Preview - Canon 6D Mark II

https://youtu.be/gaSmBmCgV3gPreorder Canon 6D Mark IIPreorder Canon 6D Mark II (Body only $1999 | with 24-105 f/4 II | with 24-105 STM)Best Place to buy used gear"EOS 6D Mark II and EOS Rebel SL2 DSLR Cameras Provide Photographers with Improved Features over Predecessors".Canon’s own marketers couldn’t come up with a more exciting opening statement than - we made them better than the old ones?!?!I have some thoughts to share on the newly announced Canon 6D Mark II.Let’s run through those improved features -

• 26 Megapixel Full-frame Sensor up from 20MP of the 6D
• 45-point All Cross-type AF System, serious upgrade from the 11 points with ONE cross type and this AF system is identical to what’s in the 80D
• Dual Pixel AF for smooth and capable focus in live view - stills or movies
• 1080 at 60fps but you do have electronic IS - NOTE this is JUST for movies - and identical to what is offered in the 77D.
• DIGIC 7 Image Processor supporting an ISO range from 100-40000
• High-speed Continuous Shooting at up to 6.5 fps
• And YES, YES YES - we have a Vari-angle Touch Screen, 3 inch LCD - do you know how many times I have heard you ask for an articulating screen on a full frame Canon
• Updated connectivity we see on all the recent Canon releases with Built-in Wi-Fi, NFC, Bluetooth and GPS technology

I have seen this described as a full frame version of the 80D and that is fairly accurate - You do lose the pop-up flash and your top shutter speed decreases to 1/4000 vs 1/8000 in the 80D, disappointing but otherwise this should perform very similarly to the 80D - same focus system, almost the same burst rate - so if you are an existing Canon shooter and you have been waiting for a full frame option with articulating screen - here you go. But is that enough?What may be deal breakers for some -Single Card SD slot - you need to go with a 5D Mark III or 5D Mark IV if you want the peace of mind of two card slots - Wedding and portrait photographers capturing can’t miss moments like the insurance of having these photos saved to two cards simultaneouslyTop Shutter speed of 1/4000 of a second - this isn’t about capturing fast action- this is about being able to use fast prime lenses outside in bright light and a flash sync speed on the low side at 1/180 of a second.No 4K video recording - you know - I work with photographers of all abilities - either through my support group or when teaching with Mckay photography academy and 95% of them are photographers and don’t really care about 4K video or care about video at all BUT as I said in my 5D Mark IV video - Canon at one time was groundbreaking in offering cameras that were great hybrids and competitive in both photos and videos and when you have headlines and youtube reviewers left and right saying No 4k it makes you consumers stop and wonder if this is a good value and while today video features might not matter to you - when you spend two grand on a camera I expect you expect to be using it for awhile and it’s a bit of a joke to not include 4k now and in just a few short months it’s going to feel quite dated.  And as I said many of you don’t care about 4K but can you be sure you won’t care about it next year or the year after? Between the headlines, the tweets the Youtubers - the lack of 4k on this camera will hurt its sales. And no headphone jack makes this a less desirable hybrid shooting tool too. In short - no one and I mean no one should be buying this for video.Let’s wrap this up -Photographers with Canon lenses dying for an articulating screen on a full frame camera- this looks very nice and seriously, I don’t mean to make light of how useful an articulating screen is for landscape and general photography and that is who this camera is targeted at and does represent a decent offering. However, For professionals wedding - family portrait etc - I would consider a used 5D Mark III that can be bought for cheaper and gives you the dual card slots plus the better shutter speed and flash sync speed.Once the 6D ships, I will do a hands-on review. Make sure to subscribe to be notified.I’d love to know your thoughts - is this the camera you have been waiting for. Did they offer enough improved features over the predecessors? What is the next most exciting camera to anticipate - Nikon D760, Sony a7III? Or something else? Leave those thoughts in the comments below. 

Upgrading from the Canon t4i to the Canon 80D

After a little more than four years of shooting exclusively with the Canon t4i, I upgraded to the Canon 80D. The Canon t4i was my entry into the world of DSLR photography and leaving it behind was a little bittersweet. I put my t4i through its paces shooting more than 40,000 images in light levels ranging from harsh sunlight to golden hour to low light in jazz clubs. My photography has included, but isn't limited to, cityscapes, landscapes, jewelry, pets, and food. The Canon Rebel line is well-built with intuitive menus, making it a great option for anyone just starting out with DSLR photography.When you're thinking about upgrading to a new camera body, the question is always will the upgrade really be worth it? Upgrading from a Canon t4i or older Rebel body to the Canon 80D is definitely worth it. Personally, the top four features I appreciate most with the upgrade are as follows:

• Focus point and focus point systems. You're upgrading from nine single focus points to a 45 point cross-focus system.
• Top deck display. The top deck display gives the shutter speed, aperture, ISO, Wi-Fi status, estimated exposure level, single shot vs. burst mode, battery life, and number of shots remaining on the memory card.
• Live screen mode. The Canon 80D offers an intelligent viewfinder with approximately 100% viewfinder coverage, a significant upgrade from the t4i's noisy, slow, and largely ineffective live mode.
• More ISO settings. In addition to having a slightly higher ISO capacity, the Canon 80D also has more ISO settings. The more ISO settings, the more control you have over your images. For example, when ISO 400 is too dark but ISO 800 is too bright, you can select ISO 500 or 640.

Of course, there are a number of other upgrades as well, such as megapixels, shutter lag, and JPEG and RAW shooting and buffer rates, all of which I include in the review.Finally, I discuss whether it's easy to make the transition to the Canon 80D from the Rebel line and if this upgrade is worth the price. Most likely, you already know that my answer to both of these questions is yes. You'll have no problem getting acclimated to the new menu system and will see a difference in your image quality within just a few days of shooting with the Canon 80D.Read the full post over on roseclearfield.com: Upgrading from the Canon t4i to the Canon 80D.

Do you own the Canon 80D?

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Are you considering purchasing the Canon 80D and still have questions?

Leave a comment! We're happy to help answer them.

More PhotoRec TV Canon 80D resources:

Hands-on Canon 80D Review vs the 70D, a6300 and more

 

Reasons to buy the 80D over the 77D

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Canon SL2/200D Leaked Photos and Specs | Updated

While Sony may be a great mirrorless system we all like Canon's SL1/100D/Kiss X7 (Toby's SL1 review) as it was a solid performer for an entry level camera and quite small. Thanks to Nokishita Camera we've got a few photos and specs of the SL2 to pass along after their 6D MII leak last week. Interesting to note, like the 6D MII coming down the line, the SL2 will also get an articulating LCD. If the given rumor holds true we'll have the official announcement later next week with the full specs of this tiny camera and the new 6D MII.Specs

• Will ship in black, white, and silver designs
• 24.2MP Sensor (same as the T7i)
• DIGIC 7
• Dual Pixel AF
• 9 Focus point's with one cross-type
• 95% viewfinder coverage with .87 magnification
• ISO 100-25600 (extended 51200)
• 5 frames/sec continuous shooting, 3.5 if Servo AF in live view
• Shutter speed 1/4000 to 30 seconds, max flash sync speed 1/200
• 5 axis electronic image stabilization for video
• Wi-Fi, Bluetooth, NFC
• Articulating LCD screen, 3"
• SD / SDHC / SDXC card (UHS-I card compatible)
• LP-E 17 Battery (same as T7i)
• Size: 122.4 x 92.6 x 69.8mm
  • In comparison, the T7i is 131 x 99.9 x 76.2
• Weight: 453g
  • In comparison, the T7i is 532g

Photos

Tamron Releases World's First 18-400mm Lens

Tamron has announced a new 18-400mm F3.5-6.3 Di II VC HLD APS-C lens billed as the world's first to cover the extended range. Having reviewed the Sigma and Tamron 18-300's in a previous video this might be the one for those that prioritize convenience. For $649 you get 22.2x zoom ratio covering wide angle shots from 28mm to ultra-telephoto 640mm (Canon crop ratio). The lens also features a maximum magnification ratio of 1:2.9 so you can enjoy tele-macro photography. With the new design comes their new LD (Low Dispersion Glass) with an ashperical lens to control the chromatic aberration (color fringing) all-in-one lenses are known for typically. For it's size, Tamron managed to make it quite small at 4.8 inches long and 24.9 ounces, in comparison Sigma's 18-300 Contemporary Lens clocks in at 4 inches and 20.6 ounces with 100mm less in focal length. The 18-400mm lens also incorporates 2.5 stops of stabilization with a zoom lock to get the sharpest shots possible from the 640mm focal range. If you are interested the 18-400mm gets you that all-in-one convenience for a decent price. As with our 18-300mm comparison, there is a cost for the benefit, we'll have a review out soon on this new lens.Interesting to note, rumor held the new Tamron 24-70 was also to be announced with advanced notice going to the press. With a Sigma 24-70 also being released this week it seemed the announcement has been postponed for now.Pre-order today at B&H, available in Canon and Nikon mounts:

Sample ImagesPhotographer: Billion Lim[gallery td_select_gallery_slide="slide" ids="15170,15171,15172,15173,15174,15175,15176,15177,15178,15179,15180,15181,15182"]Press release[quote_box_center]

Introducing the world’s first^*1 ultra-telephoto all-in-onezoom lens with an extended range that covers 18-400mm18-400mm F/3.5-6.3 Di II VC HLD (Model B028)

Dramatic extended range achieved by combining cutting-edge optical design andother new breakthrough technologies including a redesigned cam structure

June 23, 2017, Saitama, Japan - Tamron Co., Ltd. (President & CEO: Shiro Ajisaka), a leading manufacturer of optics for diverse applications, announces the launch of the new 18-400mm F/3.5-6.3 Di II VC HLD (Model B028), the world’s first ultra-telephoto all-in-one zoom lens for APS-C DSLR cameras, which covers a focal length range of 18-400mm. Since the 1992 launch of its AF28-200mm F/3.8-5.6 Aspherical (Model 71D), Tamron has dominated the all-in-one zoom category and has produced many lenses that cover wide-angle to telephoto zoom ranges. Tamron has now developed an ultra-telephoto all-in-one zoom that extends to 400mm (35mm equivalent of 620mm) and a 22.2x zoom ratio. Packed in a light, compact body (121.4mm/705g)^*2 is Tamron’s accumulated knowledge and experience for all-in-one zoom lenses, including the most advanced optical and mechanical designs, an HLD (High/Low torque modulated Drive) for the AF system and the Vibration Compensation system. Photographers can now enjoy wide-angle to ultra-telephoto photography using one lens, which is ideal for travel photography and eliminates the need to carry extra lenses. The new Model B028 lens enables a wide variety of ultra-telephoto images including everyday casual scenes.

PRODUCT NAME	18-400mm F/3.5-6.3 Di II VC HLD(Model B028)
DATE OF LAUNCH	July 20, 2017The Canon and Nikon mount models will be launched simultaneously.

*1 Among interchangeable lenses for DSLR cameras (As of May 2017; Tamron)*2 Length and weight are based on the Nikon-mount lens.

Product Information

1. The world’s first^*1 ultra-telephoto all-in-one zoom lens to achieve 400mm telephoto

   The new Model B028 is the world’s first lens for APS-C DSLR cameras that covers a focal length range of 18-400mm and achieves a zoom ratio of 22.2x. The focal length of 400mm on the telephoto end enables the capturing of ultra-telephoto pictures with the 35mm equivalent of 620mm angle of view. Now, with just this one lens, a photographer can readily enjoy the power of the ultra-telephoto to bring distant subjects closer as well as the perspective-flattening effects that only extreme telephoto settings can achieve. This all-in-one zoom lens is ideal for travel and everyday carry. It allows a photographer to switch from wide-angle to ultra-telephoto without changing lenses, making it faster and easier to capture a much wider range of subjects including travel scenes, wildlife, action sports, landscapes, cityscapes, portraits and food.*1 Among interchangeable lenses for DSLR cameras (As of May 2017; Tamron)

2. Excellent image quality across the entire zoom range, from wide-angle to ultra-telephoto

   The optical construction of the B028 consists of 16 lens elements in 11 groups. The use of specialized glass elements such as LD (Low Dispersion) and aspherical lens elements effectively minimizes wide-ranging aberrations, including chromatic aberrations and distortion, thereby assuring outstanding image quality. Optimum power distribution among the individual lens element groups achieves both the optical performance and the compact size necessary for an ultra-telephoto all-in-one zoom lens that boasts 400mm focal length. Also, it enables tele-macro photography with a maximum magnification ratio of 1:2.9.

3. Lightweight and compact design exhibits Tamron’s basic philosophy for all-in-one zoom lenses

   Despite being an all-in-one zoom lens that achieves 400mm ultra-telephoto, Model B028 is light and compact with a total length of 121.4mm and a weight of 705g^*2. A new lens barrel design utilizing three-step extensions was developed to enable the necessary elongation to produce a 22.2x zoom ratio. Compared to the conventional approach, the division into a larger number of cams ensures comfortable operation and stability while zooming. Tamron’s philosophy for all-in-one zoom lenses is to allow each photographer to casually capture everyday images with a lens of a practical size, and Model B028 fulfills this philosophy.*2 Length and weight are based on figures for the Nikon-mount lens.

4. HLD motor provides high-precision AF and enables compact lens construction

   The AF drive system for Model B028 uses Tamron’s exclusive HLD (High/Low torque modulated Drive) motor. The power-saving HLD motor produces outstanding driving torque, and adjusts motor rotation from low to high speed to enable accurate and quiet focusing. The HLD motor takes up less space thanks to its small size and circular arc shape that allows the size of the lens to be reduced.

5. Equipped with the Vibration Compensation system necessary for ultra-telephotography at 400mm

   Despite its compact size, Model B028 is equipped with Tamron’s original VC (Vibration Compensation) system, which effectively curbs camera shake under low light conditions (such as a dimly lit room or at dusk) and while taking ultra-telephoto pictures. This greatly expands opportunities for casual handheld shooting. The jitter-free stability of the viewfinder image allows for easier framing and enables the photographer to compose the subject quickly and comfortably.

6. Electromagnetic diaphragm system now used also for Nikon-mount lenses

   The electromagnetic diaphragm system, which has been a standard feature for Canon-mount lenses, is now employed in Nikon-mount lenses^*3. More precise diaphragm and aperture control is possible because the diaphragm blades are driven and controlled by a motor through electronic pulse signals.*3 Available only with cameras compatible with the electromagnetic diaphragm (D3100, D3200, D3300, D3400, D5000, D5100, D5200, D5300, D5500, D5600, D7000, D7100, D7200, D300S, D500) (As of May, 2017; Tamron)

7. User-friendly features for everyday comfortable use

   With an eye toward active outdoor photography, Model B028 features Moisture-Resistant Construction to ensure worry-free shooting as well as confidence while shooting under adverse weather conditions. Also, the Zoom Lock mechanism prevents undesired movement of the lens barrel under its own weight when the camera is angled downward while walking.

8. Compatible with TAP-in Console^TM, an optional accessory product

   The optional TAP-in Console provides a USB connection to a personal computer, enabling the user to easily update the lens’s firmware as well as to customize features, including fine adjustments to the AF and VC.

9. External design placing importance on functionality and ease of use

   While inheriting the design that makes use of many organic curves and the delicately polished form down to fine details that characterize the SP lens series, the new Model B028 comes with a highly sophisticated design that also places a lot of importance on the lens’s functionality and ease of use, featuring an overall form that faithfully encompasses the internal structures within, a slim Luminous Gold brand ring and the switch shape design.

Tamron, the pioneer of all-in-one zoom lenses

Tamron launched the world’s first all-in-one zoom, the AF28-200mm F/3.8-5.6 Aspherical (Model 71D), in 1992, thereby establishing this exciting and popular market category and making Tamron truly the pioneer of all-in-one zoom lenses. Because of this innovation, photographers can change the composition and the angle-of-view easily by zooming instead of changing lenses or distance from the subject. This benefit made all-in-one zoom lenses widely popular among consumers all over the world. In the course of developing and refining its lens products over the years, Tamron has developed key innovative technologies such as groundbreaking optical systems, compact lens barrels and complex, high-precision cam configurations—in addition to durable and attractive design aesthetics. Now equipped with Tamron’s proprietary Vibration Compensation system, the Tamron all-in-one zoom lenses continue to exceed the user's expectations.

<Tamron’s all-in-one zoom lens products over the years>

Released year	Product name
1992	AF28-200mm F/3.8-5.6 Aspherical （Model 71D)
1996	AF28-200mm F/3.8-5.6 LD Aspherical [IF] Super （Model 171D)
1999	AF28-300mm F/3.5-6.3 LD Aspherical IF MACRO (Model 185D)
2000	AF28-300mm F/3.8-5.6 LD Aspherical IF Super II MACRO （Model 371D)
2001	AF28-200mm Super Zoom F/3.8-5.6 Aspherical XR [IF] MACRO (Model A03)
2002	AF28-300mm Ultra Zoom XR F/3.5-6.3 LD Aspherical [IF] MACRO (Model A06)
2004	AF28-300mm F/3.5-6.3 XR Di LD Aspherical [IF] MACRO (Model A061)
2005	AF18-200mm F/3.5-6.3 XR Di II LD Aspherical [IF] MACRO (Model A14)
2006	AF28-200mm F/3.8-5.6 XR Di Aspherical [IF] MACRO (Model A031)
2007	AF18-250mm F/3.5-6.3 XR Di II LD Aspherical [IF] Macro (Model A18)
2007	AF28-300mm F/3.5-6.3 XR Di VC LD Aspherical [IF] Macro （Model A20）
2008	AF18-270mm F/3.5-6.3 Di II VC LD Aspherical [IF] MACRO (Model B003)
2010	18-270mm F/3.5-6.3 Di II VC PZD (Model B008)
2010	18-200mm F/3.5-6.3 Di III VC (Model B011)
2014	16-300mm F/3.5-6.3 Di II VC PZD MACRO (Model B016)
2014	28-300mm F/3.5-6.3 Di VC PZD (Model A010)
2014	14-150mm F/3.5-5.8 Di III (Model C001)
2015	18-200mm F/3.5-6.3 Di II VC (Model B018)
2017	18-400mm F/3.5-6.3 Di II VC HLD (Model B028)

Specifications

Model	B028
Focal Length	18-400mm
Maximum Aperture	F/3.5-6.3
Angle of View (diagonal)	75°33' - 4° (for APS-C format)
Optical Construction	16 elements in 11 groups
Minimum Object Distance	0.45m (17.7 in)*
Maximum Magnification Ratio	1:2.9
Filter Size	Φ72mm
Maximum Diameter	Φ79mm
Length**	for Canon 123.9mm (4.9 in)for Nikon 121.4mm (4.8 in)
Weight	for Canon 710g (25 oz)for Nikon 705g (24.9 oz)
Aperture Blades	7 (circular diaphragm)
Minimum Aperture	F/22-40
Image Stabilization Performance	2.5stops (CIPA Standards Compliant)(For Canon : EOS-80D is used / For Nikon: D7200 is used)
Standard Accessories	Flower-shaped lens hood, Lens caps
Compatible Mounts	Canon, Nikon

* The minimum object distance may change if camera is used in live view mode.** Length is the distance from the front tip of the lens to the lens mount face.Specifications, appearance, functionality, etc. are subject to change without prior notice.

[/quote_box_center] 

Available for Pre-Order: Sigma 14mm F1.8 DG HSM and 24-70mm F2.8 DG OS HSM Art Lenses

The Sigma 14mm F/1.8 DG HSM Art and Sigma 24-70mm F/2.8 DG OS HSM Art lenses are available to preorder now for Canon and Sigma Mounts. Nikon will be coming out shortly in July so you won't have to wait long. Sigma's new 14mm lens is faster than Nikon and Canon respectively being F/2.8 with Sigma going down to F/1.8. As for Sigma's 24-70 Art, it's priced under the competition with the Nikon ($2200) and Canon ($1700) much higher. With news of the upcoming Tamron 24-70 G2 also releasing at the same price it'll be interesting which wins out. These may be the lenses to beat for their focal lengths and great options to order today, we'll have reviews soon.Available to pre-order via B&H: [vc_row][vc_column width="1/2"]Sigma 14mm F1.8 DG HSM Art[/vc_column][vc_column width="1/2"]Sigma 24-70mm F2.8 DG OS HSM Art[/vc_column][/vc_row]Canon EF Mount with MC-11 Mount Converter/Lens Adapter for Sony E Kit[vc_row][vc_column width="1/2"][/vc_column][vc_column width="1/2"][/vc_column][/vc_row] Press Release via Sigma[quote_box_center]

Sigma Begins Shipping Its 14mm F1.8 DG HSM and 24-70mm F2.8 DG OS HSM Art Lenses

The world’s first and only F1.8 ultra wide-angle full-frame lens for DSLR cameras is available now for $1,599.00 USD; the new Sigma Global Vision workhorse zoom lens is available now for $1,299.00 USDRonkonkoma, NY – June 22, 2017 – Sigma Corporation of America, a leading still photo and cinema lens, camera, flash and accessory manufacturer, announced today the pricing and availability for its new Sigma 14mm F1.8 DG HSM and Sigma 24-70mm F2.8 DG OS HSM Art lenses from its lauded Global Vision line. The ultra-wide angle full-frame 14mm F1.8 Art lens begins shipping in June 2017 for Canon and Sigma camera systems and in July 2017 for Nikon camera systems, for a retail price of $1,599.00 USD. The standard zoom full-frame 24-70mm F2.8 Art lens begins shipping in June 2017 for a retail price of $1,299 USD.The Sigma 14mm F1.8 Art, which is the first and only F1.8 ultra wide-angle lens among interchangeable lenses for digital SLRs*, incorporates the same aspherical element as Sigma’s critically acclaimed 12-24mm F4 Art, allowing the lens to deliver a new dimension of visual experience. Boasting outstanding image quality from center to edge, the 14mm F1.8 Art features an 80mm front lens — the world’s largest glass aspherical lens in the industry, offering photographers an ultra-wide prime with virtually no distortion, flare or ghosting. Equipped with a superfast and efficient autofocus system, three FLD (“F” Low Dispersion) elements, and four SLD (Special Low Dispersion) elements to reduce chromatic aberration and coma flare, the 14mm F1.8 Art is suitable for a wide range of photographic needs including astrophotography, architecture and landscape photography.The 24-70mm F2.8 Art lens, Sigma’s new workhorse standard zoom lens, touts a brand new Optical Stabilizer (OS), Hypersonic Motor (HSM) for highly efficient and fast autofocus, as well as a dust- and splash-proof mount with rubber sealing. The 24-70mm F2.8 Art lens embodies all the technical qualities and finesse that define the high-performance Sigma Global Vision Art series. A popular industry focal range covering a wide array of shooting scenarios, the 24-70mm’s optical design also includes three SLD (Special Low Dispersion) glass elements and four aspherical elements to ensure image accuracy and sharpness. The 24-70mm F2.8 Art aspherical elements use Sigma’s thicker center glass design and highly precise polishing process, delivering stunning images and bokeh effects. The lens’ purpose-built structure boasts a new metal barrel for optimal durability with TSC composite internal moving components designed to resist thermal contraction and expansion.Both the 14mm F1.8 DG HSM and the 24-70mm F2.8 DG OS HSM Art lenses are available in Canon, Nikon and Sigma mounts. The Sigma and Canon mount lenses work with Sigma’s MC-11 Sony E-mount converter. The Nikon mounts feature the brand new electromagnetic diaphragm.Sigma 14mm F1.8 DG HSM Art Lens Features and Benefits:> Sharp, rich image quality

• Minimized chromatic aberrations: Three FLD (“F” Low Dispersion) glass elements and four SLD (Super Low Dispersion) glass elements help reduce transverse chromatic aberration, which tends to be noticeable in shots taken with ultra wide-angle lenses. The result is outstanding image quality from the center of the image to the edges.
• Distinctive bokeh effect: Even at the 14mm ultra wide-angle of view, F1.8 brightness makes possible a very shallow depth of field with the subject standing out dramatically against a pleasingly softened background. It’s the unique mode of expression that only a large-diameter lens can deliver.
• Minimized distortion: Serving as the front lens element, the large 80mm precision-molded glass aspherical lens effectively minimizes distortion. Offering excellent peripheral brightness, this lens delivers outstanding image quality from the center to the edges.

> Offers full-frame coverageSigma 24-70mm F2.8 DG HSM OS Art Lens Features and Benefits:> Superior optical performance

• Optimal image quality for ultra-high-megapixel DSLRs: This lens offers top performance from the center to the edges of the image thanks to the optical system minimizing coma, which causes points of light to streak, and transverse chromatic aberration, which cannot be corrected via aperture control. The optical system also minimizes distortion, which can be particularly evident in wide-angle shots, resulting in excellent optical performance throughout the zoom range.
• Expressive bokeh effect every time: At wide-open aperture, this lens offers outstanding photographic expression. The area in focus is extremely sharp, while the background exhibits a beautiful, creamy bokeh effect with only slight spherical aberration. Since large-diameter zoom lenses are often used at wide-open aperture, Sigma has paid close attention to the shape of the bokeh, aiming for artistic circularity.
• Aspherical Lens Processing Technology: The Sigma 24-70mm F2.8 DG OS HSM Art incorporates an aspherical lens element that helps achieve extremely high resolution. This element is much thicker at the center than the edges, and forming its unusual shape is a feat of manufacturing technology. Moreover, Sigma processes the surface of this aspherical lens element with ultra-precise tolerances that are measured in hundredths of a micrometer. This extremely fine surface allows the Sigma 24-70mm F2.8 DG OS HSM Art to deliver a very natural and smooth bokeh effect, without the visible concentric rings that afflict typical aspherical lens elements.

> Fast and nimble autofocus photography

• Designed for advanced utility in a wide variety of situations, the optical stabilizer (OS) offers a powerful stabilization effect. The newly designed large hypersonic motor (HSM) offers 1.3 times the torque of its predecessor for exceptionally stable performance.

Sigma Global Vision Line Features & Benefits:

• Each lens is eligible for user customizable micro-focus and in-home firmware updates with the optional USB Dock and Sigma Optimization Pro software.
• Each unit is crafted in Aizu, Japan and individually tested for QC and optical performance with the exclusive A1 MTF device.
• Sigma’s Exclusive Mount Conversion Service allows lenses to be switched between any released mounts (fee-based).
• Compatible with Sigma Mount Converter MC-11, allowing use of Sigma lenses in Sigma and Canon mounts with the Sony E-mount camera systems.

*As of February 2017[/quote_box_center]

Featured Photos Weekly Challenge - Travel

This Week’s Challenge: #PRTV_travelTravel as a place or genre was your goal for this week’s challenge. Hiking, cars, cruise ships, and more... whether you were traveling with the McKay’s or picked up a travel shot you all had some really nice shots this week. Next Week’s Challenge: #PRTV_tinyplanetFind out more about upcoming challenges and past winners at photorec.tv/prtvYou can follow Photorec.TV on Instagram at @Photorec.tv and the team:

Toby’s Features:

Love the curve of the road (do we think that car strengthens or weakens the shot?)

Amazing roads to drive and photograph at #valleyoffire state park in #nevada. #road #prtv #prtv_travel #canon80d #canon1018 #landscape #landscapephotography #desert

A post shared by Marc Friedman (@taijimaf) on Jun 18, 2017 at 9:56am PDT

Simple tight shot that says TRAVEL

'Don't just listen to what they say, Go see ' 💼📷 #travelling #viaggiare #suitcase #travel #prtv #prtv_travel #weeklychallenge #blackandwhite

A post shared by NC♥ (@nancycachia) on Jun 21, 2017 at 3:54am PDT

I typically don’t love colorful edits like this but it really works and I love just the little framing in the shot.

Fancy Free

A post shared by Martin Snicer Photography (@martinsnicerphotography) on Oct 22, 2015 at 12:09pm PDT

Roy’s Features:

It’s a great travel/adventure shot and the road makes for a great leading line.

#grandtetonnationalpark #grand Tetons #prtv_travel #grandteton #park#national park#beautiful #beauty#mountains #road##vacation#landscape_captures #hiking#beautifulplaces#artofvisuals #prtv #Wyoming#visityoming#nature#landscapephotography #colors #landscape#naturephotography#viewpoint#capture#nikonusa#walking #centeroftheroad

A post shared by Tamara Karchmit (@tomadima) on Jun 16, 2017 at 12:42pm PDT

A view good for a magazine looking over the golden gate bridge with it fading off into the fog.

A beautiful sunrise yesterday morning from the Marin Headlands. #sunrise #goldengatebridge #sanfrancisco #alwayssf #ig_color #ig_sanfrancisco #igerssf #goodinc #westcoast_exposures #sonyalpha #a7 #californiacaptures #prtv #prtv_travel #ig_masterpiece #ig_fotogramers

A post shared by @beej47 on Jun 20, 2017 at 12:32pm PDT

Relative dimension in space counts as travel for a neat lego shot, I wished you went black and white though!

A time traveler and his blue police box. . . . #doctorwho #lego #tardis #legophotography #lego_hub #thedoctor #legography #legogram #bbc #legodoctorwho #palaceoffinearts #sanfrancisco #alwayssf #sfguide #howsfseessf #onlyinsf #wildbayarea #sinfrancisco #thesanfrancisco #igerssf #monochromatic #californiacaptures #westcoast_exposures #monotone #canon #teamcanon #prtv #prtv_travel

A post shared by Justin Lai (@justlai87) on Jun 20, 2017 at 5:36pm PDT

Gearing Up for Summer Photography

Summer is an amazing time for outdoor photography. With long days, warm weather, and tons of special events, there are endless possibilities for creative shooting. From early mornings capturing the sunrise to busy days photographing weddings to evenings documenting the local fair, summer is a magical season. Equipped with a few critical tips, you'll be able to step up your summer photography game and make the most of your shooting throughout the entire season.

Assess the condition of your gear

The start of a new season is a perfect opportunity to evaluate the condition of your photography gear, including lenses, bags, straps, and other accessories. Repair or replace any items that are broken or damaged. If you've been itching to upgrade your camera body, invest in a new lens, or try a new accessory, think about taking the plunge now.

Invest in circular polarizers

I always have circular polarizers in my bag, but I pull them out in the summer more than any other season. A circular polarizer (CPL) is like sunglasses for your camera lens. When you're shooting in bright outdoor conditions, a CPL filter helps reduce blown out areas and saturate colors, creating richer, more balanced images.

If applicable, pick up a few summer props

For family photographers, a carefully selected bag of props goes a long way toward adding character to sessions. You may even want to bring a few items to your engagement couple sessions. Vintage step stools in a field are a popular option. Blankets, balloons, and sweet summer treats (i.e. lollipops, ice cream) are perfect as well. When you're shooting in an iconic summer location, such as a county fair or beach, make sure to frame your subjects to highlight the summer imagery.

Streamline your gear management system

Juggling gear wastes time and energy, particularly when it's hot outside. Be honest about the gear you'll need for a given event or outing, and leave everything else at home. You may need to develop multiple gear management setups to cater to varying shooting needs. For example, a large backpack may be ideal for day hikes while a small shoulder bag is preferable for a quick newborn or engagement session. If you wear a camera or cameras, invest in a comfortable strap or strap system, so the weight is well distributed and you can access your gear quickly and easily.

Equip yourself and your clients for long hours in the sun

Unless your summer photography is limited to early morning sunrises and golden hour portrait sessions, most likely you'll be out shooting during some of the hottest and brightest hours of the day. Even when you're striving to shoot in soft, flattering light, inevitably you'll end up taking pictures in the sun during family vacations, gatherings with family and friends (i.e. birthday parties, bridal showers), and other mid-day events. Bring sunglasses, sunscreen, and a hat to protect yourself. Encourage clients to bring the gear they need to protect themselves from the sun as well.When you're working with clients for summer portrait sessions and events, keep hair product on hand to minimize frizz. During a consultation prior to a session, recommend clothing that will be flattering in hot weather, including lightweight, breathable fabrics, as well as hairstyles. For example, a braid or updo may be preferable to big, loose curls.On the hottest days of the year, reassure clients that they will be spending a minimum amount of time in direct sunlight with broiling temperatures. When a family steps out of their car and is immediately shielding their eyes from the sun or a bride is breaking into a sweat before the ceremony is over, the last thing they want to hear is that they'll be standing right in the sun for their pictures. Spend as much time in the shade as possible, take breaks in an air-conditioned building or vehicle as needed, and take care not to push anyone past their comfort limit.

Dress appropriately and comfortably for the current weather conditions

Once you've prepared for your clients for their photography sessions and big events, follow your own advice to look your best, even when it's sticky and humid. Select clothing and footwear that will hold up well in the hot weather and keep you comfortable through long hours on your feet. When you're shooting on your own, you don't have to be concerned about looking professional. For example, lady photographers may prefer to wear dressy sandals with clients but would rather put on sneakers when heading out for hikes with friends.

Be prepared for a sudden change in weather

Summer storms often come on very quickly with little or no warning. When you're outdoors in the evening for a golden hour family session or some personal shooting at a favorite beach or park, the temperature may drop quickly as the sun sets. At a minimum, travel with a waterproof camera bag and camera rain cover as well as a long-sleeved shirt or jacket, so you won't find yourself freezing or with wet camera gear. Depending on the forecast for a given day, you may want to bring additional supplies, such rain boots, an umbrella, or a wind breaker.

Have water and snacks on hand

Summery photography can get miserable when you're thirsty and hungry. Don't ever leave the house on a warm summer day without a water bottle or two and a few snacks. Pack food items that you will keep you full and energized and that will hold up in the heat, such as granola bars, dried fruit and nuts, rice cakes with almond butter, and beef jerky.

Keep a running list of summer photography ideas

Whether you're looking for new places to visit around town with family or friends or you want to keep your client sessions fresh and interesting, having an ongoing list of summer photography ideas will keep your creative juices flowing. Create a list on your phone or stash a small notebook in your camera bag, so you can jot down ideas while you're on the go. Make note of upcoming events to attend as well, such as fairs, festivals, and concerts.

Challenge yourself

Long days and warm weather create an ideal environment for setting some new photography goals and challenges. Take advantage of an evening wedding reception to practice your back lit portrait technique or push yourself to edit an entire set of images in black and white. The PRTV Instagram challenges are also a great way to get out and shoot different subjects every week of the summer.

Do you have any additional tips for summer photography?

Leave your thoughts in the comments!

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Featured Photos Weekly Challenge - Animals

This Week’s Challenge: #PRTV_animalsWith Toby and co back from shooting all the baby animals with the Mckay’s it’s fitting the start of year three is animals. It’s summertime and you guys got some great shots of wild fluffy babies to your every day furbabies (pets) with some really nice shots. Next Week’s Challenge: #PRTV_travelFind out more about upcoming challenges and past winners at photorec.tv/prtvYou can follow Photorec.TV on Instagram at @Photorec.tv and the team:

Toby’s Features:

Sharpness!! Light!! Almost looks studio like

A male Mallard having just taken off. As you may be able to tell I've changed the background on this photo. I really liked the shot of the Mallard itself but the original background was very distracting. I think it now makes for a better photo overall

A post shared by Roger Hunt (@rmhphotographic) on Jun 12, 2017 at 6:28am PDT

Another studio like shot with that soft African light!

Missing Tanzania and the amazing people I got to share it with! This was taken the first day we spent in Tanzania at Tarangire National Park. What an incredible dream come true, and how lucky and blessed am I to have memories and friends from the trip?!?

A post shared by Becky Bardin Photography (@beckybardinphoto) on Jun 12, 2017 at 9:26pm PDT

Fun with SHARp focus on the eyes and open eyes - even if they look crazy :)

My Happy, Crazy, Super Fast Wildchild, Unfortunately he still has no idea how to put on the brakes, he thinks my legs are stopping blocks _ #weimwednesday #weimaraner #bluedog #blueweimaraner #weimaranerpuppy #weimaranerwednesday #prtv #prtv_animals #dailydogwalk #dailywalk #hikingwithdogs #hiking

A post shared by Heather (@ten8e) on Jun 14, 2017 at 11:48am PDT

Roy’s Features:

A great shot and the color pops against those lava rocks.

Sally Lightfoot crab(grapsus grapsus). We have seen these all throughout the islands of the Galapagos that we visited. The brilliant colors stand out in stark contrast to the lava rocks that they inhabit. #sallylightfootcrab #crab #galapagosislands #galapagos #isabela #prtv #prtv_animals

A post shared by Ben Mooney (@bmooney32) on Jun 14, 2017 at 5:46am PDT

Technically a harder shot getting everything sharp with this bee considering a small depth of field

Bumblebee flying past some wild bramble flowers .

A post shared by Roger Hunt (@rmhphotographic) on Jun 9, 2017 at 11:55am PDT

Changing up the angle for this neat shot despite he’s hiding, great shot.

I can still see you. _ _ #naturephotography #nature #hiking #prtv #canon80d #100mmmacro #shallowdof #macro #prtv_animal #prtv_animals #turtle

A post shared by Heather (@ten8e) on Jun 13, 2017 at 4:28am PDT

Yellowstone National Park with the Canon T6i

My daughter and I just returned from a great camping trip to Yellowstone National Park - She used the Canon T6i with an old  Sigma 18-50 f/2.8 and a refurbished 55-250 STM Lens - here are a few of her favorite photos from the trip.   This entire package is affordable and capable of great results. Honestly it is more about going someplace interesting than the gear you use. 

Featured Photos Weekly Challenge - HDR

This Week’s Challenge: #PRTV_hdrVia Toby - This week I was looking for images that provided a wide dynamic range without looking unreal - something the eye is capable of seeing but not taken to the extreme with saturation or clarity, or really even any additional color cast that happens in some HDR. I have a few small prizes I will be reaching out to our top picks soon. Next Week’s Challenge: #PRTV_animalsFind out more about upcoming challenges and past winners at photorec.tv/prtvYou can follow Photorec.TV on Instagram at @Photorec.tv and the team:

Toby’s Features:

This spot looks nicely shady but detail throughout makes me feel like I am there.

When you need to get away from the hustle and bustle of the world. . . . #sfbotanicalgarden #goldengatepark #sanfrancisco #onlyinsf #thesanfrancisco #alwayssf #sfguide #wildbayarea #howsfseessf #igerssf #sinfrancisco #naturephotography #nature_brilliance #naturegraphy #instanature #nature #naturegram #hdrphotography #hdr #adventureisoutthere #solitary #solitude #canon #teamcanon #prtv #prtv_hdr

A post shared by Justin Lai (@justlai87) on Jun 6, 2017 at 5:48pm PDT

I have been here, I know it’s tricky to shoot into the sun through the arch and still get detail in the shadows! Maxence did a fantastic job of balancing the lights and the darks here to produce a detailed rich image.

Sunrise at Mesa Arch in Canyonlands National Park, Utah during our trip last week with @rabiertour. It was packed but as we arrived early we managed to pick a good spot and keep it until the sun rises. What a great show! Many more pictures to come from this trip, I have a lot from England before that but I had to post for this week's #prtv challenge, #prtv_hdr challenge! . . . . . #mesaarch #canyonlands #nationalpark #utahisrad #igutah #utahgram #wowutah #focalmarked #sunshine #visitutah #sunsets #instasky #skyporn #earlybird #mothernature #skylovers #dawn #naturephoto #main_vision #artofvisuals #watchthisinstagood #landscape_captures #awesome_earthpix #natureaddict #rsa_rural #awesomeearth #nature_wizards #ourplanetdaily @focalmark

A post shared by Maxence Lefort (@maxencelefort) on Jun 6, 2017 at 9:20am PDT

Composition, colors, the detail in the grass - all combine to create a lovely scene. Well done!

Sunrise #photography #landscape #landscapephotography #peakdistrict #peakdistrictnationalpark #mympb #PRTV_hdr #prtv #sunrise #mamtor #hopevalley #bbcbritain #uk_greatshots #lovegreatbritain #visitbritain #visualsofbritain #nikon #d7200 #nikoneurope #landscapephoto #landscapephotomag #hpow

A post shared by Darren Howley (@darren_howley) on Jun 4, 2017 at 11:44pm PDT

Roy’s Features:

It’s a nice softer shot that works well to recover a lot of the shadows you’d otherwise miss from a backlit photo.

Para manter os detalhes tanto do sol quanto das sombras, foram tiradas 3 fotos: uma mediana, uma expondo para o céu e outra expondo para as montanhas. Por fim, todas foram juntas no photoshop. . . . . . . . . . #sunset #pordosol #montanhas #mountains #hdr #luminositymasks #pic #photo #picture #fotografia #canon70d #canon_70d #PRTV_hdr #light #luz #minasgerais #prtv

A post shared by Pedro Zajden (@pedrozajden) on Jun 3, 2017 at 3:10pm PDT

Using HDR in the case of a night shot is a nice way to get a few stars and expose your subject with a bit less noise.

#hangerparty #grosseille #grosseilleairport #PRTV_hdr just outside airplane hanger.. out on Grosse Ille Michigan... wish more stars. But

A post shared by bob grzembski (@bobbiog_) on Jun 5, 2017 at 11:12am PDT

Shooting from a cave’s light shaft is tough as there is quite the range of lit subjects to dark shadow making HDR a great choice.

Ash Cave lightshaft #prtv #renegade_rural #naturephoto #main_vision #landscape_captures #awesome_earthpix #natureaddict #rsa_rural #awesomeearth #nature_wizards #gottalove_a_ #allnatureshots #instanaturelover #earth_deluxe #nature_brilliance #EarthVisuals #artofvisuals #welivetoexplore #natureaddict #naturediversity #ourplanetdaily #earth_deluxe #instanaturelover #nature_prefection #allnatureshots #focalmarked #prtv_hdr

A post shared by Maxim Muir (@anscochrome) on May 28, 2017 at 6:18pm PDT

Featured Photos Weekly Challenge - Photojournalism

This Week’s Challenge: #PRTV_photojournalismJust as a good writer adds the story the news gains a lot from a good photographer. As you’ve seen from other stories two photos of the same event can tell different stories so it’s up to you to decide. Hopefully with the holiday you all went out and tried to get some photojournalism shots as it was a perfect time to go shoot something different this week. Next Week’s Challenge: #PRTV_hdrFind out more about upcoming challenges and past winners at photorec.tv/prtvYou can follow Photorec.TV on Instagram at @Photorec.tv and the team:

Roy’s Features:

A nice patriotic shot for the week with a nice perspective using the flag

Westerville, Ohio 3,000 flags Memorial Day Display #prtv_photojournalism #PRTV #streetphoto #magnumphotos #streetlife #streetportrait #photojournalism #lensculturestreets #urbanphotography #everydayasia #theglobewanderer #wearethestreet #dailylife #beststreets #exploringtheglobe #everybodystreet #streetphotographer #reportagespotlight #lensculture #photojournalist #streetphotographers #everydayindia #storytelling #onassignment #focalmarked

A post shared by Maxim Muir (@anscochrome) on May 29, 2017 at 6:24pm PDT

A group shot works well, taking it from an above angle worked well for your caption

As we began to ascend the trail, the quiet sound of spring snow pattered through the trees slowly catching up to us. The temperature dropped ever so quickly below freezing, although our bodies remained warm from the strain of carrying our large packs. Minimal conversation and the sounds of lungs gasping for every last bit of Oxygen is all that can be heard amongst the quaint forest. . . . . . . . . . . . . #mountain #winter #cold #snow #snowboard #ski #snowboarding #skiing #white #outdoors #mountains #mountainlife #wilderness #prtv_photojournalism #hiking #backpacking #mountaineering #beauty #skimountaineering #powder #longexposure #blizzard #natgeo #landscape #landscapephotography #snowpocolypse #snowy #snowstorm

A post shared by Carson Torchia (@carsontography) on May 30, 2017 at 12:02pm PDT

Photojournalism takes a hard view on life and sometimes as a race we have to look at how we treat the poor and neglected parts of our society, even if they are from a zoo

Tigers pace around in their pens waiting to be fed as locals look on @cattyshackranch The image here seems a bit sad, seeing big cats like this in cages, but this place is not a zoo. The Catty Shack is a sanctuary. These animals are not bought, sold or traded. They're often rescues, or taking in from zoos take a no longer care for them. Once they are here, they live out the rest of their lives as comfortable as possible. #nikonf100 #kodaktrix400 scanned on #epsonv600 #nikon #nikonusa #nikonphotography #kodakfilm #kodakphoto #kodak #trix400 #kodak_film #film #filmphoto #filmcamera #filmshooter #filmisalive #filmisnotdead #filmphotography #filmshooterscollective #igersjax #thatflcommunity #explorejacksonville #exploreflorida #explorejax #904jax #prtv #prtv_photojournalism

A post shared by Caleb Wilson (@calebwilsonphotos) on May 28, 2017 at 6:05pm PDT

Like I mentioned at the start it’s a good time for events and you caught a nice candid moment

#prtv_photojournalism #prtv

A post shared by Tony Lawrence (@tony_lawrence.sa) on May 28, 2017 at 1:45pm PDT

As I pointed out with his photo from today’s feature photojournalism hits all parts, even if it’s a tragic accident

Pickup truck vs bike at 23rd & 5th speeding drivers suck

A post shared by Mike (@fotogmike) on Jan 21, 2017 at 2:24pm PST

Ending things off on a nice note sometimes photojournalism works well with street photography in a nice fluff piece for a caption

Due to high crime, alien invasions, sharknados & meteors; Dunbar increases security #prtv #PRTV_photojournalism 😂

A post shared by Edgar (@insta.gram.ed) on May 25, 2017 at 1:57pm PDT

Gear for Carrying Your Camera

https://www.youtube.com/watch?v=E89e--fS1ng&feature=youtu.beLet's talk about ways to carry your camera - with experience using Black Rapid Straps, Capture Clips, Spider Holster and Backpacker system, messenger bags, slings and backpacks - I show you the best of each method and share my "perfect" system for carrying gear these days. What's your favorite method of carrying a camera and or lens?

Gear Mentioned in this video - your use of these links helps support our work (it really does)

 [vc_row][vc_column width="1/4"] [/vc_column][vc_column width="3/4"]BlackRapid Curve Breathe Camera Strap[/vc_column][/vc_row][vc_row][vc_column width="1/4"]   [/vc_column][vc_column width="3/4"] Arca-Swiss Compatible Fusion Plate - Black Rapid Tripod Plate[/vc_column][/vc_row][vc_row][vc_column width="1/4"][/vc_column][vc_column width="3/4"]Peak Design SlideLITE Camera Strap[/vc_column][/vc_row][vc_row][vc_column width="1/4"] [/vc_column][vc_column width="3/4"]Peak Design Capture Camera Clip V2[/vc_column][/vc_row][vc_row][vc_column width="1/4"][/vc_column][vc_column width="3/4"]Spider Camera Holster SpiderPro[/vc_column][/vc_row][vc_row][vc_column width="1/4"][/vc_column][vc_column width="3/4"]Think Tank Photo Retrospective 10 Shoulder Bag[/vc_column][/vc_row][vc_row][vc_column width="1/4"][/vc_column][vc_column width="3/4"]Think Tank Photo TurnStyle 10 V1 Sling Camera Bag[/vc_column][/vc_row][vc_row][vc_column width="1/4"][/vc_column][vc_column width="3/4"]MindShift Gear BackLight 26L Backpack[/vc_column][/vc_row][vc_row][vc_column width="1/4"][/vc_column][vc_column width="3/4"]MindShift Gear Multi-Mount Holster 30[/vc_column][/vc_row][vc_row][vc_column width="1/4"]   [/vc_column][vc_column width="3/4"]Spider Camera Holster SpiderLight BackPacker Kit[/vc_column][/vc_row]

Canon 6D Mark II Leaked Specs Include an Articulating LCD | Updated

For those wanting to make the jump to a Canon full frame but disappointed in the lack of an articulating LCD (swivel screen), Canon may have just fixed that with the Canon 6D Mark II LCD. Via NokishitaCamera, with the Canon Bodies going through certification at the moment a few specs have been leaked. If rumors hold true we'll be seeing the 6DMII announced in July with the SL2 and shipping shortly thereafter.As Toby has said before having an articulating LCD is a must with today's cameras. Beyond just selfies the variable angles allow you to get shots that otherwise would be more than a bit difficult. Out of all the things for the 6DMII this was the one make it or break it item for many photographers I've talked to recently. Unfortunately playing devil's advocate though this does have its drawbacks. It's yet to be known how this affects the standard waterproofing found in Canon's higher end cameras. For those looking for a rugged full-frame camera, this might be an issue as well as adding another breaking point for their gear.With this leak is somewhat confirmed it's an interesting development and we'll find out shortly in the official announcements. As of this point with the SKU number's we should be seeing three different kit options and the 6DMII available as body only as well.Overall it's an exciting change as I expected it to go without the articulating LCD, we'll have more information out come July.Updated additional specs leaked (Via Nokishita Camera) :Following the updated specs of the t7i/77D the 6DMII looks like it's specs are roughly the same coming out as the recently released rebels. For current 6D owners getting 45 cross-type AF points using dual pixel autofocus should be a welcome upgrade. Missing unfortunately, is no 4K video, being a dealbreaker for some I'll bet.New specs coming out this week

• 26.2 MP
• 45 cross-type AF points
• Dual-Pixel AF
• DIGIC 7
• 98% viewfinder coverage, .71 magnification
• 6.5 frames/sec, 4 when using servo AF in live view
• ISO 100-40,000 (extended ISO 50, 51200, and 102400)
• Shutter speed 1/4000 to 30 seconds, 1/180 flash sync speed
• Single SD card slot
• Media: SD / SDHC / SDXC card (UHS-I card compatible)
• Wi-Fi, Bluetooth, NFC, and GPS
• Electronic level
• 100% Viewfinder
• Video Full HD 1080P at 60fps
• 5 Axis electronic image stabilization for video
• HDR movie mode, 4K timelapse movie mode
• Battery: LP-E6N / LP-E6
• New BG-E21 battery grip
• Package kits include Canon EF 24-70mm f/4.0L IS USM, Canon EF 24-105mm f/4L IS II USM, and EF 24–105mm f/3.5–5.6 IS STM options.
• Announcement due June 29, 2017
• $1999 price

Updated images leaked (via Nokishita)

Adobe Lightroom 6.10.1, CC 2015.10.1 and Camera Raw 10.1 Adds Support for Sony A9

Adobe released updates this week for Lightroom 6.10.1, CC 2015.10.1 and Camera Raw 10.1. Included are updates supporting the Sony a9 (Read Toby’s Review of the great Sony A9!) and Zeiss Batis 135mm f/2.8 Lens as well as bug updates for a smoother performance.Installation InstructionsPlease select Help > Updates to use the update mechanism in the Creative Cloud app.Buy the Sony a9 now at:

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[quote_box_center]New Camera Support in Lightroom CC 2015.10.1 / 6.10.1

• Panasonic LUMIX DC-ZS70 (DC-TZ90,DC-TZ91, DC-TZ92, DC-T93)
• Sony A9 (ILCE-9)

New Lens Profile Support in Lightroom CC 2015.10.1 / 6.10.1

Mount	Name
Sony FE	Zeiss Batis 2.8/135

Customer reported issues resolved 

• Edit in Photoshop Erroneous Message Fixed
• Fixed issue causing color cast on images from some Fujifilm X series cameras shot in CH/CL modes.
• Fixed issue where images taken on the Fujifilm GFX 50s with top 3 extended ISOs appear over exposed.
• Fixed issue where some images converted to DNG from the Hasselblad H6 contained a color cast.
• Fixed issue with Hasselblad X1D images losing highlight details at high ISOs.

Known Issues 

• We have an issue where customers are unable to use the Develop module with GPU enabled.  This only occurs when using an AMD graphics card using driver Version 17.4.4 (released 4/23/2017) on Windows.  Please see this note for more details and workarounds.

[/quote_box_center]

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[quote_box_center]New Camera Support in Camera Raw 9.10.1 

• Panasonic LUMIX DC-ZS70 (DC-TZ90,DC-TZ91, DC-TZ92, DC-T93)
• Sony A9 (ILCE-9)

New Lens Profile Support in Camera Raw 9.10.1

Mount	Name
Sony FE	Zeiss Batis 2.8/135

Customer reported issues resolved 

• Fixed issue causing color cast on images from some Fujifilm X series cameras shot in CH/CL modes.
• Fixed issue where images taken on the Fujifilm GFX 50s with top 3 extended ISOs appear over exposed.
• Fixed issue where some images converted to DNG from the Hasselblad H6 contained a color cast.
• Fixed issue with Hasselblad X1D images losing highlight details at high ISOs.

Known Issues 

• We have an issue where customers are unable to open Camera Raw with GPU enabled.  This only occurs when using an AMD graphics card using driver Version 17.4.4 (released 4/23/2017) on Windows.  Please see this note for more details and workarounds.

[/quote_box_center]

DJI Spark vs DJI Mavic Pro

https://youtu.be/Yseaxsh23bgI have said it before.. and I will say it again - drones are fun! Did DJI just release the most fun, most capable drone yet? Before we talk about the DJI Spark I do want to say that drones are more than fun. They are useful in creating more interesting content and accessing angles and views you wouldn't otherwise be able to capture and share.  And this is true for photos or video. See the beautiful drone footage from Croatia.  They really open up some interesting possibilities but they aren't cheap, they can be intimidating and have typically required a commitment to bring along - The DJI Mavic pro made big steps in solving that with a compact size that still offers serious performance. Now with the newly announced DJI Spark it's clear DJI sees a market for smaller, cheaper and less intimidating drones. The size and weight of the Spark is impressively small- almost exactly 300 grams or .66 lbs. For comparison the Mavic Pro is 1.66lbs and noticeably larger, even when folded.Cool Feature - using just touch and hand signals the drone can take off from your hand, rotate around you, follow you, snap selfies or group shots and perform a few other prescribed routes while tracking you. Range of course is limited with gestures and even with the app you are limited to less than 100 meters distance. Buy the Fly More Combo for $699 and you get the controller that gives you a 2000 meter range, that's more than a mile, an extra battery and charger, prop guards and a carrying case. Charging is done via USB which helps to keep this all very portable - though charging through the drone is slow at 80 minutes via USB, charging through the hub included in the fly more combo is faster at 52 minutes and is capable of charging more than one battery at a time.The DJI Mavic offers a 21-25 minute fly time - records 4k at 30fps as well as additional frame rates at lower resolutions including some for excellent slow mo - offers RAW or JPEG capture with a 28mm f/2.2 and a 3 axis gimbal correcting for roll, pitch and YAW - the footage I have captured with the mavic is just so buttery smooth - I suspect the Spark is going to be close, but some movements or in some winds footage is likely to be a little less smooth. Speaking of wind - The Mavic states a max of 24 MPh while the Spark gets a max rating of 18 mph.Your range on the Mavic is significantly increased and with that additional flytime you can feel safe in going further and higher and knowing your drone will return.  The Mavic sells for $999 which includes a remote- you can fly the mavic with just your phone but range is greatly limited, similar to the Spark and the Mavic does not offer gesture control for movement though you can do the selfie shot and simple tracking. The fly more combo gets you three batteries, a smart 3 battery charger (sequential- not simultaneously), extra props, a carry case and doodad that lets you turn a battery into a phone charger for $1299.

Which Drone Should You Get?

If you are looking for ultra portable, fun and easy the Spark will do the job. I just said on a recent video the best drone is the one you have with you and being able to always have this along is pretty sweet. But if you need to go higher, further and/or want 4K - you should consider the Mavic. And if you really don’t care about portability get the Phantom 4. The DJI Spark will sell really well. Though everyone should get the fly more kit - 16 minute flight time and an 82 minute charge time doesn’t really set you up for lots of fun. Having at least ONE extra battery is in my opinion mandatory. Additional extra batteries will cost you $49.More details and a complete spec comparison of the Mavic, Phantom 4 and Spark can be found at photorec.tv/spark. I'd love to know which drone you are most interested in and why - is the Spark enough for you? Leave those in the comments below. Your use of my affiliate links is my salary - Please use these links for all your purchases.BUY FROM B&H PHOTO (No Sales Tax Outside NY)SPARKSPARK Fly More Combo (recommended)MAVIC PRO MAVIC PRO Fly More Combo (recommended)BUY FROM AMAZONSPARKSPARK Fly More Combo (recommended)MAVIC PRO MAVIC PRO Fly More Combo (recommended)

Featured Photos Weekly Challenge - Leading Lines

This Week’s Challenge: #PRTV_leadinglinesA fun but harder subject this week as we did have some entries that did not qualify as we needed a strong line in your photo. Leading lines in a photo is a harder composition as you need not just lines in a photo, but strong lines this week to draw your eye to a subject. Falling back on architecture and landscapes while out shooting you can find many things that can focus your photos from a road to a river or a sign.Next Week’s Challenge: #PRTV_photojournalismFind out more about upcoming challenges and past winners at photorec.tv/prtvYou can follow Photorec.TV on Instagram at @Photorec.tv and the team:

Toby’s Features:

A unique take on an iconic landmark!

An "Iconic View" with Sydney Opera House in the background - a triumph of modern architecture, rare engineering and a marvel born out of innovation, creativity and controversy. #itspixelbliss #xploresydney #discoveraustralia #ilovesydney #visitnsw #sydneylocal #canonaustralia #sydney_insta #australia #earthofficial #ourplanetdaily #dailytelegraph #focusaustralia #sun7 #canonphotography #instadaily #picoftheday #amazing #sydneyoperahouse #travel #travelgram #blackandwhite #bnw #instablackandwhite #bnwphotography #bnw_sydney #fineartphotography #mysydney #iconic

A post shared by Martin Snicer Photography (@martinsnicerphotography) on Apr 30, 2017 at 12:10pm PDT

lines don’t always need to be so clear to lead the eye - the broken egg shells do a great job leading up to the bowl and I like the rest of the arrangement in this shot.

Thought I would try some food photography this morning! #prtv #prtv_leadinglines #iphone7plus

A post shared by Michael Homze (@mikehomze) on May 21, 2017 at 6:10am PDT

lovely little curve into the distance.

Fine art Photography #prtv_leadinglines from my Europe Holidays in September 2016 #brussels #belgium #brussels_streets #handheld #cities #natgeotravel #natgeo #lonelyplanet #bbc_travel #europetrip #worldtourists #gypsysoul #europetourist #toplondonphoto #moodygrams #mybestshot #natgeomyshot #best_of_the_day #instagood #travelgram #leadinglines #canon5dmarkiii #canon24105 #streetstyle #streetphotography #belgian_chocolate #floraldecor #floralbeauty #beststreets

A post shared by Gops.Vdra Travelgram (@gops.vdra_travelgram) on May 22, 2017 at 8:07pm PDT

Roy’s Features:

Lines don’t have to be a literal line and this tug of war is a great lead up to your son with a soft bokeh.

Day 136/365 Field Day Activities! #project365 #365challenge #documentyourdays _ _ _ _ _ _ _ _ _ _ #childofig #dearestviewfinder #prtv_leadinglines #infinity_children #honestlyparents #lifewellcaptured #letthekids #let_there_be_delight #honestlydocumented #count_itjoy #momhub #the_sugar_jar #thegallerycollective #thesincerestoryteller #ourcandidlife #snaplovegrow #childportraits #illuminatechildhood #magicofchildhood #celebrate_childhood #pocket_sweetness #my_magic_moments #uniteinmotherhood #inbeautyandchaos #thedocumentarymovement #snapmaven365 #three_sixty_five2017

A post shared by Krystal Weir (@krystalweirphotography) on May 16, 2017 at 8:56pm PDT

While I’m usually not fond of leading lines that make a chicane the angle is slight enough it still makes a great trail through your photo.

Longleaf pine forests and grasses with golden sunlight gently gilding them makes for a super end to the day!

A post shared by Becky Bardin Photography (@beckybardinphoto) on May 20, 2017 at 3:31pm PDT

A bit on the nose but I like the tiny mountain peeking out at the end of your trail.

10/10 recommend the Canadian Rockies 🌲 #prtv_leadinglines

A post shared by Cødy Anderson🏴 (@cody14anderson) on May 18, 2017 at 3:11pm PDT

ThinkTank SubUrban Disguise 10: Unboxing + Initial Thoughts

In preparation for an upcoming lengthy international trip, I decided to purchase the ThinkTank SubUrban Disguise 10. I already own the ThinkTank CityWalker 20 (which has been discontinued but is very similar to this model) and a LowePro backpack (this model). Currently, I use the CityWalker for day trips and other shorter excursions and the LowePro backpack for airplane travel and other longer trips. I love both of these bags and have been very happy with them for these purposes. However, for my impending trip, I wanted a smaller bag that will hold a limited amount of gear safely without weighing me and my 5'2" frame down too much. I will be doing a ton of walking in warm weather and will be in and out of historic sites and small restaurants and cafes with a larger travel group, which means a big bag isn't ideal. After consulting with the Photorec support group and the ThinkTank support staff, I settled on the ThinkTankSubUrban Disguise 10.In my ThinkTank SubUrban Disguise 10: Unboxing + Initial Thoughts post, I discuss the following points.

• Exactly how I received the bag in the mail
• The camera gear, camera accessories, and other items I plan to carry in the bag and how everything fits in it
• All of the pockets and compartments and how I plan to use them
• The other elements of the bag, such as the rain cover
• How I love being able to rest my Canon 80D with varying lenses on top of the bag
• My final initial thoughts, including the construction of the bag and how I think the bag is going to work for my upcoming trip

I also include detailed photos, showcasing every aspect of this camera bag and the exact gear I plan to carry in the ThinkTank SubUrban Disguise 10.Read the full post over on roseclearfield.com: ThinkTank SubUrban Disguise 10: Unboxing and Initial Thoughts.Please note that this post is only the unboxing and my initial thoughts. It is not a comprehensive review of the ThinkTank SubUrban Disguise 10. Following my trip, I do plan to write a full review. When it's available, I'll link it to this post.

Do you own the ThinkTank SubUrban Disguise 10?

I'd love to hear your thoughts on this bag!

Save

Sony A9 Goes to the Races and Starts Shipping Now

As an update, the Sony A9 starts shipping starting tomorrow, order now and get your brand new a9 soon! If you haven't yet, check out Toby's review of the sportier A9 everyone has come to love. At 20fps and speedy autofocus, it pushes the envelope for what's possible.Buy it now at:

  https://vimeo.com/216570035As you can see in the Sony a9’s speedy video above we recently had the 143rd Kentucky Derby on May 6th and veteran journalist Nick Didlick came toting a rolling case filled with Sony a9 mirrorless cameras using G Master lenses. With Six Sony a9s making the trip to Churchill downs it became a baptism by fire for the new 20fps mirrorless camera. After strong storms through the past week the A9’s would be shooting in rough, wet, conditions with little light from strong clouds making shooting at speed a challenge.Shooting solo, the plan coming to the race was four cameras set as remotes with a mid-range zoom and the other a longer telephoto. For walkaround gear, Didlick focused on the new 100-400mm G Master with a 2x converter for head on shots. A 24-70mm G Master worked as an all purpose lens on the second a9 to complement the telephoto, and he carried a 70-200 f/2.8 G Master lens as well. Overall he covered his bases nicely for somewhat wider shots to the closest portraits of the horse and jockies.Logistically with the small size of the a9 and lenses, it’s actually a relatively small and lightweight setup considering the competition for Didlick. Six Cameras and eight lenses plus accessories fit into one case making it a cakewalk to cart around Churchill Downs. Even out on the track, Didlick was carrying three a9s with their remote setups while others struggled with two DSLRs. The a9’s set to fire as a remote lasted six to eight hours on one battery making no need to hurry to check on them through the day as well.This Kentucky Derby was the Sony α9’s first major foray into big-time sports photojournalism. With Didlick’s guidance, the camera lived up to its potential. You can check out some of the day’s photos below.

Photos by Nick Didlick/VisualMediaProducer.com 

DJI Spark Announced - A New Small Option

https://youtu.be/Yseaxsh23bgDJI has just announced the Spark.  The DJI Spark takes the idea of a seriously portable drone, first introduced with the Mavic Pro last year, and makes it even smaller.Spark is smaller and lighter than the Mavic Pro, but also supports all of the Mavic Pro’s Intelligent Flight Modes and introduces new features like QuickShot and advanced gesture controls like PalmControl.   Described in the launch keynote as easy, intuitive and fun. This really reminds me of the Lily, the failed kickstarter drone that was focused on easy selfie photos and videos.  One feature borrowed from recent innovations in smartphone cameras - fake depth of field with shallow focus mode- intentional background blur.While it can produce professional results the lack of 4k, 16 minute flight time and probable issues in wind make this less ideal for serious aerial photo or video needs. Those that desire a more versatile drone need to consider the Mavic Pro or a higher model.$499 will get you the drone and one battery. You can charge the drone via Micro USB(a first for DJI).   Control with hand gestures or the DJI app on your smartphone - range is limited to approximately 100 meters.$699 for the Fly more combo which includes - extra props, prop guards, 1 extra battery (2 total), a remote and a carry case. The remote extends the range to 1.24 miles and while the remote is similar to the DJI Mavic it is much simpler without the LCD Screen.Shipping June 21st - Preorder from Amazon or B&H Photo (No sales tax outside NY)https://youtu.be/74Cm1p3fr0g[vc_row][vc_column width="1/4"][/vc_column][vc_column width="1/4"][/vc_column][vc_column width="1/4"][/vc_column][vc_column width="1/4"][/vc_column][/vc_row][vc_row][vc_column width="1/4"]Size[/vc_column][vc_column width="1/4"]335mm (Extended) 83mm x 83mm x 198mm (Folded)[/vc_column][vc_column width="1/4"]350mm[/vc_column][vc_column width="1/4"]143×143×55 mm[/vc_column][/vc_row][vc_row][vc_column width="1/4"]Weight[/vc_column][vc_column width="1/4"]1.64 lbs (743g)[/vc_column][vc_column width="1/4"]3.04 lbs (1380g)[/vc_column][vc_column width="1/4"].66lbs (300 g)[/vc_column][/vc_row][vc_row][vc_column width="1/4"]Operating Temp[/vc_column][vc_column width="1/4"]32° to 104° F ( 0° to 40° C )[/vc_column][vc_column width="1/4"] 32° to 104°F (0° to 40°C)[/vc_column][vc_column width="1/4"]32° to 104° F (0° to 40° C)[/vc_column][/vc_row][vc_row][vc_column width="1/4"]Max Ascent /Descent Speed[/vc_column][vc_column width="1/4"]16.4 ft/s | 9.8 ft/s[/vc_column][vc_column width="1/4"]19.7 ft/s | 13.1 ft/s[/vc_column][vc_column width="1/4"] 9.8 ft/s (3 m/s) | 9.8 ft/s (3 m/s)[/vc_column][/vc_row][vc_row][vc_column width="1/4"]Max Flight Time[/vc_column][vc_column width="1/4"]27 Minutes[/vc_column][vc_column width="1/4"]28 Minutes[/vc_column][vc_column width="1/4"]16 Minutes[/vc_column][/vc_row][vc_row][vc_column width="1/4"]Max Flight Distance[/vc_column][vc_column width="1/4"]8 mi (13 km)[/vc_column][vc_column width="1/4"]-[/vc_column][vc_column width="1/4"]-[/vc_column][/vc_row][vc_row][vc_column width="1/4"]Max Tilt Angle[/vc_column][vc_column width="1/4"]-[/vc_column][vc_column width="1/4"]S-mode: 42°A-mode: 35°P-mode: 15°[/vc_column][vc_column width="1/4"]-[/vc_column][/vc_row][vc_row][vc_column width="1/4"]Max Angular Speed[/vc_column][vc_column width="1/4"]-[/vc_column][vc_column width="1/4"]S-mode: 200°/sA-mode: 150°/s[/vc_column][vc_column width="1/4"]-[/vc_column][/vc_row][vc_row][vc_column width="1/4"]Max Wind Speed Resistance[/vc_column][vc_column width="1/4"]-[/vc_column][vc_column width="1/4"]10 m/s[/vc_column][vc_column width="1/4"]-[/vc_column][/vc_row][vc_row][vc_column width="1/4"]Sensor[/vc_column][vc_column width="1/4"]1/2.3” (CMOS), Effective pixels:12.35 MP[/vc_column][vc_column width="1/4"]1/2.3” CMOS, Effective pixels:12.4 MP[/vc_column][vc_column width="1/4"]1/2.3" CMOSEffective pixels: 12 MP[/vc_column][/vc_row][vc_row][vc_column width="1/4"]Lens[/vc_column][vc_column width="1/4"]FOV 78.8° 28 mm (35 mm format equivalent) f/2.2Distortion < 1.5% Focus from 0.5 m to ∞[/vc_column][vc_column width="1/4"]FOV 94° 20 mm (35 mm format equivalent) f/2.8 focus at ∞[/vc_column][vc_column width="1/4"]FOV 81.9° 25 mm (35 mm format equivalent) f/2.6(shooting range: 2 m to ∞)[/vc_column][/vc_row][vc_row][vc_column width="1/4"]Gimbal[/vc_column][vc_column width="1/4"]3-Axis[/vc_column][vc_column width="1/4"]3-Axis[/vc_column][vc_column width="1/4"]2-Axis[/vc_column][/vc_row][vc_row][vc_column width="1/4"]ISO Range[/vc_column][vc_column width="1/4"]100-3200 (video)100-1600 (photo)[/vc_column][vc_column width="1/4"]100-3200 (video)100-1600 (photo)[/vc_column][vc_column width="1/4"]Video: 100-3200Photo: 100-1600[/vc_column][/vc_row][vc_row][vc_column width="1/4"]Shutter Speed[/vc_column][vc_column width="1/4"]8s -1/8000s[/vc_column][vc_column width="1/4"]8 - 1/8000 s[/vc_column][vc_column width="1/4"]2-1/8000 s[/vc_column][/vc_row][vc_row][vc_column width="1/4"]Image Size[/vc_column][vc_column width="1/4"]4000×3000[/vc_column][vc_column width="1/4"]4000×3000[/vc_column][vc_column width="1/4"]3968×2976[/vc_column][/vc_row][vc_row][vc_column width="1/4"]Still Photography Modes[/vc_column][vc_column width="1/4"]Single shotBurst shooting: 3/5/7 framesAuto Exposure Bracketing (AEB): 3/5 bracketed frames at 0.7 EV BiasInterval[/vc_column][vc_column width="1/4"]Single shotBurst shooting: 3/5/7 framesAuto Exposure Bracketing (AEB): 3/5 bracketed frames at 0.7 EV BiasTimelapseHDR[/vc_column][vc_column width="1/4"]Single ShotBurst Shooting: 3 framesAuto Exposure Bracketing (AEB): 3 bracketed frames at 0.7 EV biasInterval: 2/3/5/7/10/15/20/30/60 s[/vc_column][/vc_row][vc_row][vc_column width="1/4"]Video Recording Modes[/vc_column][vc_column width="1/4"]C4K: 4096×2160 24p4K: 3840×2160 24/25/30p2.7K: 2720x1530 24/25/30pFHD: 1920×1080 24/25/30/48/50/60/96pHD: 1280×720 24/25/30/48/50/60/120p[/vc_column][vc_column width="1/4"]UHD: 4096×2160 (4K) 24 / 25p3840×2160 (4K) 24 / 25 / 30p2704×1520 (2.7K) 24 / 25 / 30pFHD: 1920×1080 24 / 25 / 30 / 48 / 50 / 60 / 120pHD: 1280×720 24 / 25 / 30 / 48 / 50 / 60p[/vc_column][vc_column width="1/4"]-[/vc_column][/vc_row][vc_row][vc_column width="1/4"]Max Video Bitrate[/vc_column][vc_column width="1/4"] 60 Mbps[/vc_column][vc_column width="1/4"] 60 Mbps[/vc_column][vc_column width="1/4"]24 Mbps[/vc_column][/vc_row][vc_row][vc_column width="1/4"]Supported File Systems[/vc_column][vc_column width="1/4"]FAT32 ( ≤ 32 GB ); exFAT ( > 32 GB )[/vc_column][vc_column width="1/4"]FAT32 ( ≤ 32 GB ); exFAT ( > 32 GB )[/vc_column][vc_column width="1/4"]FAT32 (≤ 32 GB)[/vc_column][/vc_row][vc_row][vc_column width="1/4"]Photo[/vc_column][vc_column width="1/4"]JPEG, DNG[/vc_column][vc_column width="1/4"]JPEG, DNG[/vc_column][vc_column width="1/4"]JPEG[/vc_column][/vc_row][vc_row][vc_column width="1/4"]Video[/vc_column][vc_column width="1/4"]MP4, MOV (MPEG-4 AVC/H.264)[/vc_column][vc_column width="1/4"] MP4, MOV (MPEG-4 AVC/H.264)[/vc_column][vc_column width="1/4"]MP4 (MPEG-4 AVC/H.264)[/vc_column][/vc_row][vc_row][vc_column width="1/4"]Supported SD Cards[/vc_column][vc_column width="1/4"] Micro SDMax capacity: 64 GB. Class 10 or UHS-1 rating required[/vc_column][vc_column width="1/4"]Micro SDMax capacity: 64 GBClass 10 or UHS-1 rating required[/vc_column][vc_column width="1/4"]Micro SDMax capacity: 64 GBClass 10 or UHS-1 rating required[/vc_column][/vc_row][vc_row][vc_column width="1/4"]Buy it Today![/vc_column][vc_column width="1/4"][/vc_column][vc_column width="1/4"][/vc_column][vc_column width="1/4"][/vc_column][/vc_row]Recommended Micro SD Cards for the DJI Spark[vc_row][vc_column width="1/2"]Sandisk 16 GB  SDHCSandisk 32 GB  SDHCSandisk 64 GB  SDXCKingston 16 GB  SDHCKingston 32 GB  SDHC[/vc_column][vc_column width="1/2"]Kingston 64 GB  SDXCSamsung 16 GB  SDHCSamsung 32 GB  SDHCSamsung 64 GB  SDXC[/vc_column][/vc_row]

Featured Photos Weekly Challenge - Architecture 2

This Week’s Challenge: #PRTV_architecture2In Architecture 2 looking up above, finding a hole to frame a composition, or even going for a mural worked out this week for some really nice shots. Compared to most things we shoot architecture is tricky since the subject is so much larger than most we shoot, limiting options in cases, but creating some in others. Next Week’s Challenge: #PRTV_leadinglinesFind out more about upcoming challenges and past winners at photorec.tv/prtvYou can follow Photorec.TV on Instagram at @Photorec.tv and the team:

Roy’s Features:

Finding a bit of symmetry works great for this shot and it’s cropped with a nice border.

The ceiling of the Great Hall #prtv_architecture2 #prtv

A post shared by Jeff Kuhn (@jkuhn36) on May 11, 2017 at 11:53am PDT

Some nice lines in your photo to direct the eye and a modern look.

#prtv #prtv_architecture2 #sagreat #glamadelaide #southaustralia #adelaidefootbridge #torrensriver

A post shared by Tony Lawrence (@tony_lawrence.sa) on May 14, 2017 at 9:09am PDT

Shooting in the evening gives this photo some nice color for a gradient that goes with the bridge.

MUMBAI Worli Sea Link Captured on #nikonb700 enhanced on iOS #lightroom #prtv_architecture2 #worli #worlisealink #sunset #architecturephotography #architecturelovers #architecture #architectureporn #lonelyplanetindia #bbc_travel #bbc_earth #sealink #natgeo #natgeotravel #natgeomyshot #minimalist #evening #glorious_sunsets #sunset #pattern #bestofig #flyover #aamchimumbai #incredibleindiaofficial #incredibleindia

A post shared by Gops.Vdra Travelgram (@gops.vdra_travelgram) on May 12, 2017 at 10:22pm PDT

Rose’s Features:

I love this composition with the reflections on either side.

St Paul's Cathedral

A post shared by Caroline (@carolineefarrow) on May 17, 2017 at 4:41am PDT

A classic shot but so well executed. I really like the tones in this image, too.

Somewhere in 2016 ISO 100 | 15mm | f7.1 | 1/100s . . . . . #theworldneedsmorespiralstaircases #tv_spiralstaircases #SDMtravels #streetdreamsmag #agameoftones #illgrammers #tv_leadinglines #rustlord_archdesign #archilovers #prtv #fubiz @fubiz #canonnederland @canonnederland #hsdailyfeature #fatalframes #estheticlabel #gramslayers #theimaged #thelensbible #createcommune #createexplore #tv_pointofview #instagood10k #thecreatorclass #prtv_architecture2 #unlimitedcities #eclectic_shotz #createandcapture #archdaily #urbanromantix #arquitecturamx

A post shared by Mitchell van Eijk (@mitchellvaneijk) on May 5, 2017 at 9:06am PDT

I love the way the columns and their reflections will the whole frame.

A 10 stop neutral density filter may have been overkill for this photo, but it was all I had with me at the time. It did smooth out the water to give me a nice reflection of the columns, though. . . . #palaceoffinearts #sanfrancisco #alwayssf #sfguide #nowrongwaysf #onlyinsf #howsfseessf #wildbayarea #abc7now #igerssf #thesanfrancisco #sinfrancisco #westcoast_exposures #californiacaptures #visitcalifornia #longexposure #reflection #reflectiongram #architecture #canon #teamcanon #prtv #prtv_architecture2 #adoramapix

A post shared by Justin Lai (@justlai87) on May 12, 2017 at 6:02pm PDT