How-to: Photographing the stars and star trails

RELATED - Best Lenses for Star Photography and Astrophotography

The Basics -

1. Find a dark spot. I like https://darksitefinder.com/maps/ don't get discouraged if you don't have the darkest skies - your camera can capture stars that you won't be able to see with your eye.

2. Check the Moon Schedule - https://www.timeanddate.com/moon/phases/ Anything above 30% will wash out many stars and the Milky Way but you can find a time when the moon is set or just before moonset or moonrise - some moonlight can be great to illuminate your landscape.

3. Make a plan and check the weather - https://www.cleardarksky.com/ is great for understanding if clouds will impact your visibility. Some clouds can actually look very interesting.

4. Gather your gear - Camera, your fastest & widest lens, and a tripod. A remote release is a bonus or just use 2-second timer. A small headlamp with the red mode is really helpful too.

5. Practice at home - make sure you can easily put your camera on the tripod and turn live view on(DSLR), magnify live view, & playback. Now do that all with your eyes closed. Seriously. The less you rely on lights when you are out in the field the better.

6. Camera settings - Manual (M), Manual AF, Shutter speed 10 seconds, Your lens on widest focal length and widest aperture (a lens with f/2.8 or better is great). ISO 3200.


7. Turn Live View on if DSLR or just look through the viewfinder on a mirrorless and point the camera at the brightest star you see, magnify to the max, and now move the focus ring carefully toward infinity - the star is most in focus when it is a small, sharp point of light.

8. Take a photo and magnify the resulting photo. Are the stars sharp? Repeat step 7, it may take some trial and error to get the stars as sharp as possible.

9. Once you have focus take some time to judge your composition. Once you have everything dialed in I usually end up around 13 seconds, ISO 2000 - 2500. Divide 300 by your focal length to get an idea of the max shutter speed. Longer and your stars will turn to streaks.

10. I'd love to see your favorite astrophotography pics. Tag me!

#stars #milkway #mtsthelens #wastate #westcoastbestcoast #volcano

Tips on capturing the stars and star trails.

Mt St Helens Milkyway
Star Photography in Moab

Older info below -  

When taking star photos you can end up with star trails or no star trails. It all depends on your focal length and shutter speed and whether or not you follow the 500 rule. Over view for Star Trails (or stars as points of light if you follow the 500 rule explained below)You need a camera with bulb mode - all modern DSLRS and mirrorless cameras offer this - Bulb mode lets you shoot as long as you are holding down the shutter button. that could be 31 seconds to 3 hours!! Now you don’t actually want to hold your shutter down so you need an intervalometer or even better - the Triggertrap dongle and app - I have separate videos about this but it has a mode specifically for star trails and the default settings work so well, plus it does so much more  I highly recommended it. You also need a lens - the kit lens at 18mm with f/3.5 will work but if you can get a hold of something wider with a faster aperture it will be even easier with better quality results. The Rokinon 14mm f/2.8 is great. So is the Tokina 11-16 f/2.8. And you need a sturdy tripod. Depending on the time of year or location you could also use hand-warmers and a rubber band - if you have dew on the grass in the morning it would be a good idea to rubber band the hand warmer to the end of your lens - it helps prevent your lens from fogging up during the shoot.So gather your gear and head out to your selected spot. Setup and decide your composition - if you have picked a nice dark spot it’s probably really hard to see -SO I RECOMMEND YOU DO A LITTLE TRIAL AND ERROR... EYEBALL THE COMPOSITION AS BEST YOU CAN AND RAISE THE ISO TO SOMETHING RIDICULOUS 4000, 8000  THE GOAL HERE IS NOT TO CREATE A NICE IMAGE BUT TO SIMPLY GET AN IMAGE QUICKLY AND JUDGE YOUR COMPOSITION.You typically want some of earth in the shot, trees, water, buildings can all add a nice balance to a big starry sky. Set 8-10 seconds on the shutter, ISO very high 4000, 8000 and fire a shot. Use the resulting noisy image to adjust your composition and repeat. You also should be checking focus at this time - setting your lens on infinity. Not all lenses focus marks line up perfectly with true infinity so it may also take some trial and error.  This can be something to figure out during the day - use AF on a distant object and make note of where the focus mark lines up.  Or at night find a distant light, radio tower, something you can see to focus on - either carefully by magnifying live view or using autofocus if it is a large enough and bright enough target.So you have focus and the desired composition- Now we need to test our actual settings. Plug in your intervalometer or triggertrap - The default in triggertrap is 2 minute exposures with a 5 second break - You can get decent start trails from just 40 minutes of shooting these 2 minute exposures. Why not just leave the shutter open for 40 minutes? You get heat build up and additional noise, light pollution builds up too and if anything goes wrong during that 40 minute exposure the whole thing is ruined. If something goes wrong during one of your 2 minute exposures it is likely salvageable.So 2 minute exposures, I usually set aperture as wide as possible and star at ISO 800. One more tip - set your WB to tungsten for a nice blue look to the night sky and you should be shooting RAW. Try one exposure at these settings. Wait 2 minutes and review - The stars won’t be points of light but short streaks - you should still be able to zoom in and judge focus but you are really looking at exposure - adjust ISO accordingly and review again if needed, otherwise start the app - as I said 20 frames at 2 minutes each will give you decent results- longer will be better so get comfortable - a great time to watch for meteors or just listen to the sounds of night. Be careful if you are out there with a flashlight you want to avoid splashing that light around and haphazardly lighting the landscape. I use a headlamp with a little red mode that doesn’t ruin my night vision and isn’t bright enough to light up the landscape but you still want to make sure you don’t shine it into or across the lens.  You can do some fun light painting or purposefully lighting cool buildings or trees too. At the end of your sequence take one shot with the lens cap on for a dark image reference - helps the StarStax program deal with hotpixels.So you should now have 20 or more images- import those into Lightroom and let’s do a little post processing - I don’t have any hard or fast rules about editing - I usually just play around until I see something I like. Some tips - Cooling the WB more, boosting exposure, contrast and clarity- adding more clarity really helps the stars pop! Once I have an image the way I want I will sync all of the images in the sequence. I also take a moment to inspect the images for annoying plane trails or anything else that you might want to fix/clone out. now export all of these at 90 JOEG, full resolution. We could take these into Photoshop but there is a free program for mac and windows called StarStaX that works even better. It’s linked above and while free you should donate a few bucks if you find yourself using it more than once. We have exported the shots, open StarStaX and import the images, import the one dark frame and leave everything set as default except the blending mode - change that to Gap Filling. Have fun and be sure to share any shots you get on my Facebook Page or tag me on Instagram.

500 Rule for Star-trail-less Photos

500 Rule Star Trail Chart

The 500 rule states that your shutter speed needs to be faster than your focal length divided by 500.  Some places you see 600 used but safer is 500.  So if you are shooting at 50mm you take 500/50 and get 10 seconds.  BUT that only applies to folks shooting with full frame cameras, if you have a crop sensor camera like the Canon Rebel Series of the Nikon Dxxx series you need to multiple your crop factor times your focal length and then divide that by 500.   Nikon crop factor is 1.5 and Canon is 1.6.Here is a handy chart to use as a starting guide- Numbers are your maximum shutter length in seconds before you will start to see the dots of the stars turn into streaks.Columns B through D give you the number of seconds before you will probably start seeing star trails. You can of course go shorter, longer and you will start to see star trailsFor a starry sky you often want to go as wide as possible. 18mm if using the kit lens but if you have access to anything wider- use it.  Starry skies look great with a wide angle lens like the 14mm Rokinon. You can go even wider if you want. See my Rokinon 14mm post for budget friendly suggestions of wide angle lenses.

A good starting point

8 second shutter

Aperture f/3.5 (wider if possible with your lens)

ISO 4000

The trick is focusing and composition.  It is often helpful to include some of the landscape in your composition but judging if you have a straight horizon and focus in pitch black is difficult. A solution is to take some test shots using a VERY high ISO and a shorter shutter speed - these will be very noisy images but you can, without waiting a full 10 seconds at a time, judge your composition and probably your focus.Focus Tip - If your lens has any type of distance indicator you want it set near infinity, that is not a guraguaranteet the stars will be in sharp focus but it is likely. Use the test shot suggestion to judge focus and make adjustments as needed.   If there is a silhouette or a building, anything in the distance you can use that to manually focus, radio towers with their little blinky red lights can also be helpful.  Anything further than a 1/2 mile away is going to give you a target that will set your camera on infinity focus and that should give you sharp stars.Keep warm and keep shooting.Recommended Gear-Sturdy Tripod: Dolica Proline Tripod |MeFoto Travel Tripod (Review of both Tripods)Intervalometer or TriggerTrap for using Bulb Mode or just firing your shutter without shaking the camera.Wide Angle Lens:  is one of the best and most affordable lenses for photographing stars. 

 Photographing Meteors

When photographing meteors you want to avoid any star trails, you want the little streaks left by the meteors to stand out so follow the chart.First task is to find a suitable location with a clear view of the source or radiant. In the case of the Perseids you want a dark sky to your north east, in the direction of the Perseids meteor shower.  I intent to use the the Google Sky App on Android | iOS options.   You really want to make sure the sky is dark, these longer exposures quickly pick up any light pollution and are going to blow out the bottom of your image.Picking a focal length and focusing - You want to go fairly wide here, under 50mm but not really wide as that will likely give you puny little streaks that take up a very small percentage of your image.    Focusing is tricking.  If you have a light tower or something contrasting against the sky, like a mountain, in the far distance you can use that. If you have a distance scale on your lens you can set it just shy of the infinity mark.   Neither of those work for you?  Raise your ISO to the highest possible and take a few shots, a very high ISO will allow you to take a shorter longer exposure so you aren't sitting around for 30 seconds wondering if you have focus.  Take a series of test photos until you are sure you have nailed focus.Camera settings - You have your shutter speed from the chart above, your aperture should be close to wide open and your ISO should be as low as possible.  You might be better off with even shorter exposures, longer exposures will dim any streaks you get. I hope to use my Triggertrap long exposure (star trail) feature to automatically take photo after photo, their star trail feature lets me specify a long exposure and the gap between images.  You can use a standard intervalometer too but that isn't quite as elegant. You could also use a remote and have the camera set for the desired shutter speed and least desirable you push the shutter button - if you use this method make sure you use the 2 second delay so that you pressing the button doesn't jiggle the camera creating blurry images.Your Camera must be sitting on a sturdy tripod.Sit back and enjoy the show.(this is one reason I am going to let Triggertrap do the work, I want to be looking at the sky, not the back of my camera all night. More about the PerseidsThe best budget lens for astrophotography.https://www.youtube.com/watch?v=_TSrFKLzsrQShare your thoughts, tips and comments below.   

Case Remote - Wifi Remote Control for your DSLR

https://www.youtube.com/watch?v=sXQXXK3ViDc Back the CASE Remote AIR on indieGOGOThis is the Case Remote AIR - this tiny device allows you to remotely control your camera, download photos, including RAW files and adds several really sweet features to your otherwise dumb camera - now some of you might wonder why we need this when most current Nikon and Canon cameras  provide some sort of wifi control via an app - and my answer - have you actually used those apps? They are so barebones it is frustrating AND the case remote works with older Canon and NIkon cameras that don’t offer wifi control and even allow you to start and stop video remotely. 8338The Case Remote creates its own WIFI hotspot so you can use this anywhere, you don’t a data connection, you connect directly to the device.   The connection info is printed on the device and apps are provided for Android and iOS with desktop Mac and Windows software in development You connect the device to the camera, you can position it in the hotshoe or attach it with the strap connection if you need to put a flash in the hot shoe, it really is very light.IMG_8370 Turn it on, Turn the camera on and then connect to the wifi, launch the app.  And you should see the camera listed.  Click to launch the controls where you can then turn live view on or OFF, touch to focus and bring up the camera settings - adjusting them on the fly.IMG_9857if you have wanted GOOD wifi control of your camera with smart features - there is nothing else that provides this level of value. I’d love to see a few features added, like bramping but overall I appreciate the wifi control of older cameras and the ability to transfer RAW files from newer cameras. Back the CASE Remote AIR on indieGOGO

Lightroom Mobile Updates

https://www.youtube.com/watch?v=vQK2k6a1A-ALightroom Mobile has been updated on Android and iOS - Take a look at the new PRO camera built in that provides shutter speed, ISO and exposure compensation and allows DNG(RAW) Capture and editing on your mobile device. Is it as buggy and slow as LRM has been in the past? How does Lightroom Mobile compare to Snapseed? And on iOS you can now edit any RAW file (coming soon with iOS 10 support)SUBSCRIBE for more contentYou can download Lightroom for Android 2.1 here now for free.Lightroom mobile 2.4 is available immediately for iPhone and iPad from the iOS App Store for free.Mobile Photos shot with the new Camera App in Lightroom Mobile 2.1 on Android (DNG Support)https://www.instagram.com/p/BH2pBkoDYO4/?taken-by=photorectobyhttps://www.instagram.com/p/BH1EME7Du0U/?taken-by=photorectoby 

Hands-on Canon 80D Review vs the 70D, a6300 and more

I have been using the 80D for the last 30 days and I am now ready to share my opinion of Canon's successor to the popular 70D. You want to know - what’s changed, do I recommend upgrading from the 70D to the 80D and how does this camera hold up in a crowded field of DSLRS and mirrorless cameras like the a6300, D7200, D500, GH4 - etc. Link for more informationhttps://youtu.be/tLQI_Jba3pMQuick reminder of my opinion on the Canon 70D- I loved the dual pixel AF, it tracked so well - even without STM lenses - that coupled with the very nice articulating touchscreen made this camera super easy to use for video and that articulating touchscreen is useful for photos as well. 70D Image and video quality are very good and at the time of release very similar to other cameras on the market.Buy the Canon 80D from B&H Photo and support this website.  Your use of these links allows me to continue to review gear (and have health insurance) Thanks!

What has changed with the Canon 80D vs the 70D

  • 24MP sensor vs 20MP in the 70D
  • 45 Cross type points vs 19 in the 70D, 27 of those AF points work at f/8 - this is important and helpful to photographers working with longer telephoto lenses and teleconverters and makes it even better than the 7D Mark II when using longer lenses with teleconverters.
  • Improved low light focusing capabilities
  • 100% viewfinder coverage vs 98%
  • A deeper buffer (70d buffer already was decent)
  • Flicker detection like the 7D mark II and D500 for more consistent exposures in gyms/arena etc
  • 1080p 60fps!!! The 70D only offered 60fps at 720 and you have Mp4 format now too
  • The ability to control the speed of auto focus in movies.
  • Intervalometer AND time lapse movie mode!
  • A headphone jack!! And it is positioned to not block the rotating screen
  • NFC AND WIFI while the 70D only had Wifi and the 80D wifi allows control during video - something not possible with the 70D - you also have the option of adding
  • Two custom modes on the dial

No other camera provides this level of performance while remaining so easy to use.

So what does all that translate to in real world use? The Canon 80D is a very good camera that is incredibly user friendly with an approachable menu system. No other camera provides this level of performance while remaining so easy to use. I am talking about really using the camera - not just leaving it on auto. Any camera is easy to use on auto. This sounds great? Right?  Frustratingly Canon sensor tech is still behind the competitors, despite all the buzz from the increased dynamic range. Yes it is better but still behind the competitors in dynamic range, high iso and overall image quality. The 80D just does not match up against the current Nikons (or even last years d7200) or the Sony a6300. And it lacks many of the more pro level video features you find in the Sony a6300 and Panasonic Gh4 like focus peaking, slog format and 4k video.  About 4k - some of you will be angry that it isn’t included in a camera that clearly is proud of it’s video features and some of you are angry that people are angry it wasn’t included, a few of you just don't care. Just recognize that not everyone uses cameras these days for just photos and despite the fact that you might not know anyone with a 4K TV - it can still be useful to have a camera that shoots 4K and many do mid-2016.

Who cares about 4k Video?

So I set you up - a great camera that is really easy to use BUT doesn't match the competition in image quality or features.  Just keep in mind that for the most part that quality difference isn’t huge and for the vast majority of us - the image or video quality provided by the Canon 80D isn’t going to hold us back. You can make fantastic images and video with this camera.  Another advantage of the 80D is the Canon ecosystem - your lens selection is HUGE with loads of affordable options. This is something Sony hasn’t matched yet and even Nikon doesn’t have quite the same affordable selection. Though at the pro level I will call them tied. I do want to give a special shoutout to the 55-250 STM, this really is such a nice lens and an awesome value. Not only a good telephoto, also useable as a macro!  I would recommend you pick up the Canon 80D with the 18-55 and 55-250 STM unless you want power zooming that the new 18-135 nano USM lens provides when paired with the PZ-E1 adapter and you can even zoom via the canon app.  And remember that vs Nikon - Canon's dual pixel AF provides smooth and silent autofocus during video.  Nikon has introduced some new lenses to try and match but the underlying tech still makes nikon DSLR focus slow and distracting when used during filming.

The perfect camera for...

I see the 80D really appealing to 

  • Wildlife photographers on a budget - if offers excellent AF performance with longer lenses - pair it with the 55-250 STM and you do have one of the best all around performers (see below for additional lens recommendations)
  • Youtubers/Amature videographers looking for good quality in an exceptionally easy to use package - Youtubers especially, this camera combined with the wifi app makes recording talking head videos like most of what is on my channel, extremely easy.
  • Photographers looking for a decent all around camera that offers plenty of room to grow as a photographer and cover a variety of photographic needs.

See below for recommended lenses and accessories forThose who want the absolute best performance in low light and image/video quality should consider the a6300 (my review of the a6300) or Nikon D7200 or Nikon D500 (My Review - current king of APS-C cameras in terms of performance and focusing power)Those that want more serious video options should choose the a6300 or GH4Should Canon 70D users upgrade? While there are certainly improvements, better dynamic range at lower ISOs and less noise at higher ISOs - the differences are not massive and your money is better spent on a nice lens, especially a prime lens or saving for a future model or full frame. Exceptions to this, if you want to start using teleconverters with longer focal lengths or want the better video features and wifi app control over video.The best Canon 80D Package - 18-55 + 55-250 STM | Buy from B&H PhotoCanon 80D best value Wildlife Photographers on a BudgetCanon 80D with 18-55 and 55-250 STM Or For massively more reach - Canon 80D with 18-55, Sigma 1.4x Converter and Sigma 150-600 C - Total potential zoom here is over 1300mm! YoutubersCanon 80D with Canon 10-18 for handheld, stabilized selfie video and a nice prime lens like the 40mm f/2.8 for pro looking videoGeneral PhotographyCanon 80D with 18-55 and 50mm f/1.8 STMRecommended Canon 80D Accessories

Would you like to have a detailed discussion about what gear is going to work best for you? I provide that in my support group.  Join for just $5/month - your contribution supports the work we do here and you get access to all the Lightroom videos, the support group and more. 

Cuba Photography Vlog #4 - Cienfuegos & Trinidad

https://www.youtube.com/watch?v=3ZStH-Grv-YWe wake up in Cienfuegos and watch the town come awake before heading to Trinidad, Cuba where we stay in a Casa particular - Trinidad is a beautiful town with over 500 years of history.  I walk you through a shot and share our poor spanish communication with our host.  Watch More Photography Travel VlogsFollow me on Instagram to See my favorite Cuba PhotosSubscribe on Youtube to be notified of future travel videos

Sony 70-200 f4

https://www.youtube.com/watch?v=YQNEd7tJaksWhile we wait for the Sony 70-200 f/2.8 G from Sony I share my thoughts on the f/4 version which I have found to be an excellent all around lens for Sony's full frame cameras.Follow me on instagramBuy the Sony 70-200 F/4 from B&H Photo $1498Buy the Canon 70-200 F/4 from B&H Photo $599Buy the Metabones T EF to FE Mount Adapter $399Support our work- buy from B&H Photo 

Sample Sony 70-200 F/4 Shots

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70-200 Bokeh differences at F/4 vs F/2.8

200mm at f/4200mm f/2.8 Follow me on instagramBuy the Sony 70-200 F/4 from B&H Photo $1498Buy the Canon 70-200 F/4 from B&H Photo $599Buy the Metabones T EF to FE Mount Adapter $399Support our work- buy from B&H Photo

Lighting 101 - Basic 3-point lighting setup

https://www.youtube.com/watch?v=T4u_92uRsWc 

Lighting 101: 3-Point Lighting

  For this setup you will need:Key Light -  The Key Light defines the most visible lighting and shadows on the subject and acts as the primary source of illumination.  You can use just about any light source as your Key Light, whether it be the sun, a window, a lamp, or a video/photography light. For this video, we’ll be working entirely with constant lights for portrait lighting. Fill Light - The Fill Light softens and extends the illumination provided by the Key Light, making the subject more visible and softening the harsh contrast and dark shadows cast by the Key Light. Your Fill Light can simulate natural light from the sky, or secondary light sources such as a table lamp. A lamp or video light can be used, or one can use a reflector to do this as well.Rim Light - The Rim Light creates a bright line around the edge of the subject, to help visually separate the subject from the background and bring them further into the foreground of the photo. This too could be a carefully positioned reflector or another light source.Let’s get started:Step 1: You will want to set up or turn on a work light to establish your subject and frame. Bear in mind, this setup can be completed within 15 minutes but can take up to half an hour or longer depending how much adjusting you do, so you’ll want to make sure your subject is comfortable before you begin or use a stand in for practice until your talent arrives. Once you have your subject and frame established, you want to block off any natural light in the room that will add a glow or ambient light to the room.Step 2: Now we’ll set up our Key Light. You will want to position your Key Light 15-45 degrees to the right or left of your camera, to illuminate your subject. This will create a strong contrast between the light on the near side of your subject, and the dark shadows on the far side of your subject (away from your Key Light). You will want to elevate your Key Light a foot or two above the height of your subject, until you just begin to see a Rembrandt Lighting pattern (link to video/show short clip of the pattern). Your Key Light should be your brightest and strongest lighting source, and the additional lights will work to soften and shape the base light from the Key Source.Step 3: Next, we’ll add in the Fill Light. This is the point where you’ll begin to shape the light on your subject. The position of the Fill Light will be 15-45 degrees to the side of your camera, opposite the placement of your Key Light. So, if we placed the Key Light on the right side of the camera, our fill will come from the left side. Your Fill Light will be about half as bright as your Key Light, to soften the shadows cast by the Key source, without beginning to cast shadows of it’s own, which will often look unnatural and draw attention away from the subject.The Fill Light may be raised to the subject’s height, but should remain lower than the Key Light. Adjust the height of the Fill to see what appeals to you aesthetically. Alternatively, you can also bring in a reflector or bounce to act as your Fill Light, reflecting light from the Key Light back onto the subject to fill in the darker shadows.Step 4: Lastly, we’ll bring in our Rim Light. The Rim Light will be placed behind your subject, across from the camera, just off frame, and raised above the subject at level with the Key Light. Adjust the Rim Light to give you a bright outline, highlighting the top or side edge of your subject. The intensity of your Rim Light can be as bright as necessary to achieve the intensity of the highlight you want around the edge of your subject. The positioning of your Rim Light and the focus of light behind your subject is key, to ensure the light falls only on the subject and does not illuminate the background. You want to keep your background darker, so the Rim Light around the edge of your subject pulls the subject forward and away from the background.And that’s it. Three Point Lighting can be a great starting point for lighting just about any subject, person or otherwise. With this basic setup, you can adjust the height, positioning, intensity and source of lights to create your own look and feel for any lighting setup. For a darker, moody look, pull back the intensity of the fill to give the shadows a darker contrast. For a mysterious look, focus on backlighting your subject, and lower the intensity of your Key and Fill Lights. There are many options for you to customize the look and feel of each setup you want, but don’t feel like you have to have professional lights at your disposal to accomplish the looks you want. This setup can be implemented with basic table lamps, or even outdoors using the sun and a reflector.

olympus air review and sample images

The Olympus Air -Olympus Air without lens

  • Clips to Smartphone and Shoots Uncoupled
  • 16.05 MP Digital Live MOS Sensor
  • Micro Four Thirds System
  • Electronic Shutter 4 sec up to 1/16000 sec
  • Full HD 1080p Video Recording at 30 fps
  • OA Central App for iOS & Android
  • Built-In Wi-Fi & Bluetooth Connectivity
  • FAST AF System and 10 fps Shooting
  • Accepts microSD Cards; Built-In Battery (chargeable via USB while shooting)

Support our work - buy from B&H Photo | AmazonMy Hands-on Review of the Olympus Airhttps://youtu.be/8XSbMwHEOig Olympus Air Sample Photos[unitegallery olympusair] Support our work - buy from B&H Photo | AmazonRecommended Micro 4/3 prime lens: Olympus M.Zuiko Digital 25mm f/1.8 Lens or Olympus M.ZUIKO Digital 17mm f/1.8 Lens

Fantastic Flower Photos - Interview and Technique

A chat with Susan Michal on her fantastic flower photos- getting all the setup, detail and tips for beginning flower photographers and the excellent charity her work is supporting. https://youtu.be/o9DKZLjB2wASupport the Operation Smile and Receive a beautiful limited edition flower print: http://www.susanmichalfineart.com/giving-back/See more of Susan's work 

Mastering ETTL and On-Camera Flash Portraits

https://www.youtube.com/watch?v=zBiOJCrak88The first part in a series of videos and one of our most requested video topics in the last year - how do I use my flash.  dec_1_popup_flashYou know the popup flash on your camera? (like the image to the right) We don’t recommend using it as the flash being direct and right over the lens creates harsh lighting. While a soft light from a window or daylight would be preferable owning an external flash also called a speedlight - same name, sounds cooler is best. SPEEDLITE 600EX-RT SIDE LEFT ROTATE UPRecommended Features

  • ETTL for automatic flash exposure
  • A speedlight that lets you rotate and angle the flash direction
  • (optional) Built in wireless support instead of optical, easier to learn

 Test ButtonSetup

  • Four AA batteries required, Eneloops (also listed below) are a good rechargeable option.
  • Due to the charge time leave it on and press the test button. That’s the button on the speedlight that looks like the flash symbol. This lets you double check everything is in good order.

 Attach to Your CameraHotshoe

  • To start shooting you can attach the flash to your camera, it slides onto your camera's hot shoe at the top.
  • Make sure to use the locking mechanism on the bottom of the flash by turning it to make sure it is secure.1330701884000_IMG_243258
  • Turn the flash on and check that it started in ETTL mode (setting on the top left).  If not press the mode button until ETTL is displayed.   

 Taking photos

  • For a test, shooting on the camera is a good start with the flash pointed at your subject.
  • Shoot with a shallow depth of field (f/2.0), Shutter Speed (1/125) to avoid shake, and ISO 800. Generally this makes for an underexposed photo. If it’s not underexposed then don’t use the flash.
  • Turn on the flash in ETTL and take a photo. It should provide enough light for a proper exposure.

fix How does ETTL work?fecETTL works like echolocation but with light. The flash sends a pre flash out to measure the required amount of light needed to expose a photo. In the same second after that test the actual flash happens within the same shutter press exposing the subject correctly.Sometimes when you let the camera decide the exposure, it doesn’t always get it quite right and the same can happen when you use a speedlight - that’s why you have flash exposure compensation. As easy way to adjust the power of the flash up or down relative to what the camera thinks is appropriate for your scene and subject.  Now what if, because it does, the metering is off and the photo is wrong?Just like exposure compensation while shooting in aperture priority you can do the same with ETTL. If you get an overexposed image adjust flash exposure compensation down and turn it up if scene is underexposed. You can either do this in camera or manually on the back of the flash by hitting the center button and raising the exposure. Practical shooting with a flash135Now with portrait shooting in mind having the flash straight at the subject creates flat, boring, light. As a start for portraits indoors we’d like to have a bit of depth and we can do that by turning the flash around, 135 degrees around and 45 degrees up. It seems counter intuitive but by firing the flash over our shoulder it will hit a wall or ceiling and bounce back for a larger light source. As you can see below, shooting in ETTL 0 was a bit flat. You can adjust it by stops just like in AV mode to raise the power to a proper exposure as in ETTL +1. Flash ScaleGear OptionsWe are using a Canon 600RT but are happy to recommend the extremely similar Yongnuo 600RT Canon 600RT, available via B&H and AmazonYongnuo 600RT, available via B&H and AmazonAs for other options check out our article on Yongnuo FlashesEneloop Batteries - http://www.amzn.com/B00JHKSMJU/?tag=ptrv_roy-20

Type of Portrait Lighting

https://www.youtube.com/watch?v=EjTARHCTntsGear Used:

butterfly lightingsplit lightingrembrandt lightingloop lightingbroad lightingshort lighting

Cleaning your DSLR or Mirrorless Sensor

Disclaimer- Cleaning your sensor isn't risky but does carry risks. If you damage your sensor while cleaning it is not going to be covered by your camera manufacturer's warranty and the only official cleaning method recommended by the camera manufacturers is to send in the camera for cleaning. The information I present in this post and video is based on my own experience, by following, you accept complete liability for any damages that may result.Let’s talk about dirty sensors. It happens, it’s not a big deal.Dirty SensorsDust on the sensor typically doesn’t show up unless you are shooting at smaller apertures. Bigger bits might show up starting around f/8, but it is really above f/14 and up to f/22 where you see the dust. If you are shooting lots of landscapes, this can be an issue. If you are shooting lots of portraits, with apertures below f/5.6 you can stop reading and go back to enjoying life. It is unlikely you will see any dust impact your image.f/22 - can you spot the dust and HAIR!!! Embarrassing. The first step in cleaning is to determine how dirty your sensor is. A quick way to test is to take a picture of a clean white piece of paper at f/8, f/14 and f/22 - don’t worry about your shutter speed - the dust spots will be sharp even if you shoot at slow shutter speeds, but you do want to keep your ISO fairly low to avoid noise confusing the issue. You could also photograph the sky on a clear day.Now pop that image in Lightroom and in the develop module there is a nifty option to Visual Spots located under the Spot removal tool.  Need Lightroom?Screenshot_9_8_15__8_43_AMScreenshot 2015-09-08 08.42.33Rollover the image below to see the before and after Visual Spots with my Sony a7RII sensor at f/22[himage]Dirty SensorDirty Sensor[/himage]If your sensor looks like Sony a7RII sensor does after just a few weeks of use - you probably want to clean it.Many DSLRS and Mirrorless cameras have a sensor cleaning mode - some run every time you turn the camera on or off and some run when selected. This is the first option you should try. With many of the systems, it is recommended to either hold the camera normally or facedown with the lens off so that the dust falls out. The Sony A7RII I have violently vibrates the sensor for a second or two and did absolutely nothing to reduce the amount of dust on the sensor. Hopefully you will have better results. Test again after using the in camera method.CleanSensorGif_animThe next step is to use a rocket blower - NEVER use compressed air or air in a can dust off products. Again hold the camera in such a way that the dust will fall out and give a few puffs directed at different areas of the sensor. They do sell sensor loupes - little magnifiers with led lights that make it easier to judge your progress. I used a tiny LED bike light to help see the sensor but it is clear that a bit of magnification will help too as some of these dust specks are invisible to the naked eye.$17 Sensor Magnification and LED light Sensor Loupe LED Magnification$9.95 Rocket BlowerRocket Blowers are cheap and do a great job of cleaning your sensor.Buy Rocket Blower from Amazon | B&H Photo VideoI was impressed with the results of the rocket blower- it did a good enough job that I would be happy stopping there - but if you want to get your sensor even cleaner you are going to need to touch it with something.Please read and follow all directions carefully for the kit you purchase and consult your camera manual for additional information.You have options - there are the expensive static charged brushes like the Arctic butterfly (see it at B&H) for $130 - you drag a statically charged brush across the sensor and it picks up the dust. In theory this should work fairly well with all but the stickiest particles and you never need to replace any pads etc but your up front cost are quite high. It does have two nice, bright LEDs to see what you are doing.butterflybrushOr you can go with something like the DustAid Platinum DSLR Sensor Cleaner for $26 that provides 6 cleanings - you get these little sticky pads that you gently press on the sensor, the dust sticks to the pad and then you use included “tape” to clean the pad.Dust Aid Platinum - Sticky lollipop for your sensorOr a more traditional kit like this DustAid Dust Wand Kit for $30 - Should provide about 20-40 cleanings depending on your sensor which is what I used in the video. You simply take one of the dust cloths out, wrap it carefully around the wand and apply a few drops of their cleaning solution- The larger your sensor the more drops you apply.Dust Wand Kit ReviewIf you are working with a DSLR you do need to put it into manual cleaning mode which pops the mirror out of the way. The dust aid directions suggest starting in the lower left corner and moving across the sensor. Put a new cloth on and repeat the process from the top left to the right again. Use your light and or loupe to inspect and if necessary wipe again with a clean cloth. Note that the special liquid evaporates fast so you should wipe immediately after applying.I hope this video was helpful. Do you have a favorite sensor cleaning method? leave your suggestions below and if you have any questions - you can leave those too. I’d love it if you hit that subscribe button - that way you can be notified of future videos, tips, tricks and reviews.Follow me on Instagram to see more of what I am up to day to day and all my dirty sensor photos.Make sure you don't miss a future video, subscribe to my Youtube ChannelLearn Lightroom 

Iceland Travel Photography - Gear Report

August 5th to 17th I traveled across Iceland with  McKay Photography Academy - below is my in-progress packing list.Note - There is still one spot available for next jan/feb trip to New Zealand - join us in New Zealand for what I am sure will be an amazing trip!Watch all the Vlogs/ Travel Videos from Icelandhttps://www.youtube.com/watch?v=GUDLze8PsRsCamera GearThink Tank Airport Takeoff Rolling Backpack - http://bit.ly/thinktankairportNot loaded with Iceland gear

Cameras

Sony a7 R II - http://bit.ly/Sonya7Rm2Canon 5DS R - http://bit.ly/Canon5DSrOlympus Tough 860 - http://bhpho.to/1RKgrh7 (interested in time lapse mode and having a waterproof camera)

Lenses & Adapters -

I plan to use most of my Canon lenses on the Sony via Metabones adapter.Sony 28mm prime f/2 (49mm) - http://bit.ly/sonyFE28mmSony 16mm Fisheye Conversion Lens for FE 28mm f/2 Lens - http://bit.ly/sony16mmadaptMetabones Canon EF Lens to Sony E-Mount Camera Lens Mount Adapter Mark IV - http://bit.ly/metabonesIVCanon 24-70 f/2.8 (82mm) - http://bhpho.to/1GwoT7WCanon 70-200 f/2.8 (77mm) - http://bhpho.to/1fhJ040Canon 16-35 F/4 IS (77mm) - http://bit.ly/PRTVcanon16-35f4

Accessories

Lee Filters SystemLEE Filters Adapter Ring - 82mm - for Wide Angle Lenses http://bhpho.to/1Lqbg24LEE Filters Adapter Ring - 77mm - for Wide Angle Lenses http://bhpho.to/1gM0F4ZLEE Filters Foundation Kit (Standard 4x4", 4x6" Filter Holder)  http://bhpho.to/1Ki0qeuLEE Filters 100 x 100mm Big Stopper 3.0 Neutral Density Filter http://bhpho.to/1MFsVQCLEE Filters 100 x 100mm Little Stopper 1.8 Neutral Density Filter 150  http://bhpho.to/1GyNx7UCPL filters - 77 and 82 sizes.Feisol Tripod - My ReviewArca SwissFotga Universal Quick Release Plate L Bracket -Pedco Mini Tripod- http://bhpho.to/1Ouj1CBAudio capture - Zoom H4n with two wired Lav Mics for vlog and guests on vlog (more about audio) NEVER USED (Rode Lav + did all the work)OtherLG G4 - Still enjoying the easy manual control of my phone camera! (my review)Rode Lav + - http://bhpho.to/1KhT4Ye (better vlog audio)  

How to: High Speed Flash Photography

https://www.youtube.com/watch?v=-ntAXVz9tyw Gear List:

MIOPS Website & GallerySee more of SCOTT GABRIELL'S PHOTOGRAPHY