Nikon D5200 vs Canon T4i (Explained Simply)

I have here the T4i (650D) and the D5200 -Shown below is both mounted on my super fancy side by side comparator board- Canon T4i vs Nikon D5200Now with videoThese two cameras are very similar in size and shape. You may want to put your hands on both to see what feels nicest and watch my video comparing and contrasting the physical differences and similarities D5200 and T4i. I also have a page of High ISO Sample photos and video from the Nikon and the Canon

What the T4i has that the D5200 doesn't:

  • Touch screen - use is optional as all physical buttons are still present but it does allow access to all features of the camera in quick and efficient manner.
  • Silent Auto Focus during video when paired with the 18-135 STM lens.  Nikon also offers full time AF but does not have a silent lens.
  • Wireless Flash Control - ability to fire external flashes that are not attached to the camera
  • The ability to adjust your aperture during live view - Useful for learning.
  • Shooting in various aspect ratios 1:1, 4:3, 3:2. 16:9 but only when shot through live view
  • A bit more space on the back of the camera for larger hands.
  • Built in focus motor - the T4i will auto focus with all EF and EF-S lenses. D5200 lacks focus motor which limits lens selection - this is not nearly as big a deal as it was a few years ago, Nikon has released plenty of lenses that will AF with the D5200.
  • Custom Menu to save your most used settings.

What the D5200 has that the T4i doesn't:

  • Faster focusing brain with 39 AF points - Focus performance was occasionally slightly faster through the viewfinder and in live view.  T4i has 9 focus points.
  • Better low light performance.  Below 1600 ISO the two cameras perform similarly, above you start to see a difference with less noise and more detail out of the Nikon.
  • More megapixels 24 vs 18 - not nearly as big a difference as it looks on paper.  (Illus coming)
  • Small light for low-light auto focus assist. T4i has flash that pops up and annoyingly strobes.
  • More shutter modes - a slow burst 3FPS versus normal 5FPS(same as T4i) and a Quiet Shutter that doesn't sound much quieter.
  • 1080i at 60fps. T4i only offers 1080p at 30fps. At the 60 frame rates the video is interlaced and cropped a bit more.
  • Additional Scene Modes and effects (video coming soon) and a more robust HDR feature.
  • Wireless dongle accessory($60) makes it easy to use phone as live viewfinder/remote and download photos to phone/tablet.
  • Built in intervalometer for shooting time lapse.
  • A retouch menu with a several more options.
  • A few quirks: aperture changing, tendency to lean greenish though it can be argued that the Canon leans redish and an intervalometer that seems to just stop.

Canon T4i vs Nikon D5200 Summary:

If you were to just count the bullets Nikon would get a fairly clear K.O but not every bullet is worth the same weight and it depends on your needs and use case.  Both cameras produce excellent images in a variety of conditions.  If I had to pick highlights for each -On the Canon side I would mention that user friendly touchscreen which makes the whole camera a bit simpler to operate and the pairing with the 18-135 that provides silent and smooth auto focus during video -this is a very family friendly feature.On the Nikon side I would mention that the focus brain, ISO performance and general feature richness of the camera.Another Item worth mentioning - Nikon's track record of customer service is a bit less than stellar, they have had a few camera models in recent years shipped out with serious issues that they denied for way to long and their general average repair time is often several times longer than Canon.  I really haven't heard of any customer horror stories with Canon, although they too have shipped cameras with problems they seem to deal with the issue quickly enough and fairly.So which should you buy?  You are going to make the best pictures with the camera you are most comfortable using and I think for many of you this will be your first DSLR and that friendly touchscreen and user interface of the Canon is worth lots.  If you are willing to work a bit harder it is *possible" to get better photos out of the Nikon but I don't think for many of you that it is worth the quirks and in my opinion the more difficult operating system.Would you like a personal recommendation? Leave me a message on my Facebook page or a comment below letting me know about you, what you like to photograph and where you hope to be as a photographer in a year or two.

Buying

Buying the Nikon or Canon through my links supports this site and costs you nothing extra.

Coming Soon -Cat at ISO 3200 Nikon D5200Next Steps - Price out lens packages for general use.  What does Nikon offer for general walk around, good zooms for wildlife, portraits, street, primes, macros etc.    External Flash options - Articles/Videos are coming along with "What would be your cost of owning"  

50 f/1.4 vs 40 f/2.8

This is a brief post to help folks decide which of the following prime lenses is right for them. There are plenty of other prime lenses to choose from but these three are all excellent values.     Why should I own a prime? 

50mm f/1.4 vs 40mm f/2.8 STM vs 50 f/1.8

The 50 f/1.4 offers a wider maximum aperture, letting in more light, slightly sharper at f/2.8 than the 40mm at f/2.8 and offers full time manual focus.  Really lovely focal length for portraits, especially on a crop sensor camera like a T4i/T5i. Very wide maximum aperture.The 40mm f/2.8 STM - tiny, makes the DSLR much more portable, quiet but not silent auto focus during video with smoother movement(most useful if you record audio with an external mic), Cheaper and not really noticeably less sharp at f/2.8. Above f/2.8 sharpness is on par with 50 f/1.4. Slightly wider focal length makes the lens a little more versatile. Wide maximum aperture.Best Prices on Amazon Buy the Canon 50 f/1.4 | Buy the 40  f/2.8 STMBuy the 50 f/1.8 (cheapest option) if budget is concern or you think you will only occasionally use this lens.One additional point - prime lenses almost always have excellent resale value- being sold for just a few dollars less than the purchase price years later- if you have taken good care of the lens. Quick illustration of the differences in bokeh between f/2.8 and f/1.4 using the 40mm f/2.8 and the 50mm f/1.4

High ISO Samples - Nikon D5200 vs Canon T4i (650D)

UPDATE: My final review- Nikon D5200 vs Canon T4i(650D) Comparison

The T5i has been released. It performs identically in low light to the T4i. There are other slight differences between the T4i and T5i.   Watch my T5i (700D) vs D5200 video.Buying the Nikon or Canon through my links supports this site and costs you nothing extra.

I have a video comparison of the physical difference/similarities and a video with sample 1080P video from both cameras showing autofocus ability(Canon wins) and a video/audio test Canon t4i vs Nikon D5200(Winner-Toss up?) and low light - high iso video samples from both cameras.  - Scroll down for embedded videos.A few thoughts/comparisons:

  • Both cameras are capable of producing excellent images but the kit lens(18-55) for the Nikon is not great and that sensor shows it, high quality sensors need higher quality lenses.
  • Nikon image quality in lower light is noticeably better and overall image quality is better but it is very close.
  • Canon seems to be better at focusing and refocusing during video that coupled with a STM makes for smooth and fairly painless auto focus suitable for family and vacation videos.
  • Both cameras, with 18-55 kit lens, produce sound during focus that is picked up by the on board stereo mic while filming.  Canon does offer the silent 18-135 STM lens, Nikon does not have a comparably silent lens but the 18-55 on the Nikon is quiet, just not silent. UPDATE: With the T5i Canon now offers an 18-55 STM lens that is also silent.
  • The touchscreen and button layout of the Canon makes the camera more friendly to operate.  Worth repeating, the touchscreen is NICE!
  • The Nikon has a few more effect options under the effect dial
  • The Nikon offers a quiet shutter mode, two different burst speeds(low & high) and intervalometer and a few more features.
  • The Canon offers wireless external flash control.
  • The Canon gives someone with larger hands just a bit more space.
  • The Nikon has a few quirks
  • Nikon offers a $60 wireless dongle utility.

Complete Review of the T4i and Nikon D5200 is now available.

Have a question you want answered now or in the video review?  Leave it on my Facebook page or a comment below. 
Nikon D5200 low light test. from Hans zijffers on Vimeo.Video clips all shot with the Tamron 17-55 F2.8. ISO 1600 - 3200. Denoising was done on all shots to make it look as clean and crisp as possible.* Keep in mind that the raw video footage out of the D5200 can be noisy at ISO 1600 and above, especially in dark areas with little light available. (although I shot at ISO 4000 and saw very little noise due to the fact that there was enough light coming from a street lantern) The footage you see in this video is not colour corrected, very basic, I only added some brightness to pull details out of dark areas (the dynamic range is absolutely stunning in this camera!), then denoised it and added some sharpness. The camera picture style was set to Neutral with zero contrast and very little sharpening.Download the 720p file to see the best result.Canon T4i vs Nikon D5200

Canon GPS GP-E2 - Easy Geotagging for Canon DSLRS

I have had the little Canon GPS GP-E2 for a little over a month now, used it exclusively with my Canon 5D Mark III.  Tonight I realized it works perfectly with my Canon t4i too.   In both cameras you turn it on, slide it into the hot shoe and as soon as it has a satellite lock, and it often gets that lock quickly, it feeds the camera your precise location and altitude, UTC time too.  This can all be displayed on the LCD screen under the GPS Device Setting screen.  It also works  with the Canon 1Dx and 7D Cameras(needs USB cable connection when used with Canon 7D).  Can be used with any camera via the logging function but not recommended for use that way as there are cheaper options including using an app on your smartphone. My Original Review of the GP-E2 Unit

Canon 24-70 f/2.8 Mark II vs Canon 24-70 f/4 IS vs Canon 24-105 f/4 IS

Video and text from my review of the Canon 24 to something lenses.

Part I - My opinion of each lens and some summarizing thoughtsPart II - Some of the sample images and video that helped me form my opinionSome select thoughts taken from the two videos

I have the 24-105 f/4 IS, 24-70 f/2.8 mark II, and the new  24-70 f/4 IS

I think the most telling comment is that for the last week I have had my pick of these lenses to shoot with and every single time I picked up the 24-70 f/4 IS. I love the size and weight of this lens, the IS and the Macro mode. A quick disclaimer on that comment- I didn't shoot professionally over the last week, which for me is usually shooting a wedding. If I had I would have picked the f/2.8 mark II - in my opinion that extra stop of light is critical for the lower light situations. The IS of both the 24-70 and 24-105 is good and the 24-70 f/4 offers the newer hybrid IS but IS doesn't freeze people in motion.  And freezing people in motion is important, especially during the low light receptions where all that dancing is happening.

If I had to summarize each lens in a sound bite -

Canon 24-105 f/4 IS older work horse or a lens that offers excellent value, is relatively sharp(just don't look at the edges) and provides a useful range.Canon 24-70 f/2.8 Mark II - Razor sharp at all apertures and from corner to corner. Bright too- at f/4 it is noticeably (2/3 of a stop brighter than the 24-105) - you can see it in the images and you can see it on the exposure meter. But this performance comes at a cost, literally! This lens is $2200, fairly heavy and does not provide IS.Canon 24-70 f/4 IS - Very sharp though maybe not quite as sharp at f/4 as the f/2.8 version, similar brightness as the f/2.8 with an excellent macro mode, I mean really seriously good and a nice size- feel really nicely balanced and weight is quite good and it has IS!!Now what isn't here is the Tamron 24-70 F/2.8 VC - I have a video of my reboxing and return of that lens, I was unhappy with the sharpness, I had gotten a bad copy and I could try again but I was also getting numerous lens communication errors. Those two issues combined soured me and I didn't want to try again.  Now I know there are people that are quite happy and I have seen sample images that are much better than the one I got.  Even in sample images the corners are much softer than the Canon 24-70s but you do get IS or VC as Tamron calls it. There is also a Sigma 24-70 but it is a good bit softer than the other lenses, it is also the cheapest.

Which is best for you?

It depends ;)  If you are on a tight budget the 24-105 is a good lens, You get an L class lens for under $1000. Its a bit heavy but it does have IS and a nice range.If you have a bit more to spend the 24-70 F/4 is VERY versatile, sharp, excellent IS and that macro mode.  Because the glass is so durn good it lets in enough light that you are shooting faster than f/4, about 2/3 of a stop faster.  For $200 less you can pick up the Tamron, not quite as sharp, no macro mode but it does offer f/2.8 and IS.If you need the ultimate performance in low light with unrivaled sharpness in a zoom lens get the 24-70 f/2.8 Mark II. 

Sample Images from the 24-70 f/4, 24-70 f/2.8 Mark II and the 24-105 f/4 IS

" target="_blank">Canon Lens Guide.   Have a question not answered, want to offer a suggestion of another lens that should be considered?  Leave me a message on facebook on a comment below. I will answer!

Canon 24-70 f/4 IS vs 24-70 f/2.8 vs 24-105 f/4 IS

My Video Review of the Canon 24-70 f/4 IS vs 24-70 f/2.8 vs 24-105 f/4 ISPart IPart IICURRENT CANON REBATES AND SAVINGS UPDATE -Since posting this information I have tested and reviewed the Sigma 24-105 f/4. Watch my review of the Sigma 24-105. It is significantly sharper than the Canon 24-105. 24-70 BattleEarly Thoughts - the new 24-70 f/4 is VERY nice - sharp, the IS works very well and I would have taken it over the 24-70 f/2.8 on my vacation travels without a second thought - it is lighter, smaller and offers an excellent macro feature.Macro Mode on the new Canon 24-70 f/4 My next question is would I prefer it at a wedding over the f/2.8?  A stop of light is hard to give up but if this lens had been available when I bought I think I would have picked it and been able to sleep a bit better at night saving a $1000 dollars.  Sharpness, color, contrast and chromatic aberration control all seem on par with the more expensive f/2.8 - so it really comes down to that stop of light.  Oh and the IS. I think the IS is excellent for general photography and of course travel, it is not as helpful on the wedding day dance floor.  And another OH - the Macro isn't going to be the Canon 100mm f/2.8, my go to standard for all Macro lenses but it certainly comes close, shockingly close for someone that just likes to dable in macro now and then. . .   I also thought I would see more bokeh difference shooting at f/4 vs f/2.8 and really see much less than I expected.  Checking the charts it makes sense - the differences in depth of field between the two at normal shooting differences is slight.f 2.8 on the left, f4 on the rightAll three lenses are excellent and they should be when we are talking about the cheapest(24-105 f/4 IS USM) being almost a grand.The Canon 24-70 f/2.8 Mark II is currently selling for $2200 (Buy from Amazon). I have shot several thousand wedding images with this lens over the last three months and it is a fantastic lens. Sharp wide open though I did have to slightly adjust focus.  Color rendition is gorgeous, contrast is top notch - it is really easy to run out of superlatives when describing this lens - Downside are price, no IS, it is a hefty piece of glass with a huge 82mm filter size and it is only so-so at close focusing.   I recently took it on  vacation and loved the images but felt I would have been happy with a smaller lens and or a lens with a bit more range.  Before I bought Canon's 24-70 I tried the Tamron 24-70 f/2.8 with VC (Buy from Amazon).  It required serious micro AF adjustments and I repeatedly got lens communication errors, something I have never seen with the Canon.  I know there are plenty of photographers happy with the Tamron lens and there are plenty of sharp copies out there.  For almost $1000 less you get f/2.8 and IS - you just are taking a bit more of a gamble, in my opinion. Some Tech Specs - 28.4 Ounces with 1 Super UD lens element and 2 UD lens elements and 9 bladed aperture.The new Canon 24-70 f/4 IS sells for about the same (Buy from Amazon)  It is a bit lighter, has a suprisingly great macro mode, very good Hyrbid IS and a nifty pinch cap(Bout Canon) this might seem silly but it makes removal of the lens cap MUCH easier when the lens hood is on and facing out.  You do lose one stop of light going from f/2.8 to f/4.   Filter size is a more wallet friendly 77mm.    Weighs 21 ounces - 2 aspheric and 2 UD elements and 9 bladed rounded aperture.The  24-105 f/4 IS(Buy from Amazon) has been around for sometime, it has been a while since I used it, last shot a wedding using it, great lens and an excellent value for an L lens, can be found for $860. filter size is also 77mm.  Weighs 23.6 ounces with 1 UD lens element and 8 bladed aperture. Close focusing with macro mode on Canon 24-70 F/4 IS

Traveling with the 5DM3, GPS, 24-70 f/2.8, Eye-Fi Card and rambling on. . . .

I recently returned from 8 days in Costa Rica/Panama and I wanted to share some thoughts- Here are the "highlights" of my ramblings in this video1.  Dual Card slots in the 5D Mark III are really nice - I shot Full RAW to 32GB CF cards (SanDisk Extreme) and small JPEG to the Eye-Fi card (16GB X2).  Using the Eye-fi's direct mode I was able to easily and without issue share selected images via the rate function to a Nexus 7.  Previous eye-fi cards/firmware I found direct mode to be buggy but it was really solid this trip.  On the Nexus I used PhotoGrid HD to create collages of 3-4 images and shared those to Facebook.Costa Rica Collage via Photo Grid HD 2. The Nexus and my 5D Mark III fit snuggly in a Vanguard 18 Bag.  I didn't always carry the nexus with me and if I wanted to keep the GPS logger attached to the camera I can remove the internal padding in the Vanguard and it fits.  Because I use a lens hood instead of a UV filter I can put the camera lens down in the bag and not get the end of the lens covered in sandy bits.   I didn't even bring a camera strap (confession I forgot it at home) but using the Vanguard was preferable.  The camera was out of site unless I was holding it.  The top zipper seam on the Vanguard makes it very easy to "drop" the camera into the bag and ZIP. . it's gone.3. I enjoy the quality and value you can get with a prime lens - said another way I have never been a fan of "do-it-all" lenses like the 18-200.  This trip has changed my opinion. . . some.   I certainly wanted nice photos but I was not willing to carry a ton of gear, either because I didn't want to look like a walking target for theives or I just didn't want to lug around a ton of gear, mostly the last.  I spent most of my time shooting with the 24-70 f/2.8 Mark II and brought along the 70-300 IS USM for longer wildlife shots.   I have since played with the new 24-70 F/4 IS with Macro mode and I would have rather taken that - the f/2.8 is only marginally useful for vacation type shots and the IS plus the macro mode would have been a welcome addition in several instances.  Another option for me would be the 24-105 - quite a nice range.  For crop sensor shooters using cameras like the T4i (650D) the 18-135 would have been a fantastic lens.  Red Frog4. I used the GPS logger from Canon (GP-E2) and it worked VERY well.  95% of my photos are already tagged.  Battery life of the unit was excellent and it was quick to get a lock.   There does seem to be an invisible action that causes the camera battery to drain. I often leave my camera on overnight and on this trip I would find the battery dead in the morning IF I had also left the GPS logger on.  The simple solution is to turn the GPS and or the camera off when you are not using it.GP-E2 Tagged Photos in Lightroom

365 Project - KISS

I mentioned in my Be a Better Photographer Tip #53 [Project 365 & Gimmicks] that I was considering starting a 365 project again (results of my last attempt a few years ago).  Well the first 8 days of 2013 were easy, traveling through beautiful Costa Rica and Panama there was something new and exciting to photograph every day.Cosa Rica SunriseNow and I am back home and although Southern Vermont blanketed by snow is no less photogenic it is a struggle to see past what is to my eyes "ordinary" AND to find the time.  Mostly to find the time.     Here is my plan with an emphasis on keeping it simple(KISS) and not giving up the whole thing if I miss a day. . or two.

  1. Take a photo each day - My goal will be to use my DLSR 98% of the time but if I have taken a cell phone photo that I am particularly proud of that can work too.
  2. Review the photos with some regularity. The back of the camera is not a substitute for seeing the photo on a big screen and inspecting the photo along with the metadata - seeing your settings side by side with the image is a great way to understand the relationship of exposure, depth of field, movement blur etc.
  3. Upload these photos with some regularity - probably to a Facebook album, maybe to Blip and anywhere else I feel like sharing.
  4. Provide a few additional challenges, themes or ideas to keep it fresh- This might seem to fly in the face of keeping it simple but you do run the risk of hitting a mental road block and giving up for lack of creativity.  Sites like http://projectlife365.com provide ideas/challenges for each day, helping to keep the brain juices flowing.  Plus it is really fun to meet a challenge and then review how others approached or interpreted the same challenge.

#365Project - 1/10/13 I will be back with some more ideas soon - in the meantime pick that camera up an snap a photo, then do it again tomorrow and the day after.  You certainly aren't going to improve your photography by putting it off.  And don't hesitate to give me a shout and ask how I am doing with the challenge.  

Nikon D5200 Announced

UPDATE: My final review- Nikon D5200 vs Canon T4i(650D) Comparison

Canon T4i vs the Nikon D5200 Video and complete review will be coming at the end of the Month.  Follow my Facebook page for updates.   I already have a specs page up that compares the D5200 and the T4i.  It is interesting to note that the D5200 sensor is made by Toshiba, the D3200 sensor is made by Nikon and the earlier Exmor sensors(most) were made by Sony.Order from Amazon: Nikon D5200 The Press Release -Soon to be Available in the U.S., The Nikon D5200 Blends D-SLR Performance and Imaginative Features That Make it Simple to Create and Share Amazing Images and Full HD Videod5200 back swing out Nikon_D5200_top Nikon_D5200_back D5200 1-9-2013-11-09-18-AM-10f8Las Vegas, CES Booth #8643 (January 7, 2013) – Today, Nikon Inc. announced the U.S. availability of the Nikon D5200, a camera that provides the imaginative features and D-SLR versatility needed to fulfill any creative vision through stunning imagery and Full HD video. Whether new to D-SLR shooting, or for those simply ready to step-up to a higher level of photography, the 24.1-megapixel D5200 will inspire new ways to capture with an easy-to-use interface, in-camera Special Effects and creative modes, plus the ability to share wirelessly in an instant. The Nikon D5200 will be available in late January for a suggested retail price (SRP) of $899.95* with the AF-S DX NIKKOR 18-55mm f/3.5-5.6G VR lens."The Nikon D5200 is intended for the customer who wants to capture and share their life, their experiences and their adventures in new and original ways", said Bo Kajiwara, Vice President of Marketing, Planning and Customer Experience, Nikon Inc. "The D5200 features Nikon's latest innovative technologies along with an easy-to-use feature set that enables users to unleash their creativity, and truly test the boundaries of a photographer's imagination."Imaginative Features Inspire CreativityThe Nikon D5200 is designed to foster creative possibilities, allowing users to easily document their lives with a compact and lightweight D-SLR camera body. Loaded with features for making amazing images and HD video, the D5200 is a must-have camera for a well-planned excursion or spontaneous adventure. Photographers have the ability to tell stories with artistic flair, thanks to the assistance of features that include:Vari-Angle LCD - The high-resolution, 921,000-dot 3-inch LCD screen swivels and rotates at a variety of angles, and is viewable at 170 degrees. This makes it easy to capture images and HD video from creative angles such as above the crowd or down low from a toddler's perspective. Users can even swivel the LCD screen for creative and fun self-portraits.In-Camera Special Effects for video and still images - By selecting the Effects option on the Mode Dial, users can apply a wide range of creative filters and effects for both photos and HD video. Modes include Selective Color to visually highlight up to three selected colors within a monochrome scene; Color Sketch to create a vivid drawing from a scene; Miniature effect to make a scene appear as a miniature model and Night Vision to enable images and video in very low-light by increasing the camera's sensitivity. Users can also enable modes to emphasize silhouettes or create color effects with high-key and low-key images and video. These effects can be applied prior to shooting the photo or video, or can be applied post-capture for photos through the retouch menu.Creativity has never been easier - The D5200 features an enhanced graphical user interface (GUI) that makes it easy to visualize camera settings for optimal results. Additionally, users can enable other visual effects including High Dynamic Range (HDR) and six settings of Nikon's Picture Controls to creatively and automatically manipulate tone and color for striking images and HD video.Creativity Without BoundariesThe D5200 takes advantage of Nikon's new 24.1-megapixel DX-format CMOS sensor to deliver amazing image quality and beautiful HD video that bursts with vivid color, broad dynamic range and gorgeous tones, even in challenging light. Users are now able to realize the full potential and the performance benefits of D-SLR photography including rapid camera response, interchangeable lenses and amazing image quality. Whether shooting a family outing or action sports, the camera is packed with features that let users create amazing content:Wide ISO range (from 100-6400) - For shooting in even the most challenging lighting conditions, the D5200 covers a wide ISO range and is expandable to as high as ISO 25,600. Shooting at high ISO sensitivity enables users to shoot at faster shutter speeds and reduce the effects of image blur caused by camera shake even in low-light situations or when shooting a moving subject, delivering clean and sharp images with minimal noise.EXPEED 3 image processing - Nikon's most recent image processing engine, dubbed EXPEED 3, drives the rapid response and swift performance of the camera, while maximizing energy efficiency, reducing image noise and delivering true-to-life colors.Scene Recognition System - Information from the 2,016 pixel RGB sensor is used to instantly analyze and recognize the scene prior to capture, resulting in adjustments to exposure, AF and white balance for the best possible image quality. The result is brilliant landscapes, flattering portraits and fast-moving action captured with split-second precision.39-point AF system with wide area coverage - The D5200 features Nikon's quick and accurate 39-point AF system to help users create tack-sharp images for a wide variety of subjects. The Multi-CAM 4800 DX AF sensor works in tandem with the Scene Recognition System to accurately acquire and track subjects throughout the frame. Users can lock-on to fast moving subjects throughout the frame using 3D tracking to create sharp images of fast action, or use one of the other modes including single point AF, Dynamic AF and Auto-Area AF. When in Live View or recording video, contrast detect AF quickly acquires, and can even track focus through the frame.Speed and performance - Whether upgrading from a compact point-and-shoot or exploring the benefits of D-SLR photography, users will appreciate the speed to capture fast action and fleeting moments at the press of a button. The D5200 can shoot full-resolution images at up to five frames-per-second to help freeze fast moving subjects, and quickly acquires focus thanks to the intelligent AF system. The D5200 delivers amazing performance with lightning fast start-up time and nearly imperceptible shutter lag, the time when the shutter button is pressed to when the beautiful image is captured.The Easy Way to Share Great PicturesWhile the Nikon D5200 is capable of capturing amazing images and HD video, it also enables the user to simply and quickly share stunning imagery with friends and family. By utilizing the optional WU-1a Wireless Mobile Adapter, the connected user can easily share photos taken on the D5200 to a supported smartphone or tablet. 2 The Nikon Wireless Mobile Adapter Utility application is available free of charge on Google Play™ for Android™ 1 devices or from the App Store™ for the iPhone or iPad. 3 When using the application, photographers can wirelessly transfer images from the camera to a mobile device, and even remotely control the camera from up to 49 feet.Realize a Vision in HD VideoFor those wanting to expand their creative vision with video, the D5200 D-Movie HD video mode is capable of capturing Full HD 1080p, with the option to apply Nikon's Creative Effects. This feature lets users take advantage of modes like Selective Color or Color Sketch to create truly customized movies. By simply pressing the dedicated video record button, movies are recorded at 1080/30p, or at 60i for optimal playback on many HDTVs when connected to the HDMI output. For the first time in a Nikon HD-SLR, users have the ability to record stereo sound through the internal microphone or attach an optional external microphone, such as Nikon's ME-1, through the dedicated microphone terminal.The Vari-Angle LCD provides the opportunity to gain a unique perspective for video, while full-time autofocus helps users maintain sharp focus that is critical for HD video. While recording, the contrast detect AF system has the ability to use normal or wide area AF, track a subject through the frame, or use face priority AF to make sure faces are always in focus.NIKKOR, Speedlight and System CompatibilityThe creative potential for the D5200 is unlimited when combined with the versatility of Nikon's legendary NIKKOR optics and powerful system accessories. Compatible with Nikon's dedicated DX-format lenses and more than 50 FX-format lenses as well as Nikon's Speedlight System, the Nikon D5200 puts the ability to create stunning images and HD video at the user's fingertips.New optional WR-R10 and WR-T10 Wireless Remote ControllersThe D5200 is also compatible with a new wireless radio frequency remote accessory, the WR-R10 and WR-T10 Wireless Remote Controllers. When using these devices, the camera can be triggered remotely, making it ideal for group shots, remote applications, or to reduce shake when the camera is mounted on a tripod. This new wireless remote system operates from a radio signal rather than infrared light, dramatically increasing functionality and range. Now the camera can be triggered from up to 20 meters (66 feet) away, and a direct line of sight is not necessary. The remotes also enable the bulb function for long shutter applications, as well as functions of the camera that are affected by a half-press of the shutter, including the engagement of the AF system or starting and stopping video capture. The WR-R10 transceiver can be connected to the accessory terminal of many Nikon D-SLR cameras including the new D5200, D3200 and D600. For those cameras that feature a 10-pin terminal, the optional WR-A10 adapter can be fastened to allow use of the wireless remote controllers.Price and AvailabilityThe Nikon D5200 will be available in three colors (Black, Red and Bronze), starting in late January 2013 for the suggested retail price (SRP) of $899.95 with the AF-S DX NIKKOR 18-55mm f/3.5-5.6 VR lens. The WU-1a is available for the SRP of $59.95. The WR-T10 Wireless Remote Controller will be available at the end of January for a SRP of $94.96, WR-R10 Wireless Remote Transceiver for an SRP of $126.96, the WR-A10 Wireless Remote Adapter for a SRP of $74.96 and the WR-10 Wireless Remote Controller Set will be available for a SRP of $277.96.Canon T4i vs the Nikon D5200 Video and complete review will be coming at the end of the Month.  Follow my Facebook page for updates. 

Be a Better Photographer Tip #53 [Project 365 & Gimmicks]

Confession - I totally made up the tip number!Now that we have that out of the way let me share a startling tip - to be a better photographer you need to practice. And by practice I mean take pictures, lots of pictures, shocking, I know. Now if you aren't shooting for a living, it can be easy to let days, even weeks go by, where you barely pick up the camera. Not to mention your subjects(kids, pets, better half) can get a bit tired of a camera in their face all the time. I have two suggestions for you and they can be combined for a good bit of fun and learning. The first suggestion is to start a 365 project, the goal being to take a photo a day for a year. This is challenging on many levels and to be honest I have never made it a full year despite starting a few times.  There are few better ways to grow as a photographer and increase your skill than carrying your camera with you everywhere and always looking for your photo of the day. And you will, always be looking for that new photo or even better you will be making a photo and it doesn't matter if it is at 8 in the morning or 11:58pm. Every single day you will be learning and thinking about photography. If that sounds a bit exhausting it certainly can be, but just like you need to work your muscles to exhaustion to see physical improvement you need to work your brain to see improvement. Three years after my last failed attempt I am still intensely proud of some of the photos I made, not necessarily because each image is perfect, it may be the fun I had creating the image, the conditions I was forced to shoot in or the new places I discovered around the corner from my house.A few photos from my 365 projectWorried about finding subject matter for a photo a day?  This brings up my second suggestion - Create a gimmick.   Last year I was in a craft store and saw a package of googly eyes and my eyes on stuff photo series began and now I not only get to create a photo but I often try to create more of a story.  A good photo usually tells a story and suddenly I am the photographer AND the director of each of these little mini-shoots. Now I hope I don't sound crazy. I am not going too deep down the rabbit hole, but with some of the photos I decide which way my subject should look, what is in the frame and all of the elements that tell the desired story.  These subjects never get bored or wander off giving me the time I need to work on my photo.    So grab some googly eyes or a lego mini figure or whatever you have laying around.Start taking and making photos and telling stories.Two fungi walk into a bar   I just talked myself into starting a new 365 - The new year is right around the corner and that seems as good a time to start as any - Who wants in?

Shooting Video with a Canon T4i - Frame Rate and Shutter Speed Tips

Back in August I answered a few questions from Carson about filming with the T4i. A friend of his is a tour guide in Mexico and asked him to do a promotional video for the company, Mayans' Explorers. Now Carson has a background in television production but hadn't shot with a DSLR before, he basically wanted to know if I thought the T4i would suit his needs and had a few other questions that we worked out answer to together.     Caron recently shared the results of his trip and work.  This video was all shot on the T4i and a GoPro - basically dry shots are the T4i, wet stuff a GoPro.Get to know Mayans' Explorers from Carson Hunt on Vimeo.I asked him if he had any advice to share on shooting with the T4i -

The main thing for me was "think before you shoot". Think about what priority you want for your shot... motion blur, no motion blur, depth of field, etc... then set your shutter, aperture and ISO accordingly. For me, I stayed around a shutter of 50 most times to match my 24p frame rate. That way I achieved a nice cinematic look. Since so much was shot outside, my ISO was almost always at 100 and my aperture riding somewhere between f8 and f11.

I thought this would be an excellent time to share just a bit more about shooting video with a DSLR.  Shutter speed and frame rate do work together and can provide different looks depending on the speed and rate you choose.  Carson mentions this above with his comment "a nice cinematic look." Traditional film is shot at 24 frames per second and we have become accustomed to this look.  The general rule of thumb is to shoot at a shutter speed that is twice your fps or frame rate.  for 24fps you would want to shoot at 1/50 of a second.  2 x 24fps is 48 and a shutter speed of 1/50 is as close to 48 as you can get.    Continue this "rule" of doubling your shutter speed and shooting at 30p=1/60 and  60p=1/120. At the faster frame rates many complain that the video is harsh and almost has a strobe look.  Even 48p apparently bothers some (see all the hubbub about the Hobbit being shot at 48fps).  One huge benefit of the 60fps is the ability to slow it down to 30fps and get very nice smooth slow motion.What happens if you don't follow the rule of doubling? Slower shutter speed will lead to smeary video and faster shutter speed will lead to a staccato/strobing motion.One last thought for your brain - Shutter speeds of 1/50 to 1/1/20 are pretty slow and in bright sunlight you will be shooting with your aperture set to f/8 or higher, as Carson mentioned above. The good news is focus will be easy with a large depth of field, the bad news you lose the option of having that lovely shallow depth of field that makes these cameras so fun to shoot with - though it isn't always appropriate and when shooting the Mayan ruins it's nice to have everything in crisp focus.  But what if you wanted the option?  Any ideas?   There is a solution - Take a guess, don't be shy.  Post a comment below if you have an answer or want to ask a questions.Update: The answer was posted - A Variable Neutral Density Filter. For those that don’t know – an ND filter is simply sunglasses for your lens, they cut the amount of light down so in bright light you can either shoot at slower shutter speeds(i.e. blur waterfalls) or at wider apertures to get that shallow depth of field look. A VARIABLE ND filter allows you to rotate and dial in the amount that the filter darkens the image. Very useful for video work but the good ones are not cheap. If you want a recommendation let me know what lens(es) you will be using as each needs to be sized correctly. Carson adds that he did use a circular polarizer on most of the outside shots. I have written about CP filters elsewhere and this is certainly another use - they make the sky bluer and cut some of the light. Thanks for reading! 

Triggertrap - Use your smart phone to smartly trigger your camera

 The video is long and only covers a few of the functions of the Triggertrap app/system - that's how cool this app is (or how much I like to hear myself talk?)I have one more Triggertrap to give away (given away 4 so far) Like my Facebook page and stay tuned for the last giveaway.Also seen in this video -Hotshoe Tripod Mount: http://goo.gl/FqLFbSmartphone Tripod Adapter: http://goo.gl/pcNcfI love making or creating time lapse movies and although I don’t get to do it nearly as often as  I like I am always on the lookout for gadgets that help. I have talked about the little Neweer intervalometer before, it is only $13 bucks and does a great job of telling your camera to take a picture every X seconds, it can also allow you to control bulb mode on your camera which allows you to set your shutter speed to longer than 30 second exposures.   The Neweer Intervalometer does its job well but doesn’t offer much in the way of options beyond the standard picture every x seconds.We have another option that is lots smarter and it only costs a bit more but does require a smartphone or tablet.  For the last few weeks I have been testing and app from a company called Triggertrap. They make apps for android and iOS and a small dongle that you plug into the headphone jack of your smartphone or tablet.   The benefit of a setup like this over the standard intervalometer is the sky is really the limit – your smartphone is a powerful computer and using that as the brains of the intervalometer allows dozens of creative ways for you to control the shutter of your camera.Some of the functions of the Triggertrap app include

  • Bulb Ramping Timelapse enables seamless sunrise/sunset timelapses,
  • HDR timelapse lets you combine the power of HDR and timelapses,
  • TimeWarp, a feature unique to Triggertrap, uses algorithms developed for animation to create more dynamic and natural-looking timelapses.
  • Sensor Controls: Leverages the smart device’s on-board sensors to release the shutter; Sound Sensor Mode uses the microphone to trigger at a set audio level, Seismic Mode fires based on vibrations, bumps or knocks, and Metal & Magnetism Sensor Mode can be used to fire the shutter in their presence
  • Facial recognition: Takes a photo once Triggertrap detects the programmed number of faces in the frame
  • Multiple HDR Capture Modes: Provides expanded control over bracketed exposures for Long Exposure HDR, or automates Long Exposure HDR Timelapse capture
  • DistanceLapse: Unique to Triggertrap, this mode relies on the smart device’s on-board GPS chip to fire the shutter over pre-determined distances
  • Motion detection mode: Triggers camera whenever motion is detected in the
  • Star trail mode: Allows external cameras to automatically take a series of long exposures in sequence to reduce noise
  • Wireless mode: Unique to Triggertrap, this new Wi-Fi triggering technology enables photographers to leverage the range and speed of a Wi-fi network to control the dynamic features of the Triggertrap Mobile app wirelessly

The Sensor controls are missing from the Android app, the devs tell me that they will be added soon, the Android app is also a bit laggy on my rezound, I also tested on the nexus and it was much smoother but still missing the sensor controls found on the iOS version.There are actually three parts to the set up – Your smartphone running the triggertrap app, the dongle and the camera specific cable.  Make sure you get the new v2 dongle (red wire) I bought the original dongle, with a black wire and although it works fine with my iPad refused to do anything when plugged into my android phone – I contacted support and Lucy was awesome, she walked me through a series of tests and even though it seemed it was more of my phone as the problem she sent me the newer red wire dongle free of charge, it arrived just a few days later and works perfectly.  I love working with people that take an extra step to make things right.My phone and my camera go everywhere with me and now I just throw these two little cables in my bag and I have a very smart and versatile trigger system for my camera.   I have added a little hot shoe tripod adapter that I use for some of my microphones and a generic cell phone tripod holder and now I can easily use the facial feature to snap photos.What am I most excited about –The wireless control is pretty niftyOn Black Friday 2011 I picked up a suction cup mount and have tried a few drivelapses (timelapse while driving) Now I can use the GPS to trigger over distance instead of time, this should give a different look and feel more true to the trip)Bulb Ramping Timelapse – Sunset and sunrise is very difficult to capture - you either lose light quickly or you use P mode and the light remains constant through the sunset totally ruining the idea of capturing a lovely sunset.  Did you know that as the sun sets you lose about a stop of light every 10 minutes.  Using the Bramping mode (for bulb ramping) you can pre-adjust for the light lost and really extend the length of time your timelapse will run while actually capturing the decreasing light.

Sensors Sizes Explained & Crop vs Full Frame

An overview of the different sensor sizes in digital cameras. Simple explanations of crop sensors, full frame sensors and what that translates to in the real world.Usually the larger the sensor the better low light performance, better image quality and greater artistic freedom - downsides are cost and the requirement for bigger, heavier and more expensive lenses.Questions? Comments? I would love to hear them.

Giving Thanks!

I wanted to take a moment and say "THANK YOU" to all those of you that have taken time to communicate with me - either a comment on a video, an email, a post on Facebook, a phone call(yep even had a few of those) and chat - it really is important to me to know that there are folks out there that not only value my opinion but are willing to take a moment and say thank you!I have had a few ask how they can really thank me and I am happy to provide some ways-1 - Use my Amazon link for ALL of your Amazon shopping - I earn a small percentage of every sale - I split those earnings between funds that help me run this blog, gear for reviews and giveaways, the more you buy the more giveaways there will be :)  Shop Amazon (Click and drag this link to your bookmarks toolbar for instant and thought-free action)  2- Use the donation link on the right - I only recently added this and folks have already started to use it - proceeds are again split and a huge thanks to those folks who have donated.3- Spread the word - let friends and family know that I am here and happy to answer photography and camera gear questions.4- Just take a moment and say thanks, leave a comment or post a photo to share. I am about to spend 8 hours in the car today, luckily I won't be driving the whole way which will give me time to answer a few emails and start working on a blog post about the very cool Triggertrap that is on my Holiday Gift List. And I have big plans in the coming months - Posts on MAKING photos (not just taking), guest posts by the wonderfully talented Christina Bernales, loads more videos and of course a giveaway or two.

Photographers Gift Guide 2012

 My Annual Guide to Gifts Appropriate for the Photographers in Your Life.First and foremost I would be happy to chat with you about gift ideas - Lenses, Bags and Even cameras are a possibility if I know a little more about you or who you are buying for so use chat or leave me a message on Facebook or twitter and I will be happy to provide some guidance.   I'd love to know what you want to receive this holiday season - feel free to leave a comment here or on Facebook. 

  A bit silly but cheap enough to throw in the stocking or wrap around another gift. Rubber bracelets with lens markings!
TriggerTrap- Time lapse cable for iOS and Android phones.  Now I love the simplicity and affordability of the Neweer time lapse controllers but the TriggerTrap taps into the brains of your smartphone giving you loads more options including eased time lapse, HDR lapses, drive lapse (distance triggered) and more.   Beyond the phone you need the dongle and the cable that matches your camera model.  Feel free to give me a shout if you want help picking the one.  A few months back I bought their original dongle that didn't work with my phone, Lucy at TriggerTrap was awesome and sent me a newer dongle free of charge and it works perfectly.    I plan to have a full writeup on this soon.  Triggertrap Mobile
Card Safe Wallet- Waterproof, dust proof and virtually crushproof. I love the peace of mind I get when I store my cards in here.  I have connected a small lanyard to the eyelet and looped it into my camerabag. Seriously reduces my worry about my cards filled with precious photos.
Not directly photo related but plug your camera battery charger or smart phone charger and stop wasting electricity.  The Belkin Conserve Socket allows you to set a time that shuts off power after 30 minutes, 3hrs or 6hrs.  3hrs should cover most camera battery recharging.
It is no secret that I love the Ey-Fi cards but in previous models (and gift guides) you had to make sacrifices with speed and space but with the latest model you get a fast card plenty big for photo and video.   For those wondering what is special about these SD Cards, They are 16GBs plus a tiny wireless chip that lets your camera upload photos, as you take them, to your computer, social networks, your smartphone or tablet.  Those last two are my favorite - using direct mode you can be out in the woods or in the case of this image on top of a fire tower at dawn and using direct mode I sent the image to my phone and then shared it with the world -necessary? No. Fun? You bet and the image was scientifically 65x better than the one my phone could take.
Now if you pick up an Eye-Fi card and you go around beaming images to your phone or tablet you want a program that lets you edit those photos.  Two options iPhoto for the iPad or Photoshop Touch for iOS or Android.  Both have interfaces that get out of the way and let you do some serious editing.
Auto white balance does a fine job most of the time and if you shoot RAW you can easily correct the WB in post processing but that does take time and shooting with a calibrated white balance card will reduce that time and give you more accurate results.  This sturdy little card comes with a clip and lanyard.  Throw it in your back and pull it out for tricky situations
Having your photos printed in a professionally created book is really wonderful, last year I recommended Blurb - I am sticking with Blurb again this year but am offering you all the easy way out, give the photographer in your family a gift card, Maybe include a note that says you cant wait to see ___________ in print.  Fill in the blank with vacation, kids, your photos etc.
Last year I recommended the excellent Understanding Exposure, 3rd Edition: How to Shoot Great Photographs with Any Camera But with all of the recent questions I have received around landscape photography I thought it would be nice to share one of the best books I have seen on the subject. Michael's book is approachable and full of information in clear language.
We are finally starting to see USB 3.0 card readers come down in price and $25 for this Lexar Multiple Format Card Reader is great.  Speedy, doesn't waste your camera battery downloading photos and fits a variety of formats including SD, Micro SD and CF.
 I consider myself a careful and non-klutzy person but this summer a careless move sent my portable backup disk careening toward the hardwood floor, with cat like relfexs I lunged for the tumbling drive only to succeed in shoving it harder into the floor.  Suprisingly it still works but occasionally
I am still a big fan of the value of the Dolica tripods but I was looking for something a bit more compact and have been happy with the Benroo MeFoto tripods - they come in snazzy colors but more importantly they are light, under 4lbs and pack down to portable 12.5" while still providing a stable platform for my heavier gear.
Amazon Gift Cards let the photographer in your life decide what they need or use it as a form of contribution toward a bigger purchase like a lens.
Adobe Photoshop Lightroom 4 I usually try to keep each gift guide free of repeats and on a technicality can claim that last year I recommended version 3.  Version 4 adding the map and book modules and loads of improvements in the develop module.  I have used Aperture, iPhoto and Photoshop and none of them , in my opinion, make it as easy to import, tweak and export your photos.  And as mentioned above my geonerdiness is in love with the easy geotagging features of the map module.    Often an argument against shooting Raw is the time it takes to process your files.  Using import presets to process your images in no more time than it takes to import them.
Everyone needs more storage and with prices for 16GB cards now dipping under $20 you should be stuffing the stockings full.  After testing a slew of cards I found the SanDisk Extreme to be great value.
It isn't pretty but small enough and useful enough that everyone should have one in their camera bag.  Sometimes when the weather is ugly the photos are beautiful and spending $6 bucks for this SLR Rainsleeve will keep your gear protected and let you keep shooting.

Nothing on this list that interests you?  Review the 2009 Holiday Gift Guide2010 Holiday Gift Guide and 2011 Holiday Gift Guide  Looking for camera recommendations or deals?  Camera Recommendations | Black Friday/CyberMonday Deals and Shopping Advice

Panasonic Lumix G-Series - Super Sale

Today's Amazon Deal includes four models from Panasonic A quick note about Micro 4/3 cameras - think of these like Mini-DSLRS or think of them like powerful Points & Shoot cameras with interchangeable lenses.  They have sensors larger than P&S but not quite the size of an entry level DSLR and thus their image quality is excellent in day to day shoot and a bit below DSLR quality in low light performance.  This "almost as good as a DSLR" description carries over to focusing too, still shot auto focus and the shutter lag you will experience are almost as good.  Video focus is actually better in some cases.  Three models (despite four being listed, two are the same camera offered in black or red). along with my quick thoughts are listed below.  In general these prices are excellent and if you are looking for a versatile and fairly compact general travel camera I really see no need to tote around a DSLR. If shooting video will be your primary use and you want camcorder like focusing take a look at either the GH2 or the GF5 - both shoot excellent video. The Panasonic GF3 12MP with 14-42 Lens ($279)An older model but at $279 you get a versatile lens and a good touchscreen.   Additional lenses are a good bit cheaper than DSLR lenses so total dollars spent will be pretty significant too and the lens selection is excellent.  Unlike on the T4i the touchscreen on the GF3 does replace many of the physical buttons - the upside is a clean and uncluttered back and a variety of manual controls that are easily accessible via the touchscreen.  Downside is you need to use the touchscreen to change most settings.    Bottom line - if you want better performance than your P&S is providing and you are on a tight budget there really is no better option than the GF3.

 The Panasonic GH2 16MP with 14-42 Lens ($499)This is quite a different beast from the camera above and at almost twice the price you would hope it offers more and it does.  This is much more DSLR like in its styling and includes a hotshoe for flash or mic attachment as well as an articulating touchscreen.  Unlike the GF3 above the GH2 does include physical controls giving you a user interface similar to the canon T4i.  Focus is fast and this camera has really been optimized to shoot video, it does a fine job with stills too but it is important to note that lots of thought went into the video aspects of this camera making it a much better choice over the DSLRS at the same price point.

 The Panasonic GF5 12MP with 14-42 Power Zoom Lens ($529)The newest of the three cameras listed here - think of it like a blend of the previous two.  Styling is very similar to the GF3 but it shares more of the internals with the GH2 in that focus and video options are top notch.  There really isn't anything else at this size and price point that will give you the results.  The power zoom lens is smaller than the 14-42 that is paired with the two models above.  And I really can't stress enough if focus during video is important to you these cameras, especially the last two really beat the Nikon and Canon DSLRS.See all the options on the Panasonic Gold Box Deal page.Amazon is also offering deals on the SanDisk Extreme Cards - My tests found these cards to offer the best performance for the money.I am happy to answer specific questions about either of these cameras.  The prices listed above are good for today NOV 18th only

The Best Presents?

I have given loads of presents in my days - presents to little people, big people and everyone in between and those presents almost always elicit smiles but the only presents I have ever seen elicit smiles AND tears are photo books.  There is something about holding a book of images that is so much more than one image provides. The images and words that you have chosen - maybe it tells a story, maybe it is just a collection of special images, maybe it is something useful(like a daily planner) but with images you have carefully selected - it doesn't really matter what form this takes people find it wonderful and special.I have plans for at least two photo books this year and I will be using Blurb. Their online tools range from super easy, even my technology challenged mother could do it, (and she really did) to blank pages that let you design the books the way you want without getting your way.  In the past the books I created were fairly traditional - loosely telling the story of a vacation or summer adventures with the kids but you are only limited by your imagination. My 5 year old wrote a story last year and I had a friend and local artist illustrate, as a present I took his words and combined them into an actual book - the look on his face when he realized the book he was holding was his own words was priceless.  He has asked for another one this year.  This year I plan to make him his own comic book with photos from a story we created using his Legos.  My daughter will be getting a cookbook illustrated with scenes she created of her her little dolls cooking.   So- start thinking about ways that you can give photo books and take some time to look at Blurb- as I said their tools are excellent, their prices are always cheaper than I expect and the finished products really are quite magical.Blurb is offering 15% off with the code FALLTHANKS Deal ends 11/21/12