Vietnam Photography Adventures - Part Three!

We left Vietnam and head for Cambodia and Siam Reap- amazing floating villages of Tonlé Sap and explorations of Angkor Wat and all the surrounding temples like Ta Prohm!Watch the SeriesVietnam Photography Adventures Part 2Vietnam Photography Adventures Part 1

• Save 10% off your first purchase of a domain, website galleryat http://squarespace.com/photorectv

• See a complete list of the gear I took to Vietnam https://kit.com/photorectoby/vietnam-...

• A few of my favorite photos from Vietnam http://photorectoby.com/vietnam

• Travel with me on a future workshop - http://photorec.tv/travel

Sony a7III Review - The Only Thing Entry Level Is the Price

Sony a7III Review

This camera really redefines what it means to offer an entry-level full frame camera. With the a7III, Sony even seems willing to risk sales of their higher end models. Packed inside is a redesigned 24MP sensor, using the newer backside illuminated design for improved lowlight performance. Capable of 10 frames per second (silent or mechanical shutter) with In Body Image Stabilization (IBIS). Sony borrowed from the a9 with 693 autofocus points using Eye-AF and tracking better than the Sony a7RIII. Videographers should also be happy shooting 4K with HLG(HDR) and S-Log2 and S-Log3 - feature serious videographers will appreciate. And the addition of a touchscreen for touch to focus improves the usability of the camera and makes shooting video easier too. As an entry-level full frame camera, the Sony a7III doesn't pull any punches.

• Redesigned 24MP Sensor

• 693 AF Points with A9s Eye-AF system (Better than a7Riii)

• 15 stop Dynamic Range

• 5 axis IBIS

• 10fps with 14 bit raw (also 14 bit raw while silent)

• 4k HDR, 6k full readout, Slog 2 & 3 and HLG

• Uses Z Battery Rated at 710 shots longest battery life of any mirrorless camera ever (We got a ton more photos than that in real-world use, 4,000!)

• Dual SDcard slots, joystick, touchscreen, USB-C

Short answer? Buy this now, seriously here's the link to Amazon.As it stands the a7III is the entry-level full frame to beat. 

Sony a7III ISO

Sony a7iii s-log

As a big point for this series, the body and user interface have been redesigned with a joystick, touchscreen, and dual card slots. At 710 shots per charge with a newly redesigned battery, it has the highest shot count of any mirrorless camera to date. After taking 2,000 photos and using the camera all day at 20 percent left the a7III still got another 2,000 shots from a timelapse... on a single battery!The a7III can go up 204,800 ISO in Extended Mode, and in testing, this camera is pretty good. At 51,200 ISO we found that images are still usable at least for social media purposes. Versus the a7RIII results are similar but the a7RIII does have a slight advantage at higher ISO. Versus the Canon 6d MarkII up to 12,800 ISO, the Canon compares quite well, then the a7III starts to have much better photos.The Eye-AF system is BETTER than the a7RIII! And it’s REALLY good in the A7RIII! For cases where that's not an option, the focus point joystick can change points on the go. In darker scenes focus is good, Eye-AF does struggle in lower light if it can't recognize an eye. Otherwise set to medium spot it grabs focus well in those situations, as well as some of the other automated focus modes. Lock on tracking is nice but in testing, it does miss on occasion in our experience but overall it still works great.Buffering was an issue with previous Sony cameras, filling up, and locking you out of some options. The a7III is improved. Also, the a7III does not have apps, just like the a7RIII and a9. No timelapse or reflection app but there's always other options such as the Miops mobile or dropping S&Q to one frame a second. [Timelapse options on Sony a9, a7Riii, a7iii]For video, you get 1080p at 30/60/120 fps up to 100 Mbits a second, it also has 4k at 30 and 24 fps at 8 bit.  Super 35 and full frame (both work in 4k and 1080p) are equally sharp and give you more options for shooting as the crop ratio can help you get closer or wider when needed. 4k at 30fps does have a 1.2 crop, 24fps is a full frame readout. ISO up to 6400 is good, 12800 is a pinch, reducing 4k to 1080p does reduce a lot of noise. For editing, you'll be good with access to S-Log 2 and 3 and multiple picture styles. Proxy support is included as well, a second smaller copy recorded alongside the 4K file that allows you edit on a laptop, having the ability to swap it out with the 4K file laterInterested in how the a7III stacks up to the a7RIII? Check out Photorec.tv/a73vs for the full comparison. Really, 42MP plus pixel shift is what you get with the a7RIII. But, for those that don't need the megapixels, this is more than you need and you can spend the extra cash on a new lens.For $2,000? The Sony a7III is just worth it, as an entry level full frame Sony wants to dominate the space. This camera lives up to the hype with a 24mp sensor, great autofocus, and 10 fps for any professional shoot. The redesigned body and UI is great and much better to use than previous generations. Then there's a battery that can shoot up to 4,000 shots, 4K with video options, and IBIS... This is the entry-level full frame to beat.

Sony a7III Available for Preorder Today

Sony a7III review

Body Only for Just $1999

Amazon

B&H Photo

FE 28-70mm f/3.5-5.6 OSS Lens KitAmazon | B&HVario-Tessar FE 24-70mm f/4ZA OSS Lens KitAmazon | B&HFE 24-105mm f/4 G OSS Lens KitAmazon | B&H

Basic Specs

• 24MP Full-Frame Exmor R BSI CMOS Sensor

• BIONZ X Image Processor & Front-End LSI

• 693-Point Hybrid AF System

• UHD 4K30p Video with HLG & S-Log3 Gammas

• 2.36m-Dot Tru-Finder OLED EVF

• 3.0" 922k-Dot Tilting Touchscreen LCD

• 5-Axis SteadyShot INSIDE Stabilization

• ISO 204800 and 10 fps Shooting

• Built-In Wi-Fi and NFC, Dual SD Slots

• USB Type-C Port, Weather-Sealed Design

Sample Photos

Mish Mash Highlights: 3/7/2018

A post shared by Toby (@photorectoby) on Mar 7, 2018 at 5:28am PST

Toby's slowly making his way to Africa for a safari, taking a bit of a pit stop in Amsterdam for a vacation. With WPPI over this week news is a bit slower but Later.com got a big update for Instagram and Canon is ready to make a move... finally. As always this is your weekly highlights with photography news, Instagram top picks, photos from space, and more!While Toby does the Live Show for PEN this is your quick peek at what we’re doing behind the scenes. But, you can always join Photo Enthusiast Network and watch Toby live, find out more at Photorec.tv/pen. For everyone that are already PEN members, thank you for supporting the site!

This Week at Photorec.tv

Want to travel with Toby? We've got some great new trips to sign up for:

• Return to New Zealand – April & May 2019
• Oregon Waterfalls and Coast - August 24th-26th  2018

• New for PEN, join today at Photorec.tv/PEN
  • Tuesday Tips - See as a Photographer! Tips on how to see things as a photographer for the best composition for your photos.
  • New Videos!
    • Lightroom Crop and Export for Print or Share Online, a complete guide on how to export your photos and getting them ready to print by Toby
    • The Making of a Black and White Series Part 1, this week David introduces some basics on how to start working on your photos for a great black and white photo.
• Sony a7III vs a7RIII
  • With the a7III out the big question now is should you go with it or the a7RIII. It's a battle of specs and Toby's got all the details.
• Review – Sony 12-24 f/4 and SUPER WIDE NISI Filters
  • The Sony 12-24 ultra wide gets a review after some shooting in Yellowstone plus NISI has a great filter made just to fit it.
• Back to the Serengeti
  • As Toby is soon to be in Africa this is a follow up of all the gear that made the trip and the multiple vlogs from the last tour.

Around the Web

We can't cover everything photography news related but we try. For everything else, we've got the best news articles from around the web.Schedule Posts Automatically to Instagram with Later!Later.com, our favorite site for scheduling Instagram photos, just got a big update to post photos directly to Instagram. This means you can post photos directly from your computer without the risk of a shadow ban and schedule without having to stop later on to push it out from the later phone app. The catch for this is carousel (galleries) and videos still are not automatic, no tagging, no locations, and you need to have an Instagram business page. The locations part is unfortunate as you do get people coming in from there, but overall the benefits are great for someone busy or wanting to post at work.

Sign up today at Later.com and hit the link above for how to use the new feature

Canon is Finally Willing to Cannibalize Its DSLRs for Mirrorless: Report

Canon's latest camera releases were known to be a bit on the safe side, trying to protect their other models. As DSLR sales are dropping and mirrorless are becoming more popular Canon has finally decided to really push into the mirrorless market. Same news as usual with their previous announcement but this time suggesting models having higher end specs competing with their DSLR line. With a release of the m50, a mirrorless entry level with 4K, and pulling their pros for suggestions of whats needed the change is coming. With Sony in the lead at the moment a bit more competition is needed as Canon has been the sluggish one of the big three. Hopefully we'll see more soon including the rumored full frame mirrorless camera from Canon.Other Stories You Might Like:

A post shared by Reuben Wu (@itsreuben) on Mar 7, 2018 at 5:23am PST

• How Two Photographers Unknowingly Shot the Same Millisecond in Time
• Think Tank Photo Releases Modular Belt System V3.0
• Benjamin Von Wong Shows Us How Photography Can Change the World
• New Wireless Trigger Comes Alive With Smart Photo App Features
• A Camera in One Hour: How CPS Saved the Day and My Photo Job
• Photographer Captures Halos Above Rock Pinnacles Using Drones
• Wacom Intuos Pen Tablet (2018) for Creative Beginners and Enthusiasts
• Canadian Bride Fined $115,000 After Online Hate Campaign Against Wedding Photographer
• Photographer Spots ‘One in a Million’ Yellow Cardinal

Featured Photos Weekly Challenge

This Week’s Challenge: #PRTV_Mood

Showing a bit more mood in your photos was the challenge this week and a good step for something a bit extra to a shot. Whether a person, place, or thing it's another interesting element to add to a scene.Next Week's Challenge: #PRTV_silhouette2A fun technical challenge this week as you get to play with the light to try to get some nice silhouettes. This is a great challenge for using a flash or waiting for the sun to get a bit lower to really nail the silhouettes. This should be a fun challenge and you can even try a table top shoot.

Roy’s Features:

I'd say that fox is slightly loving the snow in that picture and it's a great shot that sets the mood.

A nice one by Jane, going with a black background really captures the subject without any distractions to put focus on the action and mood. 

Capturing a more candid looking moment for a great shot of the happy couple.

For more info, the schedule, and past top picks go check out photorec.tv/prtv. Try out some of Toby's Instagram Tips. For everything else Instagram, tag those shots #PRTV and #penlive for our daily photo features.

Photos from Space

Hubble Finds Huge System of Dusty Material Enveloping the Young Star HR 4796A

The start of a planet, a 150 billion mile wide dust cloud surrounding a star

Also check out: Satellite Eye on Earth: January 2018 - in picturesPick up a "Major Tom" spaceman LED light for your computer today. Part of Toby's Photos from space segment and it helps support the site. Click here to buy your own Major Tom on Amazon.Want to keep up with things happening this year? Sync your calendar with the solar system

That's all folks! We'll be back next week with even more of your photo news. If you guy's like the highlights leave us comments on the social media posts and we'll keep this going! For Pen members, Toby will be back on air March 28th.

Review - Sony 12-24 f/4 and SUPER WIDE NISI Filters

A review of the Sony 12-24mm f/4, an affordable ULTRA wide lens and share the setup of one of the best wide angle filter systems on the market. The NISI system offers full coverage on wide angle lenses like the Sony 12-24mm f/4 and they make additional filter system for other wide angle lenses.

Sony 12-24

Sony 12-24 f/4 Lens

NiSi S5 150mm Filter Holder with Circular Polarizer

NiSi Wide Angle Filter System w/ CPL

Venus Optics Laowa 15mm f/2 FE Zero-D Lens for Sony E

Alternative Wide Angle:

Venus Laowa 15mm f/2.0

Sample Images

Back to the Serengeti

I am headed back to Tanzania and the Serengeti - Below you can catch up on all my videos from the last trip. You can learn more about the gear I took last time and the gear I am taking this time. Follow me on Instagram to see new posts and follow my stories of this awesome adventure.https://www.youtube.com/watch?v=ey32OiOFi3ohttps://www.youtube.com/watch?v=abWRJCy3IPAhttps://www.youtube.com/watch?v=h6qskQ0Jueohttps://www.youtube.com/watch?v=PtXxhdQSxIk 

Sony a7iii vs a7Riii

The Sony a7iii is better than the Sony a7Riii but costs $1200 less? It's Sony a7III vs a7rIII, let's talk about the differences and decide which is best for you. Toby's back from Las Vegas at WPPI with Sony and we've got the answers you need.

A7RIII Strengths:

• More megapixels, 42 vs 24

• Better electronic viewfinder and LCD

• Pixel Shift, combined photos for more detail

• Slightly better build time and lifespan

A7III Advantages:

• Better autofocus, 693 vs 399

• Better battery life

• Better low light performance

• $1,200 cheaper

Sony a7Riii: $3200 - BUY AT B&H Photo - https://bhpho.to/2AYk9h0Sony a7iii: $1999 -PREORDER AT B&H Photo - https://bhpho.to/2EZ1h3G

I have owned the a7R iii from the moment it was released - it's come along with me to Yosemite, Yellowstone, Alaska, and Vietnam.  Now I just spent three days with the a7 iii and I think that makes me pretty qualified to help YOU answer the question of why you may or may NOT want to spend an additional $1200 for the a7R iii. Let's start with what the a7R iii offers over the a7 iii -A better EVF - when looking through the viewfinder of the a7R iii, it does not feel like a screen. it's beautiful, crisp and clear. When you put your eye up to the a7iii you can just start to see the pixels. I honestly didn't notice until I saw the spec differences and then held both up to my eye one after the other. It's not a difference that I feel will impact your photography - the LCD is also slightly lower res - not something I noticed. The a7R iii offers pixel shift - a feature where 4 photos are taken and combined in software on the computer for noticeably increased detail - I am blown away but how much more detail is captured when you take the time to use pixel shift but despite that I have used only it a few times- part of that is the way I shoot - I lump myself more into the travel photography category than landscape, typically on the move, often not on a tripod which is required.  For landscape photographers looking to get as much detail as possible in a shot - there is nothing short of carrying around medium format gear that comes close to what the a7R iii and pixel-shift provide.More megapixels The a7R iii offers 42MP, the a7 iii 24mp. It sounds like a big significant difference  - Maybe Enough of a difference that I could say the a7R iii offers FORTY-TWO Megapixels and the a7iii offers JUST 24mp.  JUST 24?! Here is a representation of the difference. Here is an actual shot - here are both at 100% view  I have sent both off to be printed at 16x20 - the won't be back before I leave for the Serengeti but I will revisit this discussion at some point in the future.  We will touch back on this MP discussion in a minute - There are a few other differences  - the a7R iii has more weather sealing though until a tear down we don’t know the real differences, The use of metal screws when the a7iii uses plastic  and the a7R iii shutter is rated for a longer life span - These are not factors that would sway my decision one way or the other but I want you to have as much info as possible. let's now look at what the a7 iii offers over the a7R iiibetter AF system - borrowing from the a9 we have 693 points, greater coverage and because we have more points the Eye-af system is even more accurate, even more responsive.  Honestly, I didn't see a huge difference but it feels very responsive and accurate.Better battery life - The official CIPA rating of the new camera is 710 shots - I know that on one full day of shooting I was able to capture just under 4,000 photos on one battery.  The a7R iii is rated just at 610 shots but I have had similar experiences and rarely needed more than one photo for a day and that includes shooting in Alaska and Yellowstone with below freezing temps.Better Low light performance on the photo side of things it is similar and when you downsize the A7Riii pics they look a little better  but in video the a7iii is better, noticeably and in ways that videographers who don't care about the improvements that the a7Siii  will bring will likely take notice - at this price point the a7iii is extremely impressive for the video quality provided.Let's recap the differences that matter. - a7R iii offers those megapixels, The a7 iii improved AF,  better video quality at the higher ISO and saves you $1200.Here's what I say I feel that if you are watching this video, you might be on the fence and if you are on the fence - you don't need 42MP,  24 is more than enough and the savings can be put toward a lens or a trip that is going to put you someplace awesome where you can make beautiful 24mp photos . There are fewer of you that need 42MP but if you do, you should know it.  And if you are a Lightroom user - Lightroom will certainly feel more responsive when browsing 24mp files.and briefly, have heard some people say why buy the a9? In my opinion, The a9 is a different beast offering 20 fps silently without worry about distortion due to rolling shutter.I know some of you also wonder about the 7Rii vs the a7iii since they are similar in price  - I think this is an easy choice for most of you. The improvements in the newer a7 series really make the a7 iii much more user-friendly and capable of handling a greater number of photography tasks - for that reason, I think most people would be better off going a7ii to a7iii even though you don't get an increase in MP.

a7III

a7RIII

Sony a7III

a7RIII

• 24MP Full-Frame Exmor R BSI CMOS Sensor

• BIONZ X Image Processor & Front-End LSI

• 693-Point Hybrid AF System

• UHD 4K30p Video with HLG & S-Log3 Gammas

• 2.36m-Dot Tru-Finder OLED EVF

• 3.0" 922k-Dot Tilting Touchscreen LCD

• 5-Axis SteadyShot INSIDE Stabilization

• ISO 204800 and 10 fps Shooting

• Built-In Wi-Fi and NFC, Dual SD Slots

• USB Type-C Port, Weather-Sealed Design

• 42MP Full-Frame Exmor R BSI CMOS Sensor

• BIONZ X Image Processor & Front-End LSI

• 399-Point AF System & 10 fps Shooting

• UHD 4K30p Video with HLG & S-Log3 Gammas

• 3.69m-Dot Tru-Finder OLED EVF

• 3.0" 1.44m-Dot Tilting Touchscreen LCD

• 5-Axis SteadyShot INSIDE Stabilization

• ISO 102400 & Pixel Shift Multi Shooting

• Built-In Wi-Fi/Bluetooth, Dual SD Slots

• USB 3.1 Gen 1 Type-C Port & PC Sync Port

Amazon

B&H Photo

Amazon

B&H Photo

Mish Mash Highlights: 2/28/2018

A post shared by Toby (@photorectoby) on Feb 28, 2018 at 6:45am PST

A big week for photography news, it's the end of the WPPI conference with Toby in Las Vegas to cover the event. We've got early thoughts on the new Sony a7III as well as a bevy of lenses, flashes, and more gear. As always this is your weekly highlights with photography news, Instagram top picks, photos from space, and more!While Toby does the Live Show for PEN this is your quick peek at what we’re doing behind the scenes. But, you can always join Photo Enthusiast Network and watch Toby live, find out more at Photorec.tv/pen. For everyone that are already PEN members, thank you for supporting the site!

This Week at Photorec.tv

• Want to travel with Toby? We've got some great new trips to sign up for:
  • Return to New Zealand – April & May 2019
  • Oregon Waterfalls and Coast - August 24th-26th  2018
• New for PEN, join today at Photorec.tv/PEN
  • Tuesday Tips - Check your email! - Time for you and your photography, a life tip on getting photos when you can
  • New Video! - Photoshop - Eye Enhancement and Highlights, getting a bit more pop in eyes without going overboard
  • Option 2 PPA Level Review is live, go check your email or the site for the new Video!
• The Sony a7III – Sony’s 4k Update to Entry Level Full Frame
  • An early hands-on from Toby in Vegas, the a7III doesn't cut any corners with A TON of specs in their more entry level full frame.

Preorders are live for the Sony a7III in body only and with a 28-70mm lens

• SIGMA Announces 9 Art Lenses for Sony E-mount cameras
  • For those wanting to switch to Sony, Sigma just made the move a ton easier with a large part of their Art line now available in Sony E Mount. For those with a lot of Sigma Art lenses already remember they do offer a conversion service as well.
• Sigma & Tamron Announce Sony FE Lenses
  • Tamron is also in the Sony lens game this week with a 28-75mm f/2.8 lens. Much smaller and lighter than the Sony edition, this should be great for those traveling that need f/2.8.
• Finally: M50 Canon Camera Offers 4K Video & Several Other Sweet Features
  • While Sony is currently sweeping the news this week Canon has a new mirrorless camera out for $899. It's a bit more of a competitive model than previous generations. The M50 comes with 4K, 120p HD, vari-angle touchscreen, automatic backup and even more sweet features.
• Vietnam Photography Adventures – Part Two!
  • Toby took so much video in Vietnam! We've got part two this week hitting Halong Bay. Warning: Snakes!
• NEW SONY FLASH – F60RM with wireless
  • A new flagship flash from Sony to fill out their accessories. THe F60RM is a flash with built-in wireless that can act as a master or slave in conjunction with their previous products.

Around the Web

We can't cover everything photography news related but we try. For everything else, we've got the best news articles from around the web.The Canon EOS 4000D might be the cheapest DSLR ever launchedCanon introduces EOS Rebel T7 with updated 24MP sensorCanon's beginner line just got updated with the T7 and there's a new budget-friendly 4000D coming to Europe only for now. The T7 gets an upgrade to the current 24MP sensor but that's about it as Canon is trying to push their higher end models. The 4000D will be an even more streamlined version of the T7 for around $385 body only.

6 Things to Know About Vero, the App Everyone and Their Mother Is Talking AboutAs you might have heard, everywhere, there's a new hot app for photographers on the market called Vero. It's currently having growing pains while upgrading servers to fill demand it's a bit tricky to log in at the moment. Vero is like Instagram in terms of posting, but there's no pesky algorithm in your way, making it a fan of those annoyed with Facebook and Instagram's filtering posts. Billed as a social media platform for users it has no ads, paying for the service with an in-app buy now feature and eventual subscription for later users. There has been a backlash towards the app though, as it's founder has a shady past. If this sounds interesting hurry up, as only the first million subscriptions are free. You can find me at roymckeeiii and Toby at photorectoby.

Get Vero at Google Play or the Apple App Store

Hot Deal! Thanks to WPPI this week get the Canon Pixma Pro-100 Printer for just $99.99 with code BHWPPI18Other Stories You Might Like:

• The New Canon 470EX-AI Speedlite Can Automatically Turn Its Head For a Perfect Bounce Flash
• 500px Sold to Visual China Group, the “getty of China”
• Beware 500px’s (Very) ‘Flexible Pricing’
• This Is What Happens When You Give a Photographer a Spacesuit
• Sigma to Increase Price of Mount Conversion Service
• Court Injunction Insists Canon Italia Must Remove Elia Locardi's Image
• Wacom Announces the Cintiq Pro 24" Pen Display
• Buyer Orders a $6,000 Camera, Amazon Sends a Box of Rocks Instead
• How SpaceX Shoots Close-Up Footage of Launching Rockets
• Ex-Lexar execs have launched a new memory card company, here's why you should care

Featured Photos Weekly Challenge

This Week’s Challenge: #PRTV_DIY

A do it yourself week with those little DIYs, photography related or not. It's nice to challenge yourself from time to time and these little projects can net you some interesting shots.Next Week's Challenge: #PRTV_MoodNext week is a bit trickier as you have to capture emotion. While portraits could be key this week you can think out of the box for something such as a rainy day for feeling down and sad. Remember color can play big into this, we read into things a lot and color can be that extra little push that can make the scene.

Roy’s Features:

Bubble solution for a neat DIY! I like the blue stripe for whatever was in the background. Check out Jane's post for some tips on doing this one.

Sharp and colorful! It's certainly a neat DIY with lots of color. 

Capturing smoke takes a lot of photos but you can get some neat shots. What does this one look like to you?

For more info, the schedule, and past top picks go check out photorec.tv/prtv. Try out some of Toby's Instagram Tips. For everything else Instagram, tag those shots #PRTV and #penlive for our daily photo features.

Photos from Space

NASA spacecraft snaps breathtaking photo of Jupiter storm

A snapshot from Juno recently released by Nasa of Jupiter's giant red dot.

Also check out: Satellite Eye on Earth: January 2018 - in picturesPick up a "Major Tom" spaceman LED light for your computer today. Part of Toby's Photos from space segment and it helps support the site. Click here to buy your own Major Tom on Amazon.Want to keep up with things happening this year? Sync your calendar with the solar system

That's all folks! We'll be back next week with even more of your photo news. If you guy's like the highlights leave us comments on the social media posts and we'll keep this going! For Pen members, Toby will be back on air March 28th.

SIGMA Announces 9 Art Lenses for Sony E-mount cameras

SIGMA Corporation is pleased to announce the upcoming launch of interchangeable lenses for the Sony E-mount digital camera series with full-frame image sensors. SIGMA will gradually introduce the lenses as members of the Art line, which offers photographers the highest level of optical performance.

Preorders coming soon at B&H

• 14mm F1.8 DG HSM | Art
• 20mm F1.4 DG HSM | Art
• 24mm F1.4 DG HSM | Art
• 35mm F1.4 DG HSM | Art
• 50mm F1.4 DG HSM | Art
• 70mm F 2.8 DG MACRO | Art
• 85mm F1.4 DG HSM | Art
• 105mm F1.4 DG HSM | Art
• 135mm F1.8 DG HSM | Art

While offering the same high-performance optical design as other lenses in the Art line, the new Sony E-mount models will feature a newly developed control algorithm that optimizes the autofocus drive and maximizes the data transmission speed. In addition, these lenses will be compatible with Sony’s Continuous AF (AF-C) and high-speed autofocus, which are not addressed by SIGMA MOUNT CONVERTER MC-11. Like the converter MC-11, the lenses will be compatible with in-camera image stabilization and in-camera lens aberration correction, which includes corrections for peripheral illumination, chromatic aberrations, and distortion.The lineup will include the Art line set of seven prime lenses covering 14mm to 135mm. It will also include two models that SIGMA will be exhibiting at CP+ 2018: 70mm F2.8 DG MACRO | Art and 105mm F1.4 DG HSM | Art (launch date TBD). Further, SIGMA plans to introduce additional Sony E-mount models in the Art line going forward.Note: This product is developed, manufactured and sold based on the specifications of E-mount which was disclosed by Sony Corporation under the license agreement with Sony Corporation.【Key features】1. Autofocus tuned for each lensThanks to an autofocus drive control program tuned for each lens and high-speed data transmission,the lenses will offer high-speed autofocus at the same performance level as that of a lens designedexclusively for mirrorless cameras. In particular, in E-mount cameras offering Sony’s Fast Hybrid AF, AF-C mode will deliver exceptional subject following performance. Moreover, autofocus will remain extremely precise even in those E-mount cameras offering only contrast AF.2. Compatible with in-camera image stabilizationThe lenses will be compatible with in-camera image stabilization. The Sony E-mount camera sensesthe focal length of the lens and automatically optimizes image stabilization performance.3. Data loaded for compatibility with in-camera aberration correctionThe lenses will be fully compatible with in-camera aberration correction, which includes correctionsfor peripheral illumination, chromatic aberrations, and distortion. By matching corrections to the optical characteristics of the lens, this function takes image quality to an even higher level.4. Native mount for a more rigid and stable feelMaking the mount native to the lens makes possible a more rigid and stable feel to the lens.Featuring a special surface treatment to enhance strength, the brass bayonet mount offers a high-precision fit and exceptional durability. The mount connection area incorporates rubber sealing for dust- and splash-proof construction.5. Available Mount Conversion ServiceThis service converts the mount of SIGMA lenses to that of a different camera body, allowing photographers to continue using their favorite lenses over the long term regardless of camera system.Note 1: The Mount Conversion Service is different from a normal repair. In order to apply for the service, please contact your nearest authorized SIGMA subsidiary or distributor. http://www.sigma-global.com/en/about/world-network/Note 2: This service is performed exclusively by SIGMA.

The Sony a7III - Sony's 4k Update to Entry Level Full Frame

https://youtu.be/rdZaqXd6hMsSony has just announced the a7iii. A followup to their entry level full frame mirrorless a7ii.The Sony a7iii Specs:

• Redesigned 24MP Sensor

• 693 AF Points with A9s Eye-AF system (Better than a7Riii)

• 15 stop Dynamic Range

• 5 axis IBIS

• 10fps with 14 bit raw (also 14 bit raw while silent)

• 4k HDR, 6k full readout, Slog 2 & 3 and HLG

• Uses Z Battery Rated at 710 shots longest battery life of any mirrorless camera ever

• Dual SDcard slots, joystick, touchscreen, USB-C,

• Available in April for $2,000 - Preorders start Wed

Sony a7III Video

At $2,000 for the a7III you get a NEW BSI 24.2 MP sensor offering- 10 FPS (silent or mechanical shutter), 15 stops of range and 4k Video. Combine that with 425 contrast Autofocus points, 693 phase detection autofocus points, eye AF,  5-axis in-body stabilization and a redesigned body that offers a bigger grip, a focus point joystick and a touchscreen. Not to mention the longest battery life of any mirrorless camera.With a lot of tech being brought in from the a7RIII and a9 it's fast. You can capture up to 177 JPEG images, 89 compressed RAW, or 40 uncompressed RAW images before filling the buffer. As with the other models, there is a partial lockout of camera functions while the data saves to the memory card. AF is about twice as fast as the A7II and significantly improved low light capabilities. The Eye-AF system is BETTER than the a7RIII! And it's REALLY good in the A7RIII!Offering 4K video with HLG(HDR) and S-Log2 and S-Log3. The 4k file is downsampled from 6k which when working off a 24mp sensor should give excellent low light results.  Full HD at 120fps to round it out.The design mirrors the a9, a7Riii batteries with dual SD card slots, slot one is SDXC II compatible. Same battery as a9/a7riii, the NP-FZ100 battery provides 710 shots per charge, that is actually the highest rating of any mirrorless on the market battery, the a7RIII is rated at 650 shots. USB-C for fast transfer of photos and video, tethered shooting and doubling as a power supply. There is also a micro USB port.My full review from Vegas will be released soon, don't forget to follow on Instagram at @photorectoby or subscribe to Youtube to be notified of the Sony a7iii review release

Preorders start 11 am ET, Feb 28th at B&H

Sony a7III Body Only

Sony Alpha a7 III Mirrorless Digital Camera (Body Only)

Sony Alpha a7 III Mirrorless Digital Camera with 28-70mm Lens

Sony Alpha a7 III Mirrorless Digital Camera with 28-70mm Lens

My Sony a7III Photos from Sony Launch Event

[gallery ids="17740,17741,17742,17743,17744,17745,17746,17747,17748"]

Sample Images from Sony

[gallery ids="17715,17716,17717,17718,17719,17720,17721,17722,17723,17724,17725"]

Specs

Sony a7 III

Sony a7 II

Lens Mount

Sony E-Mount

Sony E-Mount

Camera Format

Full-Frame

Full-Frame

Pixels

24 MP: 6000 x 4000 (new BSI Sensor)

24 MP: 6000 x 4000

File Formats

Still Images: JPEG, RAWMovies: AVCHD Ver. 2.0, MPEG-4 AVC/H.264, XAVC SAudio: AC3, Dolby Digital 2ch, Linear PCM (Stereo)

Still Images: JPEG, RAWMovies: AVCHD Ver. 2.0, MPEG-4, XAVC SAudio: AAC LC, Dolby Digital 2ch, Linear PCM (Stereo)

Bit Depth

14-Bit

14-Bit

Memory Card Type

SDSDHCSDXCMemory Stick Pro DuoMemory Stick PRO HG-Duo

SDXCSDHCSDMemory Stick PRO Duo (High Speed)Memory Stick PRO HG-DuoMemory Stick XC-HG Duo

Image Stabilization

Sensor-Shift, 5-Way

Sensor-Shift, 5-Way

Video Format

3840 x 2160p at 23.98, 25, 29.97 fps (100 Mb/s XAVC S via H.264)3840 x 2160p at 23.98, 25, 29.97 fps (60 Mb/s XAVC S via H.264)1920 x 1080p at 100, 120 fps (100 Mb/s XAVC S via H.264)1920 x 1080p at 100, 120 fps (60 Mb/s XAVC S via H.264)1920 x 1080p at 23.98, 25, 29.97, 50, 59.94 fps (50 Mb/s XAVC S via H.264)1920 x 1080p at 50, 59.94 fps (25 Mb/s XAVC S via H.264)1920 x 1080p at 25, 29.97 fps (16 Mb/s XAVC S via H.264)1920 x 1080i at 50, 59.94 fps (24 Mb/s AVCHD via H.264)1920 x 1080i at 50, 59.94 fps (17 Mb/s AVCHD via H.264)

1920 x 1080p at 24, 30, 60 fps (50 Mb/s XAVC S)1920 x 1080p at 60 fps (28 Mb/s AVCHD)1920 x 1080i at 60 fps (24 Mb/s AVCHD)1920 x 1080i at 60 fps (17 Mb/s AVCHD)1920 x 1080p at 24 fps (24 Mb/s AVCHD)1920 x 1080p at 24 fps (17 Mb/s AVCHD)1440 x 1080 at 30 fps (12 Mb/s MP4)640 x 480 at 30 fps (3 Mb/s MP4)

Video Clip Length

Up to 29 Minutes

Up to 29 Minutes

Autofocus

Phase Detection: 693Contrast Detection: 425Automatic (A), Continuous-Servo AF (C), Direct Manual Focus (DMF), Manual Focus (M), Single-servo AF (S)

Phase Detection: 117Contrast Detection: 25Continuous-Servo AF (C), Direct Manual Focus (DMF), Manual Focus (M), Single-servo AF (S)

Viewfinder Type

Electronic, 100% Coverage

Electronic, 100% Coverage

Buffer/Continuous Shooting

Up to 10 fps at 24.2 MP for up to 89 Frames in Raw FormatUp to 10 fps at 24.2 MP for up to 177 Frames in JPEG FormatUp to 8 fps at 24.2 MP

Up to 5 fps at 24 MP for up to 50 Frames

Built-in Flash

No

No

Connectivity

HDMI D (Micro), USB 2.0 Micro-B, USB 3.0, USB Type-C, Wi-Fi

1/8″ Headphone, 1/8″ Microphone, HDMI D (Micro), Micro-USB, Multi Interface Terminal, Wi-Fi

Dimensions (W x H x D)

5.0 x 3.9 x 3.0" / 127.0 x 99.1 x 76.2 mm

5.0 x 3.8 x 2.4″ / 126.9 x 95.7 x 59.7 mm

Weight

1.4375 lb / 652 g

1.223 lb / 556 g

Finally: M50 Canon Camera Offers 4K Video & Several Other Sweet Features

Canon has just announced the M50 - their newest mirrorless camera. I have not been impressed with previous mirrorless models from Canon but with the M50 Canon is finally offering a truly competitive camera with a few caveats.What the M50 Offers -

• Improved Dual Pixel CMOS AF and Eye Detection AF

• 24p UHD 4K and 120p HD for slow motion

• Built-in OLED EVF with Touch and Drag AF

• Vari-angle Touchscreen LCD

• Automatic image transfer to compatible devices while shooting

• Automatic backup on home WIFI

• New DIGIC 8 Image Processor with Improved Auto Lighting Optimizer

• Silent Mode for Quiet Operation.

For $899 you get the M50 and the EF-M 15-45mm f/3.5-6.3 IS STM Lens

Preorder from B&H Photo | Amazon

https://www.youtube.com/watch?v=EIH6OoFetLAWhat I like about the M50A redesigned body that feels nicer in hand than previous models and offers a fully articulating touch screen! Canon continues to offer one of the best touchscreen systems in any camera and switching the M50 design to a fully articulating screen really makes this appealing for anyone shooting video, especially vlog/selfie style. Earlier models were limited to a vertical articulating only, they did not flip out to the side.4k video - it is 2018 and Canon's lack of serious 4k offerings up to this point has been embarrassing. Many of you might say you have no interest in creating 4K video but having the option to shoot 4K gives you more flexibility to work with the content in post - you can stabilize the footage or crop in for more zoom.While the sensor is not stabilized canon offers a decent electronic stabilization system that will work together with the lens IS to provide smooth footage.  It does work in 4k too!Automatic in-home backup. Through an update to Canon's desktop software - when you enter your home, the camera will automatically connect to your WIFI and begin to backup/transfer your images. Anything that makes it easier to get the photos from camera to computer - I am a fan. I reserve full judgment until I get to try this out.What I don't like about the M50Dual pixel AF is some of the most accurate and cinematographic looking autofocus in any camera but for faster action, it just doesn't keep up with something like the Sony a6300. I hope the redesign to the chip and dual-pixel AF has increased the speed. It is important to not you do lose this feature when shooting 4K.Despite being a Canon camera the M50 uses canon's newer EF-M mount. While Canon and third-party manufacturers have been releasing EF-M lenses, the system isn't quite as mature as others and you may find that you need to use an adapter. The use of an adapter isn't terrible but it is rarely ideal.When shooting 4k you suffer an additional crop factor of 1.6x. That is on top of the standard APS-C crop that is 1.6x- this ends up above 2.5x crop which significantly changes the focal length of the lens you are working with. Often a drawback but a benefit if trying to use telephoto lenses and getting close to wildlife.Final Thoughts on the Canon M50This is a smart design and a smart release from Canon - it makes me hopeful and excited that we will see additional serious mirrorless offerings from them in the future - I just wonder how long we will have to wait to get a truly professional mirrorless?Are you interested? Let me know in the comments!For $899 you get the M50 and the EF-M 15-45mm f/3.5-6.3 IS STM Lens

Preorder from B&H Photo | Amazon

Sigma & Tamron Announce Sony FE Lenses

Tamron has announced the development of a 28-75 f/2.8 lens for FE mount cameras.  A moisture resistant lens with a constant f/2.8 maximum aperture that is noticeably smaller and lighter than the Sony 24-70 f/2.8 GM lens is very appealing.  The RXD motor will provide a smooth and quiet focusing system for video.  This may turn out to be a fantastic travel lens for those that need or want f/2.8.

• E-Mount Lens/Full-Frame Format
• Constant f/2.8 Maximum Aperture
• RXD Stepping AF Motor
• Fluorine-Coated Front Element
• Moisture-Resistant Construction

Preorder soon at B&H Photo Still rumors at this point but it looks like Sigma is getting VERY close to announcing FE mount Sigma lenses. First up -Sigma 105mm f/1.4 ART lens. Hopefully, more of the ART series line will be announced in FE mounts soon. 

I made a quick Photoshop work to show you the new Sigma 105mm f/1.4 ART lens for Sony mounted on the A7rIII. Yes this lens is huge but it will have top notch quality and a reasoneable price! It will be announced within 2-3 days and follow Sonyalpharumors.com to read more about it! - #sonyimages #sonyalphasclub #sonyalpha #sonyphotography #sonyphotogallery #sonyalpharumors #sonyalphagear #SonyPhotoGallery #SonyAlphasClub #SonyMirrorles #sonyalphaphotos #sigma

A post shared by Andrea Photographer-Explorer (@andrea_pizzini_photographer) on Feb 25, 2018 at 5:21am PST

Vietnam Photography Adventures - Part Two!

Leaving the amazing Halong bay behind we venture south through the city of lanterns, Hoi An, the city of Hue and of course Saigon/Ho Chi Minh City and exploring the Mekong Delta - Snakes on me, Snakes in a bottle and so much more.Watch the SeriesVietnam Photography Adventures Part 3 Vietnam Photography Adventures Part 1

Would you? On our #mckaylive travels up the Mekong river, we came across Bebe, 7 year old, 50lb boa. I think he liked me! Traveling with the McKay crew is as much about fun experiences as it is about the photos.

A post shared by Toby (@photorectoby) on Feb 4, 2018 at 7:59am PST

• Save 10% off your first purchase of a domain, website gallery - at http://squarespace.com/photorectv

• See a complete list of the gear I took to Vietnam - https://kit.com/photorectoby/vietnam-...

• A few of my favorite photos from Vietnam http://photorectoby.com/vietnam

• Travel with me on a future workshop - http://photorec.tv/travel

NEW SONY FLASH - F60RM with wireless

Sony Brings Radio to Flagship HVL-F60RM FlashThe HVL-F60RM External Flash from Sony is the new top of the line flash. similar to F45RM, the F60RM offers several improvements in operability, performance, and build quality that make it a worthy upgrade. The most significant upgrade is the implementation of Sony's 2.4GHz Radio System, which allows it to function as either a controller or remote flash from up to 98' away with full TTL support, including high-speed sync. It is also fully compatible with all existing Sony flash components, including the F45RM External Flash and WRC1M Wireless Radio Commander.Sony continues to fill out the accessories and lenses that professionals require. In my opinion, the ecosystem is on par with Sony and Nikon for any studio and/or portraiture work.Full Specs of the F60RM Flash

• 2.4 GHz Radio Transceiver with 98' Range
• Compatible with Sony ADI / P-TTL
• Guide Number: 197' at ISO 100 and 105mm
• Zoom Range: 20-200mm (14mm with Panel)
• Quick Shift Bounce for 90° L/R Pivot
• Tilts from -8 to 150°
• Wireless TTL Ratio Controller/Remote
• LED Light and AF Illuminator
• Quick Navi Interface with Dot Matrix LCD
• Recycle Time: 0.1-1.7 Seconds
• Price: $599.00

B&H Preorders are not live yet - sign up for notificationAdditional Battery pack available Compatible Cameras:

• a9
• a7R III
• a7R II
• a7S II
• a99 II
• a6500

Mish Mash Highlights: 2/21/2018

Toby's in Yellowstone with Animals of Montana having an awesome time, if a bit snowy with the trucks going through two-foot drifts. As always this is your weekly photography news, Instagram top picks, photos from space, and more! After a story came out a couple weeks ago about a photography shoot at a craft store Michaels stores are free to shoot, up for a challenge?While Toby does the Live Show for PEN this is your quick peek at what we’re doing behind the scenes. Get this week’s news, our Instagram challenge top picks, and more. But you can always join Photo Enthusiast Network and watch Toby live, find out more at Photorec.tv/pen. For everyone that are already PEN members, thank you for supporting the site!

This Week at Photorec.tv

• • Want to travel with Toby? We've got some great new trips to sign up for, get them while there are spots available! 
    • Return to New Zealand – April & May 2019
    • Oregon Waterfalls and Coast - August 24th-26th  2018
  • Pen Only - Tuesday Tips - Winter Shooting Tips
    • Condensation, batteries, and more... this week PEN is focusing on how to take care of your camera in the elements in an email that went out.
  • Vietnam Photography Adventures – Part One!
    • Views from Vietnam, part one of an awesome tour Toby recently instructed. Check out the vlog and get some travel inspiration.
  • Fujifilm X-H1 Mirrorless Camera – Serious Video Specs!
    • A new release by Fuji, the X-H1 is a X-T2 for video. Including In Body Image Stabilization (IBIS) it could be a great fit for the market and some great competition for the GH5/GH5s.
  • IRIX 11mm f/4 – Affordable Ultra Wide & Rear Filters Suck
    • A great fully manual lens with good results for the price. If you are on a budget a wide angle like this or their 15mm version would be great.

Around the Web

We can't cover everything photography news related but we try. For everything else, we've got the best news articles from around the web.Michaels: Yes, You Can Do That Portrait Challenge In Our StoresThe next viral thing is shooting portraits in a craft store full of fake flowers. Originally starting with Hobby Lobby, their chain has pushed back as it's against store policy. Michaels craft stores instead have fully adopted the idea asking people to come in and tag your photos #michaelschallenge. Just give the workers some fair warning, and tag #PRTV so we can see your shots as well!

This is proof you don’t need an amazing location to get amazing portraits done! All photos taken inside a Michael’s store! #makeitwithmichaels #michaelschallenge #dallasphotographer

A post shared by Lexi Rodriguez (@lexirodriphotography) on Feb 19, 2018 at 9:48am PST

Sony Creates Groundbreaking Backlit CMOS Sensor with Global ShutterOne of the complaints about the Sony a7RII was that it suffered from rolling shutter. If something is moving fast enough in the frame the sensor could not keep up with the subject (the sensor scans row by row) and you'd get odd distortions in your photo with parts of the subject. Sony is trying to beat the issue by incorporating a global shutter that captures the entire image at once fixing this issue. Right now their test sensor is just 1.46MP but it's a great start for the next generation of camera sensors.Taking Apart The Sony A7rIII – In Search of Better Weather SealingInterested in the Sony A7rIII but worried about the weatherproofing? Lens Rentals has completely gutted the new camera to see what makes it tick. Check out this article for all the weatherproofing till the very last screw.Other Stories You Might Like:

• Fstoppers Reviews Opal Opacity Plugin for Lightroom
• Tamron announcement tomorrow: 70-210mm f/4 Di VC USD and 28-75mm f/2.8 Di III RXD lenses
• Sony a7R III Weather Sealing Teardown
• This Crypto-art Rose Is the Most Valuable Virtual Art, Sold for $1 Million
• Google Removes ‘View Image’ Button from Image Search to Protect Photos
• Sigma launches its own web magazine, SEIN Online, highlighting the art of photography
• Fujifilm Sales Increased Thanks to Instant Film Cameras, Not Digital
• Millennial Travellers Paying for Proof 'They Were There' Sparks Asian Photography Boom
• Insect Photographer Seeks $2.7 Million for Copyright Violations from Pest Control Company 
• Silence at the White House
• My Worst Day Ever as a Photographer at the Olympics
• First photos taken with the Sony FE 400mm f/2.8 GM OSS lens at the 2018 PyeongChang Winter Olympics

Featured Photos Weekly Challenge

This Week’s Challenge: #PRTV_negativespace2

Less is more, literally this week with the Negative Space challenge. You guys nailed it with some really great photos so go hit that hashtag linked above to see all the shots. Putting all that focus on your subject can really lead to a great image if you give it the room it needs with that negative space.Next Week's Challenge: #PRTV_DIYEver have a DIY project you wanted to try? Now is the chance, especially with Michaels open for some neat in-store photos. Custom bokeh, vaseline for blurring, a neat backdrop, light flares, or your own DIY ... this week it's a chance to try something different.If you do hit up a Michaels use the tag #MichaelsChallenge as well!

Toby’s Features:

Love the wide mouth - the perfectly centered seagull and that flat gray.

So sharp, so perfectly blue and so close to the edge of the frame- look at all that negative space!

Little duck - big pond - love the space, the ripples- well done!

Roy’s Features:

This is great with all the focus on the bridge, you lucked out on the weather.

A great closeup and that bokeh really singles out the flower.

Lots of space using this hole as a way to peep through and simplify your shot with a bit of framing.

For more info, the schedule, and past top picks go check out photorec.tv/prtv. Try out some of Toby's Instagram Tips. For everything else Instagram, tag those shots #PRTV and #penlive for our daily photo features.

Photos from Space

The Opportunity Rovers 5,000th Day on Mars

Sunrise on Mars: Our Opportunity rover was built to last 90 sols, or Martian days. The intrepid rover has survived to see 5,000 sols of exploration and counting. A sol lasts about 40 minutes longer than an Earth day. Here we see sunrise as a new day breaks over the Red Planet on sol 4,999, Feb. 15, 2018. This view looking across Endeavour Crater was taken with Opportunity’s Panoramic Camera (Pancam), yielding this processed, approximately true-color scene. This view combines three separate exposures taken and was processed to correct for some of the oversaturation and glare, though it still includes some artifacts from pointing a camera with a dusty lens at the Sun. Opportunity has driven a little over 28.02 miles (45.1 km) since it landed in the Meridiani Planum region of Mars in January 2004. Credits: NASA/JPL-Caltech/Cornell/Arizona State Univ./Texas A&M #sunrise #science #space #Mars #martian #NASA #JPL #MER #robots #omgrobots #technology #sun #opportunity #planet #newday

A post shared by NASA (@nasa) on Feb 17, 2018 at 8:40am PST

Also: He Took a Picture of a Supernova While Setting Up His New CameraPick up a "Major Tom" spaceman LED light for your computer today. Part of Toby's Photos from space segment and it helps support the site. Click here to buy your own Major Tom on Amazon.Want to keep up with things happening this year? Sync your calendar with the solar system

That's all folks! We'll be back next week with even more of your photo news and a live show. If you guy's like the highlights leave us comments on the social media posts and we'll keep this going! For Pen members, Toby will be back on air March 28th.

IRIX 11mm f/4 - Affordable Ultra Wide & Rear Filters Suck

A review of the ultra wide-angle 11mm f/4 lens from Irix. This fully manual lens delivers impressive results for the cost but those rear filters SUCK.

Irix 11mm f/4.0

IRIX 15mm f/2.4

Irix Edge Gelatin Filter Set

The IRIX 11mm f/4 Blackstone lens is a great deal for those wanting to shoot wide angle. As with the 15mm IRIX we reviewed last year it comes in the metal built Blackstone version and plastic Firefly. Optically they are the same lens, you'll just get a better build quality with Blackstone. For the price point, it's a great lens, the corners look great wide open at F/4 for distortion and there's very little chromatic aberration. It's nice to use with a handy stop for infinity built into the focus ring, which you'll be using frequently with a lens this wide. The only complaint so far is the rear filters, which we recommend you picking up a set of Nisi filters instead. The IRIX 11mm f/4 Blackstone is a manual focus lens, but for the price, it's the best option at the moment.Buy the IRIX 11mm f/4: https://bhpho.to/2ojJbSVBuy the IRIX 15mm f/2.4:https://bhpho.to/2occZkZWatch the Irix 15mm f/2.4 ReviewRear Filters from IRIX: https://storeeu.irixlens.com

Fujifilm X-H1 Mirrorless Camera - Serious Video Specs!

Fuji has announced the X-H1 - similar and size and shape to the much loved Fuji X-T2 series (you can see my review of the X-T2 here) this camera is aimed squarely at videographers. Yes, it can still take great photos like the X-T2 but the feature set packed inside is really all about video.https://www.youtube.com/watch?v=4AofDYo-tw8The standout features - In body stabilization 5 stops, 4k at 200Mbps with boosted dynamic range possible, internal DCI 4k and 120fps at 1080.While the body looks like a slightly larger Fuji X-T2 it has a top LCD that always remains on.Based on the quality of video I saw when I shot with the Fuji X-T2, I expect this camera to perform really well.  I hope to pair this against a Sony a6500, on paper the two are quite similar but the internal 4k log format is a benefit for Fuji shooters AND Fuji has some fantastic native lenses - Sony has a few but most video shooters choose to adapt which can be a little clunky at times.  The other competitor is the Panasonic GH5 and GH5s. Competition is good and I look forward to shooting with the X-H1 soon and making some comparisons against the competitors.One item to note- like the Fuji X-T2, the X-H1 is limited to just 15 minutes of 4k footage unless you are using the battery grip - purchased separately.  The X-H1 will be available Starting March 1st for $1899 body only and $2199 bundled with the VPB-XH1 vertical grip.

Preorder from B&H Photo

Sample Images

[gallery td_select_gallery_slide="slide" ids="17627,17628,17629,17630,17631,17632"]

Specifications

Camera Format

APS-C

Effective Pixels

24.3 MP

Sensor

23.5mm x 15.6mm(APS-C) X-Trans CMOS III with primary color filter.

Storage media

SD Card (-2G) / SDHC Card (-32G) / SDXC Card (-512G) UHS-I / UHS-II

File format

Still image

JPEG (Exif Ver.2.3)*2, RAW : 14bit RAW(RAF original format), RAW+JPEG

Movie

MOV (MPEG-4 AVC / H.264, Audio: Linear PCM / Stereo sound 24bit / 48KHz sampling)

Number of recorded pixels

L: (3:2) 6000 x 4000 / (16:9) 6000 x 3376 / (1:1) 4000 x 4000M: (3:2) 4240 x 2832 / (16:9) 4240 x 2384 / (1:1) 2832 x 2832S: (3:2) 3008 x 2000 / (16:9) 3008 x 1688 / (1:1) 2000 x 2000

Lens mount

FUJIFILM X mount

Sensitivity

Standard Output Sensitivity : AUTO1 / AUTO2 / AUTO3(up to ISO12800) / ISO200 to 12800(1/3 step)Extended output sensitivity : ISO100 / 125 / 160 /25600 / 51200

Exposure control

TTL 256-zone metering, Multi / Spot / Average / Center Weighted

Exposure mode

P (Program AE) / A (Aperture Priority AE) / S (Shutter Speed Priority AE) / M (Manual Exposure)

Exposure compensation

-5.0EV - +5.0EV, 1/3EV step(Movie : -2.0EV - +2.0EV)

Image Stabilizer

Mechanism

Image sensor shift mechanism with 5-axis compensation

Compensation Effect

5.5 stops (based on CIPA standard. Pitch/yaw shake only. With XF35mmF1.4 R lens mounted.

Shutter type

Focal Plane Shutter

Shutter speed

Mechanical Shutter

P mode: 4sec. to 1/8000sec. A mode: 30sec. to 1/8000sec.S/M mode: 15min. to 1/8000sec. Bulb mode: up to 60min.

Electronic Shutter

*3P mode: 4sec. to 1/32000sec. A mode: 30sec. to 1/32000sec.S/M mode: 15min. to 1/32000sec. Bulb mode: 1sec. FixedElectronic front curtain shutterP mode: 4sec. to 1/8000sec. A mode: 30sec. to 1/8000sec.S/M mode: 15min. to 1/8000sec. Bulb mode: up to 60min.Mechanical + Electronic shutterP mode: 4sec. to 1/32000sec. A mode: 30sec. to 1/32000sec.S/M mode: 15min. to 1/32000sec. Bulb mode: up to 60min.E-front + Mechanical shutterP mode: 4sec. to 1/8000sec. A mode: 30sec. to 1/8000sec.S/M mode: 15min. to 1/8000sec. Bulb mode: up to 60min.*Electronic front curtain shutter works until 1/2000sec.E-front + Mechanical + Electronic shutterP mode: 4sec. to 1/32000sec. A mode: 30sec. to 1/32000sec.S/M mode: 15min. to 1/32000sec. Bulb mode: up to 60min.*Electronic front curtain shutter works until 1/2000sec.Synchronized shutter speed for flash1/250sec. or slower

Continuous shooting

Approx. 14fps [Only electronic shutter ](JPEG: 40 frames Lossless compression RAW: 27 frames Uncompressed RAW: 23 frames)Approx. 11fps [with VPB-XH1](JPEG: 70 frames Lossless compression RAW: 28 frames Uncompressed RAW: 24frames)Approx. 8fps (JPEG: 80 frames Lossless compression RAW: 31 frames Uncompressed RAW: 26 frames)Approx. 6fps [Only electronic front curtain shutter ](JPEG: endless Lossless compression RAW: 35 frames Uncompressed RAW: 28 frames)Approx. 5fps (JPEG: endless Lossless Compression RAW: 37 frames Uncompressed RAW: 29 frames)* Recordable frames depends on recording media* Speed of continuous shooting depends on shooting environment and shooting frames

Auto bracketing

AE Bracketing (±3EV,±8/3EV,±7/3EV,±2EV, ±5/3EV, ±4/3EV, ±1EV, ±2/3EV, ±1/3EV)Filmsimulation bracketing (Any 3 types of film simulation selectable)Dynamic Range Bracketing (100%, 200%, 400%)ISO sensitivity Bracketing (±1/3EV, ±2/3EV, ±1EV)White Balance Bracketing (±1, ±2, ±3)

Focus

Mode

Single AF / Continuous AF / MF

Type

Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF)AF frame selectionSingle point AF: EVF / LCD: 13 x 7 / 25 x 13 (Changeable size of AF frame among 6 types)Zone AF: 3 x 3 / 5 x 5 / 7 x 7 from 91 areas on 13 x 7 gridWide/Tracking AF: (up to 18 area)* AF-S : Wide* AF-C : TrackingAll

White balance

Automatic Scene recognition / Custom1-3 / Color temperature selection (2500K-10000K) / Preset: Fine, Shade, Fluorescent light (Daylight), Fluorescent light (Warm White), Fluorescent light (Cool White), Incandescent light, Underwater

Self-timer

10sec. / 2sec.

Interval timer shooting

Yes (Setting : Interval, Number of shots, Starting time)

Flash modes

SYNC. MODE1ST CURTAIN / 2ND CURTAIN / AUTO FP(HSS)FLASH MODETTL (FLASH AUTO / STANDARD / SLOW SYNC.) / MANUAL / COMMANDER / OFF (When EF-X8 is set)

Hot shoe

Yes (Dedicated TTL Flash compatible)

Viewfinder

0.5 inch approx. 3.69 millions dots OLED Color ViewfinderCoverage of viewing area vs. capturing area: approx. 100%Eyepoint: approx. 23mm (from the rear end of the camera’s eyepiece) Diopter adjustment: -4-+2m

-1

Magnification: 0.75x with 50mm lens (35mm equivalent) at infinity and diopter set to -1.0m

-1

Diagonal angle of view: approx. 38° (Horizontal angle of view: approx. 30° )Built-in eye sensor

LCD monitor

3.0 inch, aspect ratio 3:2, approx. 1.04 millions dots touch screen color LCD monitor(approx. 100% coverage)

Movie recording

[4K (4096 x 2160)] 24p / 23.98p 200Mbps / 100Mbps / 50Mbps up to approx. 15min.[4K (3840 x 2160)] 29.97p / 25p / 24p / 23.98p 200Mbps / 100Mbps / 50Mbps up to approx. 15min.[Full HD (2048 x 1080)] 59.94p / 50p / 29.97p / 25p / 24p / 23.98p 100Mbps / 50Mbps up to approx. 20min.[Full HD (1920 x 1080)] 59.94p / 50p / 29.97p / 25p / 24p / 23.98p 100Mbps / 50Mbps up to approx. 20min.[Full HD (1920 x 1080) High speed rec.] 59.94p / 50p / 29.97p / 25p / 24p / 23.98p 200Mbps up to approx. 6min.[HD (1280 x 720)] 59.94p / 50p / 29.97p / 25p / 24p / 23.98p 50Mbps up to approx. 30min.* For recording movies, use a card with UHS Speed Class 3 or higher.* With Vertical Power Booster Grip attached, individual movie recording time is extended up to approx. 30min. on both 4K and Full HD mode.* Although movie recording will continue without interruption when the file size reaches 4GB, subsequent footage will be recorded to a separate file which must be viewed separately.

Film Simulation mode

16 modes (PROVIA/Standard, Velvia/Vivid, ASTIA/Soft, Classic Chrome, PRO Neg.Hi, PRO Neg.Std, Black & White, Black & White+Ye Filter, Black & White+R Filter, Black & White+G Filter, Sepia, ACROS, ACROS+Ye Filter, ACROS+R Filter, ACROS+G Filter, ETERNA/Cinema)

Grain effect

STRONG, WEAK, OFF

Dynamic range setting

AUTO, 100%, 200%, 400%ISO restriction (DR100%: No limit, DR200%: ISO400 or more, DR400%: ISO800 or more)

Advanced filter

Toy camera, Miniature, Pop color, High-key, Low-key, Dynamic tone, Soft focus, Partial color (Red / Orange / Yellow / Green / Blue / Purple)

Wireless transmitter

StandardIEEE 802.11b / g / n (standard wireless protocol)EncryptionWEP / WPA / WPA2 mixed modeAccess modeInfrastructure

Bluetooth®

StandardsBluetooth Ver. 4.0 (Bluetooth low energy)Operating frequency[Center frequency]2402 - 2480MHz

Terminal

Digital interfaceUSB3.0 (High-Speed) / micro USB terminal* connectable with Remote Release RR-90 (sold separately)HDMI outputHDMI micro connector (Type D)Othersø3.5mm, stereo mini connector (Microphone) / ø2.5mm, Remote Release ConnectorHot shoe, Syncronized terninal

Power supply

NP-W126S Li-ion battery (included)Battery life for still images*4Approx. 310frams (Normal Mode) When XF35mmF1.4 R is set.Actual battery life of movie capture*4*Face detection is set to OFF4K: approx. 35 min., FULL HD: approx. 45 min.Continuance battery life of movie capture*4*Face detection is set to OFF4K: approx. 45 min., FULL HD: approx. 75 min.

Dimensions

(W) 139.8mm x (H) 97.3mm x (D) 85.5mm (minimum depth 39.5mm)

Weight

Approx 673g(including battery and memory card)Approx 623g(excluding battery and memory card)

Operating Temperature

-10°C - +40°C

Operating Humidity

10 - 80% (no condensation)

Starting up period

Approx 0.4sec.* Fujifilm research

Accessories included

Li-ion battery NP-W126SBattery charger BC-W126Shoe-mount flash unit EF-X8Shoulder strapBody capStrap clipProtective coverClip attaching toolHot shoe coverVertical Power Booster Grip connector coverSync terminal coverCable protectorOwner's manual

Vietnam Photography Adventures - Part One!

Dark alleyways of Hanoi, remote mountain villages outside Sa Pa, and the awesome Halong Bay are some of our destinations in part 1 of our Vietnam Adventures!

Watch the SeriesVietnam Photography Adventures Part 2Vietnam Photography Adventures Part 3 

• Save 10% off your first purchase of a domain, website gallery - at http://squarespace.com/photorectv

• See a complete list of the gear I took to Vietnam - https://kit.com/photorectoby/vietnam-...

• A few of my favorite photos from Vietnam http://photorectoby.com/vietnam

• Travel with me on a future workshop - http://photorec.tv/travel

Mish Mash Highlights: 2/14/2018

Happy Valentines Day from all of us at Photorec.tv! It's been a bit of a quick week but we've got a big release from Lightroom and a new lens from Sigma. Not to mention with the Winter Olympics in swing we've got the always popular gear stashes from Canon and Nikon.While Toby does the Live Show for PEN this is your quick peek at what we're doing behind the scenes. Get this week's news, our Instagram challenge top picks, and more. But you can always join Photo Enthusiast Network and watch Toby live, find out more at Photorec.tv/pen. For everyone already PEN members, thank you for supporting the site!

This Week at Photorec.tv

• PEN Only - Tuesday Tip - Shooting After Dark
  • PEN members, your email yesterday was ideas and tips for shooting in the dark. Not everyone gets out then and it's a great time to experiment with some ideas from Toby.
• Sigma Announces 14-24mm F/2.8 Art Full-frame Lens
  • Sigma is coming out with one of the big three lenses in the lens holy trinity. If you are shopping around it's the lens to check out for wide angle lenses. We'll be eagerly waiting to review it.
• 2018 Olympics Cameras
  • Camera Porn! Go check out Canon CPS and Nikon NPS gear stashes for the Winter Olympics.

Around the Web

We can't cover everything photography news related but we try. For everything else, we've got the best news articles from around the web.Lightroom Classic CC 7.2 Brings Speed Boost and New FeaturesLightroom finally received another speed update. While not a true speed boost that you may be thinking of, for those with higher end computers this will help a bit and especially when exporting. In terms of specs computers with multi-core CPUs and 12GB+ of RAM are getting most of the benefits from this update as this focuses more on batch processes that use a lot of resources. For those that found Lightroom slowed down while using it over a day, you might see a big speed boost there as well as they've patched some memory leak issues.The big thing to remember is that this is just a first step, from here we'll continue to see more speed updates in future releases making YOUR workflow even faster.Update Includes:

• Faster import grid loading
• Faster import and preview generation
• Faster walking through images in the Loupe View
• Faster rendering of adjustments in Develop
• Faster merge operations of HDR/Panos
• Faster export
• New catalog search features

LUTs Compatible With Capture One and Lightroom Thanks to Lutify.meFor those wanting a bit more of a cinematic feel to their photos, Lutify.me made it possible for you to get that look in Lightroom and Capture One. First off, this is not a preset, your sliders won't move as in Lightroom this change is applied to your color profile. You'll still have room to tweak your photos via the sliders. In Lightroom's Develop module if you scroll all the way to the bottom this is the setting in camera calibration, which can add a lot to the right photo.[gallery td_select_gallery_slide="slide" ids="17571,17572"]

Check it out at lutify.me. You can try out their free set to give this a try. To get Lightroom Luts they are available at $59.99 for 204 Luts, $19.90 a year after if you'd like more updates.

What happened to the photography industry in 2017?[embed]https://youtu.be/DhScE6GFdzI[/embed]An update on a year of photography in the industry. As a first in a decade, over 2017 manufacturers produced more cameras than 2016. A bit of a surprise to some as compact cameras were responsible for a big part of the growth. Not to mention the big push towards mirrorless with folks like Toby making the plunge to Sony and other brands. Watch this video from Lensvid for more info.Skydio R1 4K camera drone boasts game-changing autonomous techFollowing DJI's active avoidance software the new Skydio R1 boasts more advanced software that can navigate through dense woods. Using 13 cameras that work in unison with a powerful onboard system the R1 can plan out movement to avoid branches and leaves in real time to track a subject. While I am a bit more wait and see about these things after the Lily camera drone failure it is good to be seeing some competition coming after DJI's market. While this only has a limited 16 minute flight time it may at least be a proof of concept for smart drones.https://youtu.be/gsfkGlSajHQ Other Stories You Might Like:

• UPDATE: Tamron teases a new lens…is it a new 28-75mm F/2.8 FE?
• Picture of a Single Atom Wins Science Photo Contest
• Customer Stories – Photographing the SpaceX Falcon Major Launch
• Stylizing Your Work With the Use of Color
• More DJI Mavic Pro 2 rumors
• How Many Megapixels Do You Need to Print a Billboard?
• Instagram ‘Regram’ Test Lets Others Use Your Photos in Their Stories
• 4 Young Photographers Who Will Inspire and Amaze You
• RGG EDU is giving away a $300, 8+ hour beer photography course for free
• The Winning Photos of Underwater Photographer of the Year 2018

Featured Photos Weekly Challenge

This Week’s Challenge: #PRTV_favoritethings

A freebie week for your favorite things, and fitting for Valentines. Something a bit different to give you guys the freedom to submit anything you wanted to try out.Next Week's Challenge: #PRTV_negativespace2Giving your subject a bit of room to breathe is important for composition so this week we’re focusing on Negative Space. A good tip for this challenge is that the closer your subject is to the edge of the shot, the stronger its composition can be in terms of tension which draws focus. So go out there and get creative! 

Toby’s Features:

@angry_runner - I love this photo, they are framed nicely in this space and it's a great shot using natural framing.

@jenandrewsphoto - This is just a really nice image with the jet black background and a sweet moment.

@asifzbaig - I like this one. It's this road that works as a leading line that makes this work.

Roy’s Features:

@karlsmovingcastle - A nice bit of color and a great silhouette with these boats.

@ektull21 - It’s a neat shot and staying low to your subject is great for showing those layers (one of the three Hero angles)

@vanakatherock - And takeoff! There’s nothing like capturing a bit of history.

For more info, the schedule, and past top picks go check out photorec.tv/prtv. Then try out some of Toby's Instagram Tips. For everything else Instagram, tag those shots #PRTV and #penlive for our daily photo features.

Photos from Space

We're continuing the Starman theme from last week, with the right tech you can just barely still see the Telsa sent to space. Check out more about this feat at DIYphotography.https://youtu.be/m4r54ODsOM0Pick up a "Major Tom" spaceman LED light for your computer today. Part of Toby's Photos from space segment and it helps support the site. Click here to buy your own Major Tom on Amazon.Want to keep up with things happening this year? Sync your calendar with the solar system

 That's all folks! Toby and Co will be out in Yellowstone next week so that means we'll just be having a Mish Mash Highlights article with your photography news. Don't forget to check out Toby's Instagram, @photorectoby, for some wildlife photos with Animals of Montana.

2018 Olympics Cameras

The 2018 Olympics camera stash photos are out for Nikon and Canon from the PyeongChang winter games. At big events such as the Olympics, Canon Professional Services (CPS) and Nikon Professional Services (NPS) both show up to offer support. For professionals that means cleaning, maintenance, and loaner gear for shooting the event. Which can be helpful for things such as a camera that won't fire and needs to be fixed immediately to some water in a lens from condensation between indoor and outdoor shooting. For something the size of the Olympics that means years of planning this out with each having 60 people on staff at the event speaking 10 languages. They are staying mum about the exact total of loaner gear here but it's close to 'several hundred luxury cars' for Nikon alone. That said, go check out your camera porn for the week.

Canon (Via Shutterbug)

 

Sigma Announces 14-24mm F/2.8 Art Full-frame Lens

We're 2/3rds of the way through the lens trinity with Sigma announcing the new Sigma 14-24mm f/2.8 DG HSM Art Lens. A full-frame design, this should be an excellent lens for shooting landscapes, interiors, and stars. Designed to work with 50MP cameras. Near zero distortion (less than 1%) and minimal chromatic aberration is the claim. The Sigma ART line has impressed photographers for several years now and I expect this lens to be a serious winner.With the recently released 24-70 Art, we're just waiting on a 70-200mm lens at this point. The 14-24mm lens currently only available in Canon, Nikon and Sigma SA mounts, Sony owners must use an adapter like the Sigma MC-11 adapter for now.  There are strong rumors that in just a few months Sigma will announce FE mount versions of many of their lenses.The Sigma 14-24 Art features Sigma's Sports line of dust and splash proofing with a seal at the mount. Build for high-speed, high accuracy autofocus. This should be a great option for those wanting to capture close up sports and action shots.Another exciting announcement is the introduction of the front mount conversion service for the Sigma 14-24mm F2.8 which allows the lens to be used in multicam productions, e.g., VR rigs. The exclusive front round component minimizes the risk of interfering with other cameras and eliminates undesired shadows in the content.We're one step closer to the lens trinity from the Sigma Art line and this likely represents an excellent option for Canon photographers and Nikon user looking to save over the current Nikon 14-24 f/2.8 that costs nearly $1900.

Preorder Coming Soon at B&H

Canon Mount | Nikon Mount

Sample Images

[gallery ids="17506,17507,17508"]

Specifications

Lens Construction

17 Elements in 11 Groups

Angle of View

114.2°-84.1°

Number of Diaphragm Blades

9 (rounded diaphragm)

Minimum Aperture

F/22

Minimum Focusing Distance

26 - 28 cm10.2-11.0 in

Maximum Magnifications

1:5.4

Dimensions (Diameter x Length)

ø96.4mm x 135.1mm3.8in. x 5.3in.

Weight

1,150g/40.6oz.

Mounts

Canon, Nikon, Sigma

Price

TBA