https://www.youtube.com/watch?v=suQMbemErVs
Maximum Height: 55"Folded Height: 15"Load capacity: 17.6 lbsPrice: $107.99(Updated model with better head)
Max Height: 61.6"Folded Length: 15.4"Load capacity: 17.6 lbsPrice: $299 (with rebate)
Max Height: 64.4"Folded Length: 16.7"Load Capacity: 22 lbPrice: $959.88
From scary to small, this week the focus on texture was less on the big picture and more on aspects of a subject. It’s a real change and chance to think out of the box with detail shots, macro, still life, and more. Some great photos this week! Go check them out and show the top picks (and the other entries as well) some insta love.Next Week’s Challenge: #PRTV_blackpointFind out more about upcoming challenges and past winners at photorec.tv/prtv.You can follow Photorec.TV on Instagram at @Photorec.tv and the team:
Such a sharp image!
A post shared by Jane Glover (@angry_runner) on
The hands, the ring - the caption all combine to create a compelling story and image
A post shared by Heather - Fat Happy Photog (@fathappyphotog) on
Processed well to really make the texture in the petals stand out.
Macro opens a lot of options and a fingerprint really shows some rigid texture in this week’s challenge.
#fingertip #fingerprint #macro #texture #touch #macro_freaks #prtv #prtv_texture3
A post shared by Luke Ciancio (@lukeciancio23) on
Water drops and soft petals of this succulent make for a neat photo.
Hibiscus always have this interesting texture and throwing the photo to black and white really let you play on that for some really defined texture in this shot.
Put together a wish list of fantastic photography gear for the upcoming holidays that won't break the bank for your family and friends!
Prime lenses are a fantastic value for any photographer, regardless of your budget. If you're brand new to shooting with prime lenses, the 50mm f/1.8 (Canon | Nikon) is a terrific place to start. 50mm is a versatile focal length for portraits, street photography, styled shoots, and much more. If you already own the 50mm 1/.8 or are more interested in other focal lengths, the 40mm f/2.8, 60mm f/2.8, and 85mm f/1.8 are also great options for Canon shooters. Nikon has the 35mm f/1.8 and 85mm f/1.8. For Sony shooters, Sigma offers a selection of prime lenses for under $500, including the 19mm f/2.8, 30mm f/1.4, and 60mm f/2.8.
Many photographers are intimated to purchase filters. High-end filters are expensive, and numerous professionals bash budget filters, discouraging photographers from using them. While you can skip the cheap UV filters, budget CPL and neutral density filters are quality products. Purchasing budget filters also allows you to test the gear at a low price point. You can always upgrade later. Tiffen and Altura are both great budget filter brands for CPL filters. I own the Altura neutral density filter set, which is an ideal starter set for experimenting with different filter numbers.
The holidays are the perfect opportunity to ask for smaller camera gear, such as speedlites, tripods, and straps, to fill out your photography gear without asking for items that are too expensive. When you're in the market for a budget flash, your best place to start is YONGNUO. The YN-560 IV is just $65 and has an impressive range of features including supporting wireless master and slave functioning and multiple trigger synchronous mode.
There are a wide range of sturdy tripods that will keep your equipment safe without breaking the bank. When in doubt, choose a well-known tripod manufacturer, such as Dolica, Benro, or Mefoto, and then browse their budget or travel tripods. I use the Dolica TX570B150SL Ultra Compact Tripod, which currently retails for under $70. I purchased it for travel but love the convenient, compact design so much that it's become my standard tripod. When purchasing a tripod, don't skimp on durability just to save a few bucks. The tripod you purchase should be sturdy and well-equipped for your photography needs.PhotoRec tripod reviews: Dolica TRX570 vs Mefoto Travel Tripod, Dolica AX620B100 62-Inch Proline Tripod, and Ball Head, Benro Aero 2 & 4, Feisol CT-3442 Tripod, and Mefoto Globetrotter Air.
A strap is a must-have for every photographer. Ditch the uncomfortable, awkward strap that comes with your camera, and invest in a better strap. My go-to recommendation for hobbyist and professional photographers alike is the Altura Photo Rapid Fire Camera Neck Strap. I've been using a similar BlackRapid model for several years, and the Altura is just as durable and considerably cheaper. Short of shooting weddings full-time, the Altura is ideal for all of your photography needs.If you're looking for a more stylish strap, check out Envy Scarf Straps, which are extremely versatile and come in a wide range of styles. You can also find a wealth of camera straps on Etsy. Check out ten8e, theBLUEcoopDOOR, and LiVeCameraStraps.
Personally, I'm a huge fan of ThinkTank camera bags. Most recently, I purchased the SubUrban Disguise 10, which is a great bag for traveling with a lightweight system or taking day trips (full review). I also highly recommend the SubUrban Disguise 20 and the Urban Disguise 40 Classic, both of which are very similar to the now discounted CityWalker 20, which I've been using as my main camera bag for several years. Tenba is another fantastic camera bag company with a wide range of products for $200 or less (full review: Tenba 14L ActionPack Camera Bag).I also cannot say enough good things about the LowePro Fastpack 250 DSLR Camera Backpack. It is one of the first items I ever purchased for my DSLR and has held up beautifully through numerous travel. For less than $100, you'll be hard pressed to find a DSLR backpack that holds as much gear and is versatile enough to serve as a primary carry-on travel bag as well.Are you looking for a stylish camera bag on a budget? Consider Jo Totes or Grafea.
I couldn't write a holiday gift guide without including a few purely fun camera items. Camera lens cups are always a popular choice. If you have a lot of social gatherings at home or love to take candid pictures of your family and friends, the Fujifilm Instax Mini 9 is the best polaroid or instant camera on the market right now. Finally, add a couple of nerdy photography shirts to your wish list.
Feel free to share links in the comments!
Save
Sony has announced a 24-104 f/4 G lens. After a few hours of shooting with it on the new Sony a7R III, I can tell you it is very sharp. Some might be disappointed it is not a G Master lens but Sony has created a lens that is extremely sharp across the range and remains lightweight and travel-friendly.
The lens uses a Direct Drive SSM focus motor that Sony claims it has a more direct feel similar to a mechanical focus ring, useful for videographers. It is dust and moisture resistant. Nine circular aperture blades create a smooth bokeh.
Ready for some spooky shots? This week’s challenge was Halloween and you guys delivered :). Free internet points for Gareth being extra evil.Next Week’s Challenge: #PRTV_texture3Find out more about upcoming challenges and past winners at photorec.tv/prtv.You can follow Photorec.TV on Instagram at @Photorec.tv and the team:
This is a great themed shot and the edit really sells this photo with the muted color.
I love that you went over the top with this awesome shot of your daughter. By itself it’d be a bit spooky but with the texture and graphics its extra neat.
Evil clowns! This is a neat shot and the really dark black point really sells the photo.
#prtv #prtv_halloween2 #halloween #killerclowns
A post shared by bob grzembski (@bobbiog_) on
The lighting and composition are fantastic, and the addition of texture and graphics is perfect for Halloween.
I love this perspective. The pumpkins on the left contrasting with the creepy writing in the bus is great.
Such a sweet image. I’m always a sucker for the backs to the camera shot.
A post shared by Jen Andrews Photo (@jenandrewsphoto) on
B&H Photo Video is clearing out their inventory of Apple 15.4″ MacBook Pro with Touch Bar. discounts range between $500 and $700 from regular price. Although these are 2016 models the upgrades in 2017 were minor and this makes it an excellent deal for a near top-of-the line Mac model. Four options are available along with a 15% discount on AppleCare
15.4″ MacBook Pro with Touch Bar (Silver, 2.7 GHz i7, 512 GB) for $2099.00 at B&H15.4″ MacBook Pro with Touch Bar (Silver, 2.6 GHz i7, 256 GB) for $1899.00 at B&H15.4″ MacBook Pro with Touch Bar (Space Gray, 2.7 GHz i7, 512 GB) for $2099.00 at B&H15.4″ MacBook Pro with Touch Bar (Space Gray, 2.6 GHz i7, 256 GB) for $1899.00 at B&H
I've had the 30L Peak Design Everyday Backpack for a while now going on photo hikes and using it for everyday work. It's a very dynamic bag for sure but is it the one for you? From a Kickstarter that raised millions to a standout brand, you can tell this gear is made by photographers for photographers. It takes a bit to get used to this open side design compared to other bags but it can be a great setup for the photographer on the go.
Nice for Hiking
Great for Everyday
One of the most over-engineered bags out there, as the bag is essentially hollow, the key for the Peak Design Everyday Backpack is the special Flexfold Dividers that Velcro in to form cells to hold your gear. Compared to some bags as the zippers fully cover the bag you can get full access to all your gear simply swinging it around your shoulder. Albeit starting out you'll be trying to remember if a lens is on the left side or right when grabbing a lens. The Everyday Backpack is a well designed and thought out backpack that you'll notice a nice touch or feature days after owning the bag.
Being an everyday bag it's a nice dynamic design for shelving when needed for just enough gear and leaving the rest as an open backpack. Each Flexfold divider acts as a shelf in the bag with a folding design to move out of the way for larger lenses or subdivide for smaller ones. Because they do not fully hit the sides like a traditional celled design at times that does mean small items such as a lens cap may float to the bottom. I do wish the 30L came with another divider, both the 20L and 30L come with 3 oddly despite it being bigger. After getting the backpack you can do their survey for $10 and pick one up for $5 with free shipping. All-in-all the Flexfold dividers are quite innovative, find out more in the tips & features video here.
As a plus, lots of pockets! I'm usually one to push the Cocoon Grid-it as I can't find enough space in bags for the little things either shooting or working. Peak Design included side flaps with many small pockets, a small pouch on the top, and a safe pocket with a magnet for important items (great for business cards). If you need to store something larger though like a polarizer filter and keep it protected I'd suggest a field pouch or similar bag to help store the things that just don't quite fit. Larger items can be stored in the side areas while not in pockets as they stretch but without more padding, I wouldn't recommend this for fragile items like glasses but it's good for a something like a laptop charger.Thanks to the expanding design the 30L is large enough to load a DJI Phantom internally with extra space for a remote. As you fill the bag with something this large it expands to fit the need. Due to this design, the 20L is actually 12L, and the 30L a 18L bag initially. For those that pack light or have gone mirrorless, the 20L is a great fit. For those with multiple bodies or large lenses would be better off with the 30L. To get that extra space, as you raise the Maglatch top flap up brackets in the bag you gain another 8L at the cost of waterproofing at max size being more open. When hiking I managed to easily fit my duck coat in the top half of the bag this way. If you do somehow manage to max this out compression straps are hidden in the bottom and side pockets to hold a tripod or whatever gear you can't manage to stuff inside.[embed]https://www.youtube.com/watch?v=5X9x3Tehhiw[/embed]As an everyday bag, the laptop slot is nice as I can carry a notebook and slim laptop but the area collapses when not in use to not take up space. If you are using a full size 15" laptop it will be a snug fit, especially if the main compartment is full as it expands into that area. If you have to carry a lot of paper for work I wouldn't suggest this bag as it's too tight of a fit for much with the laptop included unless you want to sacrifice a divider space or two in the main area. As the dividers collapse down easily for every day I went with one section with a DSLR, zoom, and a 50mm STM lens with plenty of room for what I need to work on that day.[gallery td_select_gallery_slide="slide" ids="16633,16621,16620,16608,16612,16613,16614,16615,16617,16618,16622,16627,16628,16629,16630,16632"]As a note, it's something simple but if you want plain black it's actually coming soon. I've got their charcoal design to review here but if that's not your style, just recently Peak Design has started to come out with new black designs. As of this article, it hasn't gotten to the 30L yet but can be found in their 20L Everyday Backpack, Field Pouch, and a new 5L sling pouch announced today.Overall when compared to some of the more traditional designs of other bag companies the Everyday backpack certainly catches the eye in looks but is it a good camera bag? That depends a bit on you as there is never a perfect bag ( Toby has tons). The Everyday Backpack is good for quick access but it loses out to efficiency a bit. It is expensive though compared to competition such as Toby's favorite MindShift Gear bag for $40 less which may be more convenient for those that really have to pack a ton of gear. Overall it's quite comfortable and the swing design of the arm straps can angle to size the person while the ribbed back design keeps you cool. If you are looking for something different with a great design and everyday use this might be a great bag for you.Also, check out Peak Design’s new Give a Shot program aimed at connecting photographers with non-profit’s - giveashot.org
B&H Photo is including a free FAST SD Card with preorder!
I was part of a small pool of press who received an a7R III for an afternoon and evening of shooting. What follows are my thoughts - an early review of the a7R III and the Sony 24-105 f/4 OSS G Lens.
https://www.youtube.com/watch?v=12WqGcLm_QE
The Sony a7R II was a warning shot to Canon and Nikon to stop underestimating mirrorless. The a7R II took the lessons learned with the original a7R and provided a high megapixel camera (42.4MP) with enough autofocusing power to easily work with many Canon lenses while offering the best dynamic range in its class, a stabilized sensor, and beautiful 4k video (not cropped)! The result is that over the last two years we have seen Canon and Nikon sales stagnate while Sony has moved into 2nd place, past Nikon. Though the a7R II sold well (and
) and did entice a noticeable portion of photographers away from their DSLRs, the A7R II was not perfect. It had several drawbacks - poor battery life, a single SD card slot, just 5fps paired with a small buffer that, when full, greatly reduces camera functionality and, with the sacrifices made for the smaller body, a less desirable in-hand feel which lacked a dedicated focus point selector. The menu was a mess too. And, a few more issues that caused pro photographers concern, not directly related to the camera, too many Sony repair center horror stories and a lack of native Sony glass. I can't offer a critique of the repair department at this time except to say that Sony has recently added
Pro level repair centers in New York and LA
and clearly sees this as a priority. And, during the two years since the A7R II was released, Sony has released over a dozen lenses and now offers high-quality glass from wide to telephoto. Though, they are still missing some longer telephoto options and don't have much 3rd party support there either.
https://youtu.be/FXejdcGKNIYThe AF improvements are huge! The a7R II AF does well but it wasn't something I would want to use to photograph any action or sports. Now, with the speed improvements in the a7R III, Sony states the AF is twice as fast as the previous model. This coupled with a greatly improved eye-AF system results in an incredibly capable camera that makes nailing focus easy. Again and again, I watched it accurately track erratically moving dancers and the eye-af worked great for nailing portraits of still or moving subjects - as long as an eye was somewhat visible. No, it wasn't perfect - I saw AF confusion a few times but overall the AF hit rate was much higher than a comparably priced DSLRs AND the eye-AF made it easy- I don't even need to move the focus point near the eye - the camera just finds it and locks on. The Sony A7R III is now a camera capable of handling real action.
Walking portraits - with eye-af focus was idiot proof and easily locked onto and tracked the eye closest to you.
Sony A7RII Focus Point Selector
Custom buttons on the a7R III
Sony a7R III Dual Card Slots
Sony a7R III Battery - Doubles Battery Life
The dedicated joystick (focus point selector) for selecting AF point and a touch to AF LCD screen make this camera MUCH more user-friendly. Along with a dedicated AF-on button as well as an AEL button (that I recommend you assign Eye-AF) greatly increase the usability of this camera. Overall, the ergonomics of this camera are improved, including the location of the record button. However, if you don't like the small grip size or feel that the space between grip and lens is tight on the a7R II or a9, you will still be disappointed as the a7R III is virtually identical to the a9 and feels the same in my hands. One item I noticed - the customizability of many buttons has been further improved with a huge list of assignable functions.Dual Card Slots! SD, not XQD. One is UHS-II, and I recommend Sony 64GB SF-G Series UHS-II SDXC. You can set the cards up to record RAW to one and JPEG to the other or stills to one and video to the other or simultaneous write (backup) or relay - as one card fills, it switches seamlessly to the other.Battery life has more than doubled from the Sony a7R II. The Sony a7R III uses the new A9 battery, the Sony NP-FZ100, which more than doubles battery life.I shot 1845 photos with the a7R III and 20 minutes of video - that used less than 50% of the battery! And, almost this entire time when I wasn't taking photos, I was playing with the menu and connecting to wifi. We should also see a serious improvement in cold weather performance (I will be testing the A7R III in Alaska in early December). Sony has also added a USB-C 3.1 port and the standard micro USB which means additional charging options while shooting, tethering or connected to a remote trigger or intervalometer. You can also use the a9 battery grip with the a7R III.The 10 FPS makes this a much more versatile camera making it capable of handling sports and action. Having the same speed silently with the electronic shutter is also impressive, though limited, as I do see some rolling shutter issues with moving subjects - this sensor cannot be read-off as fast as the a9 (which exhibits no rolling shutter in silent mode). The buffer and write speed to the card has been improved. In general, this is a much more responsive camera than the a7R II but, when you do fill that buffer up with uncompressed RAWS and shooting simultaneously to two cards, you will be waiting some time. I have only tested with two SD cards so will be reporting on this in more detail in my detailed review.
10fps of a spinning dancer
Upgraded a7R III Menu - now color coded
The viewfinder upgrade, now like the a9, is larger with a higher resolution screen and is bright and beautiful. It is a welcomed improvement.Image and video quality do not look drastically different from the already excellent a7R II. I will be testing more with side by side comparisons against the a7R II, Canon 5D Mark IV and Nikon D850 in the near future.The menu is still a bit of a mess, but borrowing from the a6500 and a9 systems it is now color-coded, with more helpful icons and a "my menu" section where you can place your frequently used items.No access to the play memories store - so timelapse fans will need to buy an intervalometer. BUT with the additional USB-C port you can charge the camera while running longer time-lapses. All other apps you may have used on the Sony a7R II or other models is not available in the a7R II. I do not know why they have made this choice.
I have spent only one day with the camera, but based on my experience, if you have been waiting for a Sony camera that can truly replace your DSLR or you are an a7r or a7ii shooter, this is a camera I can happily recommend. Should a7R II users consider upgrading? I have decided to upgrade based on the increased AF and usability of this camera. I love the a7R II image quality and for landscape or general travel it has been a fantastic camera but anytime I found myself shooting portraits or action (wildlife in Tanzania last year) I was frustrated with the usability of the camera - slow to move focus point, slow to respond after shooting a burst. The upgrades the camera provides in this area are enough for me to make the move. Pair the new Sony a7R III with the new 24-105 f/4 G OSS lens and you have a fantastically versatile camera.Videographers should you buy the Sony a7R III? - No, you should wait and see what the A7S III will bring - hopefully 4k at 60fps.Should you buy the a7R II or the a7R III - With only a slight difference in image quality it comes down to speed and useablity. Do you need the increased speed of AF and do you want a camera that is the more DSLR like in its control and operation? The existing Sony a7R II is still a fantastic camera and an excellent value.I love answering your questions and will be back with more hands-on and answers to your questions in the next couple of weeks. Be sure to watch the linked video and leave your question in the comments.
Preorder the a7R III from B&H Photo
A FEW RAW FILES FROM THE SONY A7R IIISAMPLE IMAGES
The Nikon D850 is easily the best DSLR on the markethttps://youtu.be/foxvRAw3fI0Highlights of the Nikon D850
This camera feels wonderful in the hand and offers a control layout that just works really well - except auto ISO dial, it's a little awkward to switch that on and off- but bracketing, focus modes, the excellent and dedicated focus nub all make for an extremely pleasing operation.
Lighted buttons, something they started with the D500 and standing under the stars a few nights ago in Acadia NP - all the other photographers on the trip were quite jealous of my softly illuminated buttons that make low light and night photography a dream
Beautiful big bright viewfinder AND a vibrant and gorgeous screen that is fully touch-enabled the menus work, touch to focus works even with heavy ND filters on AND it is articulated - though like Sony only tilting.
Additional features - like intervalometer that makes possible an 8k time lapse - you can drop to 4k and have the video created in camera. The 8k just produces stills that you need to use software to turn into a video. Focus peaking through frustratingly it doesn’t work when shooting 4k, only at 1080p, focus shift for stacking and creating images with huge depth of field which can be useful in some situations.
Awesome image quality- excellent image quality with lots of room to brighten the shadows before you see noise and great higher ISO performance AND a 45mp sensor. Zooming on these images is lovely - so much detail, so much room to crop.
4k video, that isn't cropped AND this is all packaged in a capable and versatile camera.
Impressive AF system,
Access to all of Nikon lenses
Greatly improved live view experience vs past Nikon cameras
Negatives of the Nikon D850
Focus during video is terrible, extremely distracting slow, hunting- you can use an AF-P lens and it gets a little smoother but still nothing like the dual pixel AF of Canon or Sony’s smooth AF system.
Shooting video without a viewfinder is difficult in brighter conditions and the focus peaking that Nikon nicely added doesn’t work during 4k filming
DSLR focusing systems often need AF adjustments to work their best and while Nikon provides an in-camera system for adjusting focus - it is limiting and I have images that are out of focus due to alignment or shutter shock or mirror slap.
Disappointing battery life if you find yourself using the screen often
Customizable buttons are limited in what you can assign
It’s a BIG camera. Sure for some of you that’s a check mark in the pro column but after using a variety of mirrorless cameras over the last year I appreciate a smaller, lighter camera and yes, if using a full frame Sony as you start to add lenses the weight savings start to disappear but you at least have the option of traveling much lighter at times with lightweight lenses.
The D500 is a little lighter (155g lighter) a little faster (10 fps vs 7fps, though you can bump that up with the battery grip for the Nikon D850) and you get more reach with the D500 crop sensor and can use lighter, smaller crop lenses BUT the D850 has a crop mode that will give you that same extra reach and provides excellent edge to edge AF coverage. The D850 also does much better in low light with that full frame sensor.Buy the D500 if you are dedicated wildlife or sports/action photographer and spend the savings on a nice telephoto lens.Everyone else should buy the D850 for it's excellent all-around image quality and low light performance.Should you upgrade from the Nikon D750. Honestly, the D750 is still one of the best values in DSLRs on the market and continues to perform well. Only upgrade if you have been frustrated with low light performance or AF system.
D850
amazon logo
Sigma 24-105
amazon logo
D500
amazon logo
Sample Nikon D850 Photos
All in all, I would be very happy to use this camera for landscapes where I can use the screen and know that focus is really dialed in. Throw the very sharp sigma 24-105 f/4 on and you have a killer combination. But these days I do appreciate a lighter camera and will often choose a Sony over the Nikon. Especially the new Sony a7R III Use the link squarespace.com/photorectv to save 10% off your purchase of a site or domain name and find the link below for a more helpful guide.
A challenging topic for the new set of challenges! Not too many entries but we can't make it a cakewalk on every challenge or it wouldn't be a challenge. So thank you that entered and we’ll see you next week for a spooky set of shots, your photos rocked! Next Week’s Challenge: #PRTV_halloween2Find out more about upcoming challenges and past winners at photorec.tv/prtv.You can follow Photorec.TV on Instagram at @Photorec.tv and the team:
Love the tones and mix of city and wildlife
A post shared by Justin Lai (@justlai87) on
Despite the flipped plane this is an interesting story with a double exposure
I love this high contrast double exposure - so well done!
Like you said the grass makes for a neat beard, managing to incorporate the two images in a way that seamlessly connects them makes for a great shot this week.
It’s a nice creative shot that reminds me of a ship in a bottle. It was a good idea using a high key shot as the base to keep the shot nice and light.
A post shared by Doortje van Helden (@doortjevanhelden) on
It’s a nice flowery shot to go with the girl and I like that you gave the flowers more contrast where it intersected.
Bummers - No access to the play memories store - so timelapse fans will need to buy an intervalometer BUT with the additional USB-C port you can charge the camera while running longer time-lapses.
Preorder the a7R III from B&H Photo
SAMPLE IMAGES
https://youtu.be/RCiOGD1_IPEThe Sony a7Riii and FE 24-105mm f/4 G OSS Lens are available to pre-order now. Find out more about the a7R III here, and the 24-105 here. With Toby at an NYC conference covering these products make sure to follow our Facebook and Instagram for new info.
Along with the Sony a7R III, more on that here, we've also got a new 24-105mm lens this week from Sony. The Sony FE 24-105mm f/4 G OSS Lens is a nice addition to the current lineup in sharpness, focus, and weight. We'll have more on this lens and the Sony A7R III as Toby is on location with it in New York so keep an eye out for more info.The lightest among the 24-105 lenses out, it's a great wide to mid-telephoto range for photography and perfect for travel, weighing 23.4oz (663 g). Compared to Canon and Nikon it's MTF chart shows a large improvement vs the competition with great corner to corner sharpness. Multiple extra-low dispersion and aspherical glass elements, with a Nano AR coating as well cut down on distortion and reducing flaring while boosting sharpness.Silent and fast featuring DDSSM (Direct Drive SSM), benfits photographers AND videographers. It can handle slow speeds fine with Optical SteadyShot image stabilization to create crisp photos at low speeds. Dust and moisture-resistant design.Preorders start today on the Sony 24-105mm lens for $1,298.00 and the a7R III. If you have been thinking of switching to Sony now is the time. Great performance with a small size should be good on the go for traveling or just as a convenient zoom lens.
[gallery ids="16364,16365,16366,16367,16368,16369"]
Sony Expands Full-Frame Lens Lineup with New Compact, Lightweight FE 24-105mm F4 G OSS Standard Zoom Covering Wide-angle to Mid-telephoto rangeNew E-mount FE 24-105mm F4 G OSS Standard Zoom Delivers Serious Still and Video Performance with Compact Design NEW YORK, Oct. 25, 2017 – Sony Electronics, a worldwide leader in digital imaging and the world’s largest image sensor manufacturer, has today introduced the latest addition to their expanding full-frame E-mount lens lineup, the FE 24-105mm F4 G OSS Standard Zoom (model SEL24105G).The new full-frame lens covers the commonly used 24 to 105mm focal length range, delivering outstanding G Lens™ imaging performance with the most lightweight design in its class1, maximizing its versatility and usability. Therefore, the FE 24-105mm F4 G OSS can be used for versatile shooting such as landscape, portrait, wedding and so on. This lens also features fast, precise and quiet autofocus capabilities in both still and video shooting, making it an ideal complement for Sony’s extensive lineup of E-mount cameras.High Optical Performance and Outstanding Resolution Sony’s new FE 24-105mm F4 G OSS lens delivers excellent corner-to-corner sharpness throughout the entirety of its zoom range, while also producing beautifully rendered ‘bokeh’ or background defocus at all focal lengths.This high image quality is made possible thanks to its advanced optical design featuring four aspherical lens elements, two of which are high precision AA (advanced aspherical) lenses. There are also three strategically located ED (Extra-low Dispersion) glass elements that work in combination with the aforementioned aspherical lens elements to minimize chromatic aberration and ensure the ultimate resolution is captured.The lens also has Sony’s original Nano AR coating to minimize flare and ghosting, and utilizes a circular aperture to ensure it delivers high quality bokeh that is consistent for all Sony’s G series.Compact, Lightweight Design and Shooting Flexibility The new FE 24-105mm F4 G OSS lens weighs in at approximately 663 grams (23.4 oz), making it the lightest lens in its class1. When combined with one of Sony’s compact E-mount bodies, it gives photographers and videographers a far more mobile, manageable camera system that greatly increases their shooting flexibility.In addition to the compact design and versatile 24-105mm focal length, the new lens has a minimum focus distance of 1.25ft, allowing for impressive close up detail. It also includes built-in optical image stabilization to make it easier to produce sharp, blur-free images when shooting handheld.Highly Advanced and Accurate AutoFocusIn order to keep up with fast-moving subjects, the new standard zoom lens features a DDSSM (Direct Drive SSM) system that is capable of rapid positioning of the lens’ focus groups with high accuracy and very minimal noise. This advanced system combined with a constant F4 aperture at all focal lengths makes the SEL24105G an excellent choice for both still and video shooting.Further adding to its versatility, the new standard zoom lens also features a customizable focus hold button, a dust and moisture resistant design2 and a fluorine coating on the front element to help minimize dust, water, oil and other contaminants.Pricing and AvailabilityThe new FE 24-105mm F4 G OSS Standard Zoom Lens will ship this November for about $1,300 US and $1,700 CA.1. Compared to currently available full-frame 24-105mm F4 standard zoom lenses (October 25th, 2017, Sony research)2. Compared to currently available full-frame 24-105mm F4 standard zoom lenses (October 25th, 2017, Sony research)2. Not guaranteed to be 100% dust and moisture proof
Sample Videohttps://www.youtube.com/watch?v=AmLgLAIX028&feature=youtu.behttps://youtu.be/xVjo2G-c01sSample Photos
Mixing a comfortable wide-angle design with an ultra-fast maximum aperture, this 16mm f/1.4 DC DN Contemporary Lens from Sigma is a 24mm-equivalent prime for APS-C-format Sony E-mount mirrorless cameras like the a6300 and a6500. With a bright f/1.4 maximum aperture, this lens is well suited for low-light conditions and also affords increased control over depth of field. With a 9-bladed aperture design for smooth background blur. This lens also sports a stepping AF motor for quick, quiet, and smooth focusing performance that suits both still photography as well as video applications. Additionally, a weather-sealed, durable construction enables this 16mm f/1.4 to excel in inclement weather conditions.Suitable for the stars or landscape work as well as an excellent focal length for general walk around photography. Available in Sony and Micro 4/3 mounts.[gallery td_select_gallery_slide="slide" ids="16358,16359,16310"]
Big sales for Sony today with new rebates and freebies you NEED to check out! Get Toby's great Sony a7R II, the camera that takes a lot of those travel shots, for cheap. Even if you are just starting out they've even got deals on the Sony a5100 and a6300. It's worth your time to look if you want to upgrade or have thought about making that switch to Sony.
B&H | AmazonWith Free Storage or a Free Video Mic Kit from B&H
B&H | AmazonWith Free Storage or Adobe Creative Cloud subscription from B&H
B&H | AmazonWith Free Accessory Kit from B&H
The Tamron 18-400 is an incredibly versatile lens crop sensor lens. In this video, I take it whale watching with San Juan Safaris in Friday Harbor and compare it against the Sigma 24-105 and the Sigma 100-400 telephoto lens.https://www.youtube.com/watch?v=uNZEVT0edkQ
A start to fall color with #PRTV_warm! In northern Michigan fall is in full blast and it should be starting around the other northern states at the moment. It’s nice to see people experimenting with out of the box ideas like split toning for a warmer hue and finding warmer colors or ideas for their shots. Next Week’s Challenge: #PRTV_doublexposureFind out more about upcoming challenges and past winners at photorec.tv/prtv.You can follow Photorec.TV on Instagram at @Photorec.tv and the team:
A nice warm colored shot out of the set this week, when shooting over the water you can really grab the color in the haze.
A post shared by Dung Nguyen (@d.a.v.i.d__n.g.u.y.e.n) on
A nice sunset on that copy water works and you got some nice backlighting on the wave crests.
A post shared by Tim Rosenthal (@trosenthal636) on
While I wish we met up for the shoot it’s a neat shot for this week. Remember our challenges are open ended so out of the box ideas are encouraged!
#speedcult #speedculttim #dropzone #detroitphotographer #ratrig #flamethrower #prtv_warm #prtv
A post shared by bob grzembski (@bobbiog_) on
I love the flow of trees into fog in this composition with the hint of warm color in the trees.
When the fog meet the forest during this incredible clouds inversion phenomen we had.
A post shared by Adrien Catel (@adriencatel) on
This image is such a classic fall shot. The composition is simple but strong. I love the contrasting colors.
A post shared by Jeff Kuhn (@jkuhn36) on
Another classic fall shot. I love that the little girl is facing away from the camera. I think the action element adds to the story here. She’s perfectly composed in this image.
A post shared by Heather - Fat Happy Photog (@fathappyphotog) on
The program we know as Lightroom has been rebranded/split by Adobe into two products. A fully cloud-based service and the standard desktop version (the one you're used to), now called Lightroom Classic. While Lightroom is now in the cloud, changes to either can be synced between programs. Watch the video below to learn more.https://www.youtube.com/watch?v=vNBpWGJE5VMQuick Tip: If you are having trouble seeing the updates open the Adobe cloud program in your taskbar. Sign out of the program, then sign in to see the new updates.
A big update to the existing Lightroom web platform, we've got a cloud version of Lightroom for desktops, tablets, and phones. Image editing you want but in a simplified package that Adobe made for you to use on all your devices. This new Lightroom is a streamlined version that's simpler to use and ready for on the go work.
The "New" Lightroom Classic is the same Lightroom you're used to, but with massive speed boost! After taking suggestions from users Adobe has overhauled Lightroom into a much speedier program, especially in the Develop module. (my early testing shows a significant increase in speed for some tasks while others remain fairly slow)
Better, Faster, Stronger
ONE NEW FEATURE
Everything gets updates today. New easy access for LR photos, a new pen tool, tips and more:
Lightroom comes in three flavors now. The regular Creative Cloud Photography Plan stays the same price but now gains 20GB of cloud storage. Existing Creative Cloud Photography Plans can switch to the new 1TB plan for more cloud storage and get $5 off for the first year.Despite the fact they promised they wouldn't, Adobe Standalone products are gone with Lightroom 6 as the last version. This was the Lightroom software packaged separate, not requiring the monthly charge and did not include Photoshop. The current standalone software will get an update for the Nikon D850 at the end of the month with camera support updates for this year only.All-in-all it's an extensive update to existing programs, and new ones as well. The biggest improvement, being the speed boosts with Lightroom Classic people have been asking for since last year. The new Lightroom cloud system is an interesting update and we'll have to see what happens as Adobe continues to work on the platform.
Photography plan
Photography plan with 1TB cloud storage
