Instagram Winners - Rule of Thirds

Hitting the fundamentals this week, your goal for composition had you looking to shoot with the rule of thirds. A learning point for some while a bit of practice for others always is great for brushing up on your skills. While mainly landscapes we had some nicely done portraits and other shots that fit the challenge well! For next week’s challenge, you’ll be tackling portraits for a change of pace. Portraits, or a self-portrait, can be tricky as we’re dealing with people. Compared to some of the other subjects we can pick up errors in shooting people quite easily. It’s a harder subject but one you have to get down as eventually, you’ll have to take a photo of a person at some point. Also sorry, introverts, you can do a self-portrait. Watch our helpful videos on this and how to get picture-perfect lighting:

As a reminder, the Lightroom Tutorial Pack has a great tutorial on basic portrait retouching when it comes to doing your editing for this week’s challenge. Also one of the perks for becoming a PRTV member as well. To enter post your photos on Instagram before noon next Friday with the tags #PRTV and #PRTV_portraits.

You can follow Photorec.TV on Instagram at @Photorec.tv

And the team!Toby – @Photorectoby Roy – @RoyMcKeeIII Rose -  @Randomcreativeart

Toby’s Winner:

https://www.instagram.com/p/BRDp3N7FYhi/Hits all the points of interest and leads the eye nicely following the rule of thirds.

Toby’s Honorable Mentions:

https://www.instagram.com/p/BREMr6GDNbm/ Love the use of negative space to balance.https://www.instagram.com/p/BRFKtLUj40A/Similar to the last one, the eyes hit those power points and the cat creates negative space to balance.

Roy’s Winner:

https://www.instagram.com/p/BQ6u2VyjTIW/You're roughly breaking the foreground into ⅔’s while nicely leading up to the bridge making the last third of your frame. It’s a nice shot.

Roy’s Honorable Mentions:

https://www.instagram.com/p/BRCXnpsjHV3/A nicely lit portrait and it follows the rule of thirds well. Usually holding arms like that detracts but keeping them a bit open makes for a nice friendly pose. https://www.instagram.com/p/BRDp3N7FYhi/A great composition with a lot leading to the mountains focal point but putting that focus on the right third of your photo balances the weight nicely.

Reasons to buy the 80D over the 77D

All the Reasons Why you Should get the 80D instead of the 77D (80D vs 77D)https://www.youtube.com/watch?v=dG935usQTy0

BODY

  • The 80D is a larger camera that feels nicer in hand for most people and balances better with some longer lenses
  • Bigger battery, almost a 1,000 shots per charge - almost double what you get with the 77D
  • 80D offers a pentaprism viewfinder vs the 77Ds pentamirror this means a bigger brighter view of the world, especially helpful in shooting in lower light.
  • 80D offers larger rear dial, slots to assign custom settings on the mode dial and a dedicated AF-On button
  • 80D has a headphone jack
  • 80D is weather sealed.

FUNCTIONS

  • 80D offers a faster top shutter speed of 1/8000 of a second vs 1/4000 on the 77D - This isn’t about photographing hummingbirds - this is about being able to shoot with fast prime lens outside - being able to go above 1/4000 makes it easier. Will you need this? Do you plan to do portraiture with fast primes outside?
  • On the 80D You can also adjust ISO at 1/3 increments vs 1/2 stops on the 77D
  • 80D offers Micro Adjust autofocus - this allows you to calibrate your camera to the lenses you are shooting with to get the most accurate focus and sharpest images
  • 80D shoots +7 fps vs 6fps in the 77D - it’s a small distinction but one that could make the difference in catching the perfect moment when shooting faster action like sports.

To be fair there are a few reasons you may want to buy the 77D

  • 77D(9000D) comes in a smaller, lighter body that you can purchase at a cheaper price
  • 77D(9000D) offers an updated interface that beginners might find useful
  • 77D(9000D) offers electronic stabilization for video - honestly I am not terribly excited about this method of stabilization it is just OK and certainly doesn’t smooth out larger movements like the stabilization offered by Sony, Olympus and Panasonic AND only works during video.
Spec Canon 80D Canon 77D (9000D)
MP 24 24
ISO 100-16,000 100-25600 (expands to 51200)
Processor Digic 6 Digic 7
Number of AF pts 45 (all cross type) 45 (all cross type)
Viewfinder 100% pentaprism 95% pentamirror
Live View AF speed Excellent Excellent
Top Shutter Speed 1/8000 1/4000
Flash Sync Speed 1/250 1/200
FPS 7 (live view 5 with AF) 6
Low Light focusing -3 EV (very good) -3 EV (very good)
Video 1080p60 1080p60
Headphone Jack Yes No
Mic Jack Yes Yes
Connectivity WIFI/NFC WIFI/NFC/Bluetooth
Battery Life 960 shots 600 shots
Weight 730g (1.61 lb / 25.75 oz) 540 g (1.19 lb / 19.05 oz)
Current Price $1499 with 18-135 | $1099 Body $1499 with 18-135 | $899 Body

 

Buy the Canon 80D from B&H Photo

Buy the Canon 77D from B&H Photo

 

80D

Available to purchase through 

Canon 80D
77D

Available to pre-order through 

Canon EOS 77D
M6

Available to pre-order through 

Canon EOS M6 Mirrorless Digital Camera with 15-45mm Lens (Black) Canon EVF-DC2 Electronic Viewfinder
18-55mm F/4-5.6IS STM lens

Available to pre-order through 

Canon EF-S 18-55mm f/4-5.6 IS STM Lens
BR-E1 WirelessRemote Control

Available to pre-order through 

Canon BR-E1

How to Buy Used Camera Gear Online

Canon 70-200 f/4 | http://photorec.tvDSLR and mirrorless cameras and lenses are expensive. You want to buy great gear, but you don't want to break the bank. Buying used camera equipment allows you save money without compromising quality. However, it's important to be careful when purchasing used camera bodies and lenses. Before you load up your shopping cart and check out, take some time to familiarize yourself with the process of shopping for used gear online. Following a few key tips ensures you'll get a good deal on high-quality equipment and that if you don't, you'll be able to return it and get a refund.I got inspired to write about this topic after I saved $300 on a near perfect condition copy of the Canon 70-200 f/4 lens. The only damage is very minor and purely cosmetic. I reviewed multiple listings on Amazon and eBay over a couple of weeks to get a current, accurate price range. Ultimately, I decided to shop on Amazon with a retailer boasting a 95%+ positive rating and a listing with a Used - Very Good rating or better as well as a warranty. I couldn't be more happy with my purchase.In my post about buying used camera gear online, I cover the following topics:

  • Select a reputable website
  • If applicable, select a seller with a high rating
  • Research the current selling price range
  • Understand what you're getting with a given camera listing (i.e. lens hood, filters, warranty)
  • Pay attention to the condition of the item
  • If you have any questions, don't hesitate to ask
  • If a deal sounds too good to be true, most likely it is too good to be true

Read the full post over on roseclearfield.com: How to Buy Used Camera Gear Online.Shop for used camera gear: Amazon | eBay. Using these links is a simple way to support photorec.tv without costing you anything extra. Thanks for your support!SaveSaveSave

Instagram Winners - Transition

Transitions, your challenge for the week, and honestly one of the trickier subjects from our 52-week list. Trying to catch a process or period from one state to another can be difficult when you consider your camera only can catch one moment in a photo. We had some interesting choices this week, some with complicated editing and others with nice timing, you guys did a great job.Going to a technical challenge next we’re going back to basics with the rule of thirds. When starting out it’s good to learn the rules of composition for a place to start from as a photographer. From there we learn how to break the rules for photos, but having those basics down are key.Watch Toby’s quick tip on just this at: Quick Tip #10 - Rule Of ThirdsTo enter post your photos on Instagram before noon next Friday with the tags #PRTV and #PRTV_ruleof3rds.

You can follow Photorec.TV on Instagram at @Photorec.tv

And the team!Toby – @Photorectoby Roy – @RoyMcKeeIII Rose -  @Randomcreativeart

Toby’s Winner:

https://www.instagram.com/p/BMlvxgdBWkb/The smooth water to the turbulent falls, the salmon returning to stream, the moment caught all transitions and I like this shot!

Toby’s Honorable Mentions:

https://www.instagram.com/p/BQyurAbDH_L/I love the colors here, a lovely example of ombre!https://www.instagram.com/p/BQvhtGil-Ez/The from behind perspective, the other car in the future - this image is balanced really nicely.https://www.instagram.com/p/BQtz1ByD1kI/A little tricky down on the bridge but a nicely done transition.

Roy’s Winner:

https://www.instagram.com/p/BQtz1ByD1kI/

Roy’s Honorable Mentions:

https://www.instagram.com/p/BQzFYg3jpv3/Brakes! Well that’s one transition I didn’t think I’d see but a nice one and I’m glad the horse is okay.https://www.instagram.com/p/BQJDJBugKQS/Alternatively to Justin’s photo another day to night transition but this time in camera. It’s a nice transition shot.

Instagram Update - Albums Now Available

Instagram AlbumsInstagram AlbumsInstagram Albums

Instagram AlbumsInstagram Albums, a small but important update is rolling out today giving users access to a simple album feature finally. You'll now have the option to upload up to 10 photos and videos under one post. When you see an album icon on a post it will look somewhat the same as before but you'll now be able to swipe left and right to view other photos and video.The update technically means fewer posts, which means less reach. Important photos you want out should still be separate posts on Instagram to get more eyes on them. If you have a metric ton of photos from a shoot or have a few that go in a set it's a new way to share them out without spamming your feed but we wouldn't suggest this for everyday use. You now have the option to think out of the box for other creative ideas such as before and after editing.Watch the video below for a demo, you simply select the bottom right album symbol in the photo selection. You then have the option to choose multiple photos or videos. The post will have one caption for all the items, unlike Facebook for example, and you're limited to square aspect ratio. For those that use filters, you will have the option to apply one to the whole set or apply different filters to specific photos.https://player.vimeo.com/video/204951185 

Sony FE 85mm f/1.4 GM Lens REVIEW vs Sigma 85mm ART

For the past three weeks I have been shooting with the Sony FE 85mm f/1.4 GM Lens.  In this review I compare it to the Sigma 85mm ART which I also recent reviewed vs the Canon 85mm f/1.2L Lens.https://youtu.be/ebqeszg5mdwThe Sony 85mm f/1.4 GM lens is a $1,798.00 f/1.4 to f/16 lens with an 11-blade aperture design The Sigma 85mm f/1.4 ART is a $1,199.00 f/1.4 to f/16 lens with a 9-blade aperture design AND you need the MC-11 Adapter because they do not make it in FE mount which brings the total cost to $1448 though Sigma sells bundles that might bring the price down to $1400Support our work - buy via our links

  • Buy the Sony FE 85mm f/1.8 - B&H Photo (no sales tax outside NY)
  • Buy the Sigma 85mm f/1.4 ART- B&H Photo (no sales tax outside NY)
  • Buy the MC-11 EF to FE Adapter  - B&H Photo (no sales tax outside NY)

Sample FE 85mm f/1.4 G Master Sample Photos

[unitegallery Sony85FE] 

Sample FE 85mm f/1.4 G Master vs Sigma f/1.4 ART Series (Full resolution RAW images for download below)

Sony FE 85mm at f/1.4 vs Sigma ART 84mm at f/1.4Sony FE 85mm at f/8 vs Sigma ART 84mm at f/8Sony FE 85mm at f/4 vs Sigma ART 84mm at f/4Sony FE 85mm at f/4 vs Sigma ART 84mm at f/4Download Full Resolution RAWS to make your own comparisons  

Build Quality:

Both of these lenses are exceptionally well made though the Sony gives you aperture control on the ring with a click/de click switch along with a focus hold button that can be assigned eye-af as well as several other options. The Sony len is dust and moisture resistant and significantly lighter at 1.80 lb (820 g) with a front filter size of 77mm. The Sigma weighs 2.49 lbs not including the extra weight of the adapter and the front filter is a massive 86mm. Another lens you should consider in this focal range is the Zeiss Batis 85mm f/1.8 which weighs just 1 lbs and is noticeably smaller too - I have not personally tested this lens so cannot comment on how it compares but based on the reviews I have seen it too offers a sharp lens and costs less at $1199 no adapter needed. The Sony can be a little noisy to focus at times I don’t hear the same from the Sigma.

Focus:

I expected the native sony lens to blow away the Sigma using the adapter and while the Sony certainly is faster and offers all the additional AF modes like tracking and eye af it really isn’t a fast focusing lens and even with the adapter the sigma does quite well though it starts to slow and hesitate noticeably when you move the AF point near the edges.

Image quality:

After spending a few days shooting and comparing images I can say that I have an extremely hard time deciding if one lens is sharper - wide open at f/1.4 I find both to be exceptionally and sharp. The 11 bladed aperture might contribute to slightly smoother bokeh but the difference is slight. In some lighting scenarios the sigma produces a slightly warmer image. Overall though from center to edge from wide open to f/16 these are two fine lenses.

Summary:

While I’d like to save you a couple hundred I would recommend the Sony 85 for most users - it’s smaller/lighter, offers weather sealing and a few bells and whistles that make it a more versatile lens. The Sigma though is a fantastic value if you don’t mind bigger/heavier and the clunk of using the MC11 adapter. And finally I briefly mentioned it the Zeis batis 85mm f/1.8 which isn’t as fast but much smaller, lighter though it’s almost the same price as the Sigma.Support our work - buy via our links

  • Buy the Sony FE 85mm f/1.8 - B&H Photo (no sales tax outside NY)
  • Buy the Sigma 85mm f/1.4 ART- B&H Photo (no sales tax outside NY)
  • Buy the MC-11 EF to FE Adapter  - B&H Photo (no sales tax outside NY)

 

New Lenses from Sigma 100-400, 14mm f/1.8, 24-70 f/2.8, 135mm f/1.8

Sigma has JUST ANNOUNCED four new ART series lenses.  I am a huge fan of the ART series, see my recent 85mm ART review - these have been incredibly sharp lenses that offer excellent value and the four newly announced lenses really round out their collection. We do not have pricing information or confirmed availability yet though my contact at Sigma states late April, early May. Press Release info below (my thoughts in bold along with my guess on cost - this page will be updated as new information become available.

Which lens in the lineup are you most excited about?

 

The Sigma 100-400mm 5-6.3 DG HSM OS Contemporary

Sigma 100-400mm f/5-6.3 DG OS HSM Contemporary LensThe Sigma 100-400mm 5-6.3 DG HSM OS Contemporary is a state-of-the-art telephoto zoom that brings a new level of portability and quality to the super telephoto market. Touting Sigma’s Optical Stabilizer (OS), the Sigma 100-400mm 5-6.3 Contemporary is highly compact and lightweight compared to similar products on this market. A push/pull zooming function and a new Hyper Sonic Motor (HSM) allow for a more responsive approach to photography while a 1:3.8 macro feature can be utilized from up close or from a further distance.Physical Specs -Weight 2.56 lb (1160 g)Diameter 86 mm (3.4″)Length 182 mm (7.18″)Sealing Yesfor comparison the new Canon 70-300 weighs 1.56 lb (708 g) and costs $550 and the Canon 100-400 MK II weighs  3.5 lb  (1.59 kg) and costs $2000I expect this lens to be nearly as sharp as Canon's 100-400 Mark II which costs almost double the price.  It does include weather sealing though I suspect it isn't at the same level as Canon's 100-400 Mark II and I notice an absence of a tripod color - something often desired in a longer lens as a way to give you a stable mounting point when using smaller cameras.  I am confused by the push/pull designation - this lens looks like a typical rotate to zoom - maybe you can also push/pull but there isn't much to grab onto.  Guess- around $1200  

The Sigma 24-70mm 2.8 DG HSM OS Art

The Sigma 24-70mm 2.8 DG HSM OS ArtThe Sigma 24-70mm 2.8 DG HSM OS Art is a premium workhorse zoom lens designed for the latest high megapixel DSLRs. A constant aperture of 2.8 through the zoom range make this a highly versatile tool and a brand new Optical Stabilization (OS) system help compensate for camera shake. Though a common focal length, the Sigma 24-70mm Art brings a new level of usability and durability featuring a rugged metal barrel and an emphasis on image quality. Building off the experience from the 12-24mm Art, the aspherical elements used in the 24-70mm 2.8 OS Art undergo a highly precise level of polishing producing elements thicker in the center then on the edges. This process creates stunning image quality and beautiful circular bokeh.Canon does not have a stabilized 24-70 f/2.8 and I suspect this new ART lens will be as sharp as Canon's current 24-70 f/2.8 L and it offers stabilization and it will likely be cheaper.   Downsides? I don't see any right now as long as this lens is up to the standard of Sigma's existing ART series line. It even has a slightly smaller front filter size 80mm vs 82mm in the Canon.   On price I suspect somewhere around $1400 slightly more expensive than the Tamron version. I expect this ART to be much better than the Tamron. 

The Sigma 135mm 1.8 DG HSM Art

The Sigma 135mm 1.8 DG HSM ArtThe Sigma 135mm 1.8 DG HSM Art is a medium telephoto prime lens designed for modern high megapixel DSLRs. A new large Hyper Sonic Motor produces significant torque to the focusing group for better speed while the acceleration sensor detects the position of the lens and compensates for such factors as gravity to help aid in focusing performance. This state-of-the-art prime lens touts a dust and splash proof construction for guaranteed performance in any condition and its large 1.8 Fstop allows for more creative control over imagery. A stunning compression effect make the Sigma 135m 1.8 Art the ideal portrait lens while its large aperture help with event photography and much more.This seems very similar in size and weight to the 85mm that I have recently tested and found to be excellent.  At 135mm you can get some incredible background separation from your subject. I will be interested to see how this compares to Nikon AF-S NIKKOR 105mm f/1.4E lens that is a little lighter and smaller but at $2100.00 likely a good bit more expensive. For wedding work I love primes at 85mm and below - above that and you may find yourself needing to move more than you want or are easily able to do in some situations BUT for portrait photographers these longer primes can offer stunningly beautiful shots.  Price Guess $1200

The Sigma 14mm 1.8 DG HSM Art

Sigma 14mm f/1.8 DG HSM Art Lens for Canon EFThe Sigma 14mm 1.8 DG HSM Art is the world's first 1.8 prime lens at the 14mm focal length. This fast wide prime features the same large aspherical element touted in the Sigma 12-24mm F4 Art to control distortion and create stunning imagery. An updated Hyper Sonic Motor (HSM) provides fast and accurate autofocus while 3 Premium FLD and 4 SLD glass elements control chromatic aberration and sagittal comma flare. Building on the highly reputable Art line, the Sigma 14mm 1.8 DG HSM Art is designed to resolve the latest high megapixel DSLR sensors.This lens is an astrophotographers dream! That is of course hoping it is at the level of their other ART series lenses and minimizes distortion. To have a full frame lens as fast as f/1.8 gives you some awesome flexibility when shooting the night sky.  Also useful for low light receptions and documentary work. Guess - $1100.00   

Instagram Winners - Love

Love was in the air and it meant a good time to get your camera out to shoot the holiday. Theme’s like this are nice to include as love is universal but also means something just slightly different for each person. Those differences bring us together, tear people apart, and make for some great photos this week that vary from photographer to photographer. This week we also had a tutorial by Rose for the DIY Heart Shaped Bokeh for Valentine’s Day and thank you to those who participated.For next week as love was a bit of an easier assignment for everyone with the holiday, next week’s will be a bit trickier. As we are slowly seeing spring come closer and winter start to fade your challenge this week will be shooting a transition. A process or period of changing from one state or condition to another. This could mean life to death, such as cut flowers, or here in Michigan the coming of Robins as the transition to spring. To enter post your photos on Instagram before noon next Friday with the tags #PRTV and #PRTV_transition.

You can follow Photorec.TV on Instagram at @Photorec.tv

And the team!Toby – @Photorectoby Roy – @RoyMcKeeIII Rose -  @Randomcreativeart

Toby’s Winner:

https://www.instagram.com/p/BQa7slfBnt_/Lovely moment - I like the off-center subjects and the soft muted colors.

Toby’s Honorable Mentions:

https://www.instagram.com/p/BQnxWjogBWN/A for effort and A for execution - nicely done!https://www.instagram.com/p/BQiqd6wgqvD/Simple, pretty though I would have cropped it enough to fill the frame with the pink rose.And final mention - Rose had lots of great examples but I really like the cute little playmobile people with heart bokeh - Thanks for taking the time to share your articles with the Photorec.tv community Rose.

Rose’s Winner:

https://www.instagram.com/p/BQeYZ6LAlXKWith so many great shots I picked a bokeh winner and a non-bokeh winner! I love the composition and the monochromatic treatment.https://www.instagram.com/p/BQa7slfBnt_This image is so sweet, and I love the soft treatment. It’s perfect for the subject.

Rose’s Honorable Mentions:

https://www.instagram.com/p/BQaUlivDswqhttps://www.instagram.com/p/BQg5ayVgVPT

Roy’s Winner:

https://www.instagram.com/p/BQnxWjogBWN/Incorporating Rose’s tutorial from a background element to prop works well. It’s a nice cute shot that works well for this challenge.

Roy’s Honorable Mentions:

https://www.instagram.com/p/BQa7slfBnt_/Looking to the future in love can make for a great moment. Shooting down the path with the trees acting as a natural frame puts all the focus on the lovely couple. https://www.instagram.com/p/BQZT5n5lAYp/What’s Valentine’s without candy? You made a really great photo that incorporates the color theme well with your shot and used a pile large enough to fill the frame nicely.

Canon EF 70-300mm f/4-5.6 IS II USM Lens Review

Guest Review from Videographer and Photographer Korey Rowe - Check out his Youtube Channel.

While there are countless detailed reviews out there that can give you the true spec’s and breakdown on this new lens, these are my personal thoughts regarding choosing the Canon 70-300 Mkii over other zoom lenses including L Series Glass.The new Canon 70-300 MkII is a viable L series Tele-Zoom replacement for Canon (Canon Mounted) shooters, especially those looking to have a photo and video zoom lens. With a “Nano IS Motor” that delivers four stops of IS and STM like smooth and quiet focusing, this USM upgrade is nothing to pass over. It incorporates Canon's first digital display on the lens which is customizable and quite handy.New lens elements (UD Glass) gives you sharper results at an economical price point with better light disbursement over its predecessors and cheaper than fluorite glass elements typically found in high-end zoom lenses. While it softens in the corners just a touch and has a variable 4-5.6 max open aperture as cons, the savings and versatility in video mode make this my new go to kit tele-zoom lens.We all know that shooting distances in photo mode can be tricky and it gets even more complicated in video mode. Capturing a professional result that is not too shaky or not sharp enough can often be difficult when dealing with older zoom lenses. Because Canon DSLR’s often leave the IS up to lens to do the work having this much stabilization will be a game changer when shooting run and gun close ups especially in 4k video mode on the 5D Mk iv (pushes the focal length over 400mm).In a two camera shoot having a reliable B-cam on close-ups that can publish smooth cutaways can make or break the final outcome of a short form advertisement or YouTube video. Also having a digital display that can give you quick reference on focal length (Which updates for APS-C cameras), aperture and more is the next step in lens evolution.Lastly, saving on space and weight can be a nice addition when traveling and trying to make it in those shrinking overhead bins. As sensor technology continues to expand almost daily it's nice to see that the lenses have started to get some new tech as well.
Guest Review from Videographer and Photographer Korey Rowe - Check out his Youtube Channel | Instagram

Canon T7i (800D) vs Nikon D5600

Canon T7i (800D) vs Nikon D5600With the Nikon D5600 now available for the US and Canon T7i available for pre-order it's that time again for a bit of a comparison. At one point, Nikon had put on a good showing with the D5300 leading the market for photography while our video recommendation had been going to the Canon T5i. Since then Nikon camera's have been stagnating under minor updates while the  T7i got a decent upgrade in processing, sensor, connectivity, and focus certainly pushing it closer to the top of our list.

What's Different?

The T7i has faster autofocus that can see better in low light conditions and now includes 45 cross-type AF points. Live view focus uses the Dual Pixel AF which makes for smooth and cinematic like focusing for video. In comparison, the D5600 offers 39 AF points with only 9 being cross-type.  And live view focusing on the D5600 still uses the older, slower Contrast AF method.While the D5600 can't match the T7i's focusing it does come with new AF-P 18-55 lenses using stepping motors similar to Canon's STM system.  While we haven't tested the lenses yet stepping motors allow the camera smoother and quieter transitions while focusing for video. At the moment though Nikon's AF-P selection is very limited compared to the growing selection of Canon STM lenses.Autofocus - Canon T7i | Live View Autofocus: CanonNikon, since the D5300, has removed the anti-aliasing filter allowing for sharper photos. While the D5600 has seen improvements in connectivity it still uses the SnapBridge system which we do not recommend. Overall comparatively, you do save $100 going with Nikon, just enough for accessories such as a bag, batteries, or a tripod.Image Quality  - Sharpness: Nikon D5600 |Overall in this latest generation, things are looking strong for Canon. We'll have more on the T7i when Toby gets in a review unit soon. On paper at least Canon borrowed from the 80D enough to make a decent upgrade this year. Nikon still has its strength, which is crisp photos thanks to the removed filter, making a good choice. Canon keeps pushing ease of using making some very friendly cameras for a new DSLR beginner or someone that wants an upgrade from a previous model. Overall we have to give it to Canon as it makes for a better overall platform to use with great support and lens choices.Canon T7i Strengths

  • Smoother focusing Dual Pixel AF in Live view
  • 45 Cross-Type AF points  for faster focusing in low light
  • Ease of use
  • Better lens ecosystem, in this case primarily for entry-level users
  • Faster burst with deeper buffer

Nikon D5600 Strengths

  • No anti-aliasing filter allowing for sharper photos
  • Longer battery life
  • Smaller and slightly lighter
  • Better mobile app and connectivity vs Nikon SnapBridge
  • Better low light performance
  • Slightly cheaper
Specifications
Spec Canon T7i Nikon D5600
MP 24 24
ISO 100-25600 (expands to 51200) 100-25600
Processor Digic 7 Expeed 4
Number of AF pts 45 (all cross type) 39 (9 cross type)
Viewfinder Pentamirror 95% Pentamirror 95%
Anti-Alias Filter Yes No
Live View AF speed Excellent Good
Top Shutter Speed 1/4000 1/4000
Flash Sync Speed 1/200 1/200
FPS 6 5
Low Light focusing -3 EV (very good) -1
Video 1080p60 1080p60
Headphone Jack No No
Mic Jack Yes Yes
Connectivity WIFI/NFC/Bluetooth LE WIFI/NFC/Bluetooth
Battery Life 600 Shots 820 Shots
Weight 532 g (1.17 lb / 18.77 oz) 465 g (1 lb 0.4 oz / 16.04 oz)
Current Price $1299 with 18-135$899 with 18-55$749 Body $1,196.95 with 18-140$796.95 with 18-55$1,146.95 with 18-55 and 70-300$696.95 Body
Order Today!
Canon EOS Rebel T7i

Canon EOS T7i Line

amazon

Nikon D5600 DSLR Camera with 18-55mm Lens

Nikon D5600 Line

amazon

Photo Comparison
Nikon D5600(left) vs Canon T7i(right) front view
Nikon D5600(left) vs Canon T7i(right) back view
Nikon D5600(left) vs Canon T7i(right) top view
Nikon D5600(left) vs Canon T7i(right) right view
Nikon D5600(left) vs Canon T7i(right) left view

Canon T7i (800D) vs 77D (9000D)

Canon T7i vs 77DA new year and new Canons to match with the newly announced Canon T7i (800D) and 77D (9000D). Odd's are you're wondering a bit where the 77D fits in, both Toby and I have been asked a lot this week. On paper, it's a replacement to the T6S as a bridge camera between the entry level T7i and 80D.  While making the product line and obscure Canon naming just slightly harder it makes things a bit more drawn out with the bare bones budget T6, the new entry level T7i for beginners, the 77D making a step up with video, then going to the 80D as a truly semi-pro platform.

What's New?

While not a massive update we do get a few new tricks in these models as nice improvements brought down from the higher end models. While that might not sound impressive what is on the menu will make for a notable improvement. Maybe not enough to jump only one generation but if your camera is getting a little long in the tooth, such as a T4i, there is a good bit to be gained by an upgrade to say the 77D.Upgrades and New FeaturesT7i 45-point all cross-type AF

  • Going with the biggest improvement first, !!!DUAL PIXEL AF!!! for both cameras. Brought down from the higher tier cameras this allows for smoother autofocus during live view
  • Improved low light focusing, and a faster lock on time using 45 cross-type AF points.  Upgraded from 19 to 45 AF points is a serious boost in performance!
  • Digic 7 processors which should provide slightly better low light/high ISO performance
  • Bluetooth along with Wifi and NFC and also remote control using the BR-E1 Remote
  • Video time-lapse mode
  • And this is all in a slightly smaller, slightly lighter, camera bodies

https://youtu.be/bpERpJG7VDY

What's Different?

In the T7i (800D) you get the basics and just that, while in the 77D (9000D) you get body improvements in line with the higher end cameras for a more professional and easier manual control. So what is different? Like the T6i/T6s cameras, the difference is mostly in the body with the 77D offering a very slightly larger body that offers a top LCD screen, a rear dial, lock switch and an eye sensor used to turn off the LCD when you bring your eye up to the viewfinder. When shooting side to side there is no difference in photo or video quality.

The Canon 77D (9000D) offers the same performance and sensor as the T7i (800D)

T7i

77D

  • Top LCD screen
  • Rear Dial
  • Lock Switch
  • Eye Sensor
  • AI Focus
  • 5-axis digital image stabilization during video
Specifications
Spec CanonT7i Canon77D
MP 24 24
ISO 100-25600 (expands to 51200) 100-25600 (expands to 51200)
Processor Digic 7 Digic 7
Number of AF pts 45 (all cross type) 45 (all cross type)
Viewfinder Canon T7i Canon 77D
Live View AF speed Excellent Excellent
Top Shutter Speed 1/4000 1/4000
Flash Sync Speed 1/200 1/200
FPS 6 6
Low Light focusing -3 EV (very good) -3 EV (very good)
Video 1080p60 1080p60
Headphone Jack No No
Mic Jack Yes Yes
Connectivity WIFI/NFC/Bluetooth LE WIFI/NFC/Bluetooth LE
Battery Life 600 Shots 600 shots
Weight 532 g (1.17 lb / 18.77 oz) 540 g (1.19 lb / 19.05 oz)
Current Price $1299 with 18-135 | $749 Body $1499 with 18-135 | $899 Body
 Pre-order Today!
Canon EOS Rebel T7i

Canon EOS T7i Line

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Canon EOS 77D

Canon EOS 77D Line

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Photo Comparison
Canon T7i vs 77D
Canon T7i vs 77D
Canon T7i vs 77D
Canon T7i vs 77D
Canon T7i vs 77D
Sample Images
 

Just Announced! Canon Rebel T7i (800D), 77D (9000D), M6, and 18-55mm IS STM Kit Lens

Canon has announced new DSLRS - with Dual Pixel AF

https://www.youtube.com/watch?v=bpERpJG7VDYAnd an updated mirrorless camera!  SO Canon just announced - a Canon T7i (800D), a 77D (9000D) and the M6 (mirrorless camera) - If you are trying to figure out where the new 77D fits in the line up you are not alone - I have had a handful of confused readers write in over the last week, based on our post about the leaked specs, asking what the Canon 77D offers vs the Canon 80D.   I have a quick comparison below but briefly the 77D is the successor to the T6s and the T7i is the successor to the Canon T6i.  Canon will continue to offer the T6i making their line of Rebels quite large with a T5, T6, Sl1, T5i, T6i, T6s, T7i, 70D, 77D, 80D ALL still being offered/sold.. That's quite the lineup.  The big headline - DUAL PIXEL AF is in the new cameras!! That is the fast and smooth AF during live view - immensely helpful for video and makes using live view a much more pleasant experience.  Additionally Canon has shrunk the T7i a bit more, this makes me think we will not see a SL2 anytime soon.A quick comparison of the two new DSLRS the T7i and the 77D with the older T6i/T6s and the 80D. below the chart I have a few more differences between the 77D and the T7i and some recommendations about which you might want to buy.

Spec Canon 80D Canon T6s/T6i (750/760D) Canon T7i (800D) Canon 77D (9000D)
MP 24 24 24 24
ISO 100-16,000 100-12,800 100-25600 (expands to 51200) 100-25600 (expands to 51200)
Processor Digic 6 Digic 6 Digic 7 Digic 7
Number of AF pts 45 (all cross type) 19(all cross type) 45 (all cross type) 45 (all cross type)
Viewfinder 100% pentaprism 95% pentamirror 95% pentamirror 95% pentamirror
Live View AF speed Excellent Good Excellent Excellent
Top Shutter Speed 1/8000 1/4000 1/4000 1/4000
Flash Sync Speed 1/250 1/200 1/200 1/200
FPS 7 (live view 5 with AF) 5 (live ~1 with AF) 6 6
Low Light focusing -3 EV (very good) -0.5 (ok) -3 EV (very good) -3 EV (very good)
Video 1080p60 1080p30 1080p60 1080p60
Headphone Jack Yes No No No
Mic Jack Yes Yes Yes Yes
Connectivity WIFI/NFC WIFI/NFC WIFI/NFC/Bluetooth WIFI/NFC/Bluetooth
Battery Life 960 shots 440 shots 600 Shots 600 shots
Weight 730g (1.61 lb / 25.75 oz) 565 g (1.25 lb / 19.93 oz) 532 g (1.17 lb / 18.77 oz) 540 g (1.19 lb / 19.05 oz)
Current Price $1499 with 18-135 | $1099 Body $1049 T6s with 18-135 | $849 Body $1299 with 18-135 |$749 Body $1499 with 18-135 | $899 Body

What's new?

The T7i/77D now offer Dual Pixel AF, much improved low light AF performance and 45 cross-type AF points, Digic 7 processors which should provide slightly better low light/high ISO performance, Bluetooth and a new battery providing better battery life over the T6s/T6i models. And a video time-lapse mode.  And this is all in a slightly smaller, slightly lighter body.

The Canon 77D offers the same performance and sensor as the T7i

So what is different? Like the T6i/T6s cameras the difference is mostly in the body with the 77D offering a very slightly larger body that offers a top LCD screen, a rear dial, lock switch and an eye sensor used to turn off the LCD when you bring your eye up to the viewfinder.  They both use the same NEW battery.Canon t7i vs Canon 77DCanon 77D(left) vs Canon T7i(right) top view

Canon T7i (800D) vs Canon 77D (9000D)

This is easy - If you are considering these cameras I expect you want to shoot manually and the 77D with the rear dial and top LCD screen make this a more manual friendly camera.  I talk more about this in my T6s review  If you are on a strict budget the T7i saves you some money that you could use to buy the 50mm f/1.8 STM lens 

Canon 77D vs 80D

This is a tougher decision. The real strengths of the 80D - bigger battery providing almost 1,000 shots per charge, weather sealing and a significantly faster top shutter speed at 1/8000 of a second along with a headphone jack make this a more professionally capable camera for photographers and videographers.  If you are a casual photographer the 77D offers savings and a camera the will provide more than enough power for you. If you plan to become more serious about your photography or videography the 80D offers just that much more room to grow that I do recommend purchasing.

About that Mirrorless Camera the M6

it is NOT replacing the M5, this will be an additional model alongside the M5. The improvement between the two will be the M6 includes stabilization for video and they have removed the EVF - providing an optional EVF you can attach in the hotshoe. This makes the camera a little more compact but in my opinion a lot less desirable. I want an EVF on ALL my cameras - otherwise bright sunny conditions make it very hard to see what's happening on the back of the LCD. (more soon)

Other interesting bits-

These new cameras now offer Bluetooth LE for additional connectivity options and Canon is releasing a Bluetooth wireless remote. The BR-E1, price $50, is capable of triggering the camera up to 16 feet. It can also control that lens zoom, PZ-E1, that was released with the 80D.

T7i

Available to pre-order through 

Canon EOS Rebel T7i
77D

Available to pre-order through 

Canon EOS 77D
M6

Available to pre-order through 

Canon EOS M6 Mirrorless Digital Camera with 15-45mm Lens (Black) Canon EVF-DC2 Electronic Viewfinder
18-55mm F/4-5.6IS STM lens

Available to pre-order through 

Canon EF-S 18-55mm f/4-5.6 IS STM Lens
BR-E1 WirelessRemote Control

Available to pre-order through 

Canon BR-E1
 

Instagram Winners - Candid

Your challenge this week was shooting candid photos. Typically this means only people (sorry again introverts) but depending on the shot pets would also count. The goal is to catch people in the moment but a looser definition would be an unposed portrait. We had a nice amount of entries, but as a reminder, we are looking for new, or recent photos, not your one shot that fits the bill from last year.  For our next challenge, with the holiday coming it’s time to get mushy with a #PRTV_love challenge. It’s an open concept up to interpretation but you may want to try Rose’s DIY Heart Shaped Bokeh How to for Valentine’s Day. Love is something that can be conveyed by a shape, action, touch, meaning and more giving you plenty of ways to come up with something for this challenge. To enter post your photos on Instagram before noon next Friday with the tags #PRTV and #PRTV_love.

You can follow Photorec.TV on Instagram at @Photorec.tv

And the team!Toby – @Photorectoby Roy – @RoyMcKeeIII Rose -  @Randomcreativeart

Toby’s Winner:

https://www.instagram.com/p/BQEZJ_eg_oW/Great on the street candid capturing a character!

Toby’s Honorable Mentions:

https://www.instagram.com/p/BQTxf39gHzr/I really like the out of focus curl connecting the foreground to the person in the back - the tone and grain here as well as the worn backdrop all work well together.https://www.instagram.com/p/BQF-yqmlp04/https://www.instagram.com/p/BQGuPkuju6h/Kids can be difficult to capture truly candid moments as they are often very aware of the camera and immediately stop being candid when a lens is pointed their way - in both these cases the kids are distracted and I love the off-center framing and capturing moments other than smiling at the camera.

Roy’s Winner:

https://www.instagram.com/p/BQSrsJkFt8x/A cute little protester and the heart of being candid on the street, getting a moment of the Women’s March in NYC. As photographers, we catch glimpses of history on occasion and this photo of yours is a nice candid moment of the day with a sign and person that puts a lot of power to the event.

Roy’s Honorable Mentions:

https://www.instagram.com/p/BQF-yqmlp04/Kids love hiding, finding that moment and angle without her noticing is hard but worth it for this photo. It’s a nice capture of your child's growth and a moment of history for her to look back on later. https://www.instagram.com/p/BQLB_vggG2N/Finding subjects at the park always works well for candid photos. Usually, they are not focused on others and you can sneak in and get a photo that captures the moment well like in this nice shot.

Canon Rumors for CP+: Updated

Update 2/14: Prices and more item details added. The CP+ Show in Japan is coming February 23rd and it's expected Canon will be announcing products today for the show. With the arrival, there's a handful of Canon rumors and leaked images for what's coming down the line. We'll be getting a refresh with new T7 rebels, a M6 mirrorless, 18-55mm lens, and more. Somewhat oddly, Canon has decided to go from the Ti/Ts name convention to a new 77D for the T6s line of cameras.As a note, no SL2 mentions recently to go with this batch of camera news.  The given rumor was a SL2 release at CP+ last year, then CES, but it went by without a blip. The SL1 while entry level was quite popular and we still get asked about it now. As for the SL line's small size it seems Canon is focusing on the M6 for now.Canon EOS T7i 

  • Will be available in the new 18-55 f/4-5.6 IS STM lens below and the older 18-135mm STM
  • Price will run $749 for the body only
  • Specifications
    • 24.2 MP
    • DIGIC 7
    • Dual Pixel CMOS AF
    • 6 FPS Burst
    • ISO 100 -25600
    • Full HD Video, 5-axis electronic image stabilization
    • LCD: Type 3 Touch Panel Bali Angle LCD
    • Built-in WiFi / Bluetooth
    • Dimensions: 131.0 × 99.9 × 76.2 mm
    • Weight: 532 g

Canon EOS 77d

  • 77D will be the replacement to the T6s with a different naming convention
  • Prices will run $899 (body only), $1049 with the new 18-55mm f/4-5.6 IS STM, and $1499 with the older 18-135mm f/3.5-5.6 IS STM.
  • Specifications
    • 24.2 MP
    • DIGIC 7
    • Dual Pixel CMOS AF
    • AF point: 45 points
    • 6 FPS Burst
    • ISO 100 -25600
    • LCD: Type 3 Touch Panel Bali Angle LCD
    • Built-in Wi-Fi / Bluetooth
    • Dimensions: 131.0 × 99.9 × 76.2 mm
    • Weight: 540 g

Canon EOS M6 Mirrorless

  • Coming in black and silver
  • Packaged body only, with a 15-45mm kit lens, a 18-150mm kit lens, or a double lens kit
  • Also coming, sold separately, with the M6 is a Canon EVF-DC 2 viewfinder attachment
  • Body only Price will be $779
  • Specifications
    • 24.2 MP
    • DIGIC 7
    • 49 Point AF
    • 7 FPS (9 if auto focus is fixed)
    • ISO 100 -25600
    • Shutter Speed: 1/4000 - 30
    • Sync Speed: 1/200
    • Video: Full HD, HD, VGA
    • LCD: Type 3 tilt type touch panel
    • Recording medium: SD / SDHC / SDXC card
    • Built-in WiFi / Bluetooth
    • Size: 112.0 × 68.0 × 44.5 mm

Canon EF-S 18-55mm f/4-5.6 IS STM

  • A new kit lens that will be packaged with the kit lenses and available separately. Something to note is that it's aperture is just slightly slower then the current generation of kit lens.
  • Lens construction: 12 elements in 10 groups
  • Minimum shooting distance: 0.25 m
  • Filter: 58 mm
  • Size: 66.5 x 61.8 mm Weight: 215 g

Canon BR-E 1

  • A Bluetooth wireless remote, shown below

Canon EH30-CJ

  • A body jacket for the announced M6
Rumors and photos via Nokishita, Digicame-Info

Snowfall Shutter Speed

February and March are typically the snowiest month for much of North America - When you are photographing falling snow think about the mood you want to convey and decide which shutter speed is right for you. Your aperture will play a role here too. Large apertures/shallow depth of field will produce bigger out of focus flakes and a smaller aperture/larger depth of field will produce smaller flakes.Shutter Speed can be used to convey motion! I often use a slow shutter speed when photographing rushing water to smooth it all out, creating a peaceful scene. Or you can pan the camera at slower shutter speeds while tracking a subject creating motion blur everywhere except your subject. You can see these techniques and more in my shutter speed video below. In this post I just want to share the effects of shutter speed on falling snow. Depending on the speed and size of the snowflakes your results may vary slightly but experiment and see what works best for your scene and the mood you are trying to convey. https://www.youtube.com/watch?v=LER6RFkkj68  

Canon 24-105 f/4 MK1 vs Canon 24-105 f/4 MK2

Guest Review from Bryant Naro of Slate Roof Films, LLC (be sure to check out their demo reel, at the bottom of this post, they create some awesome content)

Canon 24-105mm: Mark 1 vs Mark 2

To start, I have a specific use for the Canon 24-105mm ƒ4 IS: vérité/handheld video work for documentary/corporate/commercials, so that’s primarily how I’ll frame my thoughts on these lenses. I should also warn you that I shot videos samples of both the MK1 and the MK2 and honestly, it’s nearly impossible to tell a difference. If that’s all you were looking for to help inform any future rental/purchase decisions, you’re good to go—there’s hardly an optical difference! However, I still prefer the MK2 over the MK1.  So here are my long-winded thoughts on both options, and why I now own a Canon 24-105mm MK2.24-105

The Oopsie & The Situation

It was just before the holidays, so everyone was pretty drained on this one particular gig in mid-December. It was a long day, and as we wrapped at one location, ready to move on to the next one, I grabbed our run bag to load in a hodgepodge of gear (enough to get us wrapped as soon as possible). Unfortunately, it wasn’t zipped all the way, and my Canon 24-105mm flew out of the bag, nailing the slick asphalt below. It’s the moment every gear owner fears—The Big Oopsie (well, it could have been bigger, and oopsier, so there’s that).Anyway, as you can imagine, the scene was not good. The zoom was stuck. The focus ring could hardly move. The thing was borked. So I sent it off to Canon to be repaired.If you’ve never sent a piece of gear to Canon, you’ll need to know two things: 1) They’re very professional, and take good care of your equipment. 2) You will pay such an exorbitant price for your repair, you’ll often wonder why you even sent it in the first place. So here I was, praying it was just a $200-300 repair. I was contacted by Canon who notified me that my lens would cost $615 to repair (including shipping, so hey, that’s a bonus!). Which is outrageous to think—you can get this same lens used for an equal or lesser amount than the repair would cost. So now I have a permanent reminder that haste makes very expensive waste.So that’s my special, specific circumstances for why I needed to buy a replacement, and as such, had to look in to what the new Canon 24-105mm had to offer over the first version.

Why I used the Canon 24-105mm ƒ4 for documentary work

As of writing this—in February 2017—the cine zoom market is just on the verge of being flooded with options. The Canon 18-80mm, the Zeiss 21-100mm, the Angenieux EZ lenses—and those are just the ones that interest me for my work, there are even more on the way. But I have work I need to do now, and investing $5,000 – $13,000 in a lens is something I need to put much thought in to (if I can even afford it!), so I need a trusted solution immediately. More often than not, I shoot in a documentary style, and I do so on the Sony FS7, primarily. I use a metabones speedbooster for most lenses, except for the few APS-C lenses I keep for specific needs (Sigma 18-35mm, Toking 11-16mm). I just prefer the look that the speedbooster gives me. So all of this specific set up leads the Canon 24-105mm to be a great choice: It has a great range, an okay aperture (ƒ4 is too high for video work, but the speedbooster helps), and image stabilization. All for a pretty cheap cost (compared to what cine zooms cost, especially considering this $5-10K cine zoom market is only just now becoming a reality). If you’re not familiar with lenses, you need to know, like everything, it’s a balance. Cost, size, features, etc. The Canon 24-105mm has been the lens for me, for now, because it’s relatively cheap, has good IS (which I don’t believe is the case with the only real competition for this lens, the Sigma 24-105mm), and has a large enough focal range that I don’t need to swap lenses to get on the fly coverage. So for right now, this is what I have to work with, and given enough light, it works out pretty well.

Testing Grounds

I rented the Canon 24-105mm MK2 (from Borrowlenses.com) and mentioned it online. My friend Toby, who runs Photorec.tv, mentioned he could get me a rental of the MK1 to do some testing. So I had a couple days between gigs to try them both out. As always, I wish I had more time, but those rentals go by quick. Everything above and below is not scientific, and completely opinion based—no charts, no graphs, just a tired person ranting about a niche product. So take it all with a grain of salt. But I haven’t found anyone out there discussing these lenses in a perspective for video, which I found surprising. So anyway, if you’re looking for nitty gritty scientific data, or a photographer’s take on this upgraded lens, I suggest one of the following:DXOKen RockwellThe Digital PictureI want to thank these people for creating their very in-depth reviews, it absolutely helped me in understanding what the new lens had to offer. I suggest that everyone check out these reviews to get a better understanding of the changes with the MK2.

What I like about the MK2

BUILD: The build of the 24-105mm mk2 is what sets it apart from its predecessor. The focus ring is smoother, bigger, and overall more reliable for manual focus. This is something that a photographer might not find necessary at all, especially if you’re going to have this lens live on AF. But for video work, we need manual focus. The MK1’s focus ring was always a little small, and a little sticky. It wasn’t awful, but I definitely didn’t get smooth focus racking like I can with the MK2. This is a huge step forward if you’re using this lens like I am.STABILIZATION: The stabilization has been improved…or what I would say, has been changed. The 24-105mm is not only valuable because of it’s range, but because of image stabilization. This is a key element for handheld documentary work. I had been using the MK1 for years, so I know how the IS worked (at least with my copy). I knew what it could and couldn’t do. I knew I could get away with a certain amount of drifting to fake a slider/dolly shot, or that at 24mm I could follow a subject and the IS would do some work to smooth out the offset of my walk. But Canon did something different with the MK2’s IS, which is both good and bad. I found that for static shots, it was markedly improved, taking out micro jitters and just delivering an overall solid image. But for weird moves like orbiting, or quick movements, the IS would freak out a bit, as if it was trying too hard to compensate for the movement. Where the MK1’s IS would just take it in stride, and do what it could. I guess you could relate it to noise reduction—when you get a really good noise pattern, a computer can get in there and make the image look beautiful, because it has so many data points to work with. But when it doesn’t, it starts making bad guesses, and the noise reduction becomes very apparent. The same can be said with the IS in the MK2. When it’s good, it’s great. When it’s bad, it’s rough. But it’s a net gain in my opinion over the previous lens.LOCK: Having a zoom lock at 24mm is great (although I’d prefer to have this throughout the zoom range).OPTICS: Distortion at 24mm seems to be improved, and I did notice a difference with flaring. Ten aperture blades means we get rounder out of focus highlights, which I’m always for! This is completely anecdotal, but I believe the bokeh is better on the MK2.

What I don’t like about the MK2

PRICE: Obviously, cost is an issue. But if you take it for face value, it’s technically only $100 more new than the MK1. No one should be buying the Canon 24-105mm MK1 new, so in a way price isn’t too big of an issue (or so I choose to tell myself). And as we all know, this price will come down with time. So don’t rush out to buy unless you have to (which is unfortunately my situation).OPTICS: Optical improvement is limited. I don’t like that the sharpness in the center has declined. However overall sharpness has improved, which is welcome. Breathing was pretty rough, but it’s not any better on the MK1 (and also, it’s a stills lens, so it’s expected). I guess I was hoping for some optical improvements, but instead it seems Canon looked to perfect the build of there 10+ year old lens. I can’t blame them—they sell a ton of these things, especially being a kit lens.

Which lens I would suggest (and what I’m going with)

Well, spoiler alert: I’ve already placed an order on the MK2. I found the new focus ring to be too valuable of an upgrade to pass up. I think the IS will be helpful as well. And buying new will help me with warranty, which I’m definitely going to pay attention to from now on (and you should too, even on top of insurance). I really struggled with this though, because I found plenty of used copies online. But ultimately it seems the MK2 is right for me (after discussing it, or rather, constantly bugging my business partner and wife about the decision for a few days now).But that doesn’t mean it’s right for everyone. In fact, I think my purchase is an outlier. If you have the MK1 and it still works, there is really no reason to upgrade. If you’re a photographer, I really don’t know why you’d upgrade at all…ever. If like me you need to buy one because of gear failure, I’d still suggest renting first to check it out. Either way, I can’t see why I photographer would really be interested in the MK2, aside from some extra stops of IS. For video work, it’s definitely worth looking in to, but if your budget is tight, just get a used MK1.

Buy the Canon 24-105 Mark I from B&H Photo | Buy USEDBuy the Canon 24-105 Mark II from B&H PhotoRent the Canon 24-105 from Lens Pro to Go

Hi there! My name is Bryant Naro.

Bryant Naro - Slate Roof Films LLCI’m a Cinematographer and Camera Operator based in New England that’s worked on feature films, documentaries, music videos, live events, commercials, and television shows, both nationally and internationally, since 2008. I run a documentary production company called Slate Roof Films, LLC that I co-founded with my business partner (and wife) in 2014. I’m passionate about creating the best images I can to tell a great story.

100mm F2.8 STF G Master with Highest Ever Quality Bokeh for an α Lens

Sony has just announced a new lens - The 100mm F2.8 STF G Master with Highest Ever Quality Bokeh for an α Lens - It's a bit of a mouthful and bokeh quality is subjective in my opinion BUT it's nice to see Sony continue to offer high quality lenses at various focal lengths.  I'd love to see a serious telephoto 300+ and a few more slightly more affordable options like the $600 85mm f/1.8 that is coming soon.[gallery td_select_gallery_slide="slide" ids="13657,13658,13659"] Preorder - More InfoB&H Photo Sony 100mm f/2.8 STF G Master Lens $1498.00B&H Photo Sony 85mm f/1.8 Lens $598.00

PRESS RELEASE

Sony Introduces 100mm F2.8 STF G Master™ with Highest Ever Quality Bokeh for an α LensNew Full-frame 85mm F1.8 Mid-telephoto prime lens and Compact Radio-Controlled Flash announced as wellLAS VEGAS, Feb. 7, 2017 – Sony Electronics, a worldwide leader in digital imaging and the world’s largest image sensor manufacturer, has today introduced two new lenses for their popular line of E-mount interchangeable lens cameras.Sony’s new lenses include one of their flagship G Master Series – an FE 100mm F2.81 STF GM OSS mid- telephoto prime lens (model SEL100F28GM) built to deliver breathtaking bokeh with a unique STF™ (Smooth Trans Focus) design, and a new compact, lightweight FE 85mm F1.8 mid-telephoto prime lens (model SEL85F18) that is a welcome addition to the bag of any hobbyist or enthusiast photographer looking to create amazing portraits.They have also introduced a new powerful, compact flash (model HVL-F45RM) with radio-controlled wireless communication that is ideal for professional shooting with Sony’s lineup of α7 full-frame cameras.FE 100mm F2.81 STF GM OSS Telephoto Prime LensA specially designed mid-telephoto, full-frame prime lens, the new 100mm STF is built to produce truly unique, magnificent and beautiful bokeh while maintaining the exceptional standard of resolution that is showcased by Sony’s entire line of flagship G Master series lenses, making it a powerful photographic tool for any portrait, fashion, nature or wedding photographer.These impressive defocus capabilities are made possible by the lens’ advanced optical structure, as it features a newly designed 11-bladed aperture and a unique optical apodization lens element. Similar to a neutral density filter that increases in density towards the edges, the apodization element creates beautiful transitions of in-focus to out-of-focus areas within an image, making for exceptionally soft, smooth bokeh that adds depth and dimensionality. This allows the subjects to stand out against beautifully defocused elements in both the foreground and background, producing an image that is naturally pleasing to the eye. The design of the lens also ensures that vignetting is kept to an absolute minimum, ensuring optimum image quality.Additionally, the new 100mm lens supports both contrast AF and focal-plane phase detection AF2, and has a high-precision, quiet direct drive SSM (Super Sonic Motor) system that ensures exceptionally fast and accurate AF performance. The SEL100F28GM also offers up to 0.25x close-up capabilities with a built-in macro switching ring, built-in Optical SteadyShot™ image stabilization, a customizable focus hold button, AF/MF switch, aperture ring and more. It is dust and moisture resistant as well3.FE 85mm F1.8 Telephoto Prime LensThe new 85mm F1.8 mid-telephoto prime lens offers an extremely versatile, lightweight and compact telephoto prime lens solution for a variety of Sony camera owners ranging from working professionals to emerging enthusiasts that have stepped up to full-frame or APS-C cameras for the first time. With its wide F1.8 aperture, it can produce impressive, exceptionally sharp portraits with soft background defocus that take advantage of its 85mm focal length and wide F1.8 maximum aperture.The new prime lens features a 9-bladed circular aperture mechanism that ensures smooth, natural looking bokeh, and a double linear motor system to allow for fast, precise and quiet focusing. It also has a focus hold button that can be customized and assigned together with functions in the camera body like the popular Eye AF feature. There is a smooth, responsive focus ring and AF/MF switch as well, and the lens is also dust and moisture resistant 3.New Compact Radio-controlled FlashSony’s new HVL-F45RM flash enhances the radio-controlled lighting system capabilities of their growing system, offering a compact professional shooting solution when combined with the currently available wireless remote controller FA-WRC1M and receiver FA-WRR1.The new flash, which is designed to complement the compact bodies of Sony’s E-mount camera lineup including full-frame α7 models, produces a maximum lighting output as expansive as GN45 4. This ensures sufficient illumination even when shooting with bounce lighting or high-speed-sync (HSS) flash. The radio capabilities of the HVL-F45RM allow it to be used as a transmitter or a receiver at up to 30m (approx. 98 feet5), making it an ideal fit for creative lighting with multiple flashes. Additionally, unlike optical flash systems, radio-control flashes do not require a direct line-of-sight between components to function properly, while also minimizing any impact that bright sunlight has on signal transmission and control.The HVL-F45RM flash has an impressive battery life of up to 210 bursts, and can tilt up to 150o vertically, a complete 360o horizontally and up to 8o downward to maximize versatility. Usability has been maximized with a new large, bright and highly visible LCD display, an LED light, dust and moisture resistant design3 and a revamped menu system that mimics those of Sony’s newest camera systems.Pricing and AvailabilityBoth of the new lenses and the new flash unit will ship to authorized dealers throughout North America.The new FE 100mm F2.8 STF OSS GM Telephoto Prime Lens will ship this March for about $1,500 US and $2,050 CA.The new FE 85mm F1.8 Mid-Telephoto Prime Lens will ship this March for about $600 US and $800 CA.Replacement lens hoods for each of the new models will also be available for purchase as well.The new HVL-F45RM flash will ship this May for about $400 US and $550 CA.

DIY Heart Shaped Bokeh How to for Valentine's Day

DIY Heart Shaped Bokeh How to for Valentine's Day | http://photorec.tvShape bokeh is a fun way to add a creative flare to your DSLR photography. You can create shape bokeh with any DSLR camera and prime lens. Many photographers use a 50mm lens for shape bokeh photography (which is what I used for this post), but don't feel limited this option.For the upcoming Valentine's Day, I'm sharing DIY heart shaped bokeh! The first step is to create a heart bokeh filter for your prime lens. Trace the lens you're going to use on black construction paper or card stock. Cut out the circle. Punch or cut out a heart in the center of the circle. If you're using a paper punch, you may need to fold the edge of the circle to center the punch.I cut the circle small enough that I can fit it right on the lens as you see pictured below. I have always used this method for shape bokeh with no problems. Some photographers create a paper cylinder or paper handles to attach to the bokeh filter, which works well, too.Heart Shape Bokeh Filter on DSLR Camera | http://photorec.tvThe second step is to gather your supplies. In addition to the heart filter, you'll need Christmas lights or another light source that will create bokeh. You'll also need a light source for your subjects. The ambient room lighting may work just fine. A speedlite works well, too. I have a couple of DIY Lowel EGO lights I use for blog shoots, which were perfect for lighting my subjects. I use daylight bulbs in my Lowel lights. White light is great for many artificial lighting setups, but it was a little harsh for this shoot. So I kept a regular lamp on as well to bring a little warm yellow light to my images.You don't need a dark background to create shape bokeh, but I found it helpful for creating a clean background for my DIY heart shaped bokeh background Valentine's shots. I wrapped my Christmas lights around a piece of black foam board with a chalked finish, which I keep around for blog shoots, and placed my subjects on black card stock. Finally, you'll need a few subjects! I encourage you to start with objects you have on hand at home to get comfortable with your setup and lighting. I've included a list of supplies I used that you may not already have on hand at the end of this post.The third step is to set up your shooting area. You need to allow some distance between your subject and the Christmas lights or other light source so you can create bokeh. I put a little over 5 feet (1.5 m) between my subject and lights. You may need to adjust your distance slightly, depending on your given subject and the exact effect you're trying to achieve. It may also take some trial and error to determine the best placement for your subjects and lighting.Bokeh Backgrounds Setup | http://photorec.tvBokeh Backgrounds Setup | http://photorectv.comThe fourth step is to dial in your camera settings. Switch your DSLR camera to manual mode. Open your aperture as wide as possible. I shot with a 50mm f/1.8 lens, so I set my aperture to 1.8. Then I set my shutter speed to 1/80. The subject lighting source you use will determine the best ISO for the particular shot. I used a few different lighting setups, so my ISO is not the same for every shot. In some instances, it's as low as 200 while for other shots, I dialed it up to 400 or 800.Attach your homemade heart bokeh filter to your prime lens. Keep in mind when you shoot in portrait orientation, you'll have to rotate your heart filter accordingly. Otherwise, the hearts will be sideways!You're ready to start creating heart bokeh! I recommend trying a few shots of the bokeh alone to get comfortable with your camera settings. Heart bokeh is beautiful on its own. You may create some photos of it that you really love. Try switching your lens to manual focus and experiment with creating hearts in different sizes.Heart Bokeh | http://photorec.tvSmall heart bokeh vs large heart bokeh. | http://photorec.tvOne popular bokeh background technique is to make is look as though the bokeh is coming right out of a glass, jar, or vase. You'll have to position your lights carefully, so the hearts match up with the glass or jar. You can edit a few stray hearts out of the background, but the more you do to position the lights properly, the less editing you'll have to do.I started with a heart mug because it seemed fitting to have the hearts coming out of a heart mug for Valentine's Day.Heart Mug Heart Bokeh | http://photorec.tvA clear glass or vase also works well because it looks like the hearts are right in the glass. In this first shot, I used a clear stemless wine glass.Heart Bokeh Stemless Wine Glass | http://photorec.tvI absolutely love colored glass and have a number of colored Ball jars and other glass pieces around my house. I used a blue Ball jar for a few shots because I love pairing turquoise and red. Green or purple glass would be so pretty, too.Blue Ball Jar Heart Bokeh | http://photorec.tvI added a string of fairy lights to the Ball jar to bring a little more light into the shot and get some hearts right in the jar. I purposely made this shot a little fuzzy to get the fairy light hearts to pop and to heighten the whimsical aesthetic.Blue Ball Jar Heart Bokeh | http://photorec.tvPlaying around with my blue Ball jar was so much fun I decided to create a shot with it with a regular red bokeh background. The fun of a bokeh setup is that there are so many possibilities. If you have an idea for a shot, give it a try!Blue Ball jar with Red Bokeh Background | http://photorec.tvI've seen a few similar images to the book image I've shared below and was excited to try this technique myself. I switched up the red Christmas lights for a pastel strand. I tried shooting with a few different books and liked the results best with a larger book because you can see more bokeh IN the heart. Larger pages also make it easier to get some color on the top interior of the hearts, as you see below. My favorite shot worked best as a square crop, but a wider landscape composition is perfect for a heart book shot as well.You may need to tape your pages into place, particularly if you use a book with glossy pages like I did. Painter's tape is ideal because it's less likely to damage the pages than something like packing tape. I would still remove the tape (carefully!) as soon as you're finished with your photography.Book Heart Pages with Heart Bokeh Background | http://photorec.tvOver the last couple months, I've bought a few new items for photography shoots, including a set of Scrabble letters. I create a lot of styled shoots for different seasons and holidays for my blog and know that I'm going to use these little letters a lot. I wrapped a red lights strand and a clear lights strand around my black foam core board for this shot.Valentine's Day LOVE Scrabble Tile Letters with Heart Bokeh Background | http://photorec.tvFinally, I created a little wedding setup with a couple Playmobile figures. My husband and I used this set for our wedding cake topper, so I'm a little biased in my preference for this shot. BUT I'm really happy with the overall composition and the lighting on the figures.Playmobile Wedding Couple With Red Heart Bokeh Background | http://photorec.tvAgain, a DIY heart shaped bokeh background is so versatile. It allows for endless fun possibilities for creative photography. I've included a couple more red non-heart bokeh background examples. The first one features the Canon FD 28mm f/2.8 lens, which I use with a Canon AE-1.Red Bokeh With Canon FD 28mm f/2.8 Lens | http://photorec.tvThe second one features one of my husband's Warhammer figures. You'll have to make up your own story as to why he's riding a tank with a red bokeh background behind him.Warhammer Model with Red Bokeh Background | http://photorec.tv

DIY heart shaped bokeh supplies:

red Christmas lights | pastel Christmas lights | clear Christmas lights | fairy lights

stemless wine glass | blue Ball jars | Scrabble tiles

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Instagram Winners - White

This week was a color challenge and one of the trickier ones at that focusing on white.  White needs to be white, like I mentioned before exposure and your histogram is key. Otherwise, you end up with gray or blown out photos. For the most part looking through entries, you guys did great. That said there were a few entries that didn't make it due to being quite dull to the point of a gray photo, watch that histogram! White was key this week and beyond a lot of swan entries, we had varied subjects from snow to bubbles, great for a color challenge. As for next week’s challenge, we apologize in advance to the introverts out there as you’ll be trying to go for candid photography. This doesn’t mean you're stuck doing street photography, albeit that’s what most think starting out. Candid photos focus on getting your photo without a posed appearance, catching people in the act, and that’s your challenge this week. To enter post your photos on Instagram before noon next Friday with the tags #PRTV and #PRTV_candid.

You can follow Photorec.TV on Instagram at @Photorec.tv

And the team!Toby – @Photorectoby Roy – @RoyMcKeeIII Rose -  @Randomcreativeart

Toby’s Winner:

https://www.instagram.com/p/BQCXwtHBp1r/This is a cute, cute, photo! Not super sharp, with focus just starting to hit her face but this is white! The color of the bathtub really makes it stand out.

Toby’s Honorable Mentions:

https://www.instagram.com/p/BP81bVQFybf/This is one of those shots where I was like "ooh this could be a little whiter". Still, it's one of those shots that the thumbnail really stood out to me. It could be a touch brighter and the gray in the corner could go but it's still a strong photo.https://www.instagram.com/p/BP-1BW9FBY0/This is one of those easy things to get, a toy or model. The white is a bright right, it's centered and makes for a nice photo.

Roy’s Winner:

https://www.instagram.com/p/BP6IzDlATdA/Lots of white in Yellowstone with this photo. Throwing it black and white helped as the sky doesn’t detract from the overall monochrome look of the land below.

Roy’s Honorable Mentions:

https://www.instagram.com/p/BQCXwtHBp1r/Honestly, bubbles were not one that came to mind for a white challenge but it does well to frame your daughter in the shot. It’s a fun photo with an honest expression that makes for a cute entry. https://www.instagram.com/p/BP6o26lFL19/A northern shrike in the sky is a great way to get a white photo. Not to mention from a birding standpoint they are one of the harder subjects to shoot without flying away.