensor.The DMC-GF6 boasts high-speed, high precision Light Speed AF system including practical full-time AF and tracking AF is available in video recording. Newly integrated Low Light AF enables quick, accurate focusing on the target subject even in low-lit situations. Getting ready to shoot in only 0.5 sec after start-up, the DMC-GF6 never misses fleeting shooting opportunities.The DMC-GF6 is not just an interchangeable lens camera but a creative magic box full of wide-ranging attractive features including the new Self Shot, Creative Panorama and Stop Motion Animation in addition to the popular Creative Control mode with a total of 19 fascinating filter effects. The Stop Motion Animation allows producing unique stop motion video and the Clear Retouch function enables to erase unwanted part of a picture after shooting – both operations completes with stunning ease in camera.With the Wi-Fi® connectivity featuring NFC (Near Field Communication) technology, users can connect the camera to their smartphone/tablet anywhere at one-touch, which makes sharing images much easier. It is also possible to use a smartphone/tablet as a multi-capable remote shutter with a monitor. With the Instant Transfer function, photos are automatically sent to the smartphone/tablet right after shooting. On the other hand, both photo and video can be archived to the registered digital equipment such as PC automatically via the wireless access point (router) at home.The DMC-GF6 records 1920 x 1080 at 60i (NTSC) / 50i (PAL) full-HD video in AVCHD with high quality stereo sound. The P/A/S/M mode in video recording is also available for more expressive creation of motion picture footage.Despite its sleek, compact profile, the DMC-GF6 is a practically reliable digital camera with a built-in flash(GN6.3 ISO160・m / GN5.0 ISO100・m) and 3.0-inch large approx.180°tiltable monitor. Dressed in stylish colors - black, white, brown and red, the DMC-GF6 brings new opportunities to enjoy shooting higher quality image with cutting-edge digital technologies.New 16.00-Megapixel Live MOS Sensor and Venus Engine for Superb Picture QualityThe DMC-GF6 integrates new 16.00-megapixel Live MOS sensor which enables high resolution and high sensitivity image recording while minimizing generation of noise. The image processor Venus Engine is also newly developed to feature its advanced noise reduction systems. By extending the control level of noise, controllable area of noise is expanded by approx.64x in size. This makes it possible to remove large block of noise which was formally hard to detect and helps produce clear, smooth image especially for the nighttime scenery. In addition, the Multi-process NR (Noise Reduction) works in two separate steps allowing even finer control over noise level. The texture of noise itself, regardless of the noise size, is improved with this deliberate control, which is resulting in the reproduction of smooth human skin even in high sensitivity recording.Furthermore, the optimum design of newly adopted Detail Reproduction Filter Process enhances the limit resolution by max. 3% and the contrast of middle to high range by max. 5%. Plus, the advanced Intelligent D-range Control offers wider dynamic range while maintaining the smooth gradation thanks to the higher-precision signal processing performed by the redesigned signal processing circuit. Suppressing both blocked shadows and blown highlights, every part of an image – from dark to bright – is faithfully reproduced.The combination of the new Live MOS Sensor and the Venus Engine achieves ISO3200 (Auto) and max. ISO 25600 (Extended). The Low Light AF in DMC-GF6 gains higher performance in such as moonlight even without AF assist lamp to set focus on the subject more quickly and more precisely.Pursuing Even Higher Speed Response and MobilityThe DMC-GF6 boasts even higher response. It takes only approx.0.5 sec to shoot photo after startup (CIPA). Not only its intuitive touch controllability on the rear monitor, the optimum layout of operation devices makes the camera control smooth and easy. The newly added function lever allows direct adjustment of allotted function - zoom*1, exposure or aperture*2 control, which works for magnification in playback mode and page flip in menu. The mode dial has come back for this new DMC-GF6.All cameras of LUMIX G adopt Contrast AF for its focus system. Compared with the Phase difference system AF, the Contrast AF boasts higher accuracy especially in shooting with bright lens with small F value. The DMC-GF6 also boasts high-speed Light Speed AF making it possible to capture fast-moving subjects clearly. Also, AF Tracking enables consecutive shooting to capture moving subject in sharp focus.Combined with the Full-area Touch AF, it is possible to set focus on any point in the field of view which realizes quick and intuitive focusing operation with free frame composition. In addition, the newly adopted Touch AE (Auto Exposure) function allows setting focus and exposure at a single touch on the subject displayed on the monitor.A Variety of Shooting Functions for Artwork CreationThe DMC-GF6 is not just a high quality camera but an advanced photographic tool enhancing shooting experience with wide variety of options.With the new Self Shot mode, users can shoot their own portraits by stretching an arm to hold the camera with the rear monitor flipped approx.180°vertically to get in a frame properly. A variety of options such as Creative Control can be applied on this self-portrait, too.The popular Creative Control mode is upgraded by increasing its filter option from 14 (for DMC-GF5) to 19 (for DMC-GF6) adding new Old Days, Sunshine*3, Bleach Bypass, Toy Pop, Fantasy in addition to the conventional Expressive, Retro, High Key, Sepia, High Dynamic, Soft Focus*3, Dynamic Monochrome, Impressive Art, One Point Color, Cross Process, Low Key, Toy Effect and Star Filter*3 and Miniature Effect*4 mode. Effect parameter of each mode is also adjustable. With the new Creative Panorama function, it is possible to shoot a horizontal / vertical panoramic image with consequent shots taken by overlaying the previous picture and to put on a filter effect of Creative Control*5.The new Stop Motion Animation function enables producing a stop motion (stop frame) video in camera with the pictures that are sequentially shot while moving the object by degrees. This effect makes the object appear as if it is moving by itself.Another new in-camera function is Clear Retouch, which makes it is possible to erase unwanted objects or figures in an image by just tracing over them on monitor with a fingertip. They naturally disappear without destroying the image.*3 For photo only *4 Sound will not be recorded with [MINIATURE EFFECT] in Creative Control Mode and approximately 1/10 of the time period is recorded. (If you record for 10 minutes, the resulting motion picture recording will be approximately 1 minute long) *5 Some filters of Creative Control cannot be used in Creative Panorama mode.Wireless Connectivity for One-Touch Picture Sharing & Remote Shooting via Wi-Fi® / NFC with SmartphonesThe DMC-GF6 integrates Wi-Fi® connectivity (IEEE 802.11 b/g/n) with NFC (Near Field Communication) technology camera to offer more flexible shooting experience and instant image sharing with compliant smartphone/tablet. All these flexible shooting / browsing / sharing style are made possible with the DMC-GF6 and the Panasonic's dedicated application software Panasonic Image App for iOS / Android smartphones/tablets.Users can connect the camera with a smartphone/tablet by just bringing them together. What is new is that the setup is extremely quick and easy, making it possible to pair the camera directly to the smartphone/tablet without connection procedure of information input for authorization.Remote shooting of both photo and video*6 is available by using the smartphone/tablet for a remote shutter with a monitor which displayed live at smooth 30 fps. Not only releasing a shutter, zooming*7, focusing and settings of shutter speed, aperture, exposure compensation are all controllable with a smartphone/tablet.The Instant Transfer function allows the camera to transfer the photo data to the designated electronic devices automatically whenever shutter is released. In playback mode, users can also touch the image displayed on the camera to transfer it directly to the smartphone/tablet right on the spot. In addition, it is possible to tag the location information to the image by utilizing the GPS (Global Positioning System) log of a smartphone / tablet.Archiving images becomes easy. DMC-GF6 transfers the data to PC or other compliant electronic devices automatically via the wireless access point (router) at home. Also, with Panasonic's exclusive cloud service “LUMIX CLUB”, DMC-GF6 can automatically synchronize images via internet with the designated devices and web services like Facebook™, Flickr™, Picasa™, Twitter™ or YouTube™.The Wi-Fi Direct™ function allows direct playback of images on the DLNA (Digital Living Network Alliance) – compliant VIERA HDTV*8.

Other Attractive Features for DMC-GF6

High Quality 1920 x 1080 Full-HD Video with Stereo SoundThe DMC-GF6 records 1920 x 1080 at 60i (NTSC) / 50i (PAL) full HD videos with full-time AF and high quality stereo sound in the AVCHD format which excels in both compression efficiency and compatibility with AV equipment for playback. With a dedicated video record button on the top, users can instantly start recording videos while shooting photos without any having to make any extra setting adjustments. In addition, the P/A/S/M mode also lets users enjoy professional-like expressive video recording. Videos can also be recorded in MP4 format for playback on a PC or other portable electronic devices without having to convert the files.- Maximum time to record motion pictures continuously with [AVCHD] is 29 minutes 59 seconds in Europe and some Asian areas.- Maximum time to record motion pictures continuously with [MP4] is 29 minutes 59 seconds or up to 4 GB.- You can check the recordable time on the screen. (For [FHD] in [MP4] format, the file size is large and so the recordable time will drop below 29 minutes 59 seconds.)Compact, Stylish Design with a variety of Color SelectionThe DMC-GF6 features ultimate compactness in sleek, stylish design despite its incorporation of useful built-in flash(GN6.3 ISO160・m / GN5.0 ISO100・m). The design dispels impression for conventional big, heavy and colorless DSLRs. Fashionably dressed in black, white, brown or red, the DMC-GF6 matches any style and fashion regardless of gender. In addition, new power zoom digital interchangeable lens in white H-PS14042-W is specially bundled in the white camera kit as DMC-GF6X-W.New Approx.1040K-dot 180゜Tiltable Touch DisplayThe new large, approx.1040K-dot high resolution monitor boasts approx. 100% of field of view, andit tilts up approx. 180°. The front panel is directly attached to the new In Cell Touch LCD without containing air layer in between. The result is that the reflection of external light is dramatically suppressed. Together with the increased resolution by approx.13% and improved color reproduction by approx.20%, the monitor for DMC-GF6 secures higher visibility than ever. Plus, attenuation of transmitting backlight is minimized to achieve wide angle of view and by 25% of power saving.The touch-control system immediately lets users to set focus to the subject by just touching it on the screen and you can even release the shutter. It is free and easy to enlarge the target point with fingertips to set precise focus.Advanced iA+ (Intelligent Auto Plus Mode) and Scene Guide for BeginnersFor beginners of Digital Single Lens Mirrorless cameras, iA (Intelligent Auto) mode supports taking beautiful pictures with a variety of shooting-assist functions including AF Tracking, Intelligent D-range Control, Intelligent Scene Selector, Face Recognition and Intelligent ISO Control. The Intelligent Scene Selector now integrates Food Recognition mode. It detects food on the dish and captures it to look delicious. The iA Plus mode lets users adjust defocusing area in the background, exposure compensation and white balance for more flexible control.The Scene Guide*9 offers 23 sample pictures shot by professional photographers. Users can choose the one closer to the situation they are going to shoot and optimum parameters for shooting the scene will be automatically set. Furthermore, shooting procedure, technical advice and recommended interchangeable lens for the scene can be shown for users to learn photography.*1 When used with Power Zoom lenses H-PS14042 or H-PS45175.*2 In M (Manual) mode.*3 For photo only *4 Sound will not be recorded with [MINIATURE EFFECT] in Creative Control Mode and approximately 1/10 of the time period is recorded. (If you record for 10 minutes, the resulting motion picture recording will be approximately 1 minute long) *5 Some filters of Creative Control cannot be used in Creative Panorama mode.*6 For remote shooting of video, start/stop recording is available over smartphone/tablet control *7With LUMIX G Power Zoom Lens H-PS14042 or H-PS45175. *8 Using [Playback on TV] of the Wi-Fi function, you can display images on a TV that supports the Digital Media Renderer (DMR) function of the DLNA standard. Please check the following website about the compatible devices for details. http://panasonic.jp/support/global/cs/dsc/*9 Video recording using Scene Guide is not possible in some scenes. 

D5200 vs T4i (650D) Real World Use

After nearly three months of using the Canon T4i side by side with the Nikon D5200, I  thought an updated comparison and discussion of the two cameras would be helpful.   I am not going to tell you which camera to buy. They both have strengths and weaknesses and depending on the type of photography/videography you do or plan to do.

Key Points or Differences Nikon D5200 & Canon T4i (650D):

Image Quality

  • In most day to day photos (auto mode or manual) you see little difference between the two camera.  There are some shots where extra detail is visible from the D5200 but only after I stopped using the kit lens.  The Canon kit lens seems better and the fact that the T4i with 18-135 currently costs less than the D5200 with a less sharp and less convenient 18-55 lens is worth noting.
  • When the pop up flash is used the Nikon wins every time, flash exposure is significantly better with the D5200.
  • In lower light the D5200 does an excellent job, The T4i is close but not on par.  You also see a higher dynamic range from the D5200, a better ability to handle a range of light. In lower light the T4i does not do as well and you notice a loss of detail in some areas, a neon sign is a good example.   You see these differences in photos and video.

Performance & Usability

  • The T4i feels responsive with very little lag in navigating the menu, switching modes etc.  The t5i is said to be even slightly improved with no mirror flip down while switching modes on the dial.   The D5200, from time to time, exhibits just a bit of lag, mostly I notice it when waiting to review a shot taken with live view on, it takes noticeably longer which leads me to next point
  • The Nikon has greater focus point covereage but I find myself using a single point often and have not seen any noticeable differences with focus speed but I have noticed a hesitation from the Nikon when trying to get a burst of shots in, granted these are larger files but the T4i doesn't suffer from this and the other day I was using both side by side on some skateboarders and missing shots with the D5200 because of the hesitation.  Shot for shot in RAW though they do end up very close, both manage about 6 or 7 shots before the buffer fills and they start to slow down.
  • The touchscreen makes the T4i a breeze to use and I often find myself using a hybrid approach of buttons and touchscreen, this approach feels very efficient.  I have knocked the Nikon for usability and it does lack the touchscreen but the "i" button does provide quick access to commonly used settings and the programable function button (fn) gives you some customizability that the T4i lacks, though you can program the SET button on the T4.
  • The touchscreen is also lovely for reviewing images - pinch to zoom works and "flipping" through images is snappy.
  • After shooting the T4i provides quick menu (Q) with a variety of operations, anything you want to do with an image on the D5200 needs a few clicks into the menu system
  • Getting picky, there are times when I notice just a bit of distortion around the edges of the Nikon viewfinder, I don't see that with the Canon.
  • Arghh - the D5200 does not allow you to change aperture when you are in live view.  The Nikon does let you adjust shutter speed and ISO but does not update live view, for learning and teaching I love the real time feedback you get on Canon as you change shutter speed, ISO or aperture and watch the LCD simulate your exposure.  You can display an exposure indicator.
  • The D5200 is not nearly as fun to shoot video with, mostly because of the aperture lock out and lack of exposure simulation in live view. I usually shoot a 1/60 of a second and adjust my aperture and ISO as needed, with the Nikon D5200 this requires a few trips out of live view and back before I am happy.   The upside is the video quality out of the D5200 at the higher ISOs it is quite impressive.

Feature Set

  • There really aren't any features on the T4i that are fun, this isn't necessarily a bad thing but when you compare say the HDR mode on the Canon(very barebones) against the HDR mode on the Nikon which actually takes fewer shots but gives you control over processing power - it feels like a pretty simple camera there is wireless flash control which is quite nice and the D5200 lacks but the HDR and the effects menu is fairly simple.
  • Nikon D5200 offers effects and scenes and allows you to shoot video in with some of those effects applied in realtime.  The t5i will offer a similar option but this isn't something the T4i allows.
  • The Retouch menu in the D5200 is quite robust, not so much on the t4i.  I don't recommend you spend lots of time retouching in camera but the options are there if it is important to you.
  • The Magic Lantern folks are working, an Alpha version is available, and this certainly ups the feature set but I am not sure it is fair to talk about in this review, it doesn't come with the camera.

Bottom lineNikon D5200 - Power camera, excellent quality, nice feature sets that suffers from a few quirks, tad slower performance and needs a lens other than the kit to really shine.Canon T4i -  Simple and snappy with tools that help you grow as a photographer, paired with the 18-135 STM is a very friendly and easy to use photo and video machine. Support this site.  Buy the Canon T4i(or T5i) or Nikon D5200 from Amazon  

Adobe Updates Lightroom 4, Camera Raw - Support for D7100!

Adobe has released an update for Lightroom -Bug fixes and support for newish cameras.  Rejoice users of the Nikon D7100, no RAW file hacks needed now.Lightroom 4.4 ScreenAdobe released Lightroom 4.4, Camera Raw 7.4 and DNG Converter 7.4 with support and improvements for several cameras including the Nikon D7100!Download links:

 Not sure about Lightroom? Watch my Lightroom Introduction Video

Blurb - Your Photos Will Look Better Printed

And it is easy!I have been a fan of Blurb for a few years now and their new, super simple, Designer Templates are sweet.  I figured I'd take just a few minutes and show you how I recently made a book of my Costa Rica Trip Photos.    If you hurry you can save 20% off by using the code DESIGNMYBOOK.   Prices start at just $12.99! 20% savings ends March 31st! Get creating!  

D7100 Sample Images

I spent a day wandering around Brattleboro, Vermont shooting with the D7100. My initial thoughts, Nice Camera! My thoughts after seeing the higher ISO images I shot, especially the bolts in the hardware store, Wow! Clearly the king of DX sensors at this time. I will have a more complete review as well as a video tour of its features soon. Video Tour is UpThese images are untouched, they may report that they were taken with a D5200 as I had to hack the Exif data to get LR to open
 Original Files, including NEFs can be found https://docs.google.com/folder/d/0B57q1XmfhPgfMHpsYjV0bEw2ajA/edit?usp=sharing Helpful?  Order your Nikon D7100 via Amazon or B&HVideo Tour

Filter Systems Compared - Kase vs Nisi vs Haida vs Hoya

Don't waste money on UV Filters
In general I am not a fan of UV filters, they offer little protection from a fall and the glass at the end of your lens is pretty tough, it's not going to get scratched unless you are very careless. I prefer lens hoods as they do offer some protection from falls and nicely protect the end of the lens from coming into contact with  random objects without degrading image quality.   I do prefer camera brand lens hoods, I have tried a few of the third party and they often fit just a bit awkwardly making the putting on and taking off just a bit slower. Some of the very cheap 3rd party lens hoods actually use the filter threads to attach, this is bad as it blocks you from adding a filter and is very cumbersome to put on take off.

Circular Polarizer Filters are useful
The one filter I do recommend landscape photographers own (or anyone taking scenic view photos) is a circular polarizer (CP Filter). Some benefits of a CP filter include:

  • CP filters reduce reflections and glare

  • Reduces Haze and blue cast in landscapes

  • Adds saturation to your sky and greenery

Recommended Hoods and Polarizers for Common Lenses

More about CP filters. There are other specialized filters worth owning for some situations but a CP is one that many don't know they need and gives you a look that is not reproducible with post processing. The brands I list I find to be safe choices at each of those price points, there are certainly other brands/choices at each price point.Roll your mouse over the image to see the effects of using a circular polarizer ( no other changes were made - I simply rotated the circular polarizer from what I call zero effect to maximum effect)[himage][/himage]Scroll to the bottom for a plan to save on filters.  Don't see your lens listed? Check the list at the bottom for all current Canon and Nikon lens sizes.

77mm CP Filters

72mm CP Filters

67mm includes Canon Lenses 18-135mm EF-S STM, 10-18 STM and Nikon 18-140 

58mm Recommended lens hood for 18-135 STM 58mm 18-55 EF-S, 18-55 STM, 75-300, 50mm f/1.4, 85mm f/1.8, 100mm f/2.8 macro 

52mm Recommended lens hood for 75-300 & (Kit Lens)18-55 EF-S 52mm includes Canon lenses 60 EF-S, 50mm f/1.8, 35mm f/2,  Nikon Lenses 18-55(kit), 55-200

Recommended lens hood for 60mm EF-S

Recommended lens hood for 40 f/2.8 STM
Instead of buying a filter or filters for each sized lens you can but this set of step UP adapters and then buy the largest filter(s) you need and use the adapter(s) to fit to each of your smaller mm lenses. So in this example you would buy filters in the 67mm size and use the 67-62 + the 62-58 adapters to use that filter on your 58mm lens. And throw on the 58-55 and the 55-52 to step down to the smallest lens in this example. Truthfully I have never used more than one at a time but there isn't any reason why it shouldn't work and these adapters are glassless, so nothing extra between you and your filters.

Fotodiox 7 Metal Step UP Ring Set, Anodized Black Metal. 77-72mm, 72-67mm, 67-62mm, 62-58mm, 58-55mm, 55-52mm, 52-49mm

Ready to get more serious about your filter system? I recommend the NiSi System or Kase Magnetic System

Video Links

Wolverine Kase Magnetic Kit - https://bhpho.to/3D8DVGk
Magnetic Lens hood - https://bhpho.to/3vEuUCv
Kase Magnetic Step Up Ring - https://bhpho.to/3m1b0yv

Nisi v6 Pro Starter Kit - https://bhpho.to/3m1aMHD
Nisi 6 stop ND - https://bhpho.to/3vvx07M

Haida Rear Filter Kits - https://bhpho.to/3vEvAYz

Hoya CPL Filter -https://bhpho.to/30DuSPO
6 Stop ND Filter - https://bhpho.to/3jHxUth



Complete List of Nikon and Canon Lenses/Filter Sizes

1

NIkon LENS

Filter Size

2

3

DX Lenses

4

10.5mm f/2.8G AF DX Fish

5

12-24mm f/4.06 AF-S DX

77MM

6

16-85mm f/3.5G AF-S DX

77MM

7

17-55mm f/2.8G AF-S DX

52MM

8

18-55mm f/3.5-56 II AF-S DX

52MM

9

18-55mm f/3.5-5.6 VR AFS DX

52MM

10

18.70mm f/3.5-4.56 AF-S DX

67MM

11

18-135mm f13.5-5.66 AF-S DX

67MM

12

18-200mm 1/3.5-5.6G AF-S DX

72MM

13

55.200mm f/4.0-5.66 AF-S DX

52MM

14

55-200mm f14.0-5.66 ED AF-S VR DX

52MM

15

AP-D NIKKOR LENS (For Digital & 35MM)

16

14mm f/2.8D

17

16mm f/2.8D AF Fish

18

20mm f/2.8D AF

62MM

19

24nim f/2.8D AF

52MM

20

24mm f/3.5D ED PCE Manual

77MM

21

28mm f/2.8D AF

52MM

22

35mm f/2.00 AF

52MM

23

45mm 1/2.80 ED PCE Manual

77MM

24

50mm f/1.8D AF

52MM

25

50mm f/1.4D AF

52MM

26

60mm f/2.8D AF Micro

62MM

27

60mm f/2.8D ED Micro

62MM

28

85mm f/2.8D PC Micro PCE Manual

77MM

29

85mm f/1.80 AF

62MM

30

85mm f/1.40 AF

77MM

31

105mm f/2.86 AF-S VR Micro

62MM

32

105mm f/2.0D AF DC

72MM

33

135mm f/2.00 AF DC

72MM

34

180mm 1/2.80 AF (720)

72MM

35

200mm f/4.00 AF Micro

62MM

36

200mm f/2.0G AF-S VR 52MM

rear

37

300mm f/4.0D AF-S

77MM

38

300mm f/2.86 AF-S VR 52MM

rear

39

400mm f/2.8G AF-S ED VR L

40

500mm f/46 AF-S ED VR L

41

600mm f/4G AF-S ED VR L

42

AF ZOOM NIKKOR LENS (For Digital & 35MM)

43

14.24mm f/2.8G AF-S

44

17-35mm f/2.8D

77MM

45

24-70mm f/2.8G AF-S

46

24.85mm f12.8-4

47

24-120mm f/3.5-5.6G AF-S VR

72MM

48

70-200mm f/2.8G AF-S VR

77MM

49

70-300mm f/4-5.6G

62MM

50

70.300mm f/4.5-5.6G AF-S VR

67MM

51

80-200mm f/2.80

77MM

52

80-400mm f/4.5-5.6D VR

77MM

53

200-400mm f/4.0G AF-S VR 52MM

rear

54

MANUAL FOCUS AIS NIKKOR LENSES

55

20mm f/2.8

62MM

56

28mm f/2.8 AIS MF

52MM

57

35mm f/1.4 AIS MF

52MM

58

50mm f/1.2 AIS MF

52MM

59

50mm f/1.4 AIS MF

52MM

60

55mm f/2.8 Micro

52MM

61

135mm f/2.8 Series E

52MM

62

TC-201 2x Teleconver

63

TC-301 2x Teleconver

1

LENS

Filter Size

2

3

14mm f/2.8L11USM Super Wide-Angle (Rear 8e1)...

4

15mm f/2.8 Fisheye (

Rear

5

24mm f/1.4L USM AF.

77MM

6

24mm f/2.8

58MM

7

TS-E 24mm f/3.5L MF Tilt Shift

72MM

8

35mm f/1.4L USM AF

72MM

9

45mm f/2.8 TS-E (Manual Focus)

72MM

10

50mrn f/1.2L USM AF Normal..

72MM

11

50mm f/1.4 USM .

58MM

12

50mm f/2.5 Macro (1:2) 5

52MM

13

65mm f/2.8 MP-E Macro 1x-5x (MF) 5

58MM

14

85mm f/1.2L II USM AF 7

72MM

15

85mm f/1.8 USM 5

58MM

16

90mm f/2.8 TS-E (Manual Focus) 5

58MM

17

100mm f/2.0 USM 5

58MM

18

100mm f/2.8 Macro USM

58MM

19

135mm f/2.0L USM Lens..

72MM

20

135mm f/2.8 Soft

52MM

21

180mm f/3.5L Macro USM

72MM

22

200mm f/2.8L II USM .

72MM

23

200mm /2 EF IS U

24

25

300mm f/2.8L IS USM . 52MM

rear

26

300mm f/4.0L IS USM

77MM

27

400mm f/4.0 DO IS USM.. 52MM

rear

28

500mm f/4.0L IS USM AF... 52MM

rear

29

600mm f/4.0L IS IS USM AF.. 52MM

rear

30

800mm f/5.6L IS USM 52MM

rear

31

2x EF Extender

32

16-35mm f/2.8L II USM AF

77MM

33

17-40mm f/4L USM AF.

77MM

34

24.70mm f/2.8L USM AF

77MM

35

24-85mm f/3.5-4.5 USM AF

67MM

36

24-105mm f/4L IS USM AF..

77MM

37

28-90mm f/4-5.6111

58MM

38

28-105mm f/3.5-4.5 II USM

58MM

39

28-135 mm f/3.5-5.6 IS USM

72MM

40

28-200mm f/3.5-5.6 USM

72MM

41

28-300mm f/3.5-5.6L IS USM

77MM

42

70-200mm f/2.8L IS USM

77MM

43

70-200mm f/2.8L

44

67MM

45

70.200mm f/4.0L

46

70-200mm f/4L IS USM

67MM

47

70.300mm f/4.5-5.6 DO IS USM

58MM

48

70-300mm f/4-5.6 IS USM

58MM

49

75-300mm f/4-5.6111

58MM

50

75.300mm f/4-5.6 III USM

58MM

51

100-300mm f/4.5-5.6 USM5

58MM

52

100-400mm f/4.5-5.6L IS USM AF 7

77MM

53

EF-S LENSES

54

10-22mm f/3.5-4.5 USM 7

77MM

55

17-55mm f/2.8 IS USM

77MM

56

17-85mm f/4-5.6 IS

67MM

57

18-200mm f/3.5-5.6 13 ..

72MM

58

f/2.8 USM Macro Lens ..

52MM

59

55-250mm f/4-5.6 IS AF

58MM

Canon EF-S 18-55mm f/3.5-5.6 IS STM

Cannon announced several products yesterday- the T5i (700D), the SL1 (100D), the 18-55 STM and the SX280.  The 18-55 STM is arguably the most exciting of the bunch.  The previous 18-55 EF-S IS II lens, commonly refered to as the kit lens was sold with the T4i, T3i and earlier Rebels.  It is not a bad lens but certainly not exciting. (What makes a lens exciting- Video Coming Soon)  The new, STM version of this lens looks much improved in image quality and of course offers the silent AF during video.*Note  - Do not confuse the 18-55 EF-S STM lens with the 18-55 EF-M STM lens currently available on Amazon, that lens only mounts on the EOS-M camera, it will NOT work/mount on the Rebels like the T4i and T5i. The Improved 18-55 now offers STM and an extra aperture blade!Differences between the 18-55 EF-S (non-STM) and the NEW 18-55 STM

  • STM version has 7 rounded aperture blades (smoother background blur/bokeh) non-STM has 6 blades
  • STM offers Full Time Manual Focus - likely similar to the 18-135 STM trick
  • Improved sharpness, especially in corners and better contrast with updated lens coatings
  • Silent Autofocus - we will have to wait and see if it is truly silent like the 18-135 STM or only kinda quiet like the 40mm STM

*The usefulness of the full time Auto Focus depends on your needs and use scenarios.  Capturing your children and informal family events it works well enough and can be handy for a more camcorder like experience.  For anything that needs to look a bit more professional I really don't recommend that you rely on auto focus, there is just too great a chance that the camera will decide to focus on something other than your subject or needlessly refocus even if your subject hasn't moved.  This refocusing during the video is distracting and not professional.  Manual focus or basically tuning the auto focus off after getting initial focus is fine for many situations.  I talk a bit more about this in How I Shoot My VideosThe 18-55 EF-S STM Lens will be available April 30th  - Preorder for $249 from AmazonShould you buy?  If you are a parent and you want a decent lens that can double duty for good stills and silent video it is something to consider.  If you want to grow as a photographer your money is likely saved for other lens options.   Not sure if this lens is right for you? leave me a message here or on facebook @ https://www.facebook.com/Digital.Photo.RecommendationsI'd be happy to share my opinion. Please remember the more information you can give me about you and your photography skills, hopes and dreams, the more accurate a recommendation I can provide. 

The Canon Rebel SL1 (100D)

sl1Follow all SL1 News on FacebookAlong with the barely updated Canon T5i (700D) Canon announced the Rebel SL1, a slimmed down version of the T4i and now T5i cameras.It is the internals of the T5i/T4i with a few differences

  • 80% coverage of AF in Live View, this is an increase and should make live view focusing better, not necessarily faster, just better.
  • 4fps - max of 7 RAW and 28 JPEGs, this is down from 5fps with 10 RAW in the T4i/T5i
  • 9 focus points but only the center focus point is cross type.
  • Creative filters can be display in real time during live view shooting
  • Background blur display in live view ( I too am curious to know more)
  • New Scene Modes- Kids, Food and Candlelight (not present in T4i or T5i)

CanonSL1Externally the camera has a few difference

  • Mono mic
  • Non-articulating LCD screen
  • Multi purpose buttons surrounding the multi purpose SET/Q menu - on the T5i and T4i the button surrounding the set menu are all labeled and the Q button is different.
  • Camera does retain all other buttons found on the T4i/T5i cameras.
  • It is smaller, a good bit smaller, paired with the 40mm STM lens, this will be quite the tiny powerhouse.

Available at the end of April - $799 for SL1 with 18-55 STM lens | Body only  Not sure which will be right for you?  The T3i, T5i or the SL1?   Send me an email.  You can also leave me a message on my FB facebook.com/Digital.Photo.Recommendations. Nice giveaway starting soon, follow my FB page to be notified.

Canon T5i vs T4i (Explained Simply)

Quick Facts - Very little has changed. T5i will be available in late April with an 18-55 STM kit lens.

Ask me if you have any questions. Seriously, if you have a question shoot me an email or use the little chat widget. 

Have a question? send me an email, I respond to most emails in less than 12 hours.  You can also leave me a message on my FB facebook.com/Digital.Photo.Recommendations. Nice giveaway starting soon, follow my FB page to be notified.What the T5i has that the T4i doesn't

  • Sold with an 18-55 STM kit lens. The T4i is only sold with standard 18-55 kit and the 18-135 STM kit.
  • A mode dial that rotates 360 degrees. The T4i dial has a gap and a stop.
  • Creative filters can be displayed in real-time (as you take the photo) T4i only offered creative filter application after you took a photo.

* Silent Af only possible with the STM lenses, the 40mm(only kinda silent), the 18-135 STM and the NEW EF-S 18-55 STM.Images coming soon but really the two cameras are nearly identical inside and out.

Canon T5i Body only: $749.99Body+18-55 STM IS Kit: $899.99Body+18-135 IS Kit: $1099.99 Canon T4i Body only: $648.99Body +18-55mm IS II: $699.99Body +18-135mm IS STM: $799 (Bundled deal w/ 55-250)

Thoughts- With the recent price drops the T4i with 18-135 is an excellent value that probably won't last, I hear that the T4i will be phased out and the T3i will be sold as a cheaper alternative, side by side with T3i coming soon.


Canon T5i vs T4i vs D5200 and more

Entry to mid level DSLRs Compared

Update 3-25-13: I have now been using the D5200 and the T4i side by side for over two months - I have been a Canon shooter for many years and I will probably stay a Canon shooter for many years but the more I use the Nikon D5200 the more I see it as superior to Canon's current(T4i) AND upcoming cameras(T5i). I still see value in the T4i with 18-135 STM as a very nice family friendly machine that does both photo and video in a friendly and approachable way but the D5200, fairly consistently, gives better results. When the light levels drop- the results are noticeably better AND you get more features like intervalometer & Wifi control through dongle.  You do have to put up with a few quirks of the D5200 and it generally feels a bit slower in the hand BUT if image quality is your ultimate goal the D5200 is a better camera.

This table compares the Canon T5i(700d) with last years T4i (650D) and several competitors.I am here to help - Feel free to give me a shout, there are no stupid questions about camerasRound up of all T5i information (coming soon)Honestly the chart below is only so helpful - I have other more helpful post outlining the differences in plain speak.

Note - T5i specs are based on rumors from Canonwatch, Canonrumors & DCI- Specs will be updated when cameras are announced March 22

Canon T5i vs Canon T4i vs Canon T3i vs Nikon D5200 vs Nikon D3200

t5iT5i (700D) t4i_angleT4i (650D) Canon T3i(600D) d5200 Nikon D5200 Nikon D3200
Quick Thoughts Minor upgrade over T4i -User friendly, responsive camera with touchscreen control and silent AF during video when paired with 18-135 STM. Now sold with 18-55 STM too and wider AF area for video focus. User friendly, responsive camera with touchscreen control and silent AF during video when paired with 18-135 STM. Serious entry level camera w/ articulated LCD and even more room to grow Feature packed camera with excellent sensor (video comparison with t4i) Serious MP count in this DSLR w/ solid video options including AF while filming equal a stellar option, excellent sensor.
MP 18 18 18 24 24
ISO range 100-25,600 100-12,800 expandable to 25,600 Auto - 6400 (12800) Auto - 6400 expandable to 25600 Auto - 6400 Expandable to 12800
Number of Focus points 9 focus points, all are cross type 9 focus points, all are cross type 9 focus points, center cross type 39 focus points, center 9 are cross type 11 focus points, center is cross type
Continuous Drive (fps) 5 5 3.7 5 4
Max Burst
LCD Screen Articulating 3" 1,040,000 dots Touchscreen Articulating 3" 1,040,000 dots Touchscreen Articulating 3" 921,00 dots Articulating3" 921,000 dots Fixed 3" 921,00 dots
Viewfinder Pentamirror 95% coverage Pentamirror 95% coverage Pentamirror 95% coverage Pentamirror 95% coverage Pentamirror 95% coverage
Full Time AF while Filming? YES YES NO YES YES
Movie Mode 1080p 30/25/24 fps720 60/50 fps640 60/50 fps 1080p 30/25/24 fps720 60/50 fps640 60/50 fps 1080p 24fps720 30/25/24640 x 424 24 1080i 60/50fps, 1080p 30,25,24fps 720 60/50fps 424 30/25fps 1080p 30,25,24fps  720p 60,50fps, 424p 30, 24
Max Recording Limit 30 mins 30 mins (see recording limits for more info) 30 mins (see recording limits for more info) 20 Mins 20 Minutes
Microphone Stereo Stereo Mono Stereo Mono
Ext Mic Jack YES Yes Yes Yes Yes
IS In Lens In Lens In Lens In Lens In Lens
Lens Mount Canon EF/EF-S mount Canon EF/EF-S mount Canon EF/EF-S mount Nikon F Mount Nikon F Mount
Battery Life 470 shots 440 shots 500 shots 540 shots
Weight 580g 530g 570g 506g 505g
COST (body only) $649 $518 ~ $499
Cost (Kit lens) $799 (1199 w/ STM lens) $578 $896 $699