Peak Design Everyday Backpack Review

Peak Design Everyday BackpackI've had the 30L Peak Design Everyday Backpack for a while now going on photo hikes and using it for everyday work. It's a very dynamic bag for sure but is it the one for you? From a Kickstarter that raised millions to a standout brand, you can tell this gear is made by photographers for photographers. It takes a bit to get used to this open side design compared to other bags but it can be a great setup for the photographer on the go.

Nice for Hiking

  • Extra compression straps for carrying more gear, including a tripod or sleeping bag
  • Can fit a DJI Phantom or Mavic easily
  • Raised pads for the back to reduce pressure on the back and increase airflow 
  • Sternum and belly straps 
  • Waterproof design
  • Good to use with the Peak Design Capture Clip
  • Top and side handles for grab and go shooting
  • More room for other gear, a coat, or food

Great for Everyday

  • Sideload design makes it easy for quickly switching lenses.
  • Carry-on compliant for air travel
  • Luggage pass through to stack on top of a rolling suitcase
  • Separate back pocket for a 15” laptop with extra storage for paper.
  • Easy access anchor snap for keys or something else
  • Theft prevention snaps that cinch down the zippers
  • A safe pocket at the top to keep business cards, cash, or other important things safe.

One of the most over-engineered bags out there, as the bag is essentially hollow, the key for the Peak Design Everyday Backpack is the special Flexfold Dividers that Velcro in to form cells to hold your gear. Compared to some bags as the zippers fully cover the bag you can get full access to all your gear simply swinging it around your shoulder. Albeit starting out you'll be trying to remember if a lens is on the left side or right when grabbing a lens. The Everyday Backpack is a well designed and thought out backpack that you'll notice a nice touch or feature days after owning the bag.Peak Design Everyday BackpackPeak Design Flexfold DividersBeing an everyday bag it's a nice dynamic design for shelving when needed for just enough gear and leaving the rest as an open backpack. Each Flexfold divider acts as a shelf in the bag with a folding design to move out of the way for larger lenses or subdivide for smaller ones. Because they do not fully hit the sides like a traditional celled design at times that does mean small items such as a lens cap may float to the bottom. I do wish the 30L came with another divider, both the 20L and 30L come with 3 oddly despite it being bigger. After getting the backpack you can do their survey for $10 and pick one up for $5 with free shipping. All-in-all the Flexfold dividers are quite innovative, find out more in the tips & features video here.30L Everyday BagAs a plus, lots of pockets! I'm usually one to push the Cocoon Grid-it as I can't find enough space in bags for the little things either shooting or working. Peak Design included side flaps with many small pockets, a small pouch on the top, and a safe pocket with a magnet for important items (great for business cards). If you need to store something larger though like a polarizer filter and keep it protected I'd suggest a field pouch or similar bag to help store the things that just don't quite fit. Larger items can be stored in the side areas while not in pockets as they stretch but without more padding, I wouldn't recommend this for fragile items like glasses but it's good for a something like a laptop charger.Thanks to the expanding design the 30L is large enough to load a DJI Phantom internally with extra space for a remote. As you fill the bag with something this large it expands to fit the need. Due to this design, the 20L is actually 12L, and the 30L a 18L bag initially. For those that pack light or have gone mirrorless, the 20L is a great fit. For those with multiple bodies or large lenses would be better off with the 30L. To get that extra space, as you raise the Maglatch top flap up brackets in the bag you gain another 8L at the cost of waterproofing at max size being more open. When hiking I managed to easily fit my duck coat in the top half of the bag this way. If you do somehow manage to max this out compression straps are hidden in the bottom and side pockets to hold a tripod or whatever gear you can't manage to stuff inside.[embed]https://www.youtube.com/watch?v=5X9x3Tehhiw[/embed]As an everyday bag, the laptop slot is nice as I can carry a notebook and slim laptop but the area collapses when not in use to not take up space. If you are using a full size 15" laptop it will be a snug fit, especially if the main compartment is full as it expands into that area. If you have to carry a lot of paper for work I wouldn't suggest this bag as it's too tight of a fit for much with the laptop included unless you want to sacrifice a divider space or two in the main area. As the dividers collapse down easily for every day I went with one section with a DSLR, zoom, and a 50mm STM lens with plenty of room for what I need to work on that day.[gallery td_select_gallery_slide="slide" ids="16633,16621,16620,16608,16612,16613,16614,16615,16617,16618,16622,16627,16628,16629,16630,16632"]As a note, it's something simple but if you want plain black it's actually coming soon. I've got their charcoal design to review here but if that's not your style, just recently Peak Design has started to come out with new black designs. As of this article, it hasn't gotten to the 30L yet but can be found in their 20L Everyday Backpack, Field Pouch, and a new 5L sling pouch announced today.Overall when compared to some of the more traditional designs of other bag companies the Everyday backpack certainly catches the eye in looks but is it a good camera bag? That depends a bit on you as there is never a perfect bag ( Toby has tons). The Everyday Backpack is good for quick access but it loses out to efficiency a bit. It is expensive though compared to competition such as Toby's favorite MindShift Gear bag for $40 less which may be more convenient for those that really have to pack a ton of gear. Overall it's quite comfortable and the swing design of the arm straps can angle to size the person while the ribbed back design keeps you cool. If you are looking for something different with a great design and everyday use this might be a great bag for you.Also, check out Peak Design’s new Give a Shot program aimed at connecting photographers with non-profit’s - giveashot.org

Buy the 30L

Buy the 20L

Specs

  • Materials
    • Ultralight waxed Kodra synthetic canvas with DWR coating for weatherproofness, poly-spun mixed twill interior, compression-molded high-density EVA foam dividers and protective panels, die-cast and stamped anodized aluminum hardware with sandblasted finish and protective clear coat. Charcoal bags have Hypalon touchpoints, Ash bags have natural leather touchpoints.
  •  Lifetime Warranty
30L Everyday Bag

30L Everyday Backpack

20L Everyday Bag

20L Everyday Backpack

Volume
Min 18L - Max 30L
Min 12L - Max 20L
ExampleGear
Size
13" x 20" (up to 23") x 8"33cm x 51cm (up to 59cm) x 20cm
12" x 18" (up to 21") x 7"30cm x 46cm (up to 54cm) x 17cm
Weight
3.4lbs (1542g)
2.9lbs (1315g)
Flexfold Dividers
3
3
Tripod Carry
Side Pocket + Compression Strap
Side Pocket + Compression Strap
Color
Charcoal, Ash
Charcoal, Ash, Tan, Black

Sony a7R III - Early Review vs a7R II

B&H Photo is including a free FAST SD Card with preorder! 

I was part of a small pool of press who received an a7R III for an afternoon and evening of shooting. What follows are my thoughts - an early review of the a7R III and the Sony 24-105 f/4 OSS G Lens.

 https://www.youtube.com/watch?v=12WqGcLm_QE

The Sony a7R II was a warning shot to Canon and Nikon to stop underestimating mirrorless. The a7R II took the lessons learned with the original a7R and provided a high megapixel camera (42.4MP) with enough autofocusing power to easily work with many Canon lenses while offering the best dynamic range in its class, a stabilized sensor, and beautiful 4k video (not cropped)! The result is that over the last two years we have seen Canon and Nikon sales stagnate while Sony has moved into 2nd place, past Nikon. Though the a7R II sold well (and

continues to sell well

) and did entice a noticeable portion of photographers away from their DSLRs, the A7R II was not perfect. It had several drawbacks - poor battery life, a single SD card slot, just 5fps paired with a small buffer that, when full, greatly reduces camera functionality and, with the sacrifices made for the smaller body, a less desirable in-hand feel which lacked a dedicated focus point selector. The menu was a mess too. And, a few more issues that caused pro photographers concern, not directly related to the camera, too many Sony repair center horror stories and a lack of native Sony glass. I can't offer a critique of the repair department at this time except to say that Sony has recently added

Pro level repair centers in New York and LA

and clearly sees this as a priority. And, during the two years since the A7R II was released, Sony has released over a dozen lenses and now offers high-quality glass from wide to telephoto. Though, they are still missing some longer telephoto options and don't have much 3rd party support there either.

Hands-on with the Sony a7R III

https://youtu.be/FXejdcGKNIYThe AF improvements are huge! The a7R II AF does well but it wasn't something I would want to use to photograph any action or sports. Now, with the speed improvements in the a7R III, Sony states the AF is twice as fast as the previous model. This coupled with a greatly improved eye-AF system results in an incredibly capable camera that makes nailing focus easy. Again and again, I watched it accurately track erratically moving dancers and the eye-af worked great for nailing portraits of still or moving subjects - as long as an eye was somewhat visible.  No, it wasn't perfect - I saw AF confusion a few times but overall the AF hit rate was much higher than a comparably priced DSLRs AND the eye-AF made it easy- I don't even need to move the focus point near the eye - the camera just finds it and locks on. The Sony A7R III is now a camera capable of handling real action.

Walking portraits - with eye-af focus was idiot proof and easily locked onto and tracked the eye closest to you.

Improved Ergonomics and Usability

Sony A7RII Focus Point Selector

Sony A7RII Focus Point Selector

Custom buttons on the a7R III

Custom buttons on the a7R III

Sony a7R III Dual Card Slots

Sony a7R III Dual Card Slots

Sony a7R III Battery - Doubles Battery Life

Sony a7R III Battery - Doubles Battery Life

The dedicated joystick (focus point selector) for selecting AF point and a touch to AF LCD screen make this camera MUCH more user-friendly. Along with a dedicated AF-on button as well as an AEL button (that I recommend you assign Eye-AF) greatly increase the usability of this camera.  Overall, the ergonomics of this camera are improved, including the location of the record button. However, if you don't like the small grip size or feel that the space between grip and lens is tight on the a7R II or a9, you will still be disappointed as the a7R III is virtually identical to the a9 and feels the same in my hands. One item I noticed - the customizability of many buttons has been further improved with a huge list of assignable functions.Dual Card Slots! SD, not XQD. One is UHS-II, and I recommend Sony 64GB SF-G Series UHS-II SDXC. You can set the cards up to record RAW to one and JPEG to the other or stills to one and video to the other or simultaneous write (backup) or relay - as one card fills, it switches seamlessly to the other.Battery life has more than doubled from the Sony a7R II. The Sony a7R III uses the new A9 battery, the Sony NP-FZ100, which more than doubles battery life.I shot 1845 photos with the a7R III and 20 minutes of video - that used less than 50% of the battery! And, almost this entire time when I wasn't taking photos, I was playing with the menu and connecting to wifi. We should also see a serious improvement in cold weather performance (I will be testing the A7R III in Alaska in early December). Sony has also added a USB-C 3.1 port and the standard micro USB which means additional charging options while shooting, tethering or connected to a remote trigger or intervalometer. You can also use the a9 battery grip with the a7R III.The 10 FPS makes this a much more versatile camera making it capable of handling sports and action. Having the same speed silently with the electronic shutter is also impressive, though limited, as I do see some rolling shutter issues with moving subjects - this sensor cannot be read-off as fast as the a9 (which exhibits no rolling shutter in silent mode). The buffer and write speed to the card has been improved. In general, this is a much more responsive camera than the a7R II but, when you do fill that buffer up with uncompressed RAWS and shooting simultaneously to two cards, you will be waiting some time. I have only tested with two SD cards so will be reporting on this in more detail in my detailed review. 

10fps of a spinning dancer

Upgraded a7R III Menu - now color coded

Upgraded a7R III Menu - now color coded

Photow_-_Google_Photos-650x522.png

 The viewfinder upgrade, now like the a9, is larger with a higher resolution screen and is bright and beautiful. It is a welcomed improvement.Image and video quality do not look drastically different from the already excellent a7R II. I will be testing more with side by side comparisons against the a7R II, Canon 5D Mark IV and Nikon D850 in the near future.The menu is still a bit of a mess, but borrowing from the a6500 and a9 systems it is now color-coded, with more helpful icons and a "my menu" section where you can place your frequently used items.No access to the play memories store - so timelapse fans will need to buy an intervalometer. BUT with the additional USB-C port you can charge the camera while running longer time-lapses. All other apps you may have used on the Sony a7R II or other models is not available in the a7R II. I do not know why they have made this choice.

Should You Buy the Sony a7R III?

I have spent only one day with the camera, but based on my experience, if you have been waiting for a Sony camera that can truly replace your DSLR or you are an a7r or a7ii shooter, this is a camera I can happily recommend. Should a7R II users consider upgrading? I have decided to upgrade based on the increased AF and usability of this camera. I love the a7R II image quality and for landscape or general travel it has been a fantastic camera but anytime I found myself shooting portraits or action (wildlife in Tanzania last year) I was frustrated with the usability of the camera - slow to move focus point, slow to respond after shooting a burst. The upgrades the camera provides in this area are enough for me to make the move. Pair the new Sony a7R III with the new 24-105 f/4 G OSS lens and you have a fantastically versatile camera.Videographers should you buy the Sony a7R III? - No, you should wait and see what the A7S III will bring - hopefully 4k at 60fps.Should you buy the a7R II or the a7R III - With only a slight difference in image quality it comes down to speed and useablity. Do you need the increased speed of AF and do you want a camera that is the more DSLR like in its control and operation? The existing Sony a7R II is still a fantastic camera and an excellent value.I love answering your questions and will be back with more hands-on and answers to your questions in the next couple of weeks. Be sure to watch the linked video and leave your question in the comments.

Preorder the a7R III from B&H Photo 

A FEW RAW FILES FROM THE SONY A7R IIISAMPLE IMAGES

Nikon D850 Hands-on Review | Sample Images

The Nikon D850 is easily the best DSLR on the markethttps://youtu.be/foxvRAw3fI0Highlights of the Nikon D850

  • This camera feels wonderful in the hand and offers a control layout that just works really well - except auto ISO dial, it's a little awkward to switch that on and off- but bracketing, focus modes, the excellent and dedicated focus nub all make for an extremely pleasing operation.

  • Lighted buttons, something they started with the D500 and standing under the stars a few nights ago in Acadia NP - all the other photographers on the trip were quite jealous of my softly illuminated buttons that make low light and night photography a dream

  • Beautiful big bright viewfinder AND a vibrant and gorgeous screen that is fully touch-enabled the menus work, touch to focus works even with heavy ND filters on AND it is articulated - though like Sony only tilting.

  • Additional features - like intervalometer that makes possible an 8k time lapse - you can drop to 4k and have the video created in camera. The 8k just produces stills that you need to use software to turn into a video. Focus peaking through frustratingly it doesn’t work when shooting 4k, only at 1080p, focus shift for stacking and creating images with huge depth of field which can be useful in some situations.

  • Awesome image quality- excellent image quality with lots of room to brighten the shadows before you see noise and great higher ISO performance AND a 45mp sensor. Zooming on these images is lovely - so much detail, so much room to crop.

  • 4k video, that isn't cropped AND this is all packaged in a capable and versatile camera.

  • Impressive AF system,

  • Access to all of Nikon lenses

  • Greatly improved live view experience vs past Nikon cameras

Negatives of the Nikon D850

  • Focus during video is terrible, extremely distracting slow, hunting- you can use an AF-P lens and it gets a little smoother but still nothing like the dual pixel AF of Canon or Sony’s smooth AF system.

  • Shooting video without a viewfinder is difficult in brighter conditions and the focus peaking that Nikon nicely added doesn’t work during 4k filming

  • DSLR focusing systems often need AF adjustments to work their best and while Nikon provides an in-camera system for adjusting focus - it is limiting and I have images that are out of focus due to alignment or shutter shock or mirror slap.

  • Disappointing battery life if you find yourself using the screen often

  • Customizable buttons are limited in what you can assign

  • It’s a BIG camera. Sure for some of you that’s a check mark in the pro column but after using a variety of mirrorless cameras over the last year I appreciate a smaller, lighter camera and yes, if using a full frame Sony as you start to add lenses the weight savings start to disappear but you at least have the option of traveling much lighter at times with lightweight lenses.

Nikon D850 vs D500

The D500 is a little lighter (155g lighter) a little faster (10 fps vs 7fps, though you can bump that up with the battery grip for the Nikon D850) and you get more reach with the D500 crop sensor and can use lighter, smaller crop lenses BUT the D850 has a crop mode that will give you that same extra reach and provides excellent edge to edge AF coverage. The D850 also does much better in low light with that full frame sensor.Buy the D500 if you are dedicated wildlife or sports/action photographer and spend the savings on a nice telephoto lens.Everyone else should buy the D850 for it's excellent all-around image quality and low light performance.Should you upgrade from the Nikon D750. Honestly, the D750 is still one of the best values in DSLRs on the market and continues to perform well. Only upgrade if you have been frustrated with low light performance or AF system.

D850

D850

amazon logo

amazon logo

Sigma 24-105

Sigma 24-105

amazon logo

amazon logo

D500

D500

amazon logo

amazon logo

Sample Nikon D850 Photos

All in all, I would be very happy to use this camera for landscapes where I can use the screen and know that focus is really dialed in. Throw the very sharp sigma 24-105 f/4 on and you have a killer combination. But these days I do appreciate a lighter camera and will often choose a Sony over the Nikon. Especially the new Sony a7R III Use the link squarespace.com/photorectv to save 10% off your purchase of a site or domain name and find the link below for a more helpful guide.

Featured Photos Weekly Challenge - Double Exposure

Instagram Challenge

This Week’s Challenge: #PRTV_doublexposure

A challenging topic for the new set of challenges! Not too many entries but we can't make it a cakewalk on every challenge or it wouldn't be a challenge. So thank you that entered and we’ll see you next week for a spooky set of shots, your photos rocked! Next Week’s Challenge: #PRTV_halloween2Find out more about upcoming challenges and past winners at photorec.tv/prtv.You can follow Photorec.TV on Instagram at @Photorec.tv and the team:

Team FeatureTeam FeatureTeam Feature
Toby’s Features:
Roy’s Features:

Like you said the grass makes for a neat beard, managing to incorporate the two images in a way that seamlessly connects them makes for a great shot this week.

It’s a nice creative shot that reminds me of a ship in a bottle. It was a good idea using a high key shot as the base to keep the shot nice and light.

Hands-on with the Sony a7R III & Sample Images

Sony announced the Sony a7R III early yesterday morning and it’s quite the camera. The Sony a7R II has been my personal choice for photography for the past two years and the a7R III improves on an already solid camera.  You can watch my preview video below for a detailed look- since recording that video I have spent hands-on time with the camera and can tell you -
  • The AF improvements are huge - from having a dedicated joystick for selecting the focus point to touch AF on the LCD to a noticeably faster and more capable AF tracking and a mind-blowing Eye-AF system(the camera locks onto your subject's eye).
  • Battery life has more than doubled from the Sony a7R II. The Sony a7R III uses the new A9 battery the Sony NP-FZ100 which truly more than doubles battery life. I shot 1845 photos with the a7R III and 20 minutes of video - that used less than 50% of the battery!
  • 10 FPS with mechanical shutter or electronic (Rolling shutter does make an appearance with moving objects in electronic mode)

via GIPHY

  • Sony listens - the AF improvements, battery life, fps and now DUAL CARD slots along with a host of additional features means Sony truly listens to the photography community and has provided a camera that nicely takes this mirrorless camera to a level that can replace your DSLR.
  • The ergonomics and usability of this camera is much improved over the A7RII - it feels better in the hand and the placement of AF-on, the focus selector and the record button are all excellent
  • The viewfinder is so bright and beautiful.

Bummers - No access to the play memories store - so timelapse fans will need to buy an intervalometer BUT with the additional USB-C port you can charge the camera while running longer time-lapses.

Image quality doesn't look drastically different from the already excellent a7R II but if you have been waiting for a Sony camera that can truly replace your DSLR or you are an a7r or a7ii shooter - this is an upgrade I can happily recommend.  I love answering your questions and will be back with more hands-on and answers to your questions in the next couple of weeks. Be sure to watch the linked video and leave your question in the comments.

Preorder the a7R III from B&H Photo 

SAMPLE IMAGES

A New Lightweight 24-105mm f/4 Lens From Sony

FE 24-105mm F4 G OSSAlong with the Sony a7R III, more on that here, we've also got a new 24-105mm lens this week from Sony. The Sony FE 24-105mm f/4 G OSS Lens is a nice addition to the current lineup in sharpness, focus, and weight. We'll have more on this lens and the Sony A7R III as Toby is on location with it in New York so keep an eye out for more info.The lightest among the 24-105 lenses out, it's a great wide to mid-telephoto range for photography and perfect for travel, weighing 23.4oz (663 g). Compared to Canon and Nikon it's MTF chart shows a large improvement vs the competition with great corner to corner sharpness. Multiple extra-low dispersion and aspherical glass elements, with a Nano AR coating as well cut down on distortion and reducing flaring while boosting sharpness.Silent and fast featuring DDSSM (Direct Drive SSM), benfits photographers AND videographers. It can handle slow speeds fine with Optical SteadyShot image stabilization to create crisp photos at low speeds. Dust and moisture-resistant design.Preorders start today on the Sony 24-105mm lens for $1,298.00 and the a7R III. If you have been thinking of switching to Sony now is the time. Great performance with a small size should be good on the go for traveling or just as a convenient zoom lens.

Sample Photos

[gallery ids="16364,16365,16366,16367,16368,16369"]

Specifications

Sony FE 24-105mm f/4 G OSS Lens

  • Mount: Sony E-mount
  • Format: 35 mm full frame
  • Focal Length: 24-105mm
  • 35mm EquivFocal focal Length (APS-C): 36-157.5
  • Lens Groups / Elements: 14-17
  • Angle of View on APS-C: 61°-15°2
  • Angle of View on Full Frame 84°-23°
  • Aperture Range: F/4 - 22
  • Aperture Blades: 9
  • Minimum Focus Distance: 1.25ft (0.38 m)
  • Filter Size: 77mm
  • Image Stabilization: Optical SteadyShot
  • Size: 3-3/8 x 4-1/2 in (83.4 x 113.3 mm)
  • Weight: 23.4 oz (663 g)

Press Release

Sony Expands Full-Frame Lens Lineup with New Compact, Lightweight FE 24-105mm F4 G OSS Standard Zoom Covering Wide-angle to Mid-telephoto rangeNew E-mount FE 24-105mm F4 G OSS Standard Zoom Delivers Serious Still and Video Performance with Compact Design  NEW YORK, Oct. 25, 2017 – Sony Electronics, a worldwide leader in digital imaging and the world’s largest image sensor manufacturer, has today introduced the latest addition to their expanding full-frame E-mount lens lineup, the FE 24-105mm F4 G OSS Standard Zoom (model SEL24105G).The new full-frame lens covers the commonly used 24 to 105mm focal length range, delivering outstanding G Lens™ imaging performance with the most lightweight design in its class1, maximizing its versatility and usability.  Therefore, the FE 24-105mm F4 G OSS can be used for versatile shooting such as landscape, portrait, wedding and so on.  This lens also features fast, precise and quiet autofocus capabilities in both still and video shooting, making it an ideal complement for Sony’s extensive lineup of E-mount cameras.High Optical Performance and Outstanding Resolution             Sony’s new FE 24-105mm F4 G OSS lens delivers excellent corner-to-corner sharpness throughout the entirety of its zoom range, while also producing beautifully rendered ‘bokeh’ or background defocus at all focal lengths.This high image quality is made possible thanks to its advanced optical design featuring four aspherical lens elements, two of which are high precision AA (advanced aspherical) lenses.  There are also three strategically located ED (Extra-low Dispersion) glass elements that work in combination with the aforementioned aspherical lens elements to minimize chromatic aberration and ensure the ultimate resolution is captured.The lens also has Sony’s original Nano AR coating to minimize flare and ghosting, and utilizes a circular aperture to ensure it delivers high quality bokeh that is consistent for all Sony’s G series.Compact, Lightweight Design and Shooting Flexibility            The new FE 24-105mm F4 G OSS lens weighs in at approximately 663 grams (23.4 oz), making it the lightest lens in its class1.  When combined with one of Sony’s compact E-mount bodies, it gives photographers and videographers a far more mobile, manageable camera system that greatly increases their shooting flexibility.In addition to the compact design and versatile 24-105mm focal length, the new lens has a minimum focus distance of 1.25ft, allowing for impressive close up detail.  It also includes built-in optical image stabilization to make it easier to produce sharp, blur-free images when shooting handheld.Highly Advanced and Accurate AutoFocusIn order to keep up with fast-moving subjects, the new standard zoom lens features a DDSSM (Direct Drive SSM) system that is capable of rapid positioning of the lens’ focus groups with high accuracy and very minimal noise.  This advanced system combined with a constant F4 aperture at all focal lengths makes the SEL24105G an excellent choice for both still and video shooting.Further adding to its versatility, the new standard zoom lens also features a customizable focus hold button, a dust and moisture resistant design2 and a fluorine coating on the front element to help minimize dust, water, oil and other contaminants.Pricing and AvailabilityThe new FE 24-105mm F4 G OSS Standard Zoom Lens will ship this November for about $1,300 US and $1,700 CA.1. Compared to currently available full-frame 24-105mm F4 standard zoom lenses (October 25th, 2017, Sony research)2. Compared to currently available full-frame 24-105mm F4 standard zoom lenses (October 25th, 2017, Sony research)2. Not guaranteed to be 100% dust and moisture proof

Sigma Announces the 16mm f/1.4 DN - Better Lenses for Sony a6300/a6500

Mixing a comfortable wide-angle design with an ultra-fast maximum aperture, this 16mm f/1.4 DC DN Contemporary Lens from Sigma is a 24mm-equivalent prime for APS-C-format Sony E-mount mirrorless cameras like the a6300 and a6500. With a bright f/1.4 maximum aperture, this lens is well suited for low-light conditions and also affords increased control over depth of field. With a 9-bladed aperture design for smooth background blur. This lens also sports a stepping AF motor for quick, quiet, and smooth focusing performance that suits both still photography as well as video applications. Additionally, a weather-sealed, durable construction enables this 16mm f/1.4 to excel in inclement weather conditions.Suitable for the stars or landscape work as well as an excellent focal length for general walk around photography. Available in Sony and Micro 4/3 mounts.[gallery td_select_gallery_slide="slide" ids="16358,16359,16310"]

  • E-Mount Lens/APS-C Format
  • 24mm (35mm Equivalent)
  • Aperture Range: f/1.4 to f/16
  • 3 FLD, 2 SLD, and 2 Aspherical Elements
  • Super Multi-Layer Coating
  • Stepping AF Motor
  • Rounded 9-Blade Diaphragm
  • Weather-Sealed TSC Construction

Preorder Links at B&H Photo

Sony Rebates

Sony RebatesBig sales for Sony today with new rebates and freebies you NEED to check out! Get Toby's great Sony a7R II, the camera that takes a lot of those travel shots, for cheap. Even if you are just starting out they've even got deals on the Sony a5100 and a6300. It's worth your time to look if you want to upgrade or have thought about making that switch to Sony.

And More! 

  

Sony Rebate

Tamron 18-400 Review: Hands-on

The Tamron 18-400 is an incredibly versatile lens crop sensor lens. In this video, I take it whale watching with San Juan Safaris in Friday Harbor and compare it against the Sigma 24-105 and the Sigma 100-400 telephoto lens.https://www.youtube.com/watch?v=uNZEVT0edkQ 

Tamron 18-400 Lens Specs

  • APS-C Format
  • 28.8-640mm (35mm Equivalent)
  • Aperture Range: f/3.5 to f/40
  • Three LD and Three Aspherical Elements
  • HLD Autofocus Motor
  • VC Image Stabilization
  • Moisture-Resistant Construction
  • Electromagnetic Diaphragm
  • Rounded 7-Blade Diaphragm
  • Compatible with TAP-in Console
Sample RAW files (For Personal Use Only)

Featured Photos Weekly Challenge - Warm

Instagram Challenge

This Week’s Challenge: #PRTV_warm

A start to fall color with #PRTV_warm! In northern Michigan fall is in full blast and it should be starting around the other northern states at the moment. It’s nice to see people experimenting with out of the box ideas like split toning for a warmer hue and finding warmer colors or ideas for their shots. Next Week’s Challenge: #PRTV_doublexposureFind out more about upcoming challenges and past winners at photorec.tv/prtv.You can follow Photorec.TV on Instagram at @Photorec.tv and the team:

Team FeatureTeam FeatureTeam Feature
Roy’s Features:

While I wish we met up for the shoot it’s a neat shot for this week. Remember our challenges are open ended so out of the box ideas are encouraged!

#speedcult #speedculttim #dropzone #detroitphotographer #ratrig #flamethrower #prtv_warm #prtv

A post shared by bob grzembski (@bobbiog_) on

Rose’s Features:

I love the flow of trees into fog in this composition with the hint of warm color in the trees.

When the fog meet the forest during this incredible clouds inversion phenomen we had.

A post shared by Adrien Catel (@adriencatel) on

This image is such a classic fall shot. The composition is simple but strong. I love the contrasting colors.

Fall Watercolors

A post shared by Jeff Kuhn (@jkuhn36) on

Another classic fall shot. I love that the little girl is facing away from the camera. I think the action element adds to the story here. She’s perfectly composed in this image.

Running through the pumpkin patch on a crisp autumn day. Could it get any better? #pumpkinpatch #fall #autumn #pumpkins #prtv_warm #prtv

A post shared by Heather - Fat Happy Photog (@fathappyphotog) on

A New Lightroom and a Faster One

Lightroom ClassicLightroom Cloud

A Tale of Two Lightrooms. So what did we get?

The program we know as Lightroom has been rebranded/split by Adobe into two products. A fully cloud-based service and the standard desktop version (the one you're used to), now called Lightroom Classic. While Lightroom is now in the cloud, changes to either can be synced between programs. Watch the video below to learn more.https://www.youtube.com/watch?v=vNBpWGJE5VMQuick Tip: If you are having trouble seeing the updates open the Adobe cloud program in your taskbar. Sign out of the program, then sign in to see the new updates.

A New Lightroom

A big update to the existing Lightroom web platform, we've got a cloud version of Lightroom for desktops, tablets, and phones. Image editing you want but in a simplified package that Adobe made for you to use on all your devices. This new Lightroom is a streamlined version that's simpler to use and ready for on the go work.

  • Cloud Storage with Lightroom CC storing all your full-resolution photos, including RAW files, safely in the cloud (1TB of space comes with the plan, more is available).
  • Adobe Sensei - No more keywording, or at least less, with a smart search using machine learning to find your photos. Want a bridge photo you took? Type in a bridge and all your bridge photos pop up, no work required.
  • Sharing tools to push photos out to social media like Facebook or build a web gallery in a snap.
  • Instead of a library photos will be stored in albums, think of this as collections in Lightroom Classic.

Lightroom Classic

Lightroom Classic

The "New" Lightroom Classic is the same Lightroom you're used to, but with massive speed boost! After taking suggestions from users Adobe has overhauled Lightroom into a much speedier program, especially in the Develop module. (my early testing shows a significant increase in speed for some tasks while others remain fairly slow)

  • Lightroom Embedded PreviewBetter, Faster, Stronger
    • Faster loading time
    • Faster import with "Embedded & Sidecar" option
    • Faster Smart Previews
    • Faster Switch to Develop
    • Faster Rending Images
    • Faster Scrolling images
    • Faster brush rendering
    • JUST FASTER... FINALLY

ONE NEW FEATURE

  • New Edge Refinement - New quick selection masks for local adjustments using color and luminance range masking. Color masking lets you select a range of color, luminance lets you select by a certain brightness.  Watch the video above to see a demonstration of the new  masking.

Photoshop

Everything gets updates today. New easy access for LR photos, a new pen tool, tips and more:

  • A new Learn panel, the first big step for those new or just starting with Photoshop with step by step tutorials for tools and basic editing. They've also included new tooltips with little images and animations to help you along.Photoshop Lightroom Photos
  • Lightroom photos will pull your photos from the cloud directly into Photoshop.
  • Copy and paste multiple layers in one go, keeping their order and location.
  • Support for 360 Degree image editing and Apple HEIF
  • Curvature Pen Tool - For those that hated the pen tool, Adobe has a friendlier pen tool to get the curves you need.
  • Brush updates with new management, stroke smoothing to prevent jitters, and more brushes.
  • Photoshop also gained a slight performance boost. As well as Adobe improving all their algorithms for cleaner lines, better filters, upscaling, and more.

Adobe Plans

Lightroom comes in three flavors now. The regular Creative Cloud Photography Plan stays the same price but now gains 20GB of cloud storage. Existing Creative Cloud Photography Plans can switch to the new 1TB plan for more cloud storage and get $5 off for the first year.Despite the fact they promised they wouldn't,  Adobe Standalone products are gone with Lightroom 6 as the last version. This was the Lightroom software packaged separate, not requiring the monthly charge and did not include Photoshop. The current standalone software will get an update for the Nikon D850 at the end of the month with camera support updates for this year only.All-in-all it's an extensive update to existing programs, and new ones as well. The biggest improvement, being the speed boosts with Lightroom Classic people have been asking for since last year. The new Lightroom cloud system is an interesting update and we'll have to see what happens as Adobe continues to work on the platform.  

Lightroom CC planLightroom CC plan
  • Lightroom Cloud Only
  • Adobe Spark
  • Adobe Portfolio
  • 1TB of cloud storage
  • $9.99/mo
Photography planPhotography plan
  • Lightroom CC
  • Lightroom Classic
  • Photoshop CC
  • Adobe Spark
  • Adobe Portfolio
  • 20GB of cloud storage
  • $9.99/mo
Photography plan with 1TB cloud storagePhotography plan with 1TB cloud storage
  • Lightroom CC
  • Lightroom Classic CC
  • Photoshop CC
  • Adobe Spark
  • Adobe Portfolio
  • 1TB of cloud storage
  • $19.99/mo ($14.99 for existing accounts)

Score Fuji Deals

fuji dealsToby loved the Fuji X-T2 and it's on sale today. You can pick it up, along with the best walk around lens with this month's deals. But you don't have to take it from me, check out Toby's review below for this hot mirrorless camera.[embed]https://www.youtube.com/watch?v=OKew22eOUQI[/embed]

Highlights:

  • 24.3MP APS-C X-Trans CMOS III Sensor
  • X-Processor Pro Engine
  • 0.77x 2.36m-Dot OLED Viewfinder
  • 3.0" 1.04m-Dot 3-Way Tilting LCD Screen
  • Internal UHD 4K Video & F-Log Gamma
  • Two UHS-II SD Slots
  • Built-In Wi-Fi Connectivity
  • 325-Point Intelligent Hybrid AF System
  • Up to 8 fps Shooting and ISO 51200
  • Weather-Sealed Body
  • XF 18-55mm f/2.8-4 R LM OIS Lens

Best Canon Lenses on SALE!

Canon RebatesCanon has a new batch of rebates including their top L grade lenses you can buy. The Canon 24-70mm and 70-200mm lenses are excellent and versatile pieces of glass - sharp, excellent in low light and a pair of lenses coveted by wedding, event and portrait photographers. The Canon 100mm Macro is a close-up dream lens for macro shots such as rings, product photography, and can still do portraits if you're in a pinch. Check the B&H rebates page out, Canon has deals on these lenses and more!

Canon EF 24-70mm f/2.8L II USM LensCanon EF 24-70mm f/2.8L II USM LensInstant Savings: $200.00

New Way to Upload to Instagram (and Not Get Shadow Banned)

We get asked a lot how to upload to Instagram, I even covered it a couple years back. The problem is that most of the older methods have fallen to the dreaded "Shadow Ban". If banned Instagram hides your hashtags so you don't gain followers, but stealthily so you don't notice. With that in mind, Felix Sun used a recent mobile trick to make a mini Instagram program that lets you upload via Mac or PC for free.Recently Instagram allowed mobile uploads, using the browser on your phone you can upload to Instagram without having the app installed. Using this trick you can tell your desktop's browser to pretend it's a mobile device and upload away. But it's a bit of a clumsy trick that is more advanced. Felix's program is a mini version of chrome already set to mobile, just log in the first time and upload. A dialog box will pop up to add a file then the rest is like normal.Head over to windowed.io and check it out. Upload an easy way, or at least until they ban this as well. Our official and Instagram friendly uploader of choice is Later.com. You can check it out in Toby's video here and it lets you schedule posts.If you were wondering how to do it in a browser anyway:In Safari

  • Enable the Develop Menu. Click Safari, Preferences, then Advanced. Check 'Show Develop menu in menu bar'.
  • Now while on Instagram.com. Click the new Develop button in your menu, user agent, then iPad. You may have to refresh the page.

In Chrome

  • You can install User-Agent Switcher, the new button in the top right when clicked lets you tell Instagram you are a mobile device. Just remember to turn it off when you leave Instagram.
  • Without using an extension, press F12 for Developer Tools. Click the phone icon at the top left of the new panel or press Ctrl+Shift+M. The top left option to the left of dimensions lets you choose iPad, then reload the page.

Beyond the Settings - Manual Mode & Auto ISO

https://www.youtube.com/watch?v=gR5JCfqLb-IGet beyond the settings and focus on the image, the key point to a recent article we had on the weekly live show. As photographers when we go to shoot we're balancing the camera settings, composition, timing, not tripping on something, and possibly handling a model. When you're starting out you usually cram learning the camera settings, but what's the next step?

As you move beyond the basic settings and focus more on composition your photography is going to improve immensely.

How we approach a scene usually goes aperture, shutter speed, then ISO. A shallow setting like f/2.8 is perfect for a portrait but a landscape needs something a bit slower at f/8 (btw, video on aperture coming soon!). Next shutter speed comes into play, you need to make sure the shutter speed is 2x the focal length to be safe, the reciprocal rule. You can find out more about shutter speed settings here and here. Once we get that down as a start, then we need to move past it to improve.

 What about AV mode? We've all been at the mercy of a wrong camera setting at some point. The thing is the camera is smart, but it's not you, it just sees pixels and can't interpret a scene. Especially if my subject is moving, dancing, running and even walking - the camera doesn’t know this on AV mode and you'll end up with a blurry subject. Manual puts you in control letting you tell the camera what you need.But AUTO ISO can be good - Compared to aperture or shutter speed, ISO means the least to a shot technically. That it affects exposure and noise only, compared to aperture and shutter speed that drastically alter the look of a shot. With modern cameras, a high ISO setting can mean a bit of noise and has to be extremely high before it is a detriment to a photo. Having AUTO ISO on takes away part of the exposure triangle I have to focus on and lets me concentrate more on composition and timing.If you are starting out get those camera settings down. That way it's secondhand, so you don't need to be chimping (checking the screen) when it counts. Once you understand that then you can let the camera take over, a little bit, giving you room to be creative and focus on more important issues.

Featured Photos Weekly Challenge - Faceless

Instagram Challenge

This Week’s Challenge: #PRTV_faceless

A focus on people this week without the face. We typically go for headshots so this is a nice focus on the other angles for some creative shots. Next Week’s Challenge: #PRTV_warmFind out more about upcoming challenges and past winners at photorec.tv/prtv.You can follow Photorec.TV on Instagram at @Photorec.tv and the team:

Team FeatureTeam FeatureTeam Feature
Toby’s Features:

The classic mud puddles kids shot that works great for this challenge, having the face away lets us fill in for the emotion.

Little boy heaven. #mudpuddles #dinosaur #freerangekids #prtv_faceless #autumninny

A post shared by Jen Andrews Photo (@jenandrewsphoto) on

Great symmetry and the tunnel really pulls the focus center to you and the horse.

Roy’s Features:

A nice minimal shot with the focus on the person. This reminds me of a shot from the Star Wars trailer.

A Quick Fix With Sugru

SugruHopefully, your weekend went better than mine the other day, I accidentally broke my intervalometer's cable... Always fun. So in cases like this, it's where I break out the Sugru, a mouldable glue that hardens into a rubberized silicone. You might remember a few years back in an article, I used this on my tripod plate adapted for Black Rapid making a tighter fit and keeping everything snug. Since I'm cheap and an intervalometer costs about $20 I'll go with the $4 fix.Sugru is basically like Play-Dou for adults so using it is pretty simple. Once opening the package all I had to do was stick it to the cable, shape it, and let it sit for a day. Compared to electrical tape it makes a thorough seal that works great. As it's made from silicone it's waterproof, handles heat/cold, durable, and shockproof... so perfect for fixing a cable. It's great for DIY repairs as Sugru sticks permanently to lots of stuff like ceramics, glass, metal, wood, rubber, most plastics, and fabrics.      Some Tips For Using Sugru:

  • There's a new family-friendly formula that's less messy and the original formula. Personally, I stick with original but it's up to you, I use gloves with the original as its a bit sticky.
  • Store in the fridge to get it to keep longer, 3X! I throw it in the butter drawer honestly and get it to last about a year or more.
  • Make sure everything is clean, including you. Sugru bonds better to clean surfaces and it tends to pick up dust so keeping clean is best. I use a paper plate for a clean area, sugru can stain when fresh and a plate is disposable.
  • Pressing against it with a flat object helps get smooth edges. It's like Play-Dou, just using something smooth rolled against it adds a nice clean finish. If it's sticking apply some soapy water to your object to smooth it out without sticking.

Repairing cords is just the start though really. Add magnets to hold gear, repair a hole in your camera bag, make stands for product photos, make a clip, bond two pieces of gear together for a mount, make a grip, and more.Sugru SaleJust FYI, use the code PARTYHAT at Sugru's site for 40% from now until Sunday, October 8th, midnight PST. Otherwise, if you missed out check out Amazon to get a great deal and get your DIY on today. As a little goes far I suggest the 3 packs (black | white | mixed), just remember to store them somewhere cold to last longer.  

GH5 - 6 Month Review & GH5 Firmware 2.0 & GH5 Tips and Tricks

GH5 - 6 Month Review -

No other camera produces beautiful and stabilized footage at this price point and this easily. The perfect camera for capturing your video needs from vlog style travel to serious documentaries and indie films.https://www.youtube.com/watch?v=oRZI1WugGqw[gallery ids="16107,16108,16109,16110,16111,16112,16113,16114,16115,16116,16117,16118,16119,16120,16121,16122"]

Travel Videos Captured with the GH5

Gear Used & Recommended

GH5 Mirrorless Micro Four Thirds Digital Camera Lens Options

Affordable Zoom Lumix G Vario 45-200mm f/4-5.6 II POWER O.I.S. Lens Rode VideoMicroAvoid 3rd party Batteries and buy PanasonicFor stable walking footage, Zhiyun-Tech Crane v2 3-Axis Handheld Gimbal Stabilizer